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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Used To Be Young
Non classifié
173
Piano & claviers
Piano Facile
89
Piano seul
53
Piano, Voix
13
Piano, Voix et Guitare
12
Orgue
5
Instruments en Do
3
Accompagnement Piano
3
Piano Trio: piano, violon, violoncelle
2
Piano grosses notes
1
Orgue, Piano (duo)
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
4
Guitare
3
Ukulele
2
Voix
Chorale Unison
13
Chorale 3 parties
12
Chorale SATB
9
Chorale 2 parties
7
Voix duo, Piano
1
Voix Soprano, Piano
1
Voix duo
1
+ 2 instrumentations
Retracter
Vents
2 Saxophones (duo)
18
Quintette de Saxophone: 5 saxophones
17
Quatuor de Saxophones: 4 saxophones
15
3 Saxophones (trio)
12
2 Clarinettes (duo)
10
Clarinette et Piano
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Saxophone Alto et Piano
8
Quatuor de Clarinettes: 4 clarinettes
8
Flûte traversière et Piano
7
2 Flûtes traversières (duo)
6
Hautbois, Piano (duo)
6
Saxophone Tenor et Piano
5
Flûte, Clarinette (duo)
5
Quintette de Flûte : 5 flûtes
5
Clarinette, Violon (duo)
4
2 Flûte à bec (duo)
4
3 Flûtes à bec (trio)
4
Ensemble de saxophones
4
Quatuor de Flûtes à bec
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette, Basson (duo)
3
Ensemble de Clarinettes
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone Baryton, Piano
3
Flûte, Hautbois, Clarinette, Basson
3
Cor anglais, Piano
3
Flûte à bec Alto
3
5 Flûtes à bec
3
3 Clarinettes (trio)
3
Flûte, Saxophone (duo)
3
Flûte à bec Soprano
2
Saxophone Alto
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Trompette (duo)
2
Saxophone, Clarinette (duo)
2
Clarinette
2
Hautbois (partie séparée)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte à Bec
2
Clarinette et Alto
1
Flûte, Alto (duo)
1
Flûte, Violon
1
Flûte, Violon, Piano
1
Flûte et Guitare
1
Flûte, Hautbois, Clarinette (trio)
1
Ensemble de Flûtes
1
Hautbois, Basson (duo)
1
2 Hautbois (duo)
1
Hautbois, Flûte
1
Clarinette Basse, Piano
1
Flûte, Trompette (duo)
1
+ 47 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trombone
4
Trompette, Piano
4
Cor et Piano
4
Trompette
4
Ensemble de Trompettes
3
Trombone et Piano
3
Quatuor de cuivres: 4 trombones
3
Cor anglais, Piano
3
Ensemble de Cors
3
Ensemble de Trombones
3
2 Trompettes (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 4 cors
2
Tuba et Piano
2
Tuba
2
4 Tubas
2
Trompette, Trombone (duo)
1
Cor
1
2 Trombones (duo)
1
Euphonium, Piano (duo)
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
29
Violon et Piano
19
Violoncelle, Piano
18
Violon
7
Violon, Violoncelle (duo)
5
2 Violons (duo)
5
Alto, Piano
4
Trio à Cordes: 3 violoncelles
4
Violon, Alto (duo)
4
4 Violoncelles
4
Violoncelle
4
Alto seul
4
2 Altos (duo)
4
2 Violoncelles (duo)
4
Alto, Violoncelle (duo)
3
Quatuor à cordes : 4 altos
3
Quatuor à cordes: 4 violons
3
Trio à cordes: 3 altos
3
Trio à Cordes: 2 violons, violoncelle
2
Violon (partie séparée)
2
Ensemble de Violons
2
Ensemble d'Altos
2
Contrebasse, Piano (duo)
2
Trio à cordes: 3 violins
2
Trio à Cordes: violon, alto, violoncelle
1
Alto (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
46
Orchestre à Cordes
19
Batterie
8
Orchestre
8
Ensemble de Percussions
5
Orchestre de chambre
5
Cloches
3
Ensemble Jazz
3
Jazz combo
2
Xylophone, Piano
1
Fanfare
1
Ensemble de cuivres
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Musicnotes
Note4Piano
Noviscore
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Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
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Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
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Crtitères actifs :
Used To Be Young
Saxophone Alto et Piano
Partitions à imprimer
8 partitions trouvées
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1
Used To Be Young
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Miley Cyrus
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Melissa Murphy
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Used To Be Young
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Melissa Transcribes
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1389848 By Miley Cyrus. By Gregory Hein, Michael Pollack, and Miley Cyrus. Arranged by Melissa Murphy. 21st Cen...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1389848 By Miley Cyrus. By Gregory Hein, Michael Pollack, and Miley Cyrus. Arranged by Melissa Murphy. 21st Century,Contemporary,Pop,Singer/Songwriter. Score and part. 8 pages. Melissa Transcribes #973448. Published by Melissa Transcribes (A0.1389848). A simple yet beautiful arrangement for Alto and Piano. Perfect for students at a recital, or just for fun! This arrangement has been transposed up a semitone from the original version, from E major to F major (C# major to D major for Alto in Eb) for ease of performing.
$9.99
Ode to Joy by Beethoven for Alto Sax
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Saxophone Alto et Piano
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DÉBUTANT
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Al
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Woods Only, Arrangements
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1160398 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Perio...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1160398 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760681. Published by Woods Only, Arrangements (A0.1160398). This arrangement adapted for alto saxophone and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
Alto Sax - "And Can It Be?" Theme and Variations
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
Symphony No. 7 by Beethoven for Alto Sax
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Saxophone Alto et Piano
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1158459 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Tr...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1158459 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #758745. Published by Woods Only, Arrangements (A0.1158459). This arrangement adapted for alto saxophone e piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
Turkish March by Beethoven for Alto Sax
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Saxophone Alto et Piano
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
#
Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1155646 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score ...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1155646 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #755950. Published by Woods Only, Arrangements (A0.1155646). This arrangement adapted for alto saxophone and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99
Mr. Blue Sky
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Electric Light Orchestra
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Lawrence H Underwood
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Mr. Blue Sky
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Lawrence H Underwood
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1091663 By Electric Light Orchestra. By Jeff Lynne. Arranged by Lawrence H Underwood. 20th Century,Film/TV,Pop,...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1091663 By Electric Light Orchestra. By Jeff Lynne. Arranged by Lawrence H Underwood. 20th Century,Film/TV,Pop,Rock. Score and part. 12 pages. Lawrence H Underwood #695817. Published by Lawrence H Underwood (A0.1091663). This classic track from the Electric Light Orchestra found a whole new audience when director James Gunn used it to great effect in the hit film “Guardians of the Galaxy, Vol. 2.†A favorite with audiences – both young and old – and now playable as an instrumental solo with piano accompaniment. Sure to be an audience – and performer – favorite! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Saxophone Alto et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
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