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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Thomas S
Non classifié
729
Piano & claviers
Piano seul
494
Piano, Voix
197
Piano Facile
109
Piano, Voix et Guitare
87
Orgue
44
Instruments en Do
31
Piano (partie séparée)
17
1 Piano, 4 mains
11
Piano Trio: piano, violon, violoncelle
5
Piano grosses notes
5
2 Pianos, 4 mains
2
2 Pianos, 8 mains
2
Accordéon
2
Ligne De Mélodie, Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
+ 11 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
34
Guitare notes et tablatures
32
Guitare
29
Basse electrique
24
Ukulele
16
Guitare (partie séparée)
12
Basse électrique (partie séparée)
4
Ensemble de Ukulélés
2
2 Ukuleles
2
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
Paroles et Accords
1
Ensemble de guitares
1
Piano, Guitare (duo)
1
Banjo
1
Mandoline, Guitare (duo)
1
+ 11 instrumentations
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Voix
Chorale SATB
301
Chorale 3 parties
103
Chorale TTBB
60
Voix Soprano, Piano
36
Chorale SSAA
34
Chorale 2 parties
33
Voix Tenor, Piano
29
Voix Baryton, Piano
29
Voix Alto, Piano
27
Chorale Unison
24
Chorale
5
Voix duo, Piano
3
Soli, choeur mixte et accompagnement
3
Voix Mezzo-Soprano, Piano
2
Voix duo
2
Voix haute
2
Pack Instrumental pour Chorale
1
Chorale SSAATTBB
1
Voix moyenne, Piano
1
+ 14 instrumentations
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Vents
Saxophone (partie séparée)
226
Clarinette (partie séparée)
94
Hautbois (partie séparée)
85
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
61
Quatuor de Clarinettes: 4 clarinettes
46
Quatuor de Saxophones: 4 saxophones
46
Flûte, Hautbois, Clarinette, Basson
45
Quintette de Saxophone: 5 saxophones
42
Flute (partie séparée)
42
Clarinette
36
Flûte traversière
35
Saxophone Alto
27
Flûte traversière et Piano
27
Quatuor de Flûtes : 4 flûtes
26
Quintette de Clarinettes: 5 clarinettes
22
Hautbois, Piano (duo)
21
Saxophone Tenor
21
Ensemble de saxophones
17
Saxophone Alto et Piano
16
Clarinette et Piano
16
2 Saxophones (duo)
13
2 Flûtes traversières (duo)
11
Trio de Flûtes: 3 flûtes
11
Ensemble de Clarinettes
10
Ensemble de Flûtes
10
3 Saxophones (trio)
9
Quintette de Flûte : 5 flûtes
8
Hautbois
7
Saxophone Tenor et Piano
7
Flûte, Clarinette et Basson
7
Ocarina
6
Saxophone Soprano et Piano
6
2 Clarinettes (duo)
6
Saxophone Baryton, Piano
5
3 Clarinettes (trio)
5
Cor anglais, Piano
5
Cor Anglais
4
Quatuor de Flûtes à bec
4
Flûte et Guitare
4
Clarinette Basse, Piano
4
Ensemble De Flûte à bec
3
2 Flûte à bec (duo)
2
Flûte, Violon et Violoncelle
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone et Harpe
2
Piccolo, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Hautbois, Basson
1
Clarinette, Guitare (duo)
1
Flûte à bec Soprano
1
2 Flûtes à bec, Guitare
1
Hautbois, Harpe
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violon, Piano
1
Flûte à Bec
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Clarinettes, Piano
1
Flûte à bec Alto
1
Clarinette, Violoncelle (duo)
1
Clarinette, Harpe (duo)
1
Piccolo
1
Flûte, Clarinette (duo)
1
2 Hautbois (duo)
1
+ 59 instrumentations
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Cuivres
Trompette (partie séparée)
137
Trombone (partie séparée)
121
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
60
Cor (partie séparée)
38
Trompette
34
Quatuor de Cuivres : 2 trompettes, trombone, tuba
33
Tuba (partie séparée)
23
Trombone
20
Trombone et Piano
13
Cor
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Euphonium, Piano (duo)
9
Cor et Piano
9
Trompette, Piano
9
Trio de Cuivres
6
Tuba
6
Cor anglais, Piano
5
Cor Anglais
4
Quatuor de Cuivres
4
Quatuor de cuivres: 4 trombones
4
Euphonium
3
Trompette, violon (duo)
3
Trompette, Cor (duo)
2
2 Cors (duo)
2
Tuba et Piano
2
3 Trompettes (trio)
2
Ensemble de Trompettes
1
Cor et Harpe
1
2 Euphoniums et 2 Tubas
1
3 Trombones (trio)
1
2 Trompettes (duo)
1
Ensemble de Trombones
1
+ 27 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
225
Violon (partie séparée)
82
Violon
58
Contrebasse (partie séparée)
56
Alto (partie séparée)
49
Violon et Piano
40
Violoncelle
39
Trio à Cordes: violon, alto, violoncelle
28
Violoncelle (partie séparée)
28
Violoncelle, Piano
25
Alto seul
23
Alto, Piano
21
Harpe
20
Violon, Violoncelle (duo)
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Contre Basse
12
2 Harpes (duo)
10
2 Violons (duo)
9
Violon, Alto (duo)
7
2 Violoncelles (duo)
6
Harpe (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
4
Violoncelle, Contrebasse (duo)
3
Harpe, Trombone (duo)
3
4 Violoncelles
3
Violon, Guitare (duo)
3
Harpe, Orchestre
2
2 Altos (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Violons, Piano
1
Ensemble de Violoncelles
1
Violoncelle, Orgue
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe, Voix
1
Harpe, Violoncelle (duo)
1
Alto, Orgue
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
Harpe, Violon (duo)
1
Piano Trio: Violon, Alto, Piano
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
223
Orchestre à Cordes
90
Percussion (partie séparée)
64
Orchestre
40
Ensemble Jazz
32
Ensemble de cuivres
29
Batterie (partie séparée)
21
Fanfare
18
Orchestre de chambre
16
Cloches
11
Batterie
10
Timbales (partie séparée)
9
Jazz combo
7
Marimba
3
Ensemble de Percussions
2
Vibraphone
1
Orchestre, Violon
1
+ 12 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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Vous avez sélectionné:
Thomas S
Saxophone Alto et Piano
Partitions à imprimer
16 partitions trouvées
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1
In the First Spinning Place
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Saxophone Alto et Piano
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Contemporain
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Hilary Tann
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In the First Spinning Place
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Oxford University Press Digital
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SheetMusicPlus
Alto Saxophone and piano - SKU: OX.9780193200005 Composed by Hilary Tann. Score and part. 40 pages. Oxford University Press Digital #9780193200005. Publ...
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Alto Saxophone and piano - SKU: OX.9780193200005 Composed by Hilary Tann. Score and part. 40 pages. Oxford University Press Digital #9780193200005. Published by Oxford University Press Digital (OX.9780193200005). ISBN 9780193200005.In the First, Spinning Place was inspired by Dylan Thomas's exuberant poem Fern Hill. The first section of the concerto is a light, dancing movement, the second section contains echoes of Welsh hymnody, and the third section is a fast, scherzando finale.
$24.50
River Lullaby
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Saxophone Alto et Piano
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FACILE
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Contemporain
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Stephen Schwartz
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Thomas R
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River Lullaby
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Thomas R. Vozzella
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.778344 Composed by Stephen Schwartz. Arranged by Thomas R. Vozzella. Contemporary. Score and part. 7 pages. Tho...
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Alto Saxophone,Piano - Level 2 - SKU: A0.778344 Composed by Stephen Schwartz. Arranged by Thomas R. Vozzella. Contemporary. Score and part. 7 pages. Thomas R. Vozzella #4803515. Published by Thomas R. Vozzella (A0.778344). From Stephen Schwartz’s original score for the Prince of Egypt, comes this lovely arrangement for alto sax and piano. The song accompanies the scene where Moses’ mother, Yocheved, attempts to save him from Pharaoh’s edict to have all the Hebrew children slain. His mother places him in a basket, sends him afloat down the Nile, just to end up at Pharaoh’s palace. Pharos’s wife finds the basket and raises baby Moses as her own. This beautiful song is sung by Moses’ mother in the animated film.
$4.99
Sullivan: The Lost Chord for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494751. Published by jmsgu3 (A0.549443). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord Winds The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
It was a Lover and His Lass
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Saxophone Alto et Piano
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FACILE
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Renaissance
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Thomas Morley
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Jane Frasier
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It was a Lover and His Lass
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Jane Frasier
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1198721 Composed by Thomas Morley. Arranged by Jane Frasier. Renaissance. Score and part. 8 pages. Jane Frasier...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1198721 Composed by Thomas Morley. Arranged by Jane Frasier. Renaissance. Score and part. 8 pages. Jane Frasier #797800. Published by Jane Frasier (A0.1198721). The original musical setting was written by Thomas Morley and published in 1600. He was one of the few composers to have worked with Shakespeare during his lifetime. It was a song in Shakespeare’s play As you Like It. Morley was member of the English Madrigal school of composers.
$8.00
Bach: Sheep May Safely Graze for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze f
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Weddin...
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Alto Saxophone,Piano - Level 2 - SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444569. Published by jmsgu3 (A0.548976). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedd...
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Alto Saxophone,Piano - Level 2 - SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888291. Published by jmsgu3 (A0.550919). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Alto Sax - "And Can It Be?" Theme and Variations
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
Bach-Gounod: Ave Maria for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alt
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sco...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490139. Published by jmsgu3 (A0.549364). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano, S0.661763. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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1871, Mayeur was also named Sa
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Louis Adolphe Mayeur
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Paul Wehage
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Louis Mayeur: Grande Fantaisie
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.534135 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Scor...
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Alto Saxophone,Piano - Level 4 - SKU: A0.534135 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 29 pages. Musik Fabrik Music Publishing #3133401. Published by Musik Fabrik Music Publishing (A0.534135). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. Versions are available from Musik Fabrik for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$16.95
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Ain't Misbehavin'
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Jazz
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Hank Williams Jr
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Nick Lacanski
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Ain't Misbehavin'
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theupperstaff
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.647765 By Hank Williams Jr. By Harry Brooks and Thomas Fats Waller. Arranged by Nick Lacanski. Jazz. Score and ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.647765 By Hank Williams Jr. By Harry Brooks and Thomas Fats Waller. Arranged by Nick Lacanski. Jazz. Score and part. 11 pages. Theupperstaff #2919881. Published by theupperstaff (A0.647765). Here's a classic from the 20's arranged with some new ideas. Thanks for looking.
$6.99
Oh the Deep, Deep Love of Jesus--E flat instrument duet
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Saxophone Alto et Piano
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AVANCÉ
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Richard Wagner, S
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Beka Wilson
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Oh the Deep, Deep Love of Jesu
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Beka Wilson
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 5 - SKU: A0.786362 Composed by Richard Wagner, S. Trevor Franc...
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 5 - SKU: A0.786362 Composed by Richard Wagner, S. Trevor Francis, and Thomas John Williams. Arranged by Beka Wilson. Celtic,Christian,Opera,Sacred. Score and parts. 10 pages. Beka Wilson #4335315. Published by Beka Wilson (A0.786362). This exciting duet is a Wagner-inspired version of an old Celtic-style hymn. Both parts will stretch the player to the limits of their instrument’s range, and includes 2-on-3 rhythms and chromatic runs. For different instrumentation, this arrangement is compatible with products S0. 523329 (B flat), S0. 523327 (alto clef), S0. 523325 (C), S0. 523323 (C bass clef), or S0. 523319 (F).This would be the perfect contest piece for advanced high schoolers, or an energetic offertory for a church service. The song is approximately 2’30 in length and includes two parts and a piano score (10 pages total).Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$9.99
Bach: Wachet auf for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Sax
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554821. Published by jmsgu3 (A0.549842). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
O The Deep, Deep Love Of Jesus (Alto Saxophone and Piano)
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Saxophone Alto et Piano
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FACILE
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Musique Sacrée
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Thomas J
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Stephen DeCesare
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O The Deep, Deep Love Of Jesus
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Exultet Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.628920 Composed by Thomas J. Williams. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. ...
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Alto Saxophone,Piano - Level 2 - SKU: A0.628920 Composed by Thomas J. Williams. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and part. 14 pages. Exultet Music #6245269. Published by Exultet Music (A0.628920). The well-known Christian hymn that compares Jesus' love to the ocean in scope, emphasizing the limitless, unchanging, and sacrificial nature of God's affections for those that are singing and all of humanity, has been freshly arranged for an Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
Brave
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Saxophone Alto et Piano
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FACILE
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Josh Groban
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Jeff Tincher
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Brave
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Jeff Tincher
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.582722 By Josh Groban. By Chantal Kreviazuk, Josh Groban, and Thomas Salter. Arranged by Jeff Tincher. Contempo...
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Alto Saxophone,Piano - Level 2 - SKU: A0.582722 By Josh Groban. By Chantal Kreviazuk, Josh Groban, and Thomas Salter. Arranged by Jeff Tincher. Contemporary,Pop. Score and part. 15 pages. Jeff Tincher #3479449. Published by Jeff Tincher (A0.582722). This is a Eb instrument and Piano arrangement of one of Josh Groban's big hits. In the original key from the first song on his All That Echoes CD, this is great for any live venue or playing along with the CD. This is a really nice, energetic song that builds to a climax before going back to the verse. Duration=3:52. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
How Far I'll Go
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Pop musique
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Takida
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Stuart McSweeney
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How Far I'll Go
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Stuart McSweeney
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.771318 By Takida. By Christian Bror Rehn, Lin-Manuel Miranda, Robert Karl Pettersson, and Thomas Jan Vallin. Ar...
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Alto Saxophone,Piano - Level 3 - SKU: A0.771318 By Takida. By Christian Bror Rehn, Lin-Manuel Miranda, Robert Karl Pettersson, and Thomas Jan Vallin. Arranged by Stuart McSweeney. Pop. Score and part. 10 pages. Stuart McSweeney #6494951. Published by Stuart McSweeney (A0.771318). Alto Sax solo with Piano accompaniment of How Far I'll Go from Disney's Moana.More titles available on my page.
$4.99
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