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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
We Made It
Non classifié
183
Piano & claviers
Piano seul
79
Piano, Voix
51
Piano Facile
37
Piano, Voix et Guitare
35
Instruments en Do
13
Orgue
7
2 Pianos, 4 mains
3
1 Piano, 4 mains
3
Piano grosses notes
2
Piano Trio: piano, violon, violoncelle
2
Orgue, Trompette (duo)
1
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 8 instrumentations
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Guitares
Guitare notes et tablatures
13
Guitare
12
Basse electrique
6
Paroles et Accords
5
4 Guitares (Quatuor)
2
Mandoline
2
Piano, Guitare (duo)
1
+ 2 instrumentations
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Voix
Chorale SATB
55
Chorale 3 parties
10
Chorale 2 parties
8
Chorale SSAA
5
Chorale Unison
3
Voix duo, Piano
3
Chorale TTBB
3
Voix Alto, Piano
3
Voix seule
2
Chorale SSATTB
1
Voix Tenor
1
Voix haute
1
Voix basse, Piano
1
Voix Tenor, Piano
1
Voix Soprano, Piano
1
+ 10 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
54
Quintette de Saxophone: 5 saxophones
44
Quatuor de Clarinettes: 4 clarinettes
19
Quatuor de Saxophones: 4 saxophones
17
Quatuor de Flûtes : 4 flûtes
15
Hautbois, Piano (duo)
9
Flûte traversière et Piano
9
Flûte traversière
9
Flûte, Hautbois, Clarinette, Basson
9
Hautbois (partie séparée)
7
Flûte à bec Soprano
7
Ensemble de Clarinettes
6
Clarinette et Piano
6
Saxophone Alto
5
Saxophone Soprano et Piano
5
Clarinette
5
Saxophone Alto et Piano
4
Quintette de Flûte : 5 flûtes
3
Ensemble de Flûtes
3
Flûte à Bec
2
2 Saxophones (duo)
2
2 Clarinettes (duo)
2
Saxophone (partie séparée)
2
2 Flûtes traversières (duo)
1
Saxophone Baryton, Piano
1
Ocarina
1
3 Saxophones (trio)
1
Cor Anglais
1
Saxophone Tenor et Piano
1
Flûte, Clarinette (duo)
1
Saxophone Tenor
1
Ensemble de saxophones
1
Clarinette Basse, Piano
1
Cor anglais, Piano
1
Clarinette Basse
1
Hautbois, Violoncelle
1
+ 31 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Quatuor de Cuivres
8
Trompette, Piano
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Tuba
6
Ensemble de Trompettes
6
Cor et Piano
5
Trompette
5
Cor
5
Trombone
5
Ensemble de Trombones
4
2 Trompettes (duo)
4
Tuba et Piano
3
Trombone et Piano
3
2 Trombones (duo)
2
Euphonium, Piano (duo)
2
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trombones
1
Cor Anglais
1
2 Cors (duo)
1
Trompette, Trombone (duo)
1
Cor anglais, Piano
1
+ 19 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violon
13
Violon et Piano
13
Violoncelle, Piano
10
Alto, Piano
9
Violoncelle
9
Alto seul
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
4 Violoncelles
5
Trio à Cordes: violon, alto, violoncelle
5
Ensemble de Violons
4
Ensemble d'Altos
4
Trio à Cordes: 3 violoncelles
2
Harpe
2
Violon, Alto (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Violon, Violoncelle (duo)
2
Violoncelle, Orgue
2
Quatuor à cordes: 4 violons
1
2 Violoncelles (duo)
1
Harpe, Voix
1
Contrebasse, Piano (duo)
1
Quatuor à cordes : 4 altos
1
Alto (partie séparée)
1
+ 19 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
44
Orchestre
9
Orchestre à Cordes
9
Orchestre de chambre
6
Ensemble de cuivres
5
Ensemble Jazz
4
Ensemble de Percussions
3
Fanfare
2
Batterie
2
Jazz combo
1
Piano et Orchestre
1
Marimba
1
Orchestre, Violon
1
+ 8 instrumentations
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Autres
Instruments
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CONTREBASSE
COR
COR ANGLAIS
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DOBRO - GUI…
DULCIMER
EUPHONIUM
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
We Made It
Saxophone Alto et Piano
Partitions à imprimer
4 partitions trouvées
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The Night We Met
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Saxophone Alto et Piano
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FACILE
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Lord Huron
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César Madeira
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The Night We Met
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1183195 By Lord Huron. By Ben Schnieder. Arranged by César Madeira. Children,Contemporary,Film/TV,Multicultu...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1183195 By Lord Huron. By Ben Schnieder. Arranged by César Madeira. Children,Contemporary,Film/TV,Multicultural,Pop,World. Score and part. 11 pages. Sheet Music To Play Editions #782876. Published by Sheet Music To Play Editions (A0.1183195). The Night We Met by Lord Huron. Arrangement for Alto Sax and Piano. Full Score and Individual Parts with Chords. Enjoy it!For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
Saint-Saëns: The Swan for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Swan Lake Waltz for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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P
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Diego Marani
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Swan Lake Waltz for Alto Saxop
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Diego Marani
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1407972 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Chamber,Classical,Instructional,Romantic Perio...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1407972 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Chamber,Classical,Instructional,Romantic Period,Standards. Score and part. 14 pages. Diego Marani #990537. Published by Diego Marani (A0.1407972). In 1882, Tchaikovsky considered creating a concert suite out of numbers from his marvelous ballet Swan Lake, which he had composed six years previously. However, he seems not to have made a final decision, and the authorship of the concert suite published after his death as Op.20a is unknown.In this arrangement for alto sax with piano accompaniment we have the most famous number of the suite: Waltz (Valse). It is suitable for any occasion: repertorie, classroom, recital or for an impressive and wonderful encore.
$9.99
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We Made It
