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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
To Be Human
Non classifié
244
Piano & claviers
Piano, Voix
144
Piano seul
118
Piano, Voix et Guitare
23
Orgue
10
Piano Facile
9
Instruments en Do
6
Piano Trio: piano, violon, violoncelle
3
1 Piano, 4 mains
2
2 Pianos, 4 mains
2
+ 4 instrumentations
Retracter
Guitares
Guitare notes et tablatures
11
Guitare
10
Basse electrique
2
Ukulele
1
3 Guitares (trio)
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
110
Chorale TTBB
9
Chorale 3 parties
9
Chorale SSAA
7
Chorale Unison
6
Chorale 2 parties
3
Voix Baryton, Piano
3
Voix Tenor, Piano
2
Voix haute
1
Chorale
1
Voix Alto, Piano
1
Chorale SSAB a cappella
1
Voix Mezzo-Soprano, Piano
1
Voix duo
1
Voix Soprano
1
Voix Soprano, Piano
1
Voix seule
1
Soli, choeur mixte et accompagnement
1
+ 13 instrumentations
Retracter
Vents
Clarinette et Piano
18
Flûte traversière et Piano
15
Saxophone Alto et Piano
15
Hautbois, Piano (duo)
15
Quatuor de Clarinettes: 4 clarinettes
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Quatuor de Saxophones: 4 saxophones
9
2 Saxophones (duo)
9
Clarinette
9
Flûte traversière
8
Saxophone Tenor et Piano
8
Hautbois (partie séparée)
7
Flûte, Hautbois, Clarinette, Basson
7
3 Saxophones (trio)
5
Saxophone Alto
5
Saxophone Soprano et Piano
5
Saxophone Baryton, Piano
5
Quintette de Saxophone: 5 saxophones
4
Ensemble de Clarinettes
3
Flute (partie séparée)
3
3 Clarinettes (trio)
3
Flûte, Clarinette (duo)
3
Cor anglais, Piano
3
Flûte, Violon
2
Flûte, Violoncelle
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Alto (duo)
2
Saxophone Tenor
2
2 Clarinettes (duo)
2
Clarinette Basse, Piano
2
Clarinette, Violon (duo)
2
Saxophone Soprano
2
2 Flûtes traversières (duo)
2
Hautbois, Basson (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Basson (duo)
2
Clarinette, Violoncelle, Piano (trio)
1
3 Flûtes à bec (trio)
1
Ensemble de saxophones
1
Saxophone (partie séparée)
1
Flûte, Violoncelle, Guitare
1
5 Flûtes à bec
1
2 Flûte à bec (duo)
1
Saxophone et Orgue
1
Flûte à bec Alto
1
Ensemble de Flûtes
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Violoncelle (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Flûtes à bec
1
Flûte à Bec
1
Clarinette, Guitare (duo)
1
2 Hautbois (duo)
1
Clarinette Basse
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Violoncelle
1
+ 52 instrumentations
Retracter
Cuivres
Cor et Piano
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette
9
Trompette, Piano
9
Trombone et Piano
8
Cor
5
Tuba et Piano
5
Trombone
5
Euphonium, Piano (duo)
4
Cor anglais, Piano
3
Trompette (partie séparée)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Trompettes (duo)
1
Trio de Cuivres
1
Ensemble de Trompettes
1
3 Trombones (trio)
1
Tuba
1
Quatuor de cuivres: 4 trombones
1
2 Trombones (duo)
1
2 Cors (duo)
1
3 Cors (trio)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Ensemble de Cors
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
38
Violon
17
Violoncelle, Piano
15
Violon et Piano
14
Alto, Piano
11
Violoncelle
9
Violon, Violoncelle (duo)
7
2 Violoncelles (duo)
6
Alto seul
5
Violon, Alto (duo)
5
2 Violons (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
2 Altos (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Harpe
3
4 Violoncelles
3
Trio à cordes: 3 violins
3
Contre Basse
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à cordes: 3 altos
2
Alto (partie séparée)
1
Quatuor à cordes : 4 altos
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
Violon (partie séparée)
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Violon, Guitare (duo)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre
19
Orchestre d'harmonie
16
Orchestre à Cordes
13
Orchestre de chambre
8
Ensemble de Percussions
7
Ensemble de cuivres
4
Ensemble Jazz
3
Vibraphone
2
Jazz combo
1
Batterie
1
Marimba
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
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expert
avec audio
avec vidéo
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Vous avez sélectionné:
To Be Human
Saxophone Alto et Piano
Partitions à imprimer
15 partitions trouvées
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1
Ode to Joy by Beethoven for Alto Sax
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Saxophone Alto et Piano
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DÉBUTANT
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Classique
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Classique
#
Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Al
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Woods Only, Arrangements
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1160398 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Perio...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1160398 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760681. Published by Woods Only, Arrangements (A0.1160398). This arrangement adapted for alto saxophone and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
Roadside Inn - Schumann- Alto Sax-Piano
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Saxophone Alto et Piano
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FACILE
#
Robert Schumann
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Phil Beaman
#
Roadside Inn - Schumann- Alto
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Phil Beaman
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.844502 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. S...
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Alto Saxophone,Piano - Level 2 - SKU: A0.844502 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3485691. Published by Phil Beaman (A0.844502). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99
Traumerei (Kinderszenen No.7) - alto sax and piano with FREE BACKING TRACK to play along
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Saxophone Alto et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Robert Schumann
#
Austin Ralphson
#
Traumerei
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Austin Ralphson
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.564182 Composed by Robert Schumann. Arranged by Austin Ralphson. Film/TV,Romantic Period,Wedding. Score and par...
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Alto Saxophone,Piano - Level 4 - SKU: A0.564182 Composed by Robert Schumann. Arranged by Austin Ralphson. Film/TV,Romantic Period,Wedding. Score and part. 6 pages. Austin Ralphson #6274107. Published by Austin Ralphson (A0.564182). One of Robert Schumann's best known works, this lovely piano piece is subtitled Dreaming. Presented here as a solo with piano accompaniment, you can wallow in the beautiful harmonies whilst playing it!This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/QldOsevmSus (copy and paste into a new window) and also in the video screen above.This piece features in a collection of 5 beautiful solos which is available to purchase here for $9.99: https://armusiconline.com/b/lAY4n
$3.99
Vampire
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Saxophone Alto et Piano
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INTERMÉDIAIRE
#
Pop musique
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Olivia Rodrigo
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Benzaiten Editions
#
Vampire
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Benzaiten Editions
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1269926 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Benzaiten Editions. 21st Century,Con...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1269926 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Benzaiten Editions. 21st Century,Contemporary,Pop,Rock,Singer/Songwriter. Score and part. 7 pages. Benzaiten Editions #862398. Published by Benzaiten Editions (A0.1269926). Hey! Are you a saxophonist who wants to learn how to play Vampire by Olivia Rodrigo? It's your lucky day! 🎵Vampire by Olivia Rodrigo - Intermediate Sax Sheet Music with piano accompaniment The Benzaiten Editions Arrangement Prepare to be entranced by the haunting and emotive ballad, Vampire by Olivia Rodrigo! This poignant song showcases Olivia's incredible songwriting and vocal prowess, making it a powerful and captivating piece for saxophone. Our sax and piano arrangement of Vampire allows you to embody the raw emotion and vulnerability of Olivia's performance. Through delicate melodies and expressive chords, you'll be able to convey the bittersweet essence of this mesmerizing track. Perfect for intermediate sax players who want to explore Olivia Rodrigo's music or simply appreciate heartfelt compositions, this arrangement strikes a balance between accessibility and musicality. About the song Vampire by Olivia Rodrigo is a soul-stirring ballad that delves into themes of love, heartbreak, and emotional vulnerability. Olivia's evocative lyrics and haunting melody resonate deeply with listeners, capturing the raw essence of human emotions. This saxophone arrangement allows you to embody the song's bittersweet beauty and express your own feelings through its touching melodies and chords. Whether you're a devoted fan of Olivia Rodrigo or a sax enthusiast seeking emotive compositions, Vampire offers a powerful musical journey that speaks straight to the heart.
$5.99
Vampire
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Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Pop musique
#
Olivia Rodrigo
#
Benzaiten Editions
#
Vampire
#
Benzaiten Editions
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1269927 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Benzaiten Editions. 21st Century,Con...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1269927 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Benzaiten Editions. 21st Century,Contemporary,Pop,Rock,Singer/Songwriter. Score and part. 7 pages. Benzaiten Editions #862399. Published by Benzaiten Editions (A0.1269927). Hey! Are you a saxophonist who wants to learn how to play Vampire by Olivia Rodrigo? It's your lucky day! 🎵Vampire by Olivia Rodrigo - Intermediate Sax Sheet Music with piano accompaniment and chords The Benzaiten Editions Arrangement Prepare to be entranced by the haunting and emotive ballad, Vampire by Olivia Rodrigo! This poignant song showcases Olivia's incredible songwriting and vocal prowess, making it a powerful and captivating piece for saxophone. Our sax and piano arrangement of Vampire allows you to embody the raw emotion and vulnerability of Olivia's performance. Through delicate melodies and expressive chords, you'll be able to convey the bittersweet essence of this mesmerizing track. Perfect for intermediate sax players who want to explore Olivia Rodrigo's music or simply appreciate heartfelt compositions, this arrangement strikes a balance between accessibility and musicality. About the song Vampire by Olivia Rodrigo is a soul-stirring ballad that delves into themes of love, heartbreak, and emotional vulnerability. Olivia's evocative lyrics and haunting melody resonate deeply with listeners, capturing the raw essence of human emotions. This saxophone arrangement allows you to embody the song's bittersweet beauty and express your own feelings through its touching melodies and chords. Whether you're a devoted fan of Olivia Rodrigo or a sax enthusiast seeking emotive compositions, Vampire offers a powerful musical journey that speaks straight to the heart.
$5.99
Four Hispanic Children’s Songs for Alto Sax. in Eb and Piano
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Saxophone Alto et Piano
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FACILE
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Traditional
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William Pagan-Perez
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Four Hispanic Children’s
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William Pagan-Perez
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.933817 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Score and part. 22...
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Alto Saxophone,Piano - Level 2 - SKU: A0.933817 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Score and part. 22 pages. William Pagan-Perez #3024439. Published by William Pagan-Perez (A0.933817). Four Hispanic Children’s Songs Doña Ana (Madame Ana) El patio de mi casa (The Garden Of My House) ¡Que Llueva! (Let It Rain!) San Serenà About the piece: Many times, great musicians transcribed and perform art song cycles by Brahms, Schubert, Schumann, or Rachmaninoff in order to express lyricism with their musical instruments like a singer does. Practicing and performing Four Hispanic Children’s Songs, give young music students a good opportunity to start expressing lyricism or to start playing beautiful melodic lines imitating the expressiveness of the human voice. Four Hispanic Children’s Songs can be programmed on student concerts, or solo music recitals in schools. Also, professional musician can perform Four Hispanic Children’s Songs on recitals, educative concerts or entertainment concerts programmed for children. Four Hispanic Children’s Songs is a four movements piece based on 18th Century children songs from Spain that became parts of the Hispano American heritage. It was arranged as a song cycle, with march textures that accompany the melody to allow a better learning and rehearsing process in class. ------------------------------------------- Sobre la pieza: En muchas ocasiones, los grandes músicos transcriben y ejecutan ciclos de canciones de artes compuestos por Brahms, Schubert, Schumann, or Rachmaninoff con la intención de expresar lirismo o tocar bellas lÃneas melódicas imitando la expresividad de la voz humana con sus instrumentos musicales. El practicar y tocar la música de Four Hispanic Children’s Songs (Cuatro Canciones Infantiles Hispanas) brinda a los jóvenes estudiantes de música, una buena oportunidad para comenzar a expresar lirismo o de tocar melodÃas expresivas como si fuera un cantante. Four Hispanic Children’s Songs puede ser programada y presentada en conciertos de estudiantes, o recitales de música solista en escuelas. También la pieza puede se ejecutada por músicos profesionales en recitales, conciertos educativos o concierto de entretenimiento programados para la niñez. Four Hispanic Children’s Songs es una pieza con cuatro movimientos; basadas en canciones infantiles del siglo XVIII y oriundas de España, pero que fueron adoptadas dentro de las tradiciones hispanoamericanas. El arreglista utilizó texturas de marcha para acompañar las canciones, facilitar el proceso de aprendizaje y de ensayo del estudiante en el salón de clases. Note: The MP3 sound is the midi version for flute and piano.
$8.95
Triolets Pop
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Alain Lopez
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Triolets Pop
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Alto Saxophone, Piano - Grade 3 - SKU: FX.FX071867 Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Shee...
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Alto Saxophone, Piano - Grade 3 - SKU: FX.FX071867 Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX071867. Published by FLEX Editions - Digital Sheet Music (FX.FX071867). This composition was created for young musicians (mostly teenagers), and will be played as a pop song. Indeed, its texture (silky and polished) is related to the use of triplets and harmonic series built on the principle of 'verse / chorus'. Its tempo (close to the human body beat) and duration (3 minutes) will make it the hit of the summer!
$8.95
Saint-Saëns: The Swan for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Schubert: Moment Musicaux for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standard...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447439. Published by jmsgu3 (A0.549015). Alto Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Mendelssohn: Wedding March for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
LUNA for violin, alto saxophone and piano
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Saxophone Alto et Piano
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AVANCÉ
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Contemporain
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Daniel Cueto
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LUNA for violin, alto saxophon
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Daniel Cueto
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.876578 Composed by Daniel Cueto. 20th Century,Concert,Contempo...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.876578 Composed by Daniel Cueto. 20th Century,Concert,Contemporary. Score and parts. 17 pages. Daniel Cueto #4980495. Published by Daniel Cueto (A0.876578). ABOUT THIS WORK:In 2016, the Russian Space Corporation announced its newest long-term project: a plan to establish a permanent human colony on the Moon by the year 2030. Several other nations - including Japan, China and the USA - have announced similar projects over the years. I began to think about this idea and its possible implications for human culture. An intriguing question came to mind: if a human settlement on the Moon is developed, would art works be created there? Would there be composers there, writing music?After enough time had passed, what would the music made by inhabitants of such remote colonies sound like?I started to imagine a music that combined well-known elements of the Western tradition with new patterns and concepts, these being an expression of the profoundly different daily-life experiences of living on the Moon. I heard, in my mind, a lonesome chant, performed with a view of a lunar night sky. After the song, a strange pulsating music, maybe a subtle depiction of a process of lunar tectonics. Connecting between these two elements, a third one emerged: a mysterious, oscillating motive, perpetually shifting back and forth between two harmonies; swaying, gently and forever, until lost to a cosmic silence…From these resonant impressions, a primitive sketch started to emerge; a voyage into an unexplored compositional region. A musical fantasy about a distant - yet still human - reality.
$14.99
COMPLETE Book of 10 Beautiful Alto Sax Solos for Fun - various levels with FREE BACKING TRACKS
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Puccini, Saint-Saens, Rachmani
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Austin Ralphson
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COMPLETE Book of 10 Beautiful
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Austin Ralphson
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1178848 Composed by Puccini, Saint-Saens, Rachmaninoff, Schumann, Debussy, Satie, Beethoven, Handel. Arranged b...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1178848 Composed by Puccini, Saint-Saens, Rachmaninoff, Schumann, Debussy, Satie, Beethoven, Handel. Arranged by Austin Ralphson. 19th Century,20th Century,Classical,Wedding. Score and part. 74 pages. Austin Ralphson #778817. Published by Austin Ralphson (A0.1178848). This is a book of beuatiful and popular solo pieces arranged with piano accompaniment (or optional free backing track); it comprises both volumes from the '5 Beautiful Solos for Fun' series, making a total of 10 solos in this set. The difficulty levels range from intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that the lyrical qualities of these melodies are emphasised by the solo instrument. Good control of the instrument and careful tuning will be needed throughout. A piano score is provided for each piece, as is a solo part as well. This is the full list:1. Nessun Dorma (Puccini)2. Vocalise (Rachmaninoff)3. The Swan (Saint-Saens)4. Gymnopédie No.1 (Satie)5. Träumerei (R. Schumann)6. The Girl With The Flaxen Hair (Debussy)7. Gnossienne No. 1 (Satie)8. Sonata No.8 Pathetique, 2nd movement (Beethoven)9. Clair De Lune (Debussy)10. Largo from 'Xerxes' (Handel)Free backing tracks are provided for each piece; these can be heard by visiting https://www.youtube.com/channel/UCPhyKv6OeJfWvkmNIkzAjhA and this link is also printed in the front of the book for future use.
$14.99
Classics in Color (Alto Saxophone)
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Saxophone Alto et Piano
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DÉBUTANT
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Classique
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Antonio Vivaldi, Franz Joseph
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Eugenia Goldman
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Classics in Color
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Eugenia Goldman
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.883225 Composed by Antonio Vivaldi, Franz Joseph Haydn, Franz Schubert, George Frideric Handel, Johannes Brahms...
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Alto Saxophone,Piano - Level 1 - SKU: A0.883225 Composed by Antonio Vivaldi, Franz Joseph Haydn, Franz Schubert, George Frideric Handel, Johannes Brahms, Ludwig van Beethoven, Michel Corrette, Peter Ilyich Tchaikovsky, Robert Schumann, and Wolfgang Amadeus Mozart. Arranged by Eugenia Goldman. Baroque,Classical,Instructional,Romantic Period,Standards. Score and part. 43 pages. Eugenia Goldman #5968557. Published by Eugenia Goldman (A0.883225). Classics in Color is a collection of themes from famous classical music compositions edited for beginner instrumental players. The pieces were selected for their melodic beauty and playability, and organized in the order of progressive difficulty. In addition, all pieces in the collection contain references to the extra-musical content, thus allowing to add the visual dimension to the musical experience. Students and music enthusiasts of all ages are invited to engage with music through several types of activities:learning basic facts about the composers and the pieces, playing the melodies,and coloring the artwork on the music pages. Suitable for individual and group instruction. Coloring can be done on paper or on an electronic device using a free style pen. Beginner/easy level.
$12.95
Five selections from 'Album for the Young'
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Saxophone Alto et Piano
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FACILE
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P
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Ian Fitze
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Five selections from 'Album fo
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Ian Fitze
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1469754 By P. I. Tchaikovsky. By P. I. Tchaikovsky. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instru...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1469754 By P. I. Tchaikovsky. By P. I. Tchaikovsky. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 14 pages. Ian Fitze #1047661. Published by Ian Fitze (A0.1469754). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.These short pieces were intended as easy pieces for the young pianist - he was inspired by Schumann's set of works with the same name. In this arrangement the soloist has the opportunity to play in a variety of styles and moods.This collection includes sections of varying difficulty for the soloist from beginner to intermediate. A work that can be revisited by the beginner soloist as technical and musical skills are developed.A highly enjoyable set of tunes!
$2.99
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