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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Work That
Non classifié
3 952
Piano & claviers
Piano seul
1 946
Piano, Voix
510
Orgue
399
Instruments en Do
276
Piano, Voix et Guitare
222
Piano Facile
217
Accompagnement Piano
113
2 Pianos, 4 mains
52
1 Piano, 4 mains
42
Piano Trio: piano, violon, violoncelle
30
Piano Quatuor: piano, violon, alto, violoncelle
16
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Orgue, Piano (duo)
6
Orgue, Trompette (duo)
5
Clavecin
5
Piano (partie séparée)
5
1 Piano, 6 mains
3
2 Pianos, 8 mains
2
Accordéon
2
Orgue et Orchestre
1
Clavier
1
+ 16 instrumentations
Retracter
Guitares
Guitare
248
Guitare notes et tablatures
99
Ligne De Mélodie, (Paroles) et Accords
24
2 Guitares (duo)
23
Guitare (partie séparée)
13
Ensemble de guitares
11
Basse electrique
11
Dulcimer
10
Mandoline
10
4 Guitares (Quatuor)
10
Ukulele
8
Piano, Guitare (duo)
6
3 Guitares (trio)
5
Banjo
5
Paroles et Accords
2
Ukulele Baryton
1
Ensemble de Ukulélés
1
Orchestre à Plectres
1
2 Dulcimers (duo)
1
Guitare, Orchestre
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
876
Chorale 3 parties
219
Chorale 2 parties
131
Chorale Unison
115
Chorale TTBB
101
Chorale SSAA
68
Voix Soprano, Piano
51
Voix Baryton, Piano
42
Voix Tenor, Piano
34
Voix Alto, Piano
32
Voix duo, Piano
13
Voix moyenne, Piano
12
Voix duo
12
Voix haute
10
Voix basse, Piano
7
Chorale SSAATTBB
6
Soli, choeur mixte et accompagnement
5
Voix Soprano
4
Chorale
3
Voix Mezzo-Soprano, Piano
3
Voix seule
2
Chorale SSATB
2
Chorale SATBB
2
Voix Tenor
2
Male Voice
2
Chorale SSAB, Piano
1
Chorale SSATTB
1
Voix, Guitare
1
+ 23 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
266
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
258
Flûte traversière et Piano
216
Quintette de Saxophone: 5 saxophones
159
Clarinette et Piano
158
Quatuor de Clarinettes: 4 clarinettes
155
Saxophone Alto et Piano
139
Hautbois, Piano (duo)
132
Flûte, Hautbois, Clarinette, Basson
128
2 Saxophones (duo)
126
2 Flûtes traversières (duo)
109
Saxophone Tenor et Piano
98
Clarinette
90
Quatuor de Flûtes : 4 flûtes
88
Saxophone Soprano et Piano
87
Flûte traversière
80
2 Clarinettes (duo)
69
Ensemble de saxophones
65
Saxophone Baryton, Piano
61
3 Saxophones (trio)
57
Ensemble de Clarinettes
57
Quintette de Clarinettes: 5 clarinettes
51
Quintette de Flûte : 5 flûtes
49
Saxophone Alto
47
Saxophone (partie séparée)
47
Hautbois (partie séparée)
38
Ensemble de Flûtes
36
3 Clarinettes (trio)
36
Cor anglais, Piano
35
Clarinette (partie séparée)
31
Quatuor de Flûtes à bec
30
5 Flûtes à bec
28
Clarinette Basse, Piano
27
Saxophone Tenor
24
2 Hautbois (duo)
23
Trio de Flûtes: 3 flûtes
21
Flûte, Clarinette (duo)
21
Hautbois
20
Clarinette, Basson (duo)
20
Hautbois, Basson (duo)
20
Saxophone Soprano
19
2 Flûte à bec (duo)
19
Flûte, Hautbois, Clarinette (trio)
16
Saxophone Baryton
15
Flûte et Guitare
15
Hautbois, Clarinette, Basson (trio d'anches)
14
Clarinette, Violon (duo)
14
Flûte à bec Soprano
14
Flute (partie séparée)
14
Flûte à Bec
13
Hautbois, Flûte
11
Flûte, Alto (duo)
10
Flûte à bec Alto
10
Clarinette et Alto
10
Flûte, Violoncelle
9
Clarinette, Violoncelle (duo)
9
Instruments en Mib
7
Saxophone, Clarinette (duo)
7
Flûte, Violon
7
3 Flûtes à bec (trio)
7
Hautbois, Clarinette (duo)
7
Flûte, Clarinette et Basson
7
Ensemble à vent
5
Hautbois, Violoncelle
5
Clarinette, Guitare (duo)
5
2 Flûtes traversières, Piano
5
Flûte à bec Tenor
5
Flûte, Hautbois, Basson
4
Flûte, Saxophone (duo)
4
Piccolo
4
Piccolo, Piano
3
Clarinette, Violoncelle, Piano (trio)
3
Clarinette, Harpe (duo)
3
Flûte, Trompette (duo)
3
Flûte, Alto et Piano
3
Clarinette, Trompette (duo)
3
Flûte, Violon et Violoncelle
3
2 Clarinettes, Piano
3
Saxophone
3
Flûte à bec Alto, Piano
2
Flûte et Trio à cordes
2
Ocarina
2
Flûte à bec Alto, Basse continue
2
Saxophone et Guitare
2
Ensemble de Hautbois
2
Hautbois, Guitare (duo)
2
2 Saxophones, Piano
2
4 Hautbois
2
Flûte traversière, Basse continue
2
Flûte, Hautbois (duo)
2
Flûte, Violon, Piano
2
Hautbois et alto (duo)
2
Hautbois, violon (duo)
2
Clarinette Basse
1
Flûte, Violon, Guitare
1
Flûte, Clarinette, Piano (trio)
1
Saxophone et Orgue
1
Flûte, Basson et Piano
1
Cor anglais et Harpe (duo)
1
Flûte à bec Soprano, Piano
1
Ensemble De Flûte à bec
1
Flûte, Hautbois, Piano (trio)
1
Flûte irlandaise
1
2 Clarinettes, Basson
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violoncelle, Guitare
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois, Harpe
1
Saxophone et Harpe
1
Flute, harpe et violon
1
Flûte traversière, Orgue (duo)
1
Clarinette, Trombone (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Harmonica
1
Flûte, Hautbois, Violon
1
+ 111 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
297
Trombone et Piano
135
Quatuor de Cuivres : 2 trompettes, trombone, tuba
119
Cor et Piano
107
Trompette, Piano
101
Trompette
94
Tuba et Piano
63
Euphonium, Piano (duo)
61
Ensemble de Trombones
60
Trompette (partie séparée)
60
Quatuor de Cuivres: 2 trompettes, Cor, trombone
54
Quatuor de cuivres: 4 trombones
54
2 Trombones (duo)
53
Trombone (partie séparée)
50
Trombone
49
Cor
44
Tuba
37
Cor anglais, Piano
35
Ensemble de Trompettes
30
2 Trompettes (duo)
29
2 Cors (duo)
28
Trompette, Trombone (duo)
22
Ensemble de Cors
21
Quatuor de Cuivres
20
Cor (partie séparée)
19
Quatuor de cuivres: 4 cors
19
Tuba (partie séparée)
15
2 Euphoniums (duo)
13
2 Tubas (duo)
13
Quatuor de cuivres: 4 trompettes
12
3 Trombones (trio)
11
4 Tubas
11
Trompette, Saxophone (duo)
9
2 Euphoniums et 2 Tubas
8
Instruments en Sib
8
Instruments en Fa
7
Bass Clef Instruments
7
Trio de Cuivres
6
Euphonium
6
Trombone, Orgue
6
3 Cors (trio)
5
Trompette, Cor (duo)
5
Trombone basse
5
Trombone basse et Piano
5
3 Tubas (trio)
5
Trombone, Cor (duo)
3
3 Trompettes (trio)
3
Euphonium, Tuba (duo)
3
3 Euphoniums
2
Tuba et Orgue
2
Cor, Violoncelle (duo)
2
Trompette et Guitare
1
Cor anglais et Harpe (duo)
1
Cor et Harpe
1
Trombone, Tuba (duo)
1
Cor et Basson (duo)
1
Cor, Violoncelle et Piano
1
Trompette, Violoncelle (duo)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Euphonium (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Basson (duo)
1
Trompette, Violoncelle et Piano
1
Trompette, Harpe
1
Trompette, Trombone, Piano
1
+ 61 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
756
Violon
304
Violon, Violoncelle (duo)
286
Trio à Cordes: violon, alto, violoncelle
276
Violon et Piano
231
Violoncelle, Piano
165
Alto, Piano
131
Quintette à cordes: 2 violons, alto, violoncelle, basse
115
Violoncelle
101
Harpe
93
Alto seul
71
2 Violons (duo)
71
Violon (partie séparée)
64
Violon, Alto (duo)
57
2 Violoncelles (duo)
45
Alto (partie séparée)
40
2 Altos (duo)
33
Contrebasse, Piano (duo)
32
Contre Basse
32
Contrebasse (partie séparée)
27
4 Violoncelles
23
Alto, Violoncelle (duo)
21
Trio à Cordes: 2 violons, violoncelle
19
Violoncelle, Contrebasse (duo)
14
Trio à Cordes: 3 violoncelles
14
Trio à cordes: 3 violins
13
Quatuor à cordes: 4 violons
13
Violoncelle (partie séparée)
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Trio à cordes: 3 altos
8
Quatuor à cordes : 4 altos
7
Harpe, Flûte (duo)
7
Flûte, Contrebasse (duo)
5
2 Contrebasses (duo)
5
2 Harpes (duo)
4
Violon, Basson (duo)
4
Ensemble d'Altos
4
Violoncelle, Basse continue
3
Harpe, Voix
3
Ensemble de Violons
3
Alto et Basson
2
Harpe, Violon (duo)
2
Violoncelle , Guitare (duo)
2
Harpe et mandoline
2
Ensemble de Violoncelles
2
4 Harpes
2
Trio à Cordes: 2 violons, alto
2
Violon, Clarinette, Piano (trio)
2
Violoncelle, Orgue
1
Piano Trio: Violon, Alto, Piano
1
4 Contrebasses
1
Violon, Orgue
1
2 Violons, Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe et Piano
1
Violon, Guitare (duo)
1
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
Violoncelle, Orchestre
1
Alto, Guitare (duo)
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 020
Orchestre à Cordes
528
Orchestre
429
Ensemble Jazz
168
Ensemble de cuivres
146
Orchestre de chambre
117
Jazz combo
65
Cloches
64
Ensemble de Percussions
49
Fanfare
31
Percussion (partie séparée)
20
Batterie
15
Big band
8
Marimba
7
Batterie (partie séparée)
6
Orchestre, Violon
6
Ensemble d'École
5
Vibraphone
5
Xylophone, Piano
3
Xylophone
2
Piano et Orchestre
2
Vibraphone et Marimba
1
Quintette de Cuivres: autres combinaisons
1
Marimba et Orgue
1
+ 19 instrumentations
Retracter
Autres
Théorie de la musique
1
Formation musicale - Solfège
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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FILM - TV
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
NOËL
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POP ROCK - ROCK CLAS…
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PUNK
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Vous avez sélectionné:
Work That
Saxophone Alto et Piano
Partitions à imprimer
139 partitions trouvées
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1
26
51
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126
Running Up That Hill
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Saxophone Alto et Piano
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FACILE
#
Film/TV
#
Kate Bush
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Henrique F Mangoni
#
Running Up That Hill
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Henrique Franke Mangoni
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1079851 By Kate Bush. By Kate Bush. Arranged by Henrique F Mangoni. Film/TV,Pop. Score and part. 9 pages. Henri...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1079851 By Kate Bush. By Kate Bush. Arranged by Henrique F Mangoni. Film/TV,Pop. Score and part. 9 pages. Henrique Franke Mangoni #684053. Published by Henrique Franke Mangoni (A0.1079851). Running Up That Hill (A Deal With God) by Kate Bush, the famous song from the 80's used at Season 4 of Stranger Things Netflix series and covered by other artists like Placebo and Meg Myers. Easy Intermediate arrangement for solo alto sax and piano. Clean sheet music edition. Subscribe to my YouTube channel (Henrique F Mangoni) to know more about my work! kate bush, running up that hill, running up that hill kate bush, kate bush running up that hill, running up that hill stranger things, kate bush stranger things, kate bush running up that hill sheet music, running up that hill piano sheet music, kate bush running up that hill sheet music, running up that hill piano, running up that hill piano music, running up that hill piano chords, stranger things season 4, running up that hill alto sax sheet music.
$5.49
Sonata for Alto Saxophone and Piano, Op. 4
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Saxophone Alto et Piano
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Contemporain
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Tyler J
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Sonata for Alto Saxophone and
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TJHoltMusic
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - SKU: A0.1021612 Composed by Tyler J. Holt. Contemporary. Score and parts. 54 pages. TJHoltMus...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - SKU: A0.1021612 Composed by Tyler J. Holt. Contemporary. Score and parts. 54 pages. TJHoltMusic #6117625. Published by TJHoltMusic (A0.1021612). I was inspired to compose the Sonata for Alto Saxophone and Piano, Op. 4 towards the end of the Snow Pond Composer’s Workshop that I attended in the summer of 2017. I was compelled even further upon learning that the classical saxophone repertoire is limited. This work presented a challenge, as this is the first work I have composed for the saxophone. The first movement resembles a traditional Sonata-Allegro form, with the first theme being inspired by Petrouchka by Igor Stravinsky. All of the themes in this sonata are presented as the movement progresses. The second movement is slow and lyrical, based on quartal harmonies and tonal ambiguity as well as a varying accompanying passage. The third movement is a short, yet frantic interlude based on augmented arpeggios. Henri Tomasi’s Trumpet Concerto serves as an inspiration for the fourth movement, in terms of its spontaneous character.I. Allegro con gioiaII. Andante AppassionatoIII. InterludeIV. ScherzoComposed by Tyler J. Holt Published by TJHoltMusic Copyright © Tyler J. Holt, Composer .
$20.00
Ode to Joy by Beethoven for Alto Sax
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Saxophone Alto et Piano
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DÉBUTANT
#
Classique
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Classique
#
Ludwig van Beethoven
#
Ander
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Ode to Joy by Beethoven for Al
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Woods Only, Arrangements
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1160398 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Perio...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1160398 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760681. Published by Woods Only, Arrangements (A0.1160398). This arrangement adapted for alto saxophone and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
Five selections from 'Album for the Young'
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Saxophone Alto et Piano
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FACILE
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P
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Ian Fitze
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Five selections from 'Album fo
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Ian Fitze
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1469754 By P. I. Tchaikovsky. By P. I. Tchaikovsky. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instru...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1469754 By P. I. Tchaikovsky. By P. I. Tchaikovsky. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 14 pages. Ian Fitze #1047661. Published by Ian Fitze (A0.1469754). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.These short pieces were intended as easy pieces for the young pianist - he was inspired by Schumann's set of works with the same name. In this arrangement the soloist has the opportunity to play in a variety of styles and moods.This collection includes sections of varying difficulty for the soloist from beginner to intermediate. A work that can be revisited by the beginner soloist as technical and musical skills are developed.A highly enjoyable set of tunes!
$2.99
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedd...
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Alto Saxophone,Piano - Level 2 - SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888291. Published by jmsgu3 (A0.550919). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alt
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sco...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490139. Published by jmsgu3 (A0.549364). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano, S0.661763. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Comptine D'un Autre Été: L'après-Midi
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Saxophone Alto et Piano
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FACILE
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Yann Tiersen
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Harry Walker
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Comptine D'un Autre Ét&
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SCORE EDITIONS
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1473823 By Yann Tiersen. By Yann Tiersen. Arranged by Harry Walker. 21st Century,Chamber,Contest,Festival,Film/...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1473823 By Yann Tiersen. By Yann Tiersen. Arranged by Harry Walker. 21st Century,Chamber,Contest,Festival,Film/TV,Wedding. Score and part. 9 pages. SCORE EDITIONS #1051542. Published by SCORE EDITIONS (A0.1473823). Comptine d'un autre été: L'après-midi is one of the most iconic pieces by French composer Yann Tiersen known for its poetic simplicity and melancholic melody. This piece was originally composed for the film Amélie (2001), a work that received worldwide acclaim for both its cinematography and soundtrack. In this version, the composition was arranged for Alto Saxophone and Piano by Harry Walker.
$5.99
Fernando
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Saxophone Alto et Piano
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FACILE
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Contemporain
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ABBA
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Jeff Tincher
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Fernando
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Jeff Tincher
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.583072 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Jeff Tincher. Contemporary. S...
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Alto Saxophone,Piano - Level 2 - SKU: A0.583072 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Jeff Tincher. Contemporary. Score and part. 29 pages. Jeff Tincher #3558771. Published by Jeff Tincher (A0.583072). This is a Eb instrument and Piano arrangement of one of Abba's early hits. In the original key from their Mamma Mia: Here We Go Again trailer, it's also the same key as Abba's Arrival project. This version is sung by Cher and Andy Garcia in the movie. It's a theatrical work that is great for any live venue! Duration=3:53. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
Bach: Wachet auf for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Sax
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554821. Published by jmsgu3 (A0.549842). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Sheep May Safely Graze for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze f
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Weddin...
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Alto Saxophone,Piano - Level 2 - SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444569. Published by jmsgu3 (A0.548976). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Handel: Largo from Xerxes for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549383 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Weddin...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549383 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492297. Published by jmsgu3 (A0.549383). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
3 Pieces Op4 for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Lisa Ochoco
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3 Pieces Op4 for Alto Saxophon
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Lisa L Ochoco
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1240195 Composed by Edward Elgar. Arranged by Lisa Ochoco. 20th Century,Romantic Period. Score and part. 20 pag...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1240195 Composed by Edward Elgar. Arranged by Lisa Ochoco. 20th Century,Romantic Period. Score and part. 20 pages. Lisa L Ochoco #835566. Published by Lisa L Ochoco (A0.1240195). Edward Elgar is mostly known for his fantastic composition, Enigma Variations, and his Cello Concerto in E minor. The first piece of this set of 3 was his first published piece in 1883, at the age of 27. It was originally written for violin and piano, and it was said to been dedicated to a secret woman that he met in Scotland. These pieces are calm and not fancy or complicated. They are simple, easy-listening works that would do well in a peaceful setting. Scored for alto saxophone and piano, this arrangement is geared towards musicians with intermediate music skills. Duration: 8.5 minutes.
$12.00
Jesu, joy of man's desiring by Bach for Alto Sax and Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by
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Woods Only, Arrangements
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1049432 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. Score and part. 6 ...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1049432 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. Score and part. 6 pages. Woods Only, Arrangements #653782. Published by Woods Only, Arrangements (A0.1049432). This easy arrangement for alto sax and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.
$1.99
Concertino for Alto Saxophone and Piano
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Saxophone Alto et Piano
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AVANCÉ
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Contemporain
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Sy Brandon
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Concertino for Alto Saxophone
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Sy Brandon
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.755072 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3366105. Publis...
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Alto Saxophone,Piano - Level 5 - SKU: A0.755072 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3366105. Published by Sy Brandon (A0.755072). Concertino was composed during 2009 at the request of Dr. Andy Wen and premiered by him at the Region 4 NASA Conference in April 2011. This piano reduction of the band parts was completed in 2011. The work is in three movements. The first movement is in an abbreviated sonata form in a spirited Vivace tempo. The first theme group consists more of motives rather than an actual theme and is characterized by interplay between the soloist and the band. The second theme group has a lyrical saxophone line over a staccato bass line. The development begins quietly with the treatment of a syncopated idea from the second theme using a trio of solo saxophone, timpani and euphonium. After further development, a variant of the first theme group returns. The recapitulation consists only of first theme group ideas before ending with a brief coda. The second and third movements are performed with out pause between them. While the first movement was created during 2009, the second and third movements are a reworking of an earlier work by the composer for alto saxophone and piano soloists with orchestra. A rubato Lento theme containing many triplets that is accompanied by lush harmony begins the second movement. It is followed by a more scale-wise melody that is treated contrapuntally. Both these ideas develop during the movement leading to a strong climax before returning to a quiet conclusion. The third movement is an Allegro, once again with a rhythmic opening idea that changes meter often, and a more lyrical second idea with scale-wise passages as counterpoint. The development of these ideas leads to a cadenza for the solo saxophonist, followed by a coda that brings the composition to a rousing conclusion.
$14.99
Symphony No. 7 by Beethoven for Alto Sax
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Saxophone Alto et Piano
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1158459 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Tr...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1158459 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #758745. Published by Woods Only, Arrangements (A0.1158459). This arrangement adapted for alto saxophone e piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
Kaleidoscope (2007) for alto saxophone and piano
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Saxophone Alto et Piano
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Contemporain
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Mark Zanter
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Kaleidoscope
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MJIC Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - SKU: A0.934203 Composed by Mark Zanter. Contemporary. Score and part. 32 pages. MJIC Music Publishing (ASCAP) #3130847. Published...
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Alto Saxophone,Piano - SKU: A0.934203 Composed by Mark Zanter. Contemporary. Score and part. 32 pages. MJIC Music Publishing (ASCAP) #3130847. Published by MJIC Music Publishing (ASCAP) (A0.934203). Kaleidoscope (2007) commissioned by David Wright, was written while my wife and I were in residence at the David and Julia White Artists Colony, Costa Rica. The tropical location was stunning but , other than permitting luxurious amounts of time to work things out. it was not a direct source of inspiration for the work. Kaleidoscope employs the Fibonacci sequence (1+1+2+3+5+8…) to control surface rhythm and large sectional proportions. Though I am often explicitly concerned with proportion and its integration at various levels of most pieces I compose; I had never used Fib. because it seemed too easy, and I typically do not like to use processes that are external to a piece. None-the-less I really enjoyed working with the sequence and was pleasantly surprised when the last pitch in the saxophone, with a duration of 89 sixteenth notes, sounded just right.The work is suitable for advanced performers and is 13:00 minutes in duration. Performance materials available for purchase from the publisher: mjicmusicpublishing@gmail.com
$10.00
Meleagro: Music for Thomas (for alto sax & piano)
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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Meleagro: Music for Thomas
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Burke & Bagley
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.787339 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and part. 10 pages. Bur...
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Alto Saxophone,Piano - Level 4 - SKU: A0.787339 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and part. 10 pages. Burke & Bagley #2807575. Published by Burke & Bagley (A0.787339). Meleagro: Music for Thomas was composed in 2015 for Thomas Piercy. Duration ca. 2'30. Originally for clarinet & piano, this arrangement is for alto sax & piano. The title is a riff on Meleager, a hero in Greek mythology and one of the Argonauts famed as the host of the Calydonian boar hunt in the epic tradition that was reworked by Homer. The artwork on the cover is Meleagro from the Ombra Suite (Italian Shadow Series) by artist Richard Hutter. Used with permission. © Richard Hutter www.richardhutter.com/ombra.html Watch a performance on YouTube: https://youtu.be/hsHvlTq0cZs?list=PLC467B58A453D766ADownload free piano accompaniment track: http://www.gregbartholomew.com/piano/BB326P.mp3
$9.95
Saint-Saëns: The Swan for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Schubert: Moment Musicaux for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standard...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447439. Published by jmsgu3 (A0.549015). Alto Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Ruby and Steel (for alto saxophone and piano)
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jeffrey Hoover
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Ruby and Steel
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Musicart Publications
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.971650 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 25 pages. Musicart Publications #...
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Alto Saxophone,Piano - Level 4 - SKU: A0.971650 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 25 pages. Musicart Publications #4628067. Published by Musicart Publications (A0.971650). Ruby and Steel (duration 7 min.) is a fantasy work for alto saxophone and piano, reflecting on the physical qualities and contrasts between an unlikely pairing of materials – nature's precious gemstone ruby and the manmade material steel. The ideas of the red glow of molten steel and the red light of ruby are held in common. Establishing a modern yet Romantic atmosphere, an extended piano solo opens the work. The music is developed through a thematic transformation process: gestures of earlier music reappears as transformations of its previous selves. The interaction (both musical dialogue and subsequent agreement) between piano and saxophone is a prominent characteristic, along with ebb-and-flow of tempo. As with several other compositions by Jeffrey Hoover, there is an abstract painting–Ruby and Steel–created by Hoover as a visual interpretation of the musicJeffrey Hoover's work– music ranging from soloist to symphony orchestra –has received recognition through the prestigious Trieste prize, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.
$19.95
Jean-Thierry Boisseau: Fantaisie Révolutionaire for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jean-Thierry Boisseau
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Jean-Thierry Boisseau: Fantais
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.534527 Composed by Jean-Thierry Boisseau. 20th Century,Concert,Contemporary,Standards,World. Score and part. 27...
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Alto Saxophone,Piano - Level 4 - SKU: A0.534527 Composed by Jean-Thierry Boisseau. 20th Century,Concert,Contemporary,Standards,World. Score and part. 27 pages. Musik Fabrik Music Publishing #3604007. Published by Musik Fabrik Music Publishing (A0.534527). It was in the process of preparing the publication of the works of Demersseman and of Ali Ben Sou Alle that suggested to me the idea of the typical 19th century practice of the Fantasy and Variations on well-known themes.The saxophone lends itself perfectly for this stylistic exercise. I therefore chose to write for this instrument, which the piano supports seriously.My republican roots (in the French sense) suggested that I set several revolutionary songs from 1789. I therefore chose the emblematic “ Ah ça ira ! â€, after having seen the famous sequence of “Si Versailles l’était conté†where Piaf sings this song hanging of the grill of the Palace of Versailles, in the superbe version by Jean Françaix.I added at the end “ La Carmagnole †and the famous “ Il pleut bergère †a foreshadowing of the destiny of Marie-Antoinette who is said to have enjoyed singing this air. One will find, a bit hidden, a short citation of a work for organ by Bach.This isn’t a pastiche but rather a sort of modern update to this form in respecting its codes, its forms of this type of work which disappeared temporarily due to forced musical austerity.
$16.95
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Pe...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
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