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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Thomas-Ken
Non classifié
214
Piano & claviers
Piano seul
77
Piano Facile
27
Piano, Voix
24
Piano, Voix et Guitare
20
Instruments en Do
8
Accompagnement Piano
4
Piano Trio: piano, violon, violoncelle
2
Piano grosses notes
2
Orgue
2
1 Piano, 4 mains
1
Accordéon
1
2 Pianos, 4 mains
1
+ 7 instrumentations
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Guitares
Guitare
7
Guitare notes et tablatures
6
Ukulele
4
Ligne De Mélodie, (Paroles) et Accords
3
2 Guitares (duo)
1
Dulcimer
1
Piano, Guitare (duo)
1
Basse electrique
1
+ 3 instrumentations
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Voix
Chorale SATB
53
Voix Baryton, Piano
28
Voix Soprano, Piano
26
Voix Alto, Piano
26
Voix Tenor, Piano
26
Chorale 3 parties
24
Pack Instrumental pour Chorale
9
Chorale 2 parties
8
Chorale TTBB
5
Chorale Unison
5
Chorale
4
Soli, choeur mixte et accompagnement
2
Voix Mezzo-Soprano, Piano
2
Chorale SSAA
2
Voix duo, Piano
1
+ 10 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Quatuor de Saxophones: 4 saxophones
16
Quintette de Saxophone: 5 saxophones
12
Flûte traversière
9
Flûte, Hautbois, Clarinette, Basson
8
Quintette de Clarinettes: 5 clarinettes
4
Clarinette
4
Clarinette et Piano
4
Flûte traversière et Piano
4
Flûte et Guitare
4
Quatuor de Clarinettes: 4 clarinettes
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone Tenor
3
Hautbois, Piano (duo)
3
Saxophone Alto et Piano
3
Hautbois
2
Ensemble de saxophones
2
Saxophone (partie séparée)
2
Saxophone Alto
2
Quintette de Flûte : 5 flûtes
2
2 Saxophones (duo)
2
Ensemble de Clarinettes
2
2 Clarinettes (duo)
1
3 Saxophones (trio)
1
Saxophone Tenor et Piano
1
Saxophone Baryton, Piano
1
2 Flûtes traversières (duo)
1
Flute (partie séparée)
1
Ensemble de Flûtes
1
Clarinette Basse, Piano
1
+ 25 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Cor
6
Trompette
5
Trombone
4
Trombone et Piano
4
Tuba
3
Trompette, Piano
3
Tuba et Piano
2
Trombone (partie séparée)
2
Cor et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette (partie séparée)
2
Quatuor de cuivres: 4 trombones
1
4 Tubas
1
Cor (partie séparée)
1
Quatuor de Cuivres
1
+ 12 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
30
Violon, Violoncelle (duo)
16
Violon
12
Violon et Piano
5
Violoncelle, Piano
5
Violoncelle
4
Alto, Piano
3
Alto seul
3
Violon (partie séparée)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Alto (partie séparée)
2
Trio à Cordes: violon, alto, violoncelle
2
4 Violoncelles
1
Alto, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
Harpe, Voix
1
Trio à Cordes: 2 violons, violoncelle
1
2 Violons (duo)
1
+ 13 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
89
Orchestre
17
Ensemble Jazz
14
Orchestre à Cordes
13
Fanfare
8
Orchestre de chambre
5
Ensemble de cuivres
5
Jazz combo
3
Cloches
3
Batterie
3
Percussion (partie séparée)
1
Batterie (partie séparée)
1
Ensemble de Percussions
1
+ 8 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
XYLOPHONE
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Thomas-Ken
Saxophone Alto et Piano
Partitions à imprimer
3 partitions trouvées
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The Chicken Dance
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Contemporain
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Terry Rendall and Werner Thoma
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Fishel Pustilnik
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The Chicken Dance
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F & N Enterprise
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.635645 Composed by Terry Rendall and Werner Thomas...
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.635645 Composed by Terry Rendall and Werner Thomas. Arranged by Fishel Pustilnik. Contemporary. Score and parts. 7 pages. F & N Enterprise #5711845. Published by F & N Enterprise (A0.635645). An excellent arrangement of the famous Song The Chicken Dance (Dance Little Bird) for Alto Sax and Piano-Jazz/Pop Version.
$4.99
Alto Sax - "And Can It Be?" Theme and Variations
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
Art Songs for Young Folks, Vol. 1 - alto sax and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Antonin Dvorak, Edouard Lalo,
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Kenneth D
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Art Songs for Young Folks, Vol
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KFS Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.699317 Composed by Antonin Dvorak, Edouard Lalo, Eugen Hildach, Franz Schubert, Guiseppi Giordiano, J. Hullah, ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.699317 Composed by Antonin Dvorak, Edouard Lalo, Eugen Hildach, Franz Schubert, Guiseppi Giordiano, J. Hullah, and Thomas Moore. Arranged by Kenneth D. Friedrich. 20th Century,Romantic Period. Score and part. 37 pages. KFS Publishing #2961027. Published by KFS Publishing (A0.699317). Song list:1. The Last Rose of Summer
$18.99
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