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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Last Stand
Non classifié
602
Piano & claviers
Piano seul
240
Piano, Voix et Guitare
90
Piano Facile
59
Instruments en Do
52
Piano, Voix
48
Accompagnement Piano
19
Orgue
18
Piano grosses notes
7
Piano Quatuor: piano, violon, alto, violoncelle
4
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
4
Piano (partie séparée)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
1
Accordéon
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
48
Ligne De Mélodie, (Paroles) et Accords
47
Guitare
29
Ukulele
13
Guitare (partie séparée)
5
Basse electrique
4
Piano, Guitare (duo)
4
Paroles et Accords
4
Mandoline
2
Dulcimer
2
Banjo
2
4 Guitares (Quatuor)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
45
Chorale 3 parties
20
Voix duo, Piano
12
Chorale 2 parties
10
Chorale Unison
9
Chorale TTBB
6
Voix haute
6
Voix Soprano, Piano
6
Chorale SSAA
4
Voix Baryton, Piano
3
Voix seule
3
Voix Tenor, Piano
2
Soli, choeur mixte et accompagnement
2
Voix moyenne, Piano
2
Pack Instrumental pour Chorale
2
Voix basse, Piano
2
Voix Tenor
1
Voix Soprano
1
Voix basse
1
Voix duo
1
Voix Alto, Piano
1
+ 16 instrumentations
Retracter
Vents
2 Saxophones (duo)
53
Flûte, Hautbois, Clarinette, Basson
36
Flûte traversière et Piano
34
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Clarinette et Piano
29
Quatuor de Saxophones: 4 saxophones
28
2 Clarinettes (duo)
27
Hautbois, Piano (duo)
27
2 Flûtes traversières (duo)
26
Saxophone Alto et Piano
24
Saxophone, Clarinette (duo)
23
Quatuor de Clarinettes: 4 clarinettes
19
Saxophone Soprano et Piano
18
Saxophone (partie séparée)
17
Clarinette, Violon (duo)
17
3 Clarinettes (trio)
17
Quatuor de Flûtes : 4 flûtes
16
Flûte, Clarinette (duo)
13
Saxophone Tenor et Piano
13
Saxophone Tenor
12
Clarinette, Trompette (duo)
11
2 Hautbois (duo)
10
Saxophone Alto
8
Hautbois, Basson (duo)
8
Flûte, Alto (duo)
8
Flûte, Violon
8
Clarinette Basse, Piano
8
Clarinette et Alto
8
Saxophone Baryton, Piano
8
Hautbois (partie séparée)
7
Ensemble de Clarinettes
7
Flûte traversière
7
Hautbois, Clarinette (duo)
7
Flûte, Trompette (duo)
6
Hautbois, Flûte
6
Flûte, Saxophone (duo)
6
Clarinette
6
Cor anglais, Piano
5
Ensemble de Flûtes
5
Ensemble de saxophones
4
Flûte, Hautbois, Clarinette (trio)
3
Flûte à bec Soprano
3
Flûte à bec Alto, Piano
3
Flûte, Hautbois (duo)
3
Trio de Flûtes: 3 flûtes
3
Flûte à bec Soprano, Piano
3
Quintette de Clarinettes: 5 clarinettes
2
Flûte à Bec
2
Harmonica
2
Hautbois, violon (duo)
2
Flûte à bec Alto
2
Clarinette Basse
1
Cor Anglais
1
Flute (partie séparée)
1
Flûte, Violoncelle
1
Saxophone et Orgue
1
Flûte, Violon et Violoncelle
1
3 Saxophones (trio)
1
Piccolo, Piano
1
2 Flûtes traversières, Piano
1
Hautbois, Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Violoncelle (duo)
1
Flûte, Clarinette et Basson
1
+ 59 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Trombone et Piano
16
Trompette, Saxophone (duo)
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Trompette, Piano
14
Cor et Piano
14
Trompette (partie séparée)
13
Trompette
11
Trombone (partie séparée)
10
2 Trompettes (duo)
10
2 Trombones (duo)
10
Euphonium, Piano (duo)
8
Trompette, Trombone (duo)
7
Trombone
6
Tuba et Piano
5
Cor
5
Cor anglais, Piano
5
2 Cors (duo)
4
Quatuor de Cuivres
4
Trompette, Cor (duo)
2
Cor Anglais
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone basse et Piano
1
Tuba
1
Tuba et Orgue
1
2 Euphoniums et 2 Tubas
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
51
Violon et Piano
37
Alto, Piano
27
Violoncelle, Piano
24
Violon, Alto (duo)
23
2 Violons (duo)
20
Violon
17
Harpe
17
Violon, Violoncelle (duo)
17
Violoncelle
15
Trio à Cordes: violon, alto, violoncelle
12
2 Altos (duo)
10
2 Violoncelles (duo)
10
Contrebasse, Piano (duo)
6
Contre Basse
5
Alto seul
5
Contrebasse (partie séparée)
3
Violon (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
Alto (partie séparée)
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Contrebasse (duo)
1
Violon, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Harpe, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
4 Contrebasses
1
2 Harpes (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Violon, Violoncelle
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
105
Orchestre de chambre
30
Orchestre
29
Ensemble Jazz
27
Orchestre à Cordes
18
Ensemble de cuivres
10
Cloches
9
Ensemble de Percussions
6
Batterie (partie séparée)
4
Percussion (partie séparée)
3
Fanfare
3
Batterie
3
Xylophone, Piano
1
Marimba
1
Jazz combo
1
+ 10 instrumentations
Retracter
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BASSE
BASSON
BATTERIE
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
The Last Stand
Saxophone Alto et Piano
Partitions à imprimer
24 partitions trouvées
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1
None but the Lonely Heart for Alto Saxophone and Piano
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Saxophone Alto et Piano
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FACILE
#
Classique
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P
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Diego Marani
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None but the Lonely Heart for
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Diego Marani
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1234331 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standa...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1234331 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 5 pages. Diego Marani #829877. Published by Diego Marani (A0.1234331). Pyotr Ilyich Tchaikovsky composed a set of six romances for voice and piano, Op. 6, in late 1869; the last of these songs is the melancholy None but the Lonely Heart, a setting of Lev Mei's poem The Harpist's Song which in turn was a translation of Nur wer die Sehnsucht kennt from Goethe's Wilhelm Meister's Apprenticeship.This beautiful composition was recorded by Frank Sinatra, Placido Domingo, Itzhak Perlman and many others.This arrangement for alto sax with piano accompaniment is suitable for classroom, repertoire and recital.
$7.99
Stand Up, Stand Up for Jesus, Gospel Hymn for Alto Saxophone and Piano
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Saxophone Alto et Piano
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FACILE
#
Musique Sacrée
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Gospel Spirituel
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George Duffield Jr
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David McKeown
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Stand Up, Stand Up for Jesus,
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.593225 Composed by George Duffield Jr. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spir...
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Alto Saxophone,Piano - Level 2 - SKU: A0.593225 Composed by George Duffield Jr. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6417839. Published by David McKeown (A0.593225). Stand Up, Stand Up for Jesus is a beautiful gospel song arranged here for Solo Alto Saxophone and Piano.Stand Up, Stand Up for Jesus was written by George Duffield Jr in 1858, reportedly based on the last words on his friend and anti-slavery campaigner, Dudley Atkins Tyng. The hymn was popular with soldiers on both sides of the American Civil War.
$2.49
Saint-Saëns: The Swan for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
The Carnival of the Animals - 13. The Swan
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Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
Sam Bateman
#
The Carnival of the Animals -
#
Sam Bateman
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.948140 Composed by Camille Saint-Saens. Arranged by Sam Bateman. Children,Contemporary,Romantic Period. Score a...
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Alto Saxophone,Piano - Level 3 - SKU: A0.948140 Composed by Camille Saint-Saens. Arranged by Sam Bateman. Children,Contemporary,Romantic Period. Score and part. 10 pages. Sam Bateman #3434245. Published by Sam Bateman (A0.948140). And so we come to the second-to-last movement, which is The Swan. This was the only movement performed publicly during Saint-Saëns's lifetime, as he considered the rest of the suite too frivolous, or too silly, for his career as a serious composer. Understandably so, as it is considered by many to be one of the most beautiful pieces of music ever written, depicting a swan gracefully paddling across the surface of the water, with a calm, gentle mood. Quite ironically, the piece is in G major, which has gained a completely different meaning in Internet culture. But in any case, if you'd like to perform this piece on the alto saxophone, here it is for just 10 US dollars!If you'd like to hear some of my other arrangements, feel free to check out my YouTube channel, Sam Bateman's Music. If you would like to contact me for any inquiries or requests, feel free to email me at sambateman.music@gmail.com, and I'll respond back to you as soon as possible.
$10.00
Gabriel's Anthem [Alto Saxophone & Piano]
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Saxophone Alto et Piano
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INTERMÉDIAIRE
#
Paul Barker
#
Gabriel's Anthem [Alto Saxopho
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Paul Barker Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1139710 By Paul Barker. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival,Standards. Scor...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1139710 By Paul Barker. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival,Standards. Score and part. 11 pages. Paul Barker Music #739981. Published by Paul Barker Music (A0.1139710). Gabriel's Anthem is wonderfully stoic and ideal for recitals, concerts and formal occasions of all kinds. Performers and Audiences alike will love the rich harmonic pallet and inspiring thematic contrast to the very last poignant ritardando. Piano Accompaniment MP3 available from both this site and the publishers at www.paulbarkermusic.com Level: Intermediate (Grade 5 UK/Grade 2+ USA) Duration: 2:20 Occasion: Concert - Formal/Informal - Recitals - Competitions Instrumentation: Alto Saxophone - Piano
$5.95
Sullivan - The Lost Chord in B flat Major - Easy
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Saxophone Alto et Piano
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DÉBUTANT
#
Sir Arthur Seymour Sullivan
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Piacere Music Sheets
#
Sullivan - The Lost Chord in B
#
Piacere Music Sheets
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1108456 Composed by Sir Arthur Seymour Sullivan. Arranged by Piacere Music Sheets. Instructional,Romantic Perio...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1108456 Composed by Sir Arthur Seymour Sullivan. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score and part. 13 pages. Piacere Music Sheets #711098. Published by Piacere Music Sheets (A0.1108456). Opus/Catalog Number: IAS 42 Key/Tone: B-flat Major Movements/Sections: Andante moderato Year/Date of Composition: 1858/1877 Difficulty: Grade 3/12 (Easy) Obs.: Sir Arthur Sullivan composed this song at the bedside of his brother Fred during Fred's last illness. Fred Sullivan died five days after, on January 18. This song has been recorded by many singers, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims of the Titanic disaster. The Lost Chord is one of Sullivan's best-known songs, and it is still performed nowadays. This is an arrangement for Alto Saxophone with piano accompaniment. Included: Full score and separated parts for each instrument.
$8.95
Nearer My God To Thee (Alto Saxophone and Piano)
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Saxophone Alto et Piano
#
FACILE
#
Musique Sacrée
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Stephen DeCesare
#
Stephen DeCesare
#
Nearer My God To Thee
#
Exultet Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1083631 By Stephen DeCesare. By Lowell Mason. Arranged by Stephen DeCesare. Film/TV,Praise & Worship,Sacred,Sta...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1083631 By Stephen DeCesare. By Lowell Mason. Arranged by Stephen DeCesare. Film/TV,Praise & Worship,Sacred,Standards,Traditional. Score and part. 7 pages. Exultet Music #687838. Published by Exultet Music (A0.1083631). The 19th century Christian hymn which is well known as the alleged last song the band on RMS Titanic played before the ship sank has been freshly arranged for an Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
Nearer My God To Thee (Alto Saxophone and Piano)
#
Saxophone Alto et Piano
#
FACILE
#
Musique Sacrée
#
Stephen DeCesare
#
Stephen DeCesare
#
Nearer My God To Thee
#
Exultet Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1083431 By Stephen DeCesare. By Lowell Mason. Arranged by Stephen DeCesare. Film/TV,Praise & Worship,Sacred,Sta...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1083431 By Stephen DeCesare. By Lowell Mason. Arranged by Stephen DeCesare. Film/TV,Praise & Worship,Sacred,Standards,Traditional. Score and part. 7 pages. Exultet Music #687628. Published by Exultet Music (A0.1083431). The 19th century Christian hymn which is well known as the alleged last song the band on RMS Titanic played before the ship sank has been freshly arranged for an Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
Schubert: Moment Musicaux for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
#
Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standard...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447439. Published by jmsgu3 (A0.549015). Alto Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Jacques Offenbach: Barcarolle from "The Tales of Hoffmann", - Eb alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Jacques Offenbach
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Paul Wehage
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Jacques Offenbach: Barcarolle
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.534103 Composed by Jacques Offenbach. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score a...
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Alto Saxophone,Piano - Level 3 - SKU: A0.534103 Composed by Jacques Offenbach. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 15 pages. Musik Fabrik Music Publishing #3112795. Published by Musik Fabrik Music Publishing (A0.534103). The Prelude to the Venise Act of Offenbach's last opera. Unlike many arrangements, this arrangement begins with the beginning of the scene.
$10.35
The Moldau for Two Alto Saxophones and Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Bedrich Smetana
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Diego Marani
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The Moldau for Two Alto Saxoph
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Diego Marani
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 2 - SKU: A0.612647 Composed by Bedrich Smetana. Arranged by Diego Marani. Classic...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 2 - SKU: A0.612647 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #221837. Published by Diego Marani (A0.612647). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement for 2 alto saxes with piano accompaniment is suitable for classroom, repertoire and recital. It can also be played as a simple duet, with no piano.
$8.99
Ali Ben Sou Alle: Grande Fantaisie Variée sur "Lucia di Lammermoor" for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Grande Fanta
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533508 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 35 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533508 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 35 pages. Musik Fabrik Music Publishing #3002551. Published by Musik Fabrik Music Publishing (A0.533508). This fantasy uses motifs from Donizetti's opera. After the opening which uses motives from the Overture, the main melody of the famous Sextet is presented. The tenor aria from the last act is presented with several vrariations. Finally, motifs form the fmaous mad scene end the work in a brilliant valse.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Pe...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
Pomp and Circumstance March No. 1 for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Diego Marani
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Pomp and Circumstance March No
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Diego Marani
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1041586 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,S...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1041586 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #646345. Published by Diego Marani (A0.1041586). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for alto sax with piano is suitable for classroom, repertoire and recital.
$9.99
Ave Maria (Bach/Gounod)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Charles Francois Gounod
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Robert Stevens
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Ave Maria
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SAXpress.com
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1487496 Composed by Charles Francois Gounod. Arranged by Robert Stevens. 19th Century,Chamber,Christmas,Classic...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1487496 Composed by Charles Francois Gounod. Arranged by Robert Stevens. 19th Century,Chamber,Christmas,Classical,Religious. Score and part. 20 pages. SAXpress.com #1064450. Published by SAXpress.com (A0.1487496). Ave Maria (Bach/Gounod) (1853) Charles Gounod (1818 - 1893) Any Saxophone Solo and Piano Ave Maria (Bach/Gounod) by Charles Gounod (after J. S. Bach) (based on music of J. S. Bach) arranged for Any Saxophone Solo and Piano. B-flat and E-flat solo sax parts are included. This arrangment is in the key of C major, as was the 1853 original version. Tempo is around 78 bpm. The solo part is an exercise in expressive legato playing. Some rubato may be added in the last few bars of the music. The Bach/Gounod Ave Maria is a popular and much-recorded setting of the Latin prayer Ave Maria. It was first published in 1853 as “Méditation sur le Premier Prélude de Piano de S. Bach“. Gounod improvised an original melody that he paired with a slightly changed version of a familiar Bach Prelude (Prelude No. 1 in C major, BWV 846, Book I of The Well-Tempered Clavier). The 1853 publication is an instrumental piece. There was no text. Gounod reworked the piece in 1859, finally settling on the Latin prayer “Ave Maria” as lyrics. The new version proved to be an irresistible force. It attracted a phenomenal level of acclaim, becoming immensely popular, even improving Gounod’s faltering reputation with the contemporary public. It is a standard at holiday times, weddings, quinceañeras, church services, and other solemn occasions.
$6.95
Italian Polka for Alto Saxophone & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Sergei Rachmaninoff
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Diego Marani
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Italian Polka for Alto Saxopho
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Diego Marani
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.669259 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic...
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Alto Saxophone,Piano - Level 3 - SKU: A0.669259 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 8 pages. Diego Marani #278257. Published by Diego Marani (A0.669259). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This arrangement for alto sax with piano accompaniment is suitable for classroom, repertoire, recital and for a funny encore.
$7.99
ARIOSO, by J. S. Bach (sinfonia) - for Alto Saxophone and accompaniment
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Saxophone Alto et Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.964379 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Stand...
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Alto Saxophone,Piano - Level 1 - SKU: A0.964379 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6321031. Published by Leyandder Trustworthy (A0.964379). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Alto Saxophone along with a piano accompaniment that comes with the product.
$1.99
Nocturne No. 20 for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Diego Marani
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Nocturne No. 20 for Alto Saxop
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Diego Marani
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.528551 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,S...
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Alto Saxophone,Piano - Level 3 - SKU: A0.528551 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #6202163. Published by Diego Marani (A0.528551). The Nocturne No. 20 in C-sharp minor, Op. posth., Lento con gran espressione, is a solo piano piece composed by Frédéric Chopin in 1830 and published in 1870. This was also the piece played by Holocaust survivor and famed Polish pianist Władysław Szpilman (the central figure of the 2002 Roman Polanski film The Pianist) during the last live broadcast of Polish radio on September 23, 1939 when Warsaw was besieged by the German army.This arrangement for Alto Sax with Piano Accompaniment reflects faithfully the original for piano solo.
$8.99
Turkish March for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Diego Marani
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Turkish March for Alto Saxopho
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Diego Marani
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.528081 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards...
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Alto Saxophone,Piano - Level 3 - SKU: A0.528081 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards. Score and part. 7 pages. Diego Marani #4728373. Published by Diego Marani (A0.528081). The Piano Sonata No. 11 in A major, K. 331, by Wolfgang Amadeus Mozart is a piano sonata in three movements. The last one, marked Alla turca, popularly known as the Turkish Rondo or Turkish March, is often heard on its own and is one of Mozart's best-known piano pieces. This arrangement for Eb Alto Sax with Piano Accompaniment faithfully reproduces the original for piano.
$9.90
Solveig's Song from "Peer Gynt" for Alto Saxophone and Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Edvard Grieg
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Diego Marani
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Solveig's Song from "Peer
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Diego Marani
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1135659 Composed by Edvard Grieg. Arranged by Diego Marani. Classical,Instructional,Opera,Romantic Period,Stand...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1135659 Composed by Edvard Grieg. Arranged by Diego Marani. Classical,Instructional,Opera,Romantic Period,Standards. Score and part. 6 pages. Diego Marani #735717. Published by Diego Marani (A0.1135659). Peer Gynt, Op. 23, is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. Grieg later created two suites from his Peer Gynt music. Solveig's Song is the last movement of suite No. 2, a marvelous melody full of nostalgic feelings. This arrangement for alto sax with piano accompaniment is suitable for classroom, repertoire and recital.
$8.99
Chopin: Largo from Op. 65 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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James M
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Chopin: Largo from Op. 65 for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.551997 Composed by Frederic Chopin. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Sc...
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Alto Saxophone,Piano - Level 3 - SKU: A0.551997 Composed by Frederic Chopin. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 6 pages. Jmsgu3 #6050947. Published by jmsgu3 (A0.551997). Sonata in G Minor for Piano & Cello, Op. 65, Movement III - Largo.Chopin performed this Sonata on his final recital in 1848.The Largo from Chopin's Cello Sonata in G minor, Op. 65 is a significant work as it is one of only nine compositions by Chopin published during his lifetime for instruments other than the piano. The Sonata is remarkable for the concentration of its material, with much of the music in the first movement growing out of the opening statement and specific thematic shapes appearing in all its movements. The Largo, in particular, is known for its expressive and lyrical nature, showcasing Chopin's ability to write beautifully for a non-piano instrument. The Sonata was first publicly performed by Chopin and the work's dedicatee, Auguste Franchomme, at the composer's last public concert in 1848. The historical context behind Chopin's Largo from Sonata Op. 65 is rooted in the composer's radical stylistic changes during 1845-1846, which included an increasing prevalence of contrapuntal textures and metric flexibility. The Sonata, including the Largo, is filled with doubts and hesitation, reflecting the composer's difficult decisions and arduous labors. The piece is also notable for its thematic references from Schubert's Winterreise, mirroring the circumstances of Chopin's life when he wrote the Sonata, particularly his separation from George Sand.
$32.95
Ali Ben Sou Alle: Caprice sur "La Dernière Pensée de Weber" for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533504 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 10 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533504 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 10 pages. Musik Fabrik Music Publishing #3001085. Published by Musik Fabrik Music Publishing (A0.533504). Surprisingly, Weber's Last Thought was composed by Weber but by Carl Gottlieb Reißiger (1798-1859) who suceeded Weber as Kappelmeister at the Court of Dresden. Ali Ben Sou Alle's version is much more ornatmented than Reißiger's original version for piano, whose theme would have been immediately recognizable to an audience in the mid 19th century
$10.35
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The Last Stand
