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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The
Non classifié
109 772
Piano & claviers
Piano seul
110 431
Piano, Voix
56 298
Piano, Voix et Guitare
48 481
Piano Facile
32 887
Orgue
8 542
Instruments en Do
7 737
Piano grosses notes
5 853
Accompagnement Piano
4 753
1 Piano, 4 mains
3 547
Accordéon
2 428
Piano Trio: piano, violon, violoncelle
1 090
Piano (partie séparée)
809
2 Pianos, 4 mains
642
Piano Quatuor: piano, violon, alto, violoncelle
301
Piano Quatuor: piano, 2 violons, violoncelle
278
Orgue, Piano (duo)
229
Piano Quintette: piano, 2 violons, alto, violoncelle
218
Ligne De Mélodie, Piano
185
Orgue, Trompette (duo)
185
Clavecin
135
Clavier
125
1 Piano, 6 mains
99
Accordéon, Voix
78
Instrument seul et Orgue
64
2 Pianos, 8 mains
43
2 Accordéons
29
Ensemble d'Accordéons
21
Orgue, Voix
13
Tous Les Instruments
9
Fake Book
8
Accordéon, Piano
5
2 Orgues (duo)
4
Accordéon et Orchestre
3
Accordéon, Corde(s)
3
Concertina
2
3 Pianos
2
Ensemble de Pianos
2
Piano Trio: Instruments de chambre mixtes
1
Orgue et Orchestre
1
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
+ 35 instrumentations
Retracter
Guitares
Guitare notes et tablatures
29 585
Ligne De Mélodie, (Paroles) et Accords
27 457
Guitare
10 539
Paroles et Accords
8 609
Ukulele
7 456
Basse electrique
6 047
Guitare (partie séparée)
1 097
2 Guitares (duo)
784
Mandoline
752
Piano, Guitare (duo)
578
Banjo
559
Dulcimer
523
4 Guitares (Quatuor)
298
Ensemble de guitares
228
Ukulele Baryton
181
Basse électrique (partie séparée)
146
3 Guitares (trio)
123
Ensemble de Ukulélés
114
Partitions De Groupes
91
Guitare Pedal Steel
52
2 Dulcimers (duo)
39
Guitare, Violon, Violoncelle (trio)
24
Dobro
21
Mandoline, Guitare (duo)
20
2 Ukuleles
17
Mandoline, Piano (duo)
14
Guitare, Flûte, Clarinette
9
Guitare Tab, Voix, Basse, Batterie
8
Cithare
8
Luth
7
2 Mandolines (duo)
6
Guitare, Quatuor à cordes
4
Guitare, Orchestre
4
3 Dulcimers (trio)
4
Bouzouki
2
2 Guitares et Orchestre
1
Orchestre à Plectres
1
+ 32 instrumentations
Retracter
Voix
Chorale SATB
39 896
Chorale 3 parties
14 377
Chorale 2 parties
10 282
Pack Instrumental pour Chorale
7 992
Chorale TTBB
7 475
Chorale Unison
5 145
Chorale SSAA
3 988
Voix duo, Piano
2 836
Voix seule
2 571
Chorale
2 563
Voix duo
1 162
Voix Soprano, Piano
902
Voix haute
808
Voix Alto, Piano
614
Voix Tenor, Piano
583
Voix Baryton, Piano
375
Voix basse, Piano
264
Voix moyenne, Piano
221
Voix Tenor
118
Chorale SSATB
116
Chorale SSAATTBB
115
Voix, Guitare
87
Voix Mezzo-Soprano, Piano
60
Voix Soprano
54
Chorale SSATTB
49
Chorale SSAB a cappella
43
Soli, choeur mixte et accompagnement
40
Voix basse
39
Chorale SSAB, Piano
33
Chorale SSATBB
23
Voix Baryton
18
Voix haute, Piano
17
Chorale SSAATB
16
Chorale, Orgue
12
Chorale SATBB
10
Voix Moyenne
9
Male Voice
8
Chorale SAATB A Cappella
7
Voix Soprano, Orchestre
6
Chorale SATTB
4
Voix (avec Boîtes d'Accords)
3
Chorale SATTBB A Cappella
3
Paroles Seulement
2
Chorale SSAATB A Cappella
1
Voix duo, Orgue
1
Voix d'Enfants
1
Chorale SATTBB, Clavier
1
+ 42 instrumentations
Retracter
Vents
Saxophone (partie séparée)
10 699
Flûte traversière
10 123
Flûte traversière et Piano
9 063
Clarinette
8 742
Quatuor de Saxophones: 4 saxophones
7 311
Saxophone Alto
6 728
Clarinette et Piano
6 242
Saxophone Tenor
5 866
Saxophone
5 798
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5 127
Hautbois, Piano (duo)
4 974
Flûte, Hautbois, Clarinette, Basson
4 944
Saxophone Alto et Piano
4 818
Clarinette (partie séparée)
4 777
2 Saxophones (duo)
4 633
Quatuor de Clarinettes: 4 clarinettes
3 969
2 Flûtes traversières (duo)
3 826
Saxophone Tenor et Piano
3 512
2 Clarinettes (duo)
3 206
Hautbois (partie séparée)
3 149
Flute (partie séparée)
2 528
Saxophone Soprano et Piano
2 189
Quintette de Saxophone: 5 saxophones
2 130
Quatuor de Flûtes : 4 flûtes
2 054
3 Saxophones (trio)
1 692
3 Clarinettes (trio)
1 605
Flûte, Clarinette (duo)
1 413
Ensemble de Clarinettes
1 238
Hautbois
1 218
Trio de Flûtes: 3 flûtes
1 080
Saxophone Baryton, Piano
1 022
Ensemble de Flûtes
971
Flûte à Bec
941
Quintette de Clarinettes: 5 clarinettes
935
Flûte et Guitare
909
2 Hautbois (duo)
877
Ensemble de saxophones
855
2 Flûte à bec (duo)
706
Saxophone Soprano
689
Hautbois, Basson (duo)
683
Cor anglais, Piano
677
Clarinette, Violon (duo)
666
Flûte à bec Soprano
653
Flûte, Violon
595
Harmonica
585
Hautbois, Clarinette (duo)
556
Instruments en Mib
550
Saxophone, Clarinette (duo)
550
Ocarina
539
Flûte, Hautbois, Clarinette (trio)
467
Flûte, Violon, Piano
466
Flûte à bec Alto
432
Flûte, Clarinette et Basson
408
Clarinette Basse, Piano
380
Quatuor de Flûtes à bec
373
Flûte, Violoncelle
361
Clarinette, Basson (duo)
353
Quintette de Flûte : 5 flûtes
339
Flûte, Hautbois (duo)
334
Clarinette, Guitare (duo)
316
Flûte, Hautbois, Basson
314
Clarinette, Trompette (duo)
305
Hautbois, Flûte
305
Flûte, Alto (duo)
275
Hautbois, Clarinette, Basson (trio d'anches)
274
Clarinette et Alto
262
Saxophone Baryton
252
Clarinette, Violoncelle (duo)
231
Flûte, Saxophone (duo)
227
Clarinette, Harpe (duo)
225
Flûte, Trompette (duo)
222
Flûte, Clarinette, Piano (trio)
221
Cor Anglais
217
Flûte, Violon et Violoncelle
207
Flûte, Violoncelle, Piano (trio)
205
Hautbois, Violoncelle
183
2 Flûtes traversières, Piano
156
Clarinette Basse
145
Piccolo
139
Flûte à bec Alto, Piano
139
Flûte à bec Soprano, Piano
132
Ensemble De Flûte à bec
132
2 Saxophones, Piano
131
3 Flûtes à bec (trio)
129
2 Clarinettes, Piano
127
3 Hautbois
125
Flûte, Trombone (duo)
114
Hautbois, violon (duo)
109
Flûte, Hautbois, Violon
106
Flûte irlandaise
105
Flûte, Clarinette, Violon (trio)
102
Flûte à bec Tenor
98
Saxophone et Guitare
97
Hautbois, Guitare (duo)
96
Flûte, Basson et Piano
96
Clarinette, Violoncelle, Piano (trio)
94
5 Flûtes à bec
90
Saxophone et Piano
86
Flûte, Hautbois, Piano (trio)
81
Flûte à Bec, Piano
76
Hautbois et alto (duo)
75
Flute, harpe et violon
74
Cor anglais, Guitare (duo)
73
2 Clarinettes, Basson
67
Flûte, Harpe et Violoncelle
67
Piccolo, Piano
65
Flûte, Alto et Piano
64
Clarinette, Trombone (duo)
63
Cornemuse
61
4 Hautbois
51
Saxophone et Orgue
51
Flûte, Clarinette, Cor, Basson (Quartet)
49
Flûte, Violon, Violoncelle et Piano
44
Saxophone, Violon (duo)
41
Flûte, Tuba (duo)
40
Saxophone et Harpe
36
Hautbois, Harpe
35
Flûte traversière, Orgue (duo)
34
Clarinette, Basson, Piano (trio)
34
Hautbois, Trompette (duo)
31
Flûte, trombone et piano
30
Hautbois, trombone (duo)
30
Clarinette, Tuba
29
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
27
Flûte et Trio à cordes
27
Clarinette, Alto et Piano (trio)
25
Ensemble à vent
21
Flûte, Violoncelle, Guitare
20
Hautbois, Basson et Piano
19
Flûte à bec Alto, Basse continue
19
Hautbois, Violoncelle et Piano
19
2 Cors Anglais Et Pianoforte
18
Flûte à bec, Guitare (duo)
18
Clarinette, trompette et piano
18
Saxophone, Basson (duo)
18
Hautbois, Clarinette et Piano (Trio)
15
Clarinette, Contrebasse (duo)
14
Clarinette, Orgue
14
Hautbois, Violon, Piano
13
Quintette de Clarinette: Clarinette, Quatuor à Cordes
13
Flûte, alto et harpe
12
Saxophone et violoncelle
11
Flute, Cor (duo)
11
Ensemble de Hautbois
11
2 Hautbois, Piano
10
2 Flûtes à bec, Piano
10
Flûte, Violon, Guitare
10
Flûte traversière, Basse continue
9
Harmonica, Piano
9
Hautbois, Violin, Alto et Violoncelle (Quatuor)
9
Clarinette, Orchestre
7
Flûte et Quatuor à Cordes
6
2 Harmonicas
6
Flûte de Pan
6
2 Flûtes traversières, Guitare
6
Flûte traversière, Orchestre
5
Cor anglais et Harpe (duo)
5
Flûte à bec, Harpe
5
Melodica
4
2 Flûtes, 2 Clarinettes (Quatuor)
4
2 Hautbois et Basson
3
Clarinette, Saxophone, Piano
3
Flûte, Alto et Violoncelle
3
Flûte à bec Soprano, Basse continue
3
2 Hautbois et Cor anglais
3
2 Flûtes traversières, Harpe
3
2 Flûtes à bec, Guitare
2
Saxophone, Tuba (duo)
2
Flute, alto, violoncelle et guitare
1
2 Hautbois, 2 Cors et 2 Bassons
1
Hautbois et Orchestre
1
Hautbois, Orgue
1
2 Flûtes, Basse continue
1
3 Flûtes à bec, Piano
1
Flûte, Guitare, Piano
1
+ 170 instrumentations
Retracter
Cuivres
Trompette
8 753
Trombone
7 060
Trompette (partie séparée)
6 861
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6 856
Trombone (partie séparée)
6 726
Trompette, Piano
4 671
Cor
4 395
Trombone et Piano
4 188
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3 498
Cor et Piano
3 020
Cor (partie séparée)
2 388
Tuba
1 765
2 Trompettes (duo)
1 739
Tuba (partie séparée)
1 696
2 Trombones (duo)
1 606
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1 462
Quatuor de Cuivres
1 411
Tuba et Piano
1 320
Trompette, Trombone (duo)
904
Quatuor de cuivres: 4 trombones
808
2 Cors (duo)
798
Euphonium
704
Cor anglais, Piano
677
Bass Clef Instruments
666
Euphonium, Piano (duo)
656
Quatuor de cuivres: 4 cors
644
Instruments en Sib
545
Trompette, Saxophone (duo)
454
Trompette, Cor (duo)
441
2 Euphoniums et 2 Tubas
386
Ensemble de Trombones
369
3 Trombones (trio)
294
Trio de Cuivres
282
2 Tubas (duo)
269
Cor Anglais
217
Ensemble de Trompettes
200
4 Tubas
197
Ensemble de Cors
173
3 Trompettes (trio)
171
Quatuor de cuivres: 4 trompettes
155
Tuba ou Euphonium ou Saxhorn
126
Tuba et Orgue
122
Trompette, Tuba (duo)
110
Trombone, Tuba (duo)
93
Quatuor de cuivres: 2 trompettes, 2 trombones
92
Euphonium, Tuba (duo)
85
Instruments en Fa
76
Cornet A Pistons
75
Trombone basse et Piano
75
Cor anglais, Guitare (duo)
73
Cor, Violoncelle (duo)
71
Trompette, violon (duo)
67
Trombone, Cor (duo)
65
2 Trompettes, Clavier (piano ou orgue)
63
Trombone basse
62
Trompette, Violoncelle (duo)
61
Trompette, Basson (duo)
57
Cor, Tuba (duo)
54
Trombone, Violon (duo)
51
3 Cors (trio)
47
Cor et Harpe
46
Trombone, Orgue
43
2 Euphoniums (duo)
42
Trombone, violoncelle (duo)
40
Trompette, Trombone, Piano
33
Trompette, Harpe
33
Trompette, Violoncelle et Piano
30
Cor et Basson (duo)
29
3 Tubas (trio)
22
Clarinette, Cor (duo)
22
Euphonium (partie séparée)
21
2 Trombones, Piano
19
2 Cors Anglais Et Pianoforte
18
Ensemble de Tubas
16
Cor et Orgue
16
Trompette et Guitare
15
Cor, Trompette, Trombone (trio)
13
2 Cors, Piano
10
3 Euphoniums
10
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
10
Trombone, Alto (duo)
9
Cornet et Piano
8
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
7
Cor, Orchestre
7
Trombone et orchestre
7
Trompette, Orchestre
6
4 Euphoniums
6
Cor anglais et Harpe (duo)
5
G Instruments
4
Cornet et orchestre
2
Bugle
2
Cor, Violoncelle et Piano
2
Trompette, Euphonium (duo)
2
+ 88 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
18 499
Violon
11 116
Violon et Piano
11 112
Violoncelle
7 838
Violoncelle, Piano
7 142
Alto seul
6 069
Harpe
6 038
Alto, Piano
5 439
Violon, Violoncelle (duo)
3 656
Violon (partie séparée)
3 400
2 Violons (duo)
3 343
Trio à Cordes: violon, alto, violoncelle
2 986
2 Violoncelles (duo)
2 270
Contrebasse (partie séparée)
1 976
Violon, Alto (duo)
1 743
Alto (partie séparée)
1 703
Quintette à cordes: 2 violons, alto, violoncelle, basse
1 469
Contre Basse
1 421
2 Altos (duo)
1 326
Contrebasse, Piano (duo)
1 221
Trio à Cordes: 2 violons, violoncelle
1 104
Violoncelle (partie séparée)
1 062
Alto, Violoncelle (duo)
792
Trio à cordes: 3 violins
606
4 Violoncelles
567
2 Harpes (duo)
563
Piano Trio: Violon, Alto, Piano
553
Harpe, Flûte (duo)
527
Violon, Guitare (duo)
438
Trio à Cordes: 3 violoncelles
347
Harpe, Violon (duo)
318
Quatuor à cordes: 4 violons
296
Violoncelle , Guitare (duo)
279
2 Contrebasses (duo)
244
Trio à cordes
243
Trio à cordes: 3 altos
221
Trio à Cordes: 2 violons, alto
202
Violoncelle, Contrebasse (duo)
190
Alto, Guitare (duo)
189
Quatuor à cordes : 4 altos
183
Violon, Basson (duo)
174
2 Violons, Piano
119
Quintette à cordes: 2 violons, 2 altos, violoncelle
91
Alto et Basson
87
Harpe, Violoncelle (duo)
80
Violon, Clarinette, Piano (trio)
71
Harpe et Piano
61
Harpe, Voix
58
Alto et Harpe
55
Quintette à cordes : 2 violons, alto et 2 violoncelles
50
Flûte, Contrebasse (duo)
48
2 Violoncelles, Piano
48
Violoncelle, Orgue
45
4 Contrebasses
44
Harpe, Violon, Violoncelle
42
Ensemble de Violoncelles
39
Ensemble de Violons
36
Violon, Orgue
35
Violon, Tuba (duo)
31
Ensemble d'Altos
31
Harpe (partie séparée)
30
Violoncelle, Orchestre
26
Harpe et mandoline
23
3 Contrebasses
19
2 Altos, Piano
19
3 Harpes
19
Violon, Basse continue
18
Harpe, Trombone (duo)
14
Violon, Violoncelle, Clarinette
13
Autoharp
11
Violoncelle, Basse continue
10
Violon, Trompette et Piano
8
Alto, Orgue
7
Harpe et Orgue
6
Violon, Contrebasse (duo)
5
Harpe, Quatuor à cordes
4
4 Harpes
4
5 Harpes
2
Alto et orchestre
2
Harpe, Orchestre
2
2 Violons et Basse continue
2
+ 76 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
38 787
Orchestre
10 074
Orchestre à Cordes
8 891
Ensemble Jazz
7 438
Fanfare
6 538
Batterie
4 680
Cloches
4 376
Ensemble de cuivres
3 892
Percussion (partie séparée)
3 163
Orchestre de chambre
2 237
Jazz combo
1 620
Batterie (partie séparée)
1 045
Percussion
908
Ensemble de Percussions
810
Timbales (partie séparée)
698
Marimba
296
Xylophone
275
Vibraphone
227
Timbales
191
Xylophone, Piano
112
Quintette à Vent
109
Caisse Claire
84
Piano et Orchestre
69
2 Xylophones
52
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
49
Orchestre, Violon
35
Instrumentation Flexible
29
Big band
28
Quintette de Cuivres: autres combinaisons
26
Quatuor à Vent : 4 instruments à vents
22
Vibraphone (partie séparée)
21
Ensemble d'École
16
Vibraphone et Marimba
13
Xylophone (partie séparée)
10
3 Marimbas
8
Xylophone ou Marimba ou Vibraphone
7
Trio à Vent: 3 instruments à vents
5
Bongos
4
3 Percussions
3
Marimba, Piano (duo)
3
Bodhran
3
Voix et Orchestre
3
2 Marimbas
3
Cajon
2
Marimba ou Xylophone et Piano
2
Marimba et Orgue
2
Conga
2
Marimba, Saxophone (duo)
1
2 Caisses Claires (duo)
1
Voix Mezzo-Soprano, Orchestre
1
+ 45 instrumentations
Retracter
Autres
Formation musicale - Solfège
272
Théorie de la musique
53
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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CHANSON FRANÇAISE
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COUNTRY
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FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Saxophone Alto et Piano
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4801
Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549578 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sta...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549578 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509393. Published by jmsgu3 (A0.549578). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore!Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Luther: Out of the Depths for Alto Sax & Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part....
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Alto Saxophone,Piano - Level 1 - SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411721. Published by jmsgu3 (A0.548709). Out of the Depths I Cry to You by Martin Luther arranged for alto sax & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Miscellaneous: Mother's Day Collection, sweet and amusing compositions for alto saxophone & piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Miscellaneous
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Virtualsheetmusic
This is an exclusive arrangements for alto saxophone & piano of MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: The Happy Farmer, lullaby, op.49 no.4, song without words, op.67 no. 6, sarabande, op.40 no.2, wal...
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This is an exclusive arrangements for alto saxophone & piano of MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: The Happy Farmer, lullaby, op.49 no.4, song without words, op.67 no. 6, sarabande, op.40 no.2, waltz, ballade, op.38, the merry peasant, album for the youth, op.68, romance, romanza, eine kleine nachtmusik, toccata, berceuse, op.57, dance of the mirlitons, nutcracker, mothers day, mother's day / classical
$11.99
Alto Sax - "And Can It Be?" Theme and Variations
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Saxophone Alto et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
DvoÅ™ák: Largo from the New World Symphony for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549423 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,St...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549423 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494005. Published by jmsgu3 (A0.549423). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
The Wedding Album, for Solo Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Film Walt Disney
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Various
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David McKeown
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The Wedding Album, for Solo Al
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.587624 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score...
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Alto Saxophone,Piano - Level 3 - SKU: A0.587624 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594683. Published by David McKeown (A0.587624). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Alto Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
The Sorcerer's Apprentice theme
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Paul Dukas
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Rodrigo Faleiros
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The Sorcerer's Apprentice them
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1323781 Composed by Paul Dukas. Arranged by Rodrigo Faleiros. 19th Century,Classical,Film/TV. Score and part. 3...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1323781 Composed by Paul Dukas. Arranged by Rodrigo Faleiros. 19th Century,Classical,Film/TV. Score and part. 3 pages. Rodrigo Faleiros #911967. Published by Rodrigo Faleiros (A0.1323781). Embark on a musical journey with our unique alto sax solo arrangement of The Sorcerer's Apprentice theme by Paul Dukas. Crafted for intermediate players seeking to refine their staccato technique, this arrangement contains a piano accompaniment and not only captures the magic and excitement of the original composition but also ensures easy reading with a thoughtful transposition to the key of D minor.Key Features: Staccato Mastery: Elevate your staccato technique with the dynamic and engaging phrases of The Sorcerer's Apprentice theme. Intermediate Level: Perfect for players looking to expand their skills and add a touch of virtuosity to their repertoire. Transposed to D Minor for Easy Reading: Enjoy a smoother reading experience with this alto sax solo arrangement thoughtfully transposed to enhance readability. Evocative Piano Accompaniment: The piano part enhances the harmonic resonance of this great composition. Whether you're preparing for a recital, looking to challenge yourself, or simply captivated by the magic of the original composition, this alto sax solo arrangement in D minor offers a delightful exploration of Dukas' timeless work.Check out my other arrangements for classics transposed and adapted to several instruments by clicking here!
$3.99
The Sorcerer's Apprentice theme
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Paul Dukas
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Rodrigo Faleiros
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The Sorcerer's Apprentice them
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1323824 Composed by Paul Dukas. Arranged by Rodrigo Faleiros. 19th Century,Classical,Film/TV. Score and part. 3...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1323824 Composed by Paul Dukas. Arranged by Rodrigo Faleiros. 19th Century,Classical,Film/TV. Score and part. 3 pages. Rodrigo Faleiros #912004. Published by Rodrigo Faleiros (A0.1323824). Embark on a musical journey with our unique alto sax solo arrangement of The Sorcerer's Apprentice theme by Paul Dukas. Crafted for intermediate players seeking to refine their staccato technique, this arrangement contains a piano accompaniment and not only captures the magic and excitement of the original composition but also ensures easy reading with a thoughtful transposition to the key of D minor.Key Features: Staccato Mastery: Elevate your staccato technique with the dynamic and engaging phrases of The Sorcerer's Apprentice theme. Intermediate Level: Perfect for players looking to expand their skills and add a touch of virtuosity to their repertoire. Transposed to D Minor for Easy Reading: Enjoy a smoother reading experience with this alto sax solo arrangement thoughtfully transposed to enhance readability. Evocative Piano Accompaniment: The piano part enhances the harmonic resonance of this great composition. Whether you're preparing for a recital, looking to challenge yourself, or simply captivated by the magic of the original composition, this alto sax solo arrangement in D minor offers a delightful exploration of Dukas' timeless work.Check out my other arrangements for classics transposed and adapted to several instruments by clicking here!
$3.99
The Boy And The Heron
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Joe Hisaishi
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the renowned Joe Hisaishi, thi
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Glauco Fernandes
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The Boy And The Heron
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Glauco Fernandes
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1418196 By Joe Hisaishi. By Jou Hisaishi. Arranged by Glauco Fernandes. Chamber,Film/TV. Score and part. 5 page...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1418196 By Joe Hisaishi. By Jou Hisaishi. Arranged by Glauco Fernandes. Chamber,Film/TV. Score and part. 5 pages. Glauco Fernandes #999750. Published by Glauco Fernandes (A0.1418196). Discover the captivating beauty of Ask Me Why (Mother's Message), the enchanting soundtrack from Hayao Miyazaki's The Boy and The Heron, an animated masterpiece that captured the hearts of the world and won the Oscar for Best Animation in 2024. Composed by the renowned Joe Hisaishi, this piece encapsulates the magic, mystery, and emotion that permeate the film, offering an auditory experience as profound as the narrative itself.Our score features an exclusive duet arrangement, skillfully adapted to be accessible to musicians of various skill levels, from beginners to experienced professionals. This arrangement has been carefully crafted to maintain the integrity and spirit of Hisaishi's original composition, allowing musicians of all ages and abilities to share the joy of bringing this moving piece to life.Ideal for ensemble performances, recitals, or even personal practice, this arrangement not only enriches the repertoire of students and educators but also provides professional musicians with a charming and easy-to-prepare piece to add to their event repertoire. It's a perfect way to captivate your audience, whether in an educational setting or on a larger stage.Furthermore, Ask Me Why (Mother's Message) serves as an excellent pedagogical tool, encouraging musicians to explore themes of musical storytelling, emotional expression, and instrumental technique, all while enjoying the opportunity to connect with a contemporary piece of music that is already considered a classic.Don't miss the chance to dive into the lyrical and emotional universe of The Boy and The Heron through this exclusive duet arrangement. Whether you're an educator looking to inspire your students, a student seeking to expand your repertoire, or a professional in search of a memorable piece for your performances, Ask Me Why (Mother's Message) promises to touch hearts and awaken imaginations.Tags: Hayao Miyazaki, The Boy and The Heron, Oscar 2024, Joe Hisaishi, chamber music, easy sheet music, music education, professional arrangement, animated music, instrumental practice, event repertoire, musical storytelling, emotional expression, Piano.
$6.99
The Boy And The Heron
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Joe Hisaishi
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the renowned Joe Hisaishi, thi
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Glauco Fernandes
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The Boy And The Heron
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Glauco Fernandes
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1418197 By Joe Hisaishi. By Jou Hisaishi. Arranged by Glauco Fernandes. Chamber,Film/TV. Score and part. 5 page...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1418197 By Joe Hisaishi. By Jou Hisaishi. Arranged by Glauco Fernandes. Chamber,Film/TV. Score and part. 5 pages. Glauco Fernandes #999751. Published by Glauco Fernandes (A0.1418197). Discover the captivating beauty of Ask Me Why (Mother's Message), the enchanting soundtrack from Hayao Miyazaki's The Boy and The Heron, an animated masterpiece that captured the hearts of the world and won the Oscar for Best Animation in 2024. Composed by the renowned Joe Hisaishi, this piece encapsulates the magic, mystery, and emotion that permeate the film, offering an auditory experience as profound as the narrative itself.Our score features an exclusive duet arrangement, skillfully adapted to be accessible to musicians of various skill levels, from beginners to experienced professionals. This arrangement has been carefully crafted to maintain the integrity and spirit of Hisaishi's original composition, allowing musicians of all ages and abilities to share the joy of bringing this moving piece to life.Ideal for ensemble performances, recitals, or even personal practice, this arrangement not only enriches the repertoire of students and educators but also provides professional musicians with a charming and easy-to-prepare piece to add to their event repertoire. It's a perfect way to captivate your audience, whether in an educational setting or on a larger stage.Furthermore, Ask Me Why (Mother's Message) serves as an excellent pedagogical tool, encouraging musicians to explore themes of musical storytelling, emotional expression, and instrumental technique, all while enjoying the opportunity to connect with a contemporary piece of music that is already considered a classic.Don't miss the chance to dive into the lyrical and emotional universe of The Boy and The Heron through this exclusive duet arrangement. Whether you're an educator looking to inspire your students, a student seeking to expand your repertoire, or a professional in search of a memorable piece for your performances, Ask Me Why (Mother's Message) promises to touch hearts and awaken imaginations.Tags: Hayao Miyazaki, The Boy and The Heron, Oscar 2024, Joe Hisaishi, chamber music, easy sheet music, music education, professional arrangement, animated music, instrumental practice, event repertoire, musical storytelling, emotional expression, Piano.
$6.99
Saint-Saëns: The Swan for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
In the Hall of the Mountain King - Alto Saxophone & Piano with Chord Notation
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Saxophone Alto et Piano
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FACILE
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Classique
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Halloween
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Edvard Grieg
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Glauco Fernandes
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In the Hall of the Mountain Ki
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Glauco Fernandes
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1387660 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Film/TV,Romantic Period,Weddi...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1387660 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Film/TV,Romantic Period,Wedding. Score and part. 4 pages. Glauco Fernandes #971517. Published by Glauco Fernandes (A0.1387660). Discover the magic and enchantment of classical music with our exclusive sheet music arrangement of the famous composition In the Hall of the Mountain King by Edvard Grieg. This arrangement has been carefully crafted to cater to musicians ranging from easy to intermediate levels, ensuring a rewarding and enjoyable learning experience. Perfect for students looking to enhance their musical skills, teachers in search of inspiring teaching material, and professionals seeking to add an impressive piece to their repertoire for various events, including weddings.Our sheet music is the ideal choice for those who value practicality without compromising quality. With a clear and easy-to-follow formatting, musicians of all levels can benefit, making learning this classical masterpiece accessible and gratifying. Whether you're a student refining your techniques, a teacher looking for teaching resources that captivate and motivate your students, or a professional seeking to diversify your repertoire with a classic piece that is guaranteed to be a success at any event, our sheet music is the solution you're looking for.In the Hall of the Mountain King is one of the most recognized and beloved pieces in the classical repertoire, known for its ability to capture the listener's imagination, taking them on an exciting journey through music. Our sheet music makes performing this iconic work easier while maintaining the essence and dynamics of Grieg's original composition, but adapted to make it accessible to non-advanced musicians.In addition to being an excellent addition to the repertoire of musicians performing at weddings and various events, this sheet music serves as a valuable teaching resource, helping to develop technical and expressive skills in music students. Through this piece, students can explore themes such as dynamics, articulation, and musical expression while becoming familiar with one of the most thrilling works in the classical repertoire.Get your copy of the In the Hall of the Mountain King arrangement today and dive into the beauty of this timeless composition. We offer an unforgettable musical experience, combining practicality, accessibility, and the highest quality. Ideal for musicians looking to enrich their musical journey, whether in educational, professional settings, or memorable performances.
$6.99
In the Hall of the Mountain King - Alto Saxophone & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Halloween
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Edvard Grieg
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Glauco Fernandes
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In the Hall of the Mountain Ki
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Glauco Fernandes
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1387662 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Film/TV,Romantic Period,Weddi...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1387662 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Film/TV,Romantic Period,Wedding. Score and part. 4 pages. Glauco Fernandes #971519. Published by Glauco Fernandes (A0.1387662). Discover the magic and enchantment of classical music with our exclusive sheet music arrangement of the famous composition In the Hall of the Mountain King by Edvard Grieg. This arrangement has been carefully crafted to cater to musicians ranging from easy to intermediate levels, ensuring a rewarding and enjoyable learning experience. Perfect for students looking to enhance their musical skills, teachers in search of inspiring teaching material, and professionals seeking to add an impressive piece to their repertoire for various events, including weddings.Our sheet music is the ideal choice for those who value practicality without compromising quality. With a clear and easy-to-follow formatting, musicians of all levels can benefit, making learning this classical masterpiece accessible and gratifying. Whether you're a student refining your techniques, a teacher looking for teaching resources that captivate and motivate your students, or a professional seeking to diversify your repertoire with a classic piece that is guaranteed to be a success at any event, our sheet music is the solution you're looking for.In the Hall of the Mountain King is one of the most recognized and beloved pieces in the classical repertoire, known for its ability to capture the listener's imagination, taking them on an exciting journey through music. Our sheet music makes performing this iconic work easier while maintaining the essence and dynamics of Grieg's original composition, but adapted to make it accessible to non-advanced musicians.In addition to being an excellent addition to the repertoire of musicians performing at weddings and various events, this sheet music serves as a valuable teaching resource, helping to develop technical and expressive skills in music students. Through this piece, students can explore themes such as dynamics, articulation, and musical expression while becoming familiar with one of the most thrilling works in the classical repertoire.Get your copy of the In the Hall of the Mountain King arrangement today and dive into the beauty of this timeless composition. We offer an unforgettable musical experience, combining practicality, accessibility, and the highest quality. Ideal for musicians looking to enrich their musical journey, whether in educational, professional settings, or memorable performances.
$6.99
Birds Of A Feather
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Billie Eilish
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Glauco Fernandes
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Birds Of A Feather
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Glauco Fernandes
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1464361 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Pop,W...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1464361 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Pop,Wedding. Score and part. 11 pages. Glauco Fernandes #1043083. Published by Glauco Fernandes (A0.1464361). Introducing the exclusive arrangement of Billie Eilish's song Birds Of A Feather, now available for purchase on major online sheet music platforms. This arrangement has been carefully crafted to provide a rich and engaging musical experience, ideal for musicians of various levels and purposes.If you are an instrument student, this arrangement is perfect for enhancing your technical and interpretive skills with a modern and relevant piece. Music teachers will find this material an excellent option to motivate and engage their students with a contemporary and popular song. Additionally, professional or amateur musicians who perform at events, such as weddings, will discover that Birds Of A Feather is a charming and emotional addition to their repertoire, capable of captivating any audience.The sheet music has been created with attention to detail, ensuring a faithful and accessible transcription of the original work. This arrangement offers an authentic and exciting performance, preserving the essence of Billie Eilish's music and providing a unique experience for both players and listeners.Don't miss the opportunity to acquire this unique piece and enrich your musical collection with one of Billie Eilish's most remarkable songs. Take advantage of this high-quality sheet music to create unforgettable moments in your performances and lessons.Tags: sheet music, arrangement, modern music, Billie Eilish, Birds Of A Feather, sheet music for students, teaching material, music lessons, professional musicians, amateur musicians, events, weddings, musical transcription, online sheet music, sheet music purchase, contemporary sheet music, popular sheet music.
$7.99
Birds Of A Feather
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Billie Eilish
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Glauco Fernandes
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Birds Of A Feather
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Glauco Fernandes
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1464360 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Pop,W...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1464360 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Pop,Wedding. Score and part. 11 pages. Glauco Fernandes #1043082. Published by Glauco Fernandes (A0.1464360). Introducing the exclusive arrangement of Billie Eilish's song Birds Of A Feather, now available for purchase on major online sheet music platforms. This arrangement has been carefully crafted to provide a rich and engaging musical experience, ideal for musicians of various levels and purposes.If you are an instrument student, this arrangement is perfect for enhancing your technical and interpretive skills with a modern and relevant piece. Music teachers will find this material an excellent option to motivate and engage their students with a contemporary and popular song. Additionally, professional or amateur musicians who perform at events, such as weddings, will discover that Birds Of A Feather is a charming and emotional addition to their repertoire, capable of captivating any audience.The sheet music has been created with attention to detail, ensuring a faithful and accessible transcription of the original work. This arrangement offers an authentic and exciting performance, preserving the essence of Billie Eilish's music and providing a unique experience for both players and listeners.Don't miss the opportunity to acquire this unique piece and enrich your musical collection with one of Billie Eilish's most remarkable songs. Take advantage of this high-quality sheet music to create unforgettable moments in your performances and lessons.Tags: sheet music, arrangement, modern music, Billie Eilish, Birds Of A Feather, sheet music for students, teaching material, music lessons, professional musicians, amateur musicians, events, weddings, musical transcription, online sheet music, sheet music purchase, contemporary sheet music, popular sheet music.
$7.99
Sullivan: The Lost Chord for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494751. Published by jmsgu3 (A0.549443). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord Winds The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
I Write The Songs
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549333 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and p...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549333 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486247. Published by jmsgu3 (A0.549333). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
When I Get There
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Pink
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Samuel Sequeira
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When I Get There
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Samuel Sequeira
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1199209 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Score and p...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1199209 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Score and part. 18 pages. Samuel Sequeira #798278. Published by Samuel Sequeira (A0.1199209). When I Get There - Pink - Alto SaxophonePlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.Experience the emotional depth and beauty of Pink's When I Get There in a whole new way with this expertly crafted arrangement for alto saxophone and piano in the key of Eb Major.The alto saxophone part has been carefully crafted to include the vocal melody, while the piano accompaniment provides a rich harmonic texture and enhances the emotional impact of the piece. The chords are also included in the sheet music, giving the pianist the option to play them as written or to improvise their own accompaniment.Suitable for intermediate and advanced players, this arrangement offers a challenge while still remaining accessible and enjoyable to play. Whether you're an alto saxophonist looking to perform the song with a pianist or a fan of Pink's music, this arrangement is sure to captivate and inspire.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99
TO GOD BE THE GLORY One Movement Hymn Sonata (for Alto Sax and Piano with Score/Part)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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William H
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Gary Lanier
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TO GOD BE THE GLORY One Moveme
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The Lanier Company
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.617735 Composed by William H. Doane, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 16 pages. Th...
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Alto Saxophone,Piano - Level 3 - SKU: A0.617735 Composed by William H. Doane, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 16 pages. The Lanier Company #6045033. Published by The Lanier Company (A0.617735). TO GOD BE THE GLORY One Movement Hymn Sonata is a musical work by Gary Lanier for Alto Sax and Piano of one of our most cherished Hymns. The theme is one of God's love and the Christian's praise for Him in giving His Son that makes a way for us to life forever in His loving presence. The word, sonata is used by the composer/arranger because of the many ways the hymn tune is presented and developed through: motifs, secondary themes, variation, repetition, recapitulation and other compositional devices. TO GOD BE THE GLORY One Movement Hymn Sonata is perfect for Church services or any gatherings where hymns of the grace and love of God is desired. The score, including cover and instrumental part is 16 pages long.
$8.99
None but the Lonely Heart for Alto Saxophone and Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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P
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Diego Marani
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None but the Lonely Heart for
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Diego Marani
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1234331 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standa...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1234331 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 5 pages. Diego Marani #829877. Published by Diego Marani (A0.1234331). Pyotr Ilyich Tchaikovsky composed a set of six romances for voice and piano, Op. 6, in late 1869; the last of these songs is the melancholy None but the Lonely Heart, a setting of Lev Mei's poem The Harpist's Song which in turn was a translation of Nur wer die Sehnsucht kennt from Goethe's Wilhelm Meister's Apprenticeship.This beautiful composition was recorded by Frank Sinatra, Placido Domingo, Itzhak Perlman and many others.This arrangement for alto sax with piano accompaniment is suitable for classroom, repertoire and recital.
$7.99
There's Something About That Name
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Saxophone Alto et Piano
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FACILE
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Contemporain
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Bill Gaither
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Stephen DeCesare
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There's Something About That N
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Exultet Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.630739 Composed by Bill Gaither. Arranged by Stephen DeCesare. Contemporary. Score and part. 7 pages. Exultet M...
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Alto Saxophone,Piano - Level 2 - SKU: A0.630739 Composed by Bill Gaither. Arranged by Stephen DeCesare. Contemporary. Score and part. 7 pages. Exultet Music #6473921. Published by Exultet Music (A0.630739). The tender Contemporary Christian / Praise and Worship anthem associated with the Bill Gaither Trio has now been freshly arranged for an Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$4.99
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