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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
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GUITARE
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HARMONICA
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112
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110
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43
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26
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21
Piano Facile
10
Piano Quatuor: piano, violon, alto, violoncelle
2
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2
Accordéon
2
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1
2 Pianos, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
Piano grosses notes
1
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13
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7
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6
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3
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2
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27
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10
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6
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2
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2
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1
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1
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1
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1
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1
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1
Chorale
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26
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15
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14
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13
Saxophone Alto
11
Flûte traversière et Piano
10
Flûte traversière
8
Saxophone Soprano et Piano
7
Saxophone Tenor
7
2 Flûtes traversières (duo)
7
Saxophone Alto et Piano
7
Hautbois, Piano (duo)
6
Clarinette
6
Quatuor de Clarinettes: 4 clarinettes
4
Ensemble de Flûtes
4
Saxophone Soprano
4
Saxophone Baryton, Piano
4
Saxophone Tenor et Piano
4
Clarinette et Piano
4
Cor anglais, Piano
3
Hautbois
2
Saxophone et Harpe
2
Saxophone Baryton
2
Ensemble de Clarinettes
2
Trio de Flûtes: 3 flûtes
1
Clarinette, Harpe (duo)
1
2 Clarinettes (duo)
1
Clarinette Basse, Piano
1
Flûte, Hautbois (duo)
1
Clarinette, Basson (duo)
1
Saxophone (partie séparée)
1
Clarinette, Guitare (duo)
1
Hautbois et alto (duo)
1
Saxophone
1
Clarinette et Alto
1
Flûte, Clarinette (duo)
1
Hautbois, Basson (duo)
1
Hautbois, Clarinette (duo)
1
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Cor
10
Trompette
9
Trombone et Piano
6
Trompette, Piano
5
Cor et Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trombone
4
Tuba et Piano
3
Cor anglais, Piano
3
Tuba
2
2 Cors (duo)
2
Cor et Harpe
1
Trompette, Harpe
1
Euphonium, Piano (duo)
1
+ 11 instrumentations
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Cordes
Violon
26
Quatuor à cordes: 2 violons, alto, violoncelle
26
Harpe
12
Violon et Piano
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Alto, Piano
7
Violoncelle
5
Violoncelle, Piano
5
Violon, Violoncelle (duo)
4
Alto seul
3
Trio à Cordes: violon, alto, violoncelle
3
Contre Basse
2
Contrebasse, Piano (duo)
2
2 Violons (duo)
2
Alto (partie séparée)
1
Harpe, Violon (duo)
1
Alto et Harpe
1
2 Violoncelles (duo)
1
Violoncelle (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Alto, Violoncelle (duo)
1
Violon, Alto (duo)
1
Harpe, Flûte (duo)
1
Violon (partie séparée)
1
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Orchestre à Cordes
28
Orchestre
27
Orchestre d'harmonie
15
Ensemble Jazz
11
Cloches
10
Ensemble de cuivres
6
Orchestre de chambre
5
Jazz combo
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Fanfare
3
Ensemble de Percussions
3
Piano et Orchestre
1
Batterie
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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Saxophone Alto et Piano
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7 partitions trouvées
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1
Bach-Gounod: Ave Maria for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alt
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sco...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490139. Published by jmsgu3 (A0.549364). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano, S0.661763. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Luther: Out of the Depths for Alto Sax & Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part....
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Alto Saxophone,Piano - Level 1 - SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411721. Published by jmsgu3 (A0.548709). Out of the Depths I Cry to You by Martin Luther arranged for alto sax & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Gavotte en Rondeau
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Robert Stevens
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Gavotte en Rondeau
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SAXpress.com
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1401535 Composed by Johann Sebastian Bach. Arranged by Robert Stevens. Baroque,Chamber,Classical. Score and par...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1401535 Composed by Johann Sebastian Bach. Arranged by Robert Stevens. Baroque,Chamber,Classical. Score and part. 20 pages. SAXpress.com #984718. Published by SAXpress.com (A0.1401535). Gavotte en Rondeau (1720) from Violin Partita No. 3, BWV 1006 J. S. Bach (1685 – 1750) Alto or Tenor Saxophone Solo with piano Gavotte en Rondeau by J.S. Bach arranged for Alto or Tenor Saxophone solo with piano. This piece is the third movement from the Partita #3 for Solo Violin by Johann Sebastian Bach. It is one of Bach’s most instantly recognizable pieces. Playful and lively, this movement is based off the leaping French gavotte rhythm but presented here en rondeau, or in a Rondo style, with the main theme returning in multiple variations. It has been recorded dozens of times and used in many film and TV scores. A recording of Gavotte en Rondeau was included on the Voyager Golden Record, attached to the Voyager spacecraft launched in 1977, as a sample of the culture of Earth.This arrangement of Gavotte en Rondeau is for Alto or Tenor Saxophone Solo with piano. It is transposed to the key of E flat (the original is in the key of E). As the gavotte repeats several times, an optional alternate ending for a shorter and less technically demanding performance is indicated at the end of the third statement of the rondeau. The performance time of the short version is about 1′:15″ as opposed to 2′:30″ for the full version.
$11.95
Beauty And The Beast
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Saxophone Alto et Piano
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FACILE
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Celine Dion & Peabo Bryson
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Glauco Fernandes
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Beauty And The Beast
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Glauco Fernandes
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1396690 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Glauco Fernandes. Broadway...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1396690 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Glauco Fernandes. Broadway,Chamber,Film/TV,Musical/Show,Wedding. Score and part. 5 pages. Glauco Fernandes #980031. Published by Glauco Fernandes (A0.1396690). Discover the magic of music with our special arrangement of the classic Beauty and the Beast! This arrangement, at an intermediate easy level, is perfect for musicians of all levels, from students seeking challenging repertoire to teachers looking for engaging materials for their classes. The score has been carefully crafted, with clear and practical notation, making it easy for all instrumentalists to perform.Ideal for a variety of occasions, from recital performances to special events such as weddings, receptions, and parties, this arrangement will enchant your audience with its beauty and sophistication. Whether you're a professional musician, a dedicated student, or an enthusiastic teacher, this arrangement offers a unique opportunity to explore the charms of classical music in an accessible and engaging way.With its versatility, this arrangement is also an excellent choice for musicians looking to expand their repertoire for performances in diverse settings such as hotels, restaurants, and corporate events. The exceptional quality of the score ensures a memorable musical experience, capable of captivating and moving any audience.Don't miss the chance to add this charming arrangement to your repertoire and elevate your performances to a new level of excellence. Get your copy now and turn your next performance into a truly magical experience!Tags: Beauty and the Beast arrangement, music sheet, intermediate level, piano sheet music, piano, music education, wedding music, recital piece, classical music, engaging teaching material, versatile repertoire, memorable performance.
$6.99
Beauty And The Beast
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Saxophone Alto et Piano
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FACILE
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Celine Dion & Peabo Bryson
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Glauco Fernandes
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Beauty And The Beast
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Glauco Fernandes
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1396692 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Glauco Fernandes. Broadway...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1396692 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Glauco Fernandes. Broadway,Chamber,Film/TV,Musical/Show,Wedding. Score and part. 5 pages. Glauco Fernandes #980033. Published by Glauco Fernandes (A0.1396692). Discover the magic of music with our special arrangement of the classic Beauty and the Beast! This arrangement, at an intermediate easy level, is perfect for musicians of all levels, from students seeking challenging repertoire to teachers looking for engaging materials for their classes. The score has been carefully crafted, with clear and practical notation, making it easy for all instrumentalists to perform.Ideal for a variety of occasions, from recital performances to special events such as weddings, receptions, and parties, this arrangement will enchant your audience with its beauty and sophistication. Whether you're a professional musician, a dedicated student, or an enthusiastic teacher, this arrangement offers a unique opportunity to explore the charms of classical music in an accessible and engaging way.With its versatility, this arrangement is also an excellent choice for musicians looking to expand their repertoire for performances in diverse settings such as hotels, restaurants, and corporate events. The exceptional quality of the score ensures a memorable musical experience, capable of captivating and moving any audience.Don't miss the chance to add this charming arrangement to your repertoire and elevate your performances to a new level of excellence. Get your copy now and turn your next performance into a truly magical experience!Tags: Beauty and the Beast arrangement, music sheet, intermediate level, piano sheet music, piano, music education, wedding music, recital piece, classical music, engaging teaching material, versatile repertoire, memorable performance.
$6.99
Trois pièces : Andante, Sérénade et Chant Serbe
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1493037 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Per...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1493037 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 36 pages. Musik Fabrik Music Publishing #1069727. Published by Musik Fabrik Music Publishing (A0.1493037). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
LORD, WHO THROUGHOUT THESE FORTY DAYS - alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Anthony Giamanco
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LORD, WHO THROUGHOUT THESE FOR
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Whole Tone Press
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.774081 Arranged by Anthony Giamanco. Concert,Contemporary,Easter,Sacred. Score and part. 11 pages. Whole Tone P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.774081 Arranged by Anthony Giamanco. Concert,Contemporary,Easter,Sacred. Score and part. 11 pages. Whole Tone Press #6657909. Published by Whole Tone Press (A0.774081). Expertly arranged for alto saxophone and piano, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the sax above the drone in the piano. Then the melody is transferred to the piano (bass clef), transposing it to F Dorian, then, briefly to G Mixolydian. At the key change, the melody returns to its original form, taken up again by the sax. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a Dmaj9 arpeggio. Particularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel.
$5.25
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