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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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CHORALE - CHAN…
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18
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11
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10
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10
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9
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6
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5
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4
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28
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16
Trompette
15
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7
Trombone
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Quatuor de Cuivres
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Trompette, Piano
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3
Tuba et Piano
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Cor et Piano
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2
Trombone (partie séparée)
2
Tuba
2
Cor (partie séparée)
2
Trompette, Saxophone (duo)
2
Trio de Cuivres
1
2 Tubas (duo)
1
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4 Tubas
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Quatuor de cuivres: 4 trompettes
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Euphonium, Piano (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
59
Violon, Violoncelle (duo)
27
Violon
21
Violon et Piano
15
Violoncelle (partie séparée)
11
Trio à Cordes: 2 violons, violoncelle
10
Violoncelle, Piano
9
Harpe
9
Alto, Piano
6
Trio à Cordes: violon, alto, violoncelle
6
2 Violons (duo)
4
Violon, Alto (duo)
3
Violon (partie séparée)
3
Alto seul
3
Violoncelle
2
2 Altos (duo)
2
Ensemble de Violons
2
Contrebasse, Piano (duo)
2
Contre Basse
2
Ensemble d'Altos
2
Harpe, Flûte (duo)
1
Violoncelle, Orgue
1
Alto (partie séparée)
1
Contrebasse (partie séparée)
1
Violon, Guitare (duo)
1
4 Contrebasses
1
2 Violoncelles (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
131
Orchestre
17
Cloches
14
Ensemble Jazz
10
Ensemble de cuivres
9
Orchestre à Cordes
9
Orchestre de chambre
7
Ensemble de Percussions
6
Fanfare
5
Percussion (partie séparée)
4
Jazz combo
3
Vibraphone
2
Batterie
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AUTRES
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The Song Is Ended
Saxophone Alto et Piano
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Eagles' Victory Song
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1182606 By Dirk Quinn Ban…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1182606 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782353. Published by Zedas Couve (A0.1182606). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99
4.61 €
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Saxophone Alto et Piano
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Dirk Quinn Band
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Marcony Carvalho
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Eagles' Victory Song
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Zedas Couve
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SheetMusicPlus
Sullivan: The Lost Chord for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549443 Composed by Sir Ar…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494751. Published by jmsgu3 (A0.549443). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord Winds The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.87 €
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Saxophone Alto et Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
O Come All Ye Faithful for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548508 Composed by Wade. …
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388099. Published by jmsgu3 (A0.548508). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages. Part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
23.03 €
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Saxophone Alto et Piano
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Wade
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James M
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O Come All Ye Faithful for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Santa Claus Is Comin' To Town
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.596580 By Steve Tyrell. B…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.596580 By Steve Tyrell. By John Frederick Coots. Arranged by Juan MarÃa Solare. Jazz. Score and part. 4 pages. Juan Maria Solare #4993475. Published by Juan Maria Solare (A0.596580). While this song needs no particular presentation, this arrangement does.It was tested by the arranger with his team of soloists, corrected, ammended and written down in such a way that it works musically at an optimum degree.
$5.00
4.61 €
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Saxophone Alto et Piano
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Steve Tyrell
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Juan MarÃa Solare
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Santa Claus Is Comin' To Town
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Juan Maria Solare
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SheetMusicPlus
My Saxophone and Me (E flat version)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.522194 Composed by Colin …
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3134129. Published by Colin Kirkpatrick Publications (A0.522194). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679821The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Nice ‘n Easy (No 2); Lazy Days (No 4); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has writte.
$5.95
5.49 €
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Saxophone Alto et Piano
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Colin Kirkpatrick
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Lazy Days
(No 4)
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My Saxophone and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533497 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3000441. Published by Musik Fabrik Music Publishing (A0.533497). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt andothers with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95
11.03 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Be…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #3000445. Published by Musik Fabrik Music Publishing (A0.533499). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt and others with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
18.41 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533353 Composed by Ali Be…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #2363203. Published by Musik Fabrik Music Publishing (A0.533353). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.This fantasy begins with motifs from the 1st act chorus « Sempre Felc’Amina » ». The Count’s first act aria « Vi ravisso, o loughi ameni » is followed by an extended cadenza and leads to Amina and Elvino’s first act duo « Prendi l’amel ti dono ». Amina’s second act aria « Ah non guige! » is presented with a brilliant variation to bring the work to a close.
$16.95
15.64 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle, Vincenzo Bellini
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bestiaire Moral et Ordinaire
Saxophone Alto et Piano
Alto Saxophone,Piano,Voice - Level 5 - Digital Download SKU: A0.1278960 Composed by…
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Alto Saxophone,Piano,Voice - Level 5 - Digital Download SKU: A0.1278960 Composed by Paul Wehage. 21st Century,Chamber,Children,Classical. 81 pages. Musik Fabrik Music Publishing #870509. Published by Musik Fabrik Music Publishing (A0.1278960). This cycle of 19 short songs was inspired by the poetry of Jean-Thierry Boisseau, as well as theBestiaires by Poulenc and Durey. The musical style, tonal and deliberately referential, is intended tounderscore the amusing and satirical aspects of the poetry.. As in all vocal music, understanding of the text is the most important aspect of performance. The complete song texts are included here and are strongly encouraged to be included in concert programs.Ce cycle de 19 mélodies a été inspiré par les poésies de Jean-Thierry Boisseau ainsi que par les Bestiaires écrits par Poulenc et Durey. Le style musical, tonal et délibérément référencé, est censé souligner les aspects satiriques de la poésie. La compréhension du texte étant un des aspects les plus importants de lâ??interprétation de ces mélodies, les textes complets sont inclus dans ces notes. Leur inclusion dans les programmes de concerts est particulièrement souhaitable et souhaitée.
$29.95
27.64 €
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Saxophone Alto et Piano
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Paul Wehage
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Bestiaire Moral et Ordinaire
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Musik Fabrik Music Publishing
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SheetMusicPlus
Amazing Grace (my Chains Are Gone)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.773712 By Chris Tomlin. B…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.773712 By Chris Tomlin. By Chris Tomlin, Louie Giglio, and Traditional American Melody. Arranged by Anthony Giamanco. Christian. Score and part. 10 pages. Whole Tone Press #3692357. Published by Whole Tone Press (A0.773712). This arrangement of the popular praise song works beautifully for alto sax (with piano accompaniment), appropriate for intermediate players. It maintains the feel of the original Chris Tomlin recording, with the sax taking the lead vocal part. The piano is very supportive, keeping a strong quarter note pulse. Great for any contemporary or blended worship service, this piece also makes a fine concert or recital selection. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, and on YouTube. Contact info: tony@shalomlife.org.
$4.99
4.61 €
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Saxophone Alto et Piano
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Chris Tomlin
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Anthony Giamanco
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Amazing Grace
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Whole Tone Press
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SheetMusicPlus
I Got It Bad And That Ain't Good
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.761669 Composed by Duke E…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.761669 Composed by Duke Ellington. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Standards. Score and part. 5 pages. Standard Time #4286575. Published by Standard Time (A0.761669). This classic standard by Duke Ellington and Paul Francis Webster is arranged as a solo ballad for alto sax with piano accompaniment. Extended harmonies and melodic embellishments color a hauntingly beautiful song, such that the sentiment of the lyrics is expressed in their absence. Key of G. To hear the arrangement in its entirety, please visit https://standardtime.bandcamp.com/track/i-got-it-bad-and-that-aint-good.
$9.99
9.22 €
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Saxophone Alto et Piano
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Duke Ellington
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Debra E
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I Got It Bad And That Ain't Good
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Standard Time
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SheetMusicPlus
Christmas Adventures for Alto Sax and Piano
Saxophone Alto et Piano
Composed by Traditional. Arranged by Colin Kirkpatrick. Christmas. Set of Parts. 21 …
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Composed by Traditional. Arranged by Colin Kirkpatrick. Christmas. Set of Parts. 21 pages. Published by Colin Kirkpatrick Publications
Here are three refreshing new modernarrangements of three popular traditional carols “like you ain’t never heardthem before”. Intended for the intermediate alto sax player(s) and a reasonably competentpianist, they are sure to brighten up your Christmas events whether at home,school, church or recital hall. They could be used during a Christmas serviceor as stand-alone pieces at an end-of-term presentation. The audio sampleincludes recordings of all three pieces.<br> <br> The King Rides Out(based on “Good King Wenceslas”) starts conventionally enough but turns into acountry-style song and then there’s a three-part Bach-like contrapuntal section,concluding with a wistful coda before the music returns to the joyful countrystyle. Waltz with Holly – or Possibly Ivy (based of course on “The Hollyand the Ivy”) turns into a dreamy waltz with long extended phrases and a goodvehicle to show the saxophone player’s tone quality. The Merry Gentleman goLatin is a lively rumba version of “God Rest You Merry, Gentlemen”.<br> <br> ColinKirkpatrick studied composition, cello and piano at London’s prestigious RoyalCollege of Music and after graduation followed a career in music education. Hewas a High School Music Director in London for about fifteen years and laterbecame a Music Education Adviser for local government, with the addedresponsibility for training teachers and directing the instrumental teaching service.<br> <br> Hehas been published by Boosey & Hawkes, Novello, Paxton, Schott, OxfordUniversity Press, Chester, Belwin Mills and Intrada (Netherlands). He holds MAand PhD degrees in education and his other interests include reading,photography, travel, cooking and wine tasting - though not necessarily all atthe same time.<br> <br>
$7.95
7.34 €
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Saxophone Alto et Piano
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Traditional
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Colin Kirkpatrick
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Christmas Adventures for Alto Sax and Piano
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SheetMusicPlus
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