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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Six
Non classifié
1 555
Piano & claviers
Piano seul
979
Piano Facile
266
Piano, Voix
242
Piano, Voix et Guitare
135
Orgue
126
Instruments en Do
66
1 Piano, 4 mains
32
Piano grosses notes
14
1 Piano, 6 mains
13
Piano Trio: piano, violon, violoncelle
13
Accordéon
10
2 Pianos, 4 mains
6
Piano (partie séparée)
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Accompagnement Piano
4
Clavecin
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavier
1
Orgue, Trompette (duo)
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
355
Guitare
164
Ligne De Mélodie, (Paroles) et Accords
63
Ukulele
57
Basse electrique
23
2 Guitares (duo)
18
Paroles et Accords
13
Mandoline
7
Ukulele Baryton
5
Banjo
5
Piano, Guitare (duo)
5
3 Guitares (trio)
4
Dulcimer
4
Guitare (partie séparée)
4
4 Guitares (Quatuor)
3
2 Mandolines (duo)
2
Ensemble de Ukulélés
2
Ensemble de guitares
1
Partitions De Groupes
1
Basse électrique (partie séparée)
1
Dobro
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
373
Chorale 3 parties
83
Chorale 2 parties
47
Chorale TTBB
43
Chorale Unison
36
Chorale SSAA
25
Voix Soprano, Piano
16
Pack Instrumental pour Chorale
6
Chorale
5
Voix duo, Piano
5
Voix Baryton, Piano
5
Voix seule
4
Voix duo
4
Chorale SSATB
3
Voix Tenor, Piano
3
Chorale SSATTB
3
Voix Mezzo-Soprano, Piano
2
Voix Alto, Piano
2
Voix Tenor
2
Voix basse, Piano
1
Voix haute
1
Chorale SSAATTBB
1
Voix moyenne, Piano
1
Chorale SAATB A Cappella
1
Voix Soprano, Orchestre
1
Voix basse
1
Voix, Guitare
1
+ 22 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
137
Flûte traversière et Piano
119
Quatuor de Saxophones: 4 saxophones
105
2 Saxophones (duo)
96
Quatuor de Clarinettes: 4 clarinettes
88
Clarinette et Piano
86
2 Flûtes traversières (duo)
85
Hautbois, Piano (duo)
72
2 Clarinettes (duo)
71
Flûte traversière
59
Saxophone Alto et Piano
53
Flûte, Hautbois, Clarinette, Basson
50
Clarinette
48
Saxophone Tenor et Piano
45
Saxophone Alto
44
Saxophone
43
Saxophone Tenor
40
Quintette de Saxophone: 5 saxophones
38
Quatuor de Flûtes : 4 flûtes
38
Flûte, Violon, Piano
36
Saxophone Soprano et Piano
36
Flûte, Clarinette (duo)
33
Saxophone (partie séparée)
32
Ensemble de Flûtes
31
Saxophone Baryton, Piano
30
3 Clarinettes (trio)
30
3 Saxophones (trio)
26
Ensemble de Clarinettes
25
Cor anglais, Piano
24
Hautbois, Basson (duo)
23
2 Hautbois (duo)
23
2 Flûte à bec (duo)
23
Flûte, Violon
19
Clarinette Basse, Piano
19
Saxophone, Clarinette (duo)
18
Clarinette, Violon (duo)
16
Clarinette, Basson (duo)
15
Flûte, Alto (duo)
15
Ensemble de saxophones
15
Flûte, Hautbois, Clarinette (trio)
15
Clarinette (partie séparée)
15
Flûte et Guitare
14
Hautbois, Clarinette (duo)
14
Clarinette et Alto
12
Trio de Flûtes: 3 flûtes
12
Hautbois (partie séparée)
11
Clarinette, Trompette (duo)
11
Clarinette, Violoncelle (duo)
10
Flûte, Violoncelle
10
Flûte, Clarinette et Basson
8
Quatuor de Flûtes à bec
8
Flûte, Trompette (duo)
7
Saxophone Soprano
7
Quintette de Clarinettes: 5 clarinettes
7
Flûte, Saxophone (duo)
6
Flûte, Hautbois, Basson
6
Flûte à bec Soprano
6
Quintette de Flûte : 5 flûtes
6
Hautbois, Flûte
6
Hautbois et alto (duo)
5
Hautbois, Violoncelle
5
Flûte à Bec
5
Hautbois, Clarinette, Basson (trio d'anches)
5
3 Flûtes à bec (trio)
5
Clarinette, Harpe (duo)
5
Hautbois
5
Flûte à bec Alto
4
Ensemble De Flûte à bec
4
Flute (partie séparée)
4
Clarinette, Guitare (duo)
4
2 Flûtes traversières, Piano
4
Hautbois, violon (duo)
3
Flûte à bec Soprano, Piano
3
Flûte, Violoncelle, Piano (trio)
3
2 Clarinettes, Piano
2
Flûte, Alto et Violoncelle
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Harpe et Violoncelle
2
Harmonica
2
Flûte et Trio à cordes
2
Flûte traversière, Basse continue
2
Hautbois, Harpe
2
Clarinette Basse
2
Flûte à bec Alto, Piano
2
2 Cors Anglais Et Pianoforte
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Ocarina
1
3 Hautbois
1
Ensemble de Hautbois
1
Piccolo, Piano
1
5 Flûtes à bec
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Flûtes, Basse continue
1
Hautbois, Violon, Piano
1
Hautbois, Guitare (duo)
1
Flûte, Violon et Violoncelle
1
Instruments en Mib
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Hautbois (duo)
1
Flute, harpe et violon
1
Flûte irlandaise
1
4 Hautbois
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte à bec Tenor
1
+ 99 instrumentations
Retracter
Cuivres
Quatuor de Cuivres
116
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
91
Trombone et Piano
69
Trompette
66
Quatuor de Cuivres : 2 trompettes, trombone, tuba
47
Trompette, Piano
43
Cor et Piano
40
Euphonium, Piano (duo)
38
Trombone
36
2 Trombones (duo)
29
2 Trompettes (duo)
26
Cor anglais, Piano
24
Tuba et Piano
23
Ensemble de Trombones
21
Trompette (partie séparée)
19
2 Cors (duo)
17
Cor
17
Trombone (partie séparée)
16
Trompette, Saxophone (duo)
14
Trompette, Trombone (duo)
12
Tuba
10
Quatuor de cuivres: 4 cors
8
Ensemble de Trompettes
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Quatuor de cuivres: 4 trombones
7
2 Tubas (duo)
6
Cor (partie séparée)
4
Trompette, Cor (duo)
4
2 Euphoniums et 2 Tubas
4
2 Euphoniums (duo)
4
Tuba (partie séparée)
3
Trombone, Cor (duo)
3
Euphonium
3
Tuba et Orgue
3
Trombone basse
3
3 Trombones (trio)
3
4 Tubas
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Tuba (duo)
2
3 Euphoniums
2
Trombone, Tuba (duo)
2
Bass Clef Instruments
2
Cor, Tuba (duo)
2
Trio de Cuivres
2
3 Tubas (trio)
2
Ensemble de Cors
2
2 Cors Anglais Et Pianoforte
2
Quatuor de cuivres: 4 trompettes
1
Trombone basse et Piano
1
Euphonium, Tuba (duo)
1
3 Trompettes (trio)
1
Cor et Harpe
1
Instruments en Sib
1
3 Cors (trio)
1
+ 49 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
270
Violon et Piano
149
Violon
94
Violoncelle, Piano
87
Alto, Piano
87
2 Violoncelles (duo)
71
2 Violons (duo)
64
Violoncelle
59
Violon, Alto (duo)
59
Harpe
57
Trio à Cordes: violon, alto, violoncelle
49
2 Altos (duo)
44
Violon, Violoncelle (duo)
43
Alto seul
28
Violon (partie séparée)
24
Contrebasse, Piano (duo)
19
2 Harpes (duo)
16
Alto, Violoncelle (duo)
15
Trio à Cordes: 2 violons, violoncelle
13
Alto (partie séparée)
13
Violoncelle, Contrebasse (duo)
11
Harpe, Flûte (duo)
11
Violon, Guitare (duo)
10
Contrebasse (partie séparée)
8
Contre Basse
8
Violoncelle , Guitare (duo)
6
Violon, Basse continue
5
Trio à Cordes: 3 violoncelles
5
Ensemble de Violoncelles
4
4 Violoncelles
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violoncelle (partie séparée)
4
2 Contrebasses (duo)
3
Violon, Basson (duo)
3
Piano Trio: Violon, Alto, Piano
3
Harpe, Violon (duo)
3
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 violins
3
Trio à cordes: 3 altos
3
Alto, Guitare (duo)
2
3 Harpes
2
Quatuor à cordes: 4 violons
2
5 Harpes
2
Ensemble d'Altos
2
Violoncelle, Basse continue
2
Trio à cordes
1
2 Violons et Basse continue
1
Ensemble de Violons
1
Alto et Harpe
1
Violon, Tuba (duo)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orchestre
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violoncelle (duo)
1
2 Violons, Piano
1
Harpe, Voix
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
473
Orchestre à Cordes
146
Orchestre
90
Cloches
90
Ensemble de cuivres
88
Orchestre de chambre
52
Ensemble Jazz
30
Batterie
30
Jazz combo
26
Ensemble de Percussions
18
Percussion (partie séparée)
10
Fanfare
8
Marimba
6
Quintette à Vent
3
Batterie (partie séparée)
3
Xylophone, Piano
3
Vibraphone
2
Quintette de Cuivres: autres combinaisons
1
2 Caisses Claires (duo)
1
Caisse Claire
1
2 Xylophones
1
Piano et Orchestre
1
2 Marimbas
1
Timbales (partie séparée)
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
13
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
The Six
Saxophone Alto et Piano
Partitions à imprimer
53 partitions trouvées
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51
The Wedding Album, for Solo Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
#
Film Walt Disney
#
Various
#
David McKeown
#
The Wedding Album, for Solo Al
#
David McKeown
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.587624 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score...
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Alto Saxophone,Piano - Level 3 - SKU: A0.587624 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594683. Published by David McKeown (A0.587624). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Alto Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Saint-Saëns: The Swan for Alto Sax & Piano
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Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
None but the Lonely Heart for Alto Saxophone and Piano
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Saxophone Alto et Piano
#
FACILE
#
Classique
#
P
#
Diego Marani
#
None but the Lonely Heart for
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Diego Marani
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1234331 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standa...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1234331 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 5 pages. Diego Marani #829877. Published by Diego Marani (A0.1234331). Pyotr Ilyich Tchaikovsky composed a set of six romances for voice and piano, Op. 6, in late 1869; the last of these songs is the melancholy None but the Lonely Heart, a setting of Lev Mei's poem The Harpist's Song which in turn was a translation of Nur wer die Sehnsucht kennt from Goethe's Wilhelm Meister's Apprenticeship.This beautiful composition was recorded by Frank Sinatra, Placido Domingo, Itzhak Perlman and many others.This arrangement for alto sax with piano accompaniment is suitable for classroom, repertoire and recital.
$7.99
Vivaldi: The Six Sonatas Complete for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
#
Classique
#
Antonio Vivaldi
#
James M
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Vivaldi: The Six Sonatas Compl
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.551192 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Sc...
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Alto Saxophone,Piano - Level 3 - SKU: A0.551192 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 137 pages. Jmsgu3 #5003799. Published by jmsgu3 (A0.551192). Antonio Vivaldi: The Six Sonatas - Complete
$59.95
Swan Lake Theme, for Solo Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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David McKeown
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Swan Lake Theme, for Solo Alto
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.587684 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic...
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Alto Saxophone,Piano - Level 3 - SKU: A0.587684 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. David McKeown #4737755. Published by David McKeown (A0.587684). Swan Lake, is the first ballet of three composed by Pyotr Tchaikovsky. Here, the famous main theme is arranged for Solo Alto Saxophone and Piano, directly from the orchestral score. The first performance of the ballet in Moscow in 1877 was not well received. The production was fraught with disagreements between choreographer and composer; the Russian audience were suspicious of the story’s Germanic origins and the music was regarded as too complex for ballet. Tchaikovsky did not live to see a triumphant revival production in 1895 that confirmed Swan Lake as one of the greatest ballet scores of all. Included in the single download are six pages of piano score and a separate two-page part for the solo instrument. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts, with tremolos and rich chords. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around two and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Tchaikovsky: Arabian Dance from Nutcracker Suite for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Arabian Dance fro
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549750 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549750 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3532695. Published by jmsgu3 (A0.549750). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Chinese Dance from Nutcracker Suite for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Chinese Dance fro
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549772 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549772 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3534981. Published by jmsgu3 (A0.549772). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Scene 10 from Swan Lake for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Scene 10 from Swa
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549597 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549597 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3512825. Published by jmsgu3 (A0.549597). Duration: 2:30, score: 8 pages, solo part: 2 pages, piano part: 5 pages. A well-known favorite masterpiece suitable for a recital or school program. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Swan Lake Op. 20 Tchaikovsky composed Swan Lake in 1875-76. To begin with, most noteworthy the ballet failed to attract a positive reception. Over time, however, the ballet became probably one of the most popular of all of Tchaikovsky’s works. The ballet was certainly first performed by the Bolshoi Ballet in Moscow.
$32.95
Charles Colin: Sixième Solo de Concours, Opus 46 - Eb alto or baritone saxophone and pian
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Saxophone Alto et Piano
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Charles Colin
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Paul Wehage
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Charles Colin: Sixième
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - SKU: A0.534679 Composed by Charles Colin. Arranged by Paul Wehage. C...
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - SKU: A0.534679 Composed by Charles Colin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and parts. 20 pages. Musik Fabrik Music Publishing #6132939. Published by Musik Fabrik Music Publishing (A0.534679). Charles Colin was born in Cherbourg, France on June 2, 1862. He entered the Paris Conservatory and won a First Prize in Oboe in 1852 and then studied composition, winning the Second First Grand Prix de Rome in 1857 (Bizet won the First Grand Prix the same year). In 1868, he became the Professor of Oboe at the Paris Conservatory. His series of eight Solos were written for the exams of his class. He died on July 26, 1881 in Paris.
$12.95
The Swan (Carnival of the Animals No.13) - alto sax and piano with FREE BACKING TRACK
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Camille Saint-Saens
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Austin Ralphson
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The Swan
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Austin Ralphson
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.564175 Composed by Camille Saint-Saens. Arranged by Austin Ralphson. Romantic Period,Wedding. Score and part. 7...
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Alto Saxophone,Piano - Level 4 - SKU: A0.564175 Composed by Camille Saint-Saens. Arranged by Austin Ralphson. Romantic Period,Wedding. Score and part. 7 pages. Austin Ralphson #6273127. Published by Austin Ralphson (A0.564175). The most famous movement from Carnival of the Animals, this slowly moving melody (which evokes the swan elegantly gliding over the water) is played over rippling sixteenths in the piano. The melody requires good control of the instrument to ensure the phrases are musical and the tone even throughout.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/FOP66dRUh9EÂ (copy and paste into a new window) and also in the video screen above.This piece features in a collection of 5 beautiful solos which is available to purchase here for $9.99: https://armusiconline.com/b/lAY4n
$3.99
The Moldau for Two Alto Saxophones and Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Bedrich Smetana
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Diego Marani
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The Moldau for Two Alto Saxoph
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Diego Marani
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 2 - SKU: A0.612647 Composed by Bedrich Smetana. Arranged by Diego Marani. Classic...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 2 - SKU: A0.612647 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #221837. Published by Diego Marani (A0.612647). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement for 2 alto saxes with piano accompaniment is suitable for classroom, repertoire and recital. It can also be played as a simple duet, with no piano.
$8.99
When I'm Sixty-four
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Beatles
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Fishel Pustilnik
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When I'm Sixty-four
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F & N Enterprise
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 4 - SKU: A0.635530 By The Beatles. By John Lennon, John Winsto...
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 4 - SKU: A0.635530 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by Fishel Pustilnik. Rock. Score and parts. 8 pages. F & N Enterprise #5314571. Published by F & N Enterprise (A0.635530). An excellent arrangement of the famous Song When I'm Sixty-Four (by The Beatles) for Alto Sax and Piano-Jazz/Pop Version.
$4.99
The Little Drum
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Saxophone Alto et Piano
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FACILE
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Geza Horvath
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Nick Lacanski
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The Little Drum
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theupperstaff
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.647795 Composed by Geza Horvath. Arranged by Nick Lacanski. Concert,Instructional,Standards. Score and part. 6 ...
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Alto Saxophone,Piano - Level 2 - SKU: A0.647795 Composed by Geza Horvath. Arranged by Nick Lacanski. Concert,Instructional,Standards. Score and part. 6 pages. Theupperstaff #2945715. Published by theupperstaff (A0.647795). This great little was originally written for piano. It is in ABA form with the B section more lyrical and in the dominant. This is a great exercise in executing the difference between a triplet and a dotted eighth-sixteenth rhythm. The latter is especially challenging when it is slurred. Thanks for taking a look.
$3.99
Bach: Wachet auf for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Sax
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554821. Published by jmsgu3 (A0.549842). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Variations sur "Marlborough s'en va en Guerre"
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Paul-Agricole Génin
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Paul Wehage (édition)
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Variations sur "Marlborou
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1491891 Composed by Paul-Agricole Génin. Arranged by Paul Wehage (édition). 19th Century,Contest,Festival,Rom...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1491891 Composed by Paul-Agricole Génin. Arranged by Paul Wehage (édition). 19th Century,Contest,Festival,Romantic Period. Score and part. 20 pages. Musik Fabrik Music Publishing #1068574. Published by Musik Fabrik Music Publishing (A0.1491891). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century. Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThe six works in the set of Opus 15 are among the first works ever written for the saxophone. They are in the form of charactor pieces; The theme of this work was one of Napoléon Bonaparte's favorite songs.
$9.95
Paul-Agricole Génin: Introdcution et Polacca, Opus 15, no. 2 for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Paul-Agricole Génin
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Paul-Agricole Génin: In
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.534641 Composed by Paul-Agricole Génin. Concert,Standards. Score and part. 18 pages. Musik Fabrik Music Publ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.534641 Composed by Paul-Agricole Génin. Concert,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #4850967. Published by Musik Fabrik Music Publishing (A0.534641). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThe six works in the set of Opus 15 are among the first works ever written for the saxophone. They are in the form of charactor pieces; The Introduction is in the style of a florid bel-canto récitative with a lively polonnaise in several contrasting sections.
$10.35
Paul-Agricole Génin: Pastorale, Opus 15, no. 1 for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Paul-Agricole Génin
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Paul-Agricole Génin: Pa
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.534640 Composed by Paul-Agricole Génin. Concert,Romantic Period,Standards. Score and part. 23 pages. Musik F...
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Alto Saxophone,Piano - Level 3 - SKU: A0.534640 Composed by Paul-Agricole Génin. Concert,Romantic Period,Standards. Score and part. 23 pages. Musik Fabrik Music Publishing #4850949. Published by Musik Fabrik Music Publishing (A0.534640). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century. Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThe six works in the set of Opus 15 are among the first works ever written for the saxophone. They are in the form of charactor pieces; The Pastorale is in a large ABA form with a final coda.
$10.35
Let All Mortal Flesh Keep Silence - Alto Sax solo
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Brian Buda
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Brian Buda
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Let All Mortal Flesh Keep Sile
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budaful music
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1038738 By Brian Buda. By French carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional. Score and...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1038738 By Brian Buda. By French carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional. Score and part. 8 pages. Budaful music #643716. Published by budaful music (A0.1038738). This haunting tune, arranged for piano and alto sax, tells the awe-inspiring Christmas story of God becoming man. It is perfect for Advent/Christmas concerts, programs, recitals, and offertories. It runs approximately at 3:24. This PDF includes a 5 page accompaniment part as well as a 2-page alto sax part. Lyrics from Hymnary.org: Let all mortal flesh keep silence, and with fear and trembling stand; ponder nothing earthly minded, for with blessing in His hand Christ our God to earth descendeth, our full homage to demand. King of kings, yet born of Mary, as of old on earth He stood, Lord of lords, in human vesture - in the body and the blood. He will give to all the faithful His own self for heavenly food. At His feet the six-winged seraph, cherubim, with sleepless eye, veil their faces to the Presence, as with ceaseless voice they cry, Alleluia, alleluia! Alleluia, Lord most high! SoundCloud: https://soundcloud.com/brian_buda/let-all-mortal-flesh-keep-silence Practice with an isolated piano accompaniment track: https://soundcloud.com/brian_buda/let-all-mortal-flesh-keep-silence-accompaniment-track.
$3.99
Turkish March by Beethoven for Alto Sax
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Saxophone Alto et Piano
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1155646 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score ...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1155646 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #755950. Published by Woods Only, Arrangements (A0.1155646). This arrangement adapted for alto saxophone and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99
Scenes from a Parisian café - 14 beautiful pieces for Eb saxophone and piano. Includes audio tracks
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Saxophone Alto et Piano
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FACILE
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Chris Lawry
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Scenes from a Parisian caf&eac
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Masquerade Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1166899 By Chris Lawry. By Chris Lawry. Blues,Chamber,Folk,Jazz,Multicultural,World. Score and part. 48 pages. ...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1166899 By Chris Lawry. By Chris Lawry. Blues,Chamber,Folk,Jazz,Multicultural,World. Score and part. 48 pages. Masquerade Music #767278. Published by Masquerade Music (A0.1166899). A delightful collection of 14 pieces for grades 2-6 Alto Saxophone & PianoDepicts the goings on outside and around a Parisian cafe.Includes audio tracks. Currently features on the Trinity College London Eb saxophone syllabus (November 2022 - ongoing). Written in 2013, Scenes from a Parisian Cafe is a beautiful collection of 14 concert and educational pieces for beginner to intermediate (roughly grades 2 - 6) by UK composer Chris Lawry.The pieces cover the events of a day from the viewpoint of the cafe, from morning to night, and covers a range of tempos and styles with something to suit any occasion and mood. Witness a couple dancing in the rain, a bandoneon player busking, a marching band passing by, and the stars emerging as the evening comes to a close (and much more). With a total length of 27 mins, this is a very good value for money and exciting addition to any concert, educational, or general repertoire. The 38 page score (with 18 page part booklet) comes with an accompanying full demonstration tracks (Sax with piano) and a piano-only backing tracks for each piece. These are accessed via the printed download code printed in the publication.Piece Listing: 1. (9 a.m.) Morning on the Square 2. (10 a.m.) Bandoneon Dances 3. (11 a.m.) Wandering 4. (12 p.m.) ...And the Band Pass By 5. (1 p.m.) Poco Loco 6. (2 p.m.) Hither Thither 7. (3 p.m.) Then the Rains Came 8. (4 p.m.) Whispers in the Rain 9. (5 p.m.) One Sixty Six 10. (6 p.m.) The Lady of the Lake 11. (7 p.m.) On The Terrace 12. (8 p.m.) Clear the Decks! 13. (9 p.m.) The Jazz Singer 14. (10 p.m.) When the Stars Came Out A sample video of excerpts from the sheet music book can be seen on YouTube here: https://youtube.com/playlist?list=PLeZzm2W58OO97Visih-AH3At2_J88Ttsu.
$16.99
My Saxophone and Me (E flat version)
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Saxophone Alto et Piano
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DÉBUTANT
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Colin Kirkpatrick
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Lazy Days
(No 4)
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My Saxophone and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publ...
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Alto Saxophone,Piano - Level 1 - SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3134129. Published by Colin Kirkpatrick Publications (A0.522194). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679821The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Nice ‘n Easy (No 2); Lazy Days (No 4); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has writte.
$5.95
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Pe...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
O Come, All Ye Faithful for Solo Alto Saxophone
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Attr
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Lawrence H
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O Come, All Ye Faithful for So
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Lawrence H Underwood
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.967661 Composed by Attr. to John Francis Wade. Arranged by Lawrence H. Underwood. Christian,Christmas,Contempor...
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Alto Saxophone,Piano - Level 3 - SKU: A0.967661 Composed by Attr. to John Francis Wade. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 10 pages. Lawrence H Underwood #6189229. Published by Lawrence H Underwood (A0.967661). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the sixth installment in his A Christmas Portfolio series, this brand new setting of O Come, All Ye Faithful is a showstopper! The arrangement opens lyrically, in a lilting 12/8, before traveling through a driving section in 5, a majestic 3/4, then baroque-flavored turns in 4/4 and again in 3/4. The interplay between the solo and accompaniment evokes the feeling of a small orchestra! Suitable for use in church or as a showpiece in any holiday setting, this piece is one your audience is sure to remember!
$5.99
Kumbaya My Lord, Gospel Song for Alto Saxophone and Piano
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Saxophone Alto et Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Kumbaya My Lord, Gospel Song f
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.592974 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. ...
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Alto Saxophone,Piano - Level 2 - SKU: A0.592974 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6413767. Published by David McKeown (A0.592974). Kumbaya My Lord is a beautiful spiritual arranged here for Solo Alto Saxophone and Piano.Kumbaya My Lord is thought to have originated in Georgia in the Gullah dialect, a creole language mixing English and various West African languages. First collected in 1926, it later became popular in the ‘sixties folk revival and other secular contexts.
$2.49
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