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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Firs
Sheetmusicplus
Non classifié
6 985
Piano & claviers
Piano, Voix
4 108
Piano seul
4 040
Piano Facile
1 371
Piano, Voix et Guitare
615
Instruments en Do
488
Orgue
378
1 Piano, 4 mains
182
Accompagnement Piano
126
Piano Trio: piano, violon, violoncelle
125
Accordéon
59
2 Pianos, 4 mains
46
Piano Quatuor: piano, violon, alto, violoncelle
20
Orgue, Trompette (duo)
20
Piano Quintette: piano, 2 violons, alto, violoncelle
19
Piano grosses notes
16
Piano (partie séparée)
16
Clavecin
14
Piano Quatuor: piano, 2 violons, violoncelle
11
Orgue, Piano (duo)
9
Clavier
3
2 Pianos, 8 mains
2
2 Accordéons
1
+ 17 instrumentations
Retracter
Guitares
Guitare
478
Guitare notes et tablatures
378
Ligne De Mélodie, (Paroles) et Accords
145
Ukulele
138
2 Guitares (duo)
56
Guitare (partie séparée)
29
Basse electrique
28
Paroles et Accords
25
4 Guitares (Quatuor)
23
Mandoline
19
Piano, Guitare (duo)
19
Dulcimer
19
Banjo
15
3 Guitares (trio)
8
Ensemble de guitares
7
Mandoline, Guitare (duo)
4
2 Ukuleles
3
Guitare Pedal Steel
3
Mandoline, Piano (duo)
2
Guitare, Quatuor à cordes
2
Ukulele Baryton
2
2 Dulcimers (duo)
1
Orchestre à Plectres
1
Ensemble de Ukulélés
1
Guitare, Violon, Violoncelle (trio)
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
2 549
Chorale Unison
691
Chorale 3 parties
502
Chorale 2 parties
313
Chorale TTBB
263
Chorale SSAA
206
Voix duo, Piano
75
Voix Soprano, Piano
75
Voix duo
45
Voix haute
45
Voix Tenor, Piano
45
Voix Alto, Piano
39
Pack Instrumental pour Chorale
32
Voix seule
25
Voix Baryton, Piano
23
Voix moyenne, Piano
15
Chorale
12
Voix basse, Piano
8
Chorale SSAATTBB
7
Voix Mezzo-Soprano, Piano
5
Voix Soprano
5
Chorale SSATB
5
Voix Tenor
4
Voix basse
3
Soli, choeur mixte et accompagnement
3
Voix, Guitare
3
Chorale SSAB a cappella
2
Chorale SATBB
2
Voix Soprano, Orchestre
1
Chorale SSATTB
1
Chorale SSAB, Piano
1
+ 26 instrumentations
Retracter
Vents
Flûte traversière et Piano
557
Quatuor de Saxophones: 4 saxophones
500
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
486
Hautbois, Piano (duo)
409
Clarinette et Piano
377
2 Saxophones (duo)
374
Flûte, Hautbois, Clarinette, Basson
346
Saxophone Alto et Piano
332
Quatuor de Clarinettes: 4 clarinettes
308
Clarinette
287
2 Flûtes traversières (duo)
251
Flûte traversière
244
2 Clarinettes (duo)
237
Quintette de Saxophone: 5 saxophones
209
Saxophone Tenor et Piano
199
Saxophone (partie séparée)
186
Saxophone Alto
185
Saxophone Soprano et Piano
160
Saxophone Tenor
135
3 Saxophones (trio)
132
Quatuor de Flûtes : 4 flûtes
129
Ensemble de saxophones
126
Saxophone, Clarinette (duo)
122
Ensemble de Clarinettes
111
Hautbois (partie séparée)
103
Cor anglais, Piano
102
Flûte, Clarinette (duo)
101
Saxophone Baryton, Piano
99
Clarinette, Violon (duo)
96
3 Clarinettes (trio)
87
Ensemble de Flûtes
82
Quintette de Clarinettes: 5 clarinettes
72
Clarinette, Trompette (duo)
72
2 Hautbois (duo)
72
Trio de Flûtes: 3 flûtes
69
Clarinette Basse, Piano
64
Flûte et Guitare
63
Hautbois, Basson (duo)
62
Flûte, Violon, Piano
60
Flûte, Violon
60
Clarinette (partie séparée)
51
Hautbois, Clarinette (duo)
50
Clarinette et Alto
47
Flûte, Hautbois, Clarinette (trio)
46
Flûte, Saxophone (duo)
43
Hautbois, Flûte
42
2 Flûte à bec (duo)
40
Flûte, Trompette (duo)
38
Quintette de Flûte : 5 flûtes
37
Flûte, Clarinette et Basson
35
Flûte, Alto (duo)
35
2 Flûtes traversières, Piano
33
Saxophone Soprano
31
Flûte, Violon et Violoncelle
30
Flute (partie séparée)
30
Flûte à bec Soprano
29
Flûte, Hautbois, Basson
28
Quatuor de Flûtes à bec
27
Flûte, Violoncelle
25
Hautbois, Clarinette, Basson (trio d'anches)
23
Clarinette, Basson (duo)
22
Clarinette, Guitare (duo)
20
Flûte à bec Soprano, Piano
20
Clarinette, Violoncelle (duo)
18
Flûte à Bec
16
Flûte à bec Alto
16
Flûte à bec Alto, Piano
16
Flûte, Hautbois (duo)
12
Harmonica
12
2 Clarinettes, Basson
12
Flûte, Clarinette, Piano (trio)
11
Ocarina
11
Piccolo, Piano
10
2 Saxophones, Piano
10
Hautbois
9
3 Flûtes à bec (trio)
9
Clarinette, Harpe (duo)
9
Cor Anglais
9
3 Hautbois
7
Hautbois, Violoncelle
7
Flûte à Bec, Piano
7
Hautbois, violon (duo)
7
Flûte, Harpe et Violoncelle
7
2 Clarinettes, Piano
7
Flûte, Hautbois, Piano (trio)
6
Flûte, Violoncelle, Piano (trio)
6
Saxophone, Basson (duo)
6
Ensemble De Flûte à bec
6
Flûte à bec Tenor
6
Saxophone et Guitare
6
Piccolo
5
Flûte, Basson et Piano
5
Flûte irlandaise
5
Hautbois, Guitare (duo)
5
Cor anglais, Guitare (duo)
5
Clarinette, Trombone (duo)
4
Flûte, Trombone (duo)
4
2 Cors Anglais Et Pianoforte
4
Cornemuse
4
Hautbois, Harpe
4
5 Flûtes à bec
4
Ensemble à vent
3
Flûte, Violon, Violoncelle et Piano
3
Flûte traversière, Basse continue
3
Flûte, alto et harpe
3
Flute, harpe et violon
3
Clarinette, Violoncelle, Piano (trio)
3
2 Hautbois et Basson
3
Flûte à bec Alto, Basse continue
3
Flûte traversière, Orgue (duo)
3
Hautbois et alto (duo)
3
Saxophone et Orgue
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Saxophone
2
Hautbois, Clarinette et Piano (Trio)
2
Saxophone et Harpe
2
Saxophone Baryton
2
Flûte, Hautbois, Violon
2
2 Flûtes à bec, Guitare
1
Clarinette Basse
1
Saxophone, Violon (duo)
1
Clarinette, Basson, Piano (trio)
1
Ensemble de Hautbois
1
Clarinette, Alto et Piano (trio)
1
4 Hautbois
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Saxophone et violoncelle
1
Flûte de Pan
1
2 Flûtes à bec, Piano
1
Instruments en Mib
1
Clarinette, Contrebasse (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flute, Cor (duo)
1
Flûte, Clarinette, Violon (trio)
1
Melodica
1
Flûte à bec, Guitare (duo)
1
Clarinette, Orgue
1
Saxophone et Piano
1
Flûte, Alto et Piano
1
Hautbois, Basson et Piano
1
Flûte et Trio à cordes
1
+ 136 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
671
Quatuor de Cuivres : 2 trompettes, trombone, tuba
420
Trombone et Piano
275
Trompette
261
Trompette, Piano
237
Cor et Piano
181
Trombone
144
Euphonium, Piano (duo)
122
2 Trombones (duo)
114
Trompette (partie séparée)
112
2 Trompettes (duo)
112
Ensemble de Trompettes
106
Cor anglais, Piano
102
Trombone (partie séparée)
99
Trompette, Saxophone (duo)
90
Quatuor de Cuivres
86
Quatuor de cuivres: 4 trombones
82
Tuba et Piano
79
Cor
75
Ensemble de Trombones
73
Quatuor de Cuivres: 2 trompettes, Cor, trombone
73
Trompette, Trombone (duo)
69
2 Cors (duo)
60
Tuba
50
Quatuor de cuivres: 4 cors
36
Cor (partie séparée)
30
3 Trombones (trio)
28
Tuba (partie séparée)
23
2 Tubas (duo)
18
3 Trompettes (trio)
17
Trompette, Cor (duo)
16
2 Euphoniums et 2 Tubas
15
Ensemble de Cors
15
Trio de Cuivres
15
Quatuor de cuivres: 4 trompettes
13
Euphonium
11
Tuba et Orgue
10
Cor Anglais
9
Euphonium, Tuba (duo)
9
Cor et Harpe
7
4 Tubas
7
Trompette, violon (duo)
6
3 Tubas (trio)
6
Trombone, Orgue
6
3 Cors (trio)
5
Cor anglais, Guitare (duo)
5
Trompette, Harpe
4
Trombone basse et Piano
4
2 Euphoniums (duo)
4
Trombone, Violon (duo)
4
2 Trompettes, Clavier (piano ou orgue)
4
2 Cors Anglais Et Pianoforte
4
Cor, Violoncelle (duo)
4
Bass Clef Instruments
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone, Cor (duo)
3
Trombone, Tuba (duo)
3
Trompette, Basson (duo)
3
Clarinette, Cor (duo)
3
Trombone basse
3
Trompette, Violoncelle et Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Trombones, Piano
2
Trombone, violoncelle (duo)
2
Cornet A Pistons
2
Trompette, Tuba (duo)
2
Trompette, Trombone, Piano
2
Cor, Tuba (duo)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
2 Cors, Piano
1
Cor et Orgue
1
Trompette, Violoncelle (duo)
1
Trombone et orchestre
1
Ensemble de Tubas
1
Instruments en Sib
1
+ 70 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 413
Violon et Piano
855
Violoncelle, Piano
471
Violon
460
Alto, Piano
341
Violon, Violoncelle (duo)
303
Violoncelle
293
2 Violons (duo)
270
Harpe
235
Trio à Cordes: violon, alto, violoncelle
228
2 Violoncelles (duo)
186
Violon, Alto (duo)
135
Violon (partie séparée)
131
Trio à Cordes: 2 violons, violoncelle
117
Alto seul
115
2 Altos (duo)
113
Quintette à cordes: 2 violons, alto, violoncelle, basse
100
Alto (partie séparée)
80
2 Harpes (duo)
74
Contrebasse, Piano (duo)
65
Alto, Violoncelle (duo)
55
Contrebasse (partie séparée)
54
Contre Basse
53
4 Violoncelles
53
Trio à cordes: 3 violins
47
Violon, Guitare (duo)
34
Trio à Cordes: 3 violoncelles
34
Violoncelle (partie séparée)
31
Violoncelle, Contrebasse (duo)
22
Quatuor à cordes: 4 violons
20
Harpe, Flûte (duo)
19
Ensemble de Violons
19
Ensemble d'Altos
18
Violoncelle , Guitare (duo)
18
Piano Trio: Violon, Alto, Piano
18
Trio à Cordes: 2 violons, alto
15
Alto, Guitare (duo)
13
Trio à cordes: 3 altos
13
Harpe, Violon (duo)
11
2 Violons, Piano
11
2 Contrebasses (duo)
10
Violon, Basson (duo)
10
Quatuor à cordes : 4 altos
9
Harpe, Violoncelle (duo)
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Alto et Basson
6
Harpe, Voix
5
4 Contrebasses
5
Violon, Basse continue
4
Alto et Harpe
4
Flûte, Contrebasse (duo)
4
Trio à cordes
3
Violon, Orgue
3
Violon, Clarinette, Piano (trio)
2
Violoncelle, Orchestre
2
Harpe, Trombone (duo)
2
Harpe et Piano
2
Ensemble de Violoncelles
2
3 Contrebasses
2
Harpe et mandoline
2
Autoharp
2
3 Harpes
1
Violoncelle, Orgue
1
Violon, Violoncelle, Clarinette
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
4 Harpes
1
Harpe, Violon, Violoncelle
1
Violoncelle, Basse continue
1
+ 63 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
3 423
Orchestre à Cordes
975
Orchestre
666
Ensemble de cuivres
391
Ensemble Jazz
242
Orchestre de chambre
235
Cloches
186
Jazz combo
70
Fanfare
51
Ensemble de Percussions
43
Percussion (partie séparée)
36
Batterie
24
Batterie (partie séparée)
18
Marimba
14
Xylophone, Piano
10
Vibraphone
10
Percussion
5
2 Xylophones
4
Xylophone
3
Orchestre, Violon
3
Caisse Claire
2
Piano et Orchestre
2
Cajon
2
Bongos
2
Quintette de Cuivres: autres combinaisons
2
Instrumentation Flexible
1
Marimba, Piano (duo)
1
Conga
1
Quatuor à Vent : 4 instruments à vents
1
Vibraphone et Marimba
1
Ensemble d'École
1
2 Marimbas
1
+ 27 instrumentations
Retracter
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Théorie de la musique
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ACCORDEON
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AUTRES INST…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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326
Luther: Out of the Depths for Alto Sax & Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part....
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Alto Saxophone,Piano - Level 1 - SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411721. Published by jmsgu3 (A0.548709). Out of the Depths I Cry to You by Martin Luther arranged for alto sax & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549578 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sta...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549578 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509393. Published by jmsgu3 (A0.549578). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore!Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Alto Sax - "And Can It Be?" Theme and Variations
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Saxophone Alto et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
DvoÅ™ák: Largo from the New World Symphony for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549423 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,St...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549423 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494005. Published by jmsgu3 (A0.549423). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
Sullivan: The Lost Chord for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494751. Published by jmsgu3 (A0.549443). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord Winds The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
I Write The Songs
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549333 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and p...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549333 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486247. Published by jmsgu3 (A0.549333). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
The First Noel (Alto Sax and Piano)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional English Christmas
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John A
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The First Noel
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John A. Dempsey
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1411900 Composed by Traditional English Christmas Carol, Johannes Brahms. Arranged by John A. Dempsey. Christia...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1411900 Composed by Traditional English Christmas Carol, Johannes Brahms. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Praise & Worship,Sacred. Score and part. 11 pages. John A. Dempsey #994172. Published by John A. Dempsey (A0.1411900). Here the classic Christmas carol The First Noel exudes a mood of flowing serenity and reverent prayerfulness that celebrates the Savior's birth that wondrous night in Bethlehem. With incidental music by Brahms, this arrangement for alto sax and piano is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, silent prayer accompaniment and more. Â Also suitable as an overture or incidental music for Christmas plays, programs and musicals. Â 8 pages of music (that includes a separate two-page alto sax part). Â Concert Key: F majorThe first noel the angels did say,Was to certain poor shepherds in fields as they lay;In fields where they lay keeping their sheepOn a cold winter's night that was so deep.Noel, noel, noel, noel,Born is the King of Israel.
$6.99
We Gather Together
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Adrianus Valerius
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Lori Archer Sutherland
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We Gather Together
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Lori Archer Sutherland
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.765033 Composed by Adrianus Valerius. Arranged by Lori Archer Sutherland. Contemporary,Holiday,Sacred. Score an...
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Alto Saxophone,Piano - Level 3 - SKU: A0.765033 Composed by Adrianus Valerius. Arranged by Lori Archer Sutherland. Contemporary,Holiday,Sacred. Score and part. 6 pages. Lori Archer Sutherland #4968773. Published by Lori Archer Sutherland (A0.765033). Celebrate Thanksgiving and the holiday season with the well-loved hymn, We Gather Together, a song of Dutch origin.Set for intermediate solo with piano accompaniment, this hymn is a nice addition to church worship and holiday services. After a brief introduction, the instrumentalist has the first turn at the melody. As the piano takes over the hymn, the instrumentalist plays a descant line. Both come together at the end to finish out the piece.
$4.99
All The Way Medley
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Saxophone Alto et Piano
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Folklorique/Traditionel
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John W
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Monty J
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All The Way Medley
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Alto Sax and piano - Grade 2.75 - SKU: DX.124129 Composed by John W. Peterson. Arranged by Monty J. Budahl. Sacred instrumental music. Key of Ab, Eb. Tr...
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Alto Sax and piano - Grade 2.75 - SKU: DX.124129 Composed by John W. Peterson. Arranged by Monty J. Budahl. Sacred instrumental music. Key of Ab, Eb. Traditional. Score and parts. 6 pages. David E. Smith - Digital Sheet Music #124129. Published by David E. Smith - Digital Sheet Music (DX.124129). An accompanied clarinet duet which begins with a melodic motif and then presents the hymn tune in unison by the two parts. The chorus then breaks into a duet harmonization in a straight forward manner. The next section presents the first part in a melodically altered rendition with the second part answering in an obbligato like fashion. The middle section is a QandA form with the piano dropping out, followed by a piano solo section. A modulation now gives rise to the second part acting as a solo, followed by another modulation where the first takes over as a soloist. Then another modulation where the two parts present the chorus in a straight duet section., where it remains until the end.
$4.50
Traveling Around the World with 5 notes - Alto Sax Duet with piano accompaniment
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Saxophone Alto et Piano
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DÉBUTANT
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Traditional
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Valdir Maia
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Traveling Around the World wit
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Valdir Maia
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 1 - SKU: A0.1496855 Composed by Traditional. Arranged by Valdir Maia. Children,Fo...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 1 - SKU: A0.1496855 Composed by Traditional. Arranged by Valdir Maia. Children,Folk,Multicultural,Traditional,World. 66 pages. Valdir Maia #1073341. Published by Valdir Maia (A0.1496855). **Traveling Around the World with 5 Notes - Alto Saxophone Duet in G Major with Piano Accompaniment**These songs are part of a research project aimed at gathering music from around the world using only the first five notes of a major pentachord. Here are 30 songs arranged for alto saxophone duets that fit this criteria.The first alto saxophone part uses the first five notes, and the second alto saxophone part uses only three, making it suitable for beginners. All melodies are in G major, using whole, half, quarter, and eighth notes, with enlarged notation for easy reading.Piano accompaniments are included, with simple options for those with limited piano skills. I hope this material enriches your teaching and your students enjoy the journey with just five notes.Valdir Maia.
$29.99
The godfather's Minuet
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Vilbac, Renaud de
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Nick M Lacanski
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The godfather's Minuet
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theupperstaff
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1136518 Composed by Vilbac, Renaud de. Arranged by Nick M Lacanski. Romantic Period. Score and part. 17 pages. ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1136518 Composed by Vilbac, Renaud de. Arranged by Nick M Lacanski. Romantic Period. Score and part. 17 pages. Theupperstaff #736517. Published by theupperstaff (A0.1136518). This selection dates from the Romantic era and in the piano repertoire. The godfather’s minuet is the first sketch in a set of 20 for piano. It is a Da capo waltz with a trio. Thanks for having a look.
$4.99
Swan Lake Theme, for Solo Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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David McKeown
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Swan Lake Theme, for Solo Alto
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.587684 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic...
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Alto Saxophone,Piano - Level 3 - SKU: A0.587684 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. David McKeown #4737755. Published by David McKeown (A0.587684). Swan Lake, is the first ballet of three composed by Pyotr Tchaikovsky. Here, the famous main theme is arranged for Solo Alto Saxophone and Piano, directly from the orchestral score. The first performance of the ballet in Moscow in 1877 was not well received. The production was fraught with disagreements between choreographer and composer; the Russian audience were suspicious of the story’s Germanic origins and the music was regarded as too complex for ballet. Tchaikovsky did not live to see a triumphant revival production in 1895 that confirmed Swan Lake as one of the greatest ballet scores of all. Included in the single download are six pages of piano score and a separate two-page part for the solo instrument. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts, with tremolos and rich chords. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around two and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Pancho, the Parrot - alto sax/piano
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Saxophone Alto et Piano
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DÉBUTANT
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Folk
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Phil Beaman
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Pancho, the Parrot - alto sax/
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Phil Beaman
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.844397 Composed by Folk. Arranged by Phil Beaman. 20th Century,Folk,Instructional. Score and part. 3 pages. Phi...
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Alto Saxophone,Piano - Level 1 - SKU: A0.844397 Composed by Folk. Arranged by Phil Beaman. 20th Century,Folk,Instructional. Score and part. 3 pages. Phil Beaman #3015657. Published by Phil Beaman (A0.844397). This is a setting of a Guatemalan folk song designed to be the first 'recital piece' after just a few weeks of learning. Solo part covers the range of 1 octave of the first learned notes of that instrument. Beginning students will appreciate the repeated notes before you have to find the next one. There is a lilting piano accompaniment with fresh descriptive harmony, especially those occasionally dissonant chords when the parrot squawks! A short piece of just 20 bars (but has a full repeat), it comes with the full score plus instrument solo part. Also available for many other basic instruments. Great fun piece for lessons or the classroom to mark those first successful notes.
$2.99
The Sleeping Beauty Waltz by Tchaikovsky, for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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David McKeown
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The Sleeping Beauty Waltz by T
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.587745 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Film/TV,Romantic Perio...
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Alto Saxophone,Piano - Level 4 - SKU: A0.587745 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Film/TV,Romantic Period,Standards. Score and part. 14 pages. David McKeown #4839877. Published by David McKeown (A0.587745). Sleeping Beauty, is the second ballet of three composed by Pyotr Tchaikovsky. Here, the famous Waltz is arranged for Solo Alto Saxophone and Piano, directly from the orchestral score. The first performance of the ballet was in St Petersburg in 1890. Like his other ballets, Sleeping Beauty was slow to gain popularity with the public and international recognition only came after Tchaikovsky’s death. Included in the single download are nine pages of piano score and an attached four-page part for the solo instrument. Musicians at an upper intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts with a high tempo throughout. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around five minutes. The linked youtube performance is the clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
The First Noel (Piano and Saxophone)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Noël
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Kathryn Carpenter
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Kathryn Carpenter
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The First Noel
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Kathryn Carpenter
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1305665 By Kathryn Carpenter. By Unknown, English Melody. Arranged by Kathryn Carpenter. Advent,Christmas,Conte...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1305665 By Kathryn Carpenter. By Unknown, English Melody. Arranged by Kathryn Carpenter. Advent,Christmas,Contemporary,Holiday,Religious. Score and part. 9 pages. Kathryn Carpenter #895120. Published by Kathryn Carpenter (A0.1305665). The First Noel (Piano and Saxophone):* Includes the piano accompaniment* Arrangement has a flowing style* Parts together and saxophone part seperately* Saxophone part: Key of A* Piano part: Key of C* www.kathrynleecarpenter.com* If interested in an mp3 accompaniment track, contact:www.kathrynleecarpenter.com (Kathryn through the website) Â
$4.50
In The Bleak Midwinter (with "The First Noel") (Alto Saxophone and Piano)
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Saxophone Alto et Piano
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FACILE
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Musique Sacrée
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Gustav Holst, Traditional
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Stephen DeCesare
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In The Bleak Midwinter
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Exultet Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.630820 Composed by Gustav Holst, Traditional. Arranged by Stephen DeCesare. Christmas,Praise & Worship,Sacred. ...
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Alto Saxophone,Piano - Level 2 - SKU: A0.630820 Composed by Gustav Holst, Traditional. Arranged by Stephen DeCesare. Christmas,Praise & Worship,Sacred. Score and part. 10 pages. Exultet Music #6478497. Published by Exultet Music (A0.630820). Two of the most celebrated and performed Christmas carols have been joined together and scored for an Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
'Twas The Eve Of Christ's Birth (Alto Saxophone and Piano)
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Saxophone Alto et Piano
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FACILE
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Stephen DeCesare
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Stephen DeCesare
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'Twas The Eve Of Christ's Birt
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Exultet Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1506785 By Stephen DeCesare. By Franz Xaver Gruber. Arranged by Stephen DeCesare. Christian,Christmas,Sacred,St...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1506785 By Stephen DeCesare. By Franz Xaver Gruber. Arranged by Stephen DeCesare. Christian,Christmas,Sacred,Standards,Traditional. Score and part. 14 pages. Exultet Music #1082156. Published by Exultet Music (A0.1506785). A new poem about the first Christmas in the style of Clement Clark Moore's 'Twas The Night Before Christmas is interspersed with Silent Night. This harmonically lush version of Silent Night starts off as a tender 4/4 ballad then progresses to the a lullaby-like 6/8 for the second verse to a glorious 3/4 finale. Scored for an Alto Saxophone solo with Piano accompaniment. An accompaniment track is also available.
$5.99
Fly Me To The Moon (in Other Words)
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Tony Bennett
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Nick Raspa
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Fly Me To The Moon
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NJR Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.754611 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Nick Raspa. Jazz,Standards,Wedding. S...
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Alto Saxophone,Piano - Level 4 - SKU: A0.754611 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Nick Raspa. Jazz,Standards,Wedding. Score and part. 10 pages. NJR Music #6454901. Published by NJR Music (A0.754611). The saxophone begins shortly after the short piano opening of this classic jazz standard. The first part is a slow, romantic version of the song. The second, with its uptempo swing beat, is a nice contrast to the first section. The full score and a complete set of parts is included. This arrangement is for the advanced intermediate to advanced level saxophonist.
$10.95
Gabriel: His Eye Is On The Sparrow for Alto Sax & Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Gabriel
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James M
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Gabriel: His Eye Is On The Spa
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548755 Composed by Gabriel. Arranged by James M. Guthrie. Easter,Standards. Score and part. 7 pages. Jmsgu3 #34...
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Alto Saxophone,Piano - Level 1 - SKU: A0.548755 Composed by Gabriel. Arranged by James M. Guthrie. Easter,Standards. Score and part. 7 pages. Jmsgu3 #3416293. Published by jmsgu3 (A0.548755). Score: 4 pg. solo part: 1 pg, Piano part: 2 pg. Duration: 2:18, 57 measures in 6/8, 3 verses. The voice-leading in the first 2 verses is modified and improved from the original. The 3rd verse modulates up a semi-tone then features a descant that simulates bird calls.
$24.95
A Whole New World (aladdin's Theme)
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Saxophone Alto et Piano
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DÉBUTANT
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Film Walt Disney
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Peabo Bryson And Regina Belle
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Langanho
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A Whole New World
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Avery Lynn Jordan
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 1 - SKU: A0.1190774 By Peabo Bryson And Regina Belle. By Alan Menken and Tim Rice...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 1 - SKU: A0.1190774 By Peabo Bryson And Regina Belle. By Alan Menken and Tim Rice. Arranged by Langanho. Children,Film/TV,Wedding. Score and parts. 5 pages. Avery Lynn Jordan #790321. Published by Avery Lynn Jordan (A0.1190774). This adaptation was made for Alto Sax Duet and Piano, for better study of the beginner in music, still having all the essence of the original work. A Whole New World is a song from the 1992 Disney movie Aladdin, composed by Alan Menken and written by Tim Rice. The single of the song was released the same year and is sung by Peabo Bryson and Regina Belle. The song was the first song from a Disney animation to top the Billboard Hot 100.
$6.99
A Whole New World (aladdin's Theme)
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Saxophone Alto et Piano
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DÉBUTANT
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Film Walt Disney
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Peabo Bryson And Regina Belle
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Langanho
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A Whole New World
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Avery Lynn Jordan
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 1 - SKU: A0.1190780 By Peabo Bryson And Regina Belle. By Alan Menken and Tim Rice...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 1 - SKU: A0.1190780 By Peabo Bryson And Regina Belle. By Alan Menken and Tim Rice. Arranged by Langanho. Children,Film/TV,Wedding. Score and parts. 5 pages. Avery Lynn Jordan #790327. Published by Avery Lynn Jordan (A0.1190780). This adaptation was made for Alto Sax Duet and Piano with Chords, for better study of the beginner in music, still having all the essence of the original work. A Whole New World is a song from the 1992 Disney movie Aladdin, composed by Alan Menken and written by Tim Rice. The single of the song was released the same year and is sung by Peabo Bryson and Regina Belle. The song was the first song from a Disney animation to top the Billboard Hot 100.
$7.99
Luna, The Black Cat for Alto Saxophone and Piano
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Saxophone Alto et Piano
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FACILE
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William Pagan-Perez
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Luna, The Black Cat for Alto S
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William Pagan-Perez
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.933849 Composed by William Pagan-Perez. Standards. Score and part. 7 pages. William Pagan-Perez #5712299. Publi...
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Alto Saxophone,Piano - Level 2 - SKU: A0.933849 Composed by William Pagan-Perez. Standards. Score and part. 7 pages. William Pagan-Perez #5712299. Published by William Pagan-Perez (A0.933849). Luna, The Black Cat...This is a short, single-movement solo piece with an accompaniment of the piano to have fun! According to the music grading chart by the American Band College, this piece can be placed between the performing levels grade 1 and grade 2 or also it can be cataloged as an early-intermediate level for those young musicians that are taking their first steps to play solo music.
$5.99
The Easy Winners, for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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The Easy Winners, for Alto Sax
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1106207 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1106207 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709321. Published by David McKeown (A0.1106207). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Alto Saxophone with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
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