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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
You Opera
Non classifié
611
Piano & claviers
Piano, Voix
1 244
Piano seul
222
Piano Facile
72
Accompagnement Piano
52
Piano, Voix et Guitare
50
Instruments en Do
21
Orgue
19
1 Piano, 4 mains
11
Piano Trio: piano, violon, violoncelle
9
Piano grosses notes
7
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 4 mains
1
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
34
Ligne De Mélodie, (Paroles) et Accords
32
Ukulele
21
Guitare
16
Basse electrique
10
Paroles et Accords
5
Piano, Guitare (duo)
3
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
76
Voix Soprano, Piano
26
Chorale 3 parties
22
Voix Tenor, Piano
19
Chorale TTBB
13
Voix duo, Piano
13
Voix duo
9
Chorale SSAA
8
Voix Baryton, Piano
8
Chorale 2 parties
7
Voix haute
7
Chorale
5
Voix Soprano
5
Voix seule
3
Voix Tenor
3
Voix moyenne, Piano
3
Chorale Unison
2
Voix Alto, Piano
1
Voix Baryton
1
Soli, choeur mixte et accompagnement
1
Voix Mezzo-Soprano, Piano
1
Voix basse, Piano
1
Voix basse
1
+ 18 instrumentations
Retracter
Vents
Flûte traversière et Piano
147
Clarinette et Piano
134
Saxophone Alto et Piano
82
Hautbois, Piano (duo)
74
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
73
Quatuor de Saxophones: 4 saxophones
63
2 Saxophones (duo)
62
Saxophone Soprano et Piano
57
Flûte, Hautbois, Clarinette, Basson
56
2 Flûtes traversières (duo)
51
Harmonica
47
Saxophone Alto
40
Clarinette
37
Quatuor de Clarinettes: 4 clarinettes
35
Flûte traversière
33
Cor anglais, Piano
31
Quintette de Saxophone: 5 saxophones
29
Saxophone Tenor et Piano
28
Quatuor de Flûtes : 4 flûtes
27
Hautbois (partie séparée)
25
2 Clarinettes (duo)
25
Ensemble de Clarinettes
25
Saxophone Tenor
18
3 Saxophones (trio)
16
Ensemble de Flûtes
15
Quintette de Clarinettes: 5 clarinettes
14
Saxophone Baryton, Piano
13
2 Hautbois (duo)
13
Saxophone, Clarinette (duo)
12
Saxophone (partie séparée)
12
Flûte à bec Soprano
10
2 Flûte à bec (duo)
10
Flûte, Clarinette (duo)
8
3 Clarinettes (trio)
8
Clarinette, Violon (duo)
7
Hautbois, Clarinette (duo)
6
Flûte irlandaise
6
Clarinette, Basson (duo)
6
Flûte, Saxophone (duo)
6
Quintette de Flûte : 5 flûtes
6
5 Flûtes à bec
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Ensemble de saxophones
6
Flûte, Violoncelle, Piano (trio)
5
Flûte, Clarinette et Basson
5
Hautbois, Basson (duo)
5
Flûte à Bec
5
Clarinette, Trompette (duo)
5
Clarinette, Harpe (duo)
4
Flûte, Violon
4
Flûte, Hautbois, Basson
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Hautbois
4
Trio de Flûtes: 3 flûtes
4
Flûte à bec Alto
4
Clarinette, Violoncelle, Piano (trio)
3
Clarinette, Violoncelle (duo)
3
Flûte, Alto (duo)
3
Clarinette Basse, Piano
3
Flûte, Trompette (duo)
3
3 Flûtes à bec (trio)
3
Quatuor de Flûtes à bec
3
Cor Anglais
3
Clarinette et Alto
3
Flûte, Violon et Violoncelle
3
Saxophone Soprano
2
Clarinette Basse
2
2 Clarinettes, Piano
2
Saxophone
2
Flûte, Hautbois, Clarinette (trio)
2
Saxophone Baryton
2
Flûte, Violoncelle
2
Flûte à bec Tenor
2
Hautbois, Flûte
2
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Hautbois (duo)
1
Flute (partie séparée)
1
Flûte, Violon, Piano
1
Piccolo
1
Clarinette, Guitare (duo)
1
Clarinette, Trombone (duo)
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois, Piano (trio)
1
Cor anglais, Guitare (duo)
1
Flûte à bec Soprano, Piano
1
Flûte et Guitare
1
+ 82 instrumentations
Retracter
Cuivres
Trompette, Piano
77
Trombone et Piano
52
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
52
Cor et Piano
51
Quatuor de Cuivres : 2 trompettes, trombone, tuba
36
Trompette
35
Tuba et Piano
34
Cor anglais, Piano
31
Trombone
26
Cor
25
Tuba
21
2 Trombones (duo)
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Quatuor de cuivres: 4 trombones
15
2 Trompettes (duo)
13
Trompette, Trombone (duo)
10
Euphonium, Piano (duo)
9
Quatuor de cuivres: 4 cors
9
2 Cors (duo)
8
Trompette, Saxophone (duo)
7
Quatuor de Cuivres
6
Quatuor de cuivres: 4 trompettes
6
Ensemble de Trompettes
5
3 Tubas (trio)
4
Ensemble de Trombones
4
4 Tubas
4
2 Tubas (duo)
4
3 Trombones (trio)
3
2 Euphoniums et 2 Tubas
3
Euphonium
3
3 Cors (trio)
3
Ensemble de Cors
3
Cor Anglais
3
Trompette, Cor (duo)
2
2 Euphoniums (duo)
2
Trompette (partie séparée)
2
Trombone, Cor (duo)
2
Euphonium, Tuba (duo)
2
3 Trompettes (trio)
1
2 Cors, Piano
1
Trio de Cuivres
1
Trombone (partie séparée)
1
Cor anglais, Guitare (duo)
1
Trompette, Trombone, Piano
1
Trombone basse et Piano
1
Tuba et Orgue
1
+ 41 instrumentations
Retracter
Cordes
Violon et Piano
158
Alto, Piano
132
Quatuor à cordes: 2 violons, alto, violoncelle
130
Violoncelle, Piano
126
Violon
50
Violoncelle
37
Alto seul
33
Contrebasse, Piano (duo)
26
Violon, Violoncelle (duo)
26
Harpe
24
2 Altos (duo)
23
Trio à Cordes: violon, alto, violoncelle
22
2 Violoncelles (duo)
19
2 Violons (duo)
19
Violon, Alto (duo)
14
Contre Basse
12
Harpe, Flûte (duo)
11
Trio à Cordes: 2 violons, violoncelle
10
Alto (partie séparée)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Alto, Violoncelle (duo)
8
2 Harpes (duo)
8
Quatuor à cordes : 4 altos
8
4 Violoncelles
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Trio à cordes: 3 altos
5
2 Contrebasses (duo)
5
Harpe, Violon (duo)
4
Quatuor à cordes: 4 violons
4
Trio à Cordes: 3 violoncelles
4
Violon (partie séparée)
3
Harpe, Violon, Violoncelle
2
Violon, Basson (duo)
2
Trio à cordes: 3 violins
2
Alto et Basson
1
Violoncelle (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
3 Contrebasses
1
Contrebasse (partie séparée)
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
205
Orchestre
91
Orchestre à Cordes
91
Orchestre de chambre
48
Ensemble de cuivres
39
Marimba
6
Ensemble de Percussions
6
Ensemble Jazz
6
Xylophone, Piano
5
Xylophone
4
Cloches
2
Jazz combo
1
Big band
1
Fanfare
1
Batterie
1
Percussion (partie séparée)
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
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Achats pour Musiciens
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Partitions Numériques
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
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avancé
expert
avec audio
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Vous avez sélectionné:
You Opera
Saxophone Alto et Piano
Partitions à imprimer
82 partitions trouvées
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76
You are my Heart's Delight for Alto Sax and Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Franz Lehar
#
Marcus Martin
#
You are my Heart's Delight for
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Cornelius Edition
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.805563 Composed by Franz Lehar. Arranged by Marcus Martin. 20th Century,Concert,Musical/Show,Opera,Standards. S...
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Alto Saxophone,Piano - Level 4 - SKU: A0.805563 Composed by Franz Lehar. Arranged by Marcus Martin. 20th Century,Concert,Musical/Show,Opera,Standards. Score and part. 9 pages. Cornelius Edition (uk) #6087359. Published by Cornelius Edition (uk) (A0.805563). From the popular 1929 operetta 'The Land of Smiles', this well-known piece has been re-arranged for alto saxophone and piano and makes an attractive concert item.
$5.99
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Alto Saxophone and Piano
#
Saxophone Alto et Piano
#
FACILE
#
G F Handel
#
David McKeown
#
Lascia Ch'io Pianga, Aria from
#
David McKeown
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.587925 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pa...
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Alto Saxophone,Piano - Level 2 - SKU: A0.587925 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044837. Published by David McKeown (A0.587925). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Alto Saxophone and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Habanera (for solo alto sax w/ piano accompaniment)
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Opera
#
Classique
#
Georges Bizet
#
Rodrigo Faleiros
#
Habanera
#
Rodrigo Faleiros
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1292048 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Opera,Ro...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1292048 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Opera,Romantic Period. Score and part. 4 pages. Rodrigo Faleiros #882622. Published by Rodrigo Faleiros (A0.1292048). Introducing a delightful adaptation of Georges Bizet's iconic aria Habanera from the beloved opera Carmen, now expertly arranged for solo alto sax with a rhythmic and hypnotic piano accompaniment. This accessible sheet music offers a seamless fusion of the main melody line, thoughtfully transposed to both C minor and C major keys, ensuring a smooth and enjoyable playing experience for musicians of varying skill levels. Ideal for intermediate players seeking to showcase their artistry, this arrangement also warmly welcomes beginners to explore the enchanting world of classical music. Immerse yourself in the timeless charm of this operatic gem.Don't miss other arrangements I've made for this and other classical works. You can check them all clicking here.
$2.99
Habanera (for solo alto sax w/ piano accompaniment)
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Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Opera
#
Classique
#
Georges Bizet
#
Rodrigo Faleiros
#
Habanera
#
Rodrigo Faleiros
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1292032 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Opera,Ro...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1292032 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Opera,Romantic Period. Score and part. 4 pages. Rodrigo Faleiros #882601. Published by Rodrigo Faleiros (A0.1292032). Introducing a delightful adaptation of Georges Bizet's iconic aria Habanera from the beloved opera Carmen, now expertly arranged for solo alto sax with a rhythmic and hypnotic piano accompaniment. This accessible sheet music offers a seamless fusion of the main melody line, thoughtfully transposed to both C minor and C major keys, ensuring a smooth and enjoyable playing experience for musicians of varying skill levels. Ideal for intermediate players seeking to showcase their artistry, this arrangement also warmly welcomes beginners to explore the enchanting world of classical music. Immerse yourself in the timeless charm of this operatic gem.Don't miss other arrangements I've made for this and other classical works. You can check them all clicking here.
$2.99
O Mio Babbino Caro - for alto sax solo (with piano accompaniment and chords)
#
Saxophone Alto et Piano
#
FACILE
#
Giacomo Puccini
#
Rodrigo Faleiros
#
O Mio Babbino Caro - for alto
#
Rodrigo Faleiros
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1379100 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1379100 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #963395. Published by Rodrigo Faleiros (A0.1379100). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo alto sax. This beloved aria, known for its tender expression of love and longing, is now reimagined for alto sax, allowing the melodic lines to shine with the accompaniment of a piano. With included chord symbols, this arrangement invites players to explore harmonies and add their personal touch to the performance, creating a captivating musical experience.Key Features: Alto Sax Showcase: Tailored for a solo alto sax, allowing for a captivating and expressive performance of the iconic aria. Piano Accompaniment: Enhance your performance and explore harmonies with included fully notated piano accompaniment with chord symbols. Instant : Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for alto sax and piano offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here.
$2.99
O Mio Babbino Caro - for alto sax solo (with piano accompaniment)
#
Saxophone Alto et Piano
#
FACILE
#
Giacomo Puccini
#
Rodrigo Faleiros
#
O Mio Babbino Caro - for alto
#
Rodrigo Faleiros
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1379071 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1379071 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #963428. Published by Rodrigo Faleiros (A0.1379071). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo alto sax. This beloved aria, known for its tender expression of love and longing, is now reimagined for alto sax, allowing the melodic lines to shine with the accompaniment of a piano. This arrangement invites players to add their personal touch to the performance, creating a captivating musical experience.Key Features: Alto Sax Showcase: Tailored for a solo alto sax, allowing for a captivating and expressive performance of the iconic aria. Piano Accompaniment: Enhance your performance and explore harmonies with included fully notated piano accompaniment. Instant : Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for alto sax and piano offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here.
$2.99
O Holy Night for Alto Sax & Piano
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Saxophone Alto et Piano
#
DÉBUTANT
#
Noël
#
Adam
#
James M
#
piano
#
O Holy Night for Alto Sax &
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548668 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jm...
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Alto Saxophone,Piano - Level 1 - SKU: A0.548668 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410421. Published by jmsgu3 (A0.548668). O Holy Night arranged for alto sax & piano. Duration: 4:56, 44 ms. Score: 5 pg Part: 2 pg, piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from him poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Nessun Dorma by Puccini - Alto Sax and Piano (Full Score)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Opera
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Classique
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Giacomo Puccini
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César Madeira
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Nessun Dorma by Puccini - Alto
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1223337 Composed by Giacomo Puccini. Arranged by César Madeira. 19th Century,20th Century,Classical,Opera,Ro...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1223337 Composed by Giacomo Puccini. Arranged by César Madeira. 19th Century,20th Century,Classical,Opera,Romantic Period. Score and part. 4 pages. Sheet Music To Play Editions #819546. Published by Sheet Music To Play Editions (A0.1223337). Nessun Dorma from the Opera Turandot by Giacomo Puccini. Arrangement for Alto Sax and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Giacomo Puccini (1858 - 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming to the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera he later developed his work in the realistic verismo style, of which he became one of the leading exponents. His most renowned works are La bohème (1896), Tosca (1900), Madama Butterfly (1904), and Turandot (1924), all of which are among the most frequently performed and recorded of all operas.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
Nessun Dorma by Puccini - Alto Sax and Piano (Individual Parts)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Giacomo Puccini
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César Madeira
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Nessun Dorma by Puccini - Alto
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1223335 Composed by Giacomo Puccini. Arranged by César Madeira. 19th Century,20th Century,Film/TV,Multicultu...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1223335 Composed by Giacomo Puccini. Arranged by César Madeira. 19th Century,20th Century,Film/TV,Multicultural,Opera,World. Score and part. 4 pages. Sheet Music To Play Editions #819544. Published by Sheet Music To Play Editions (A0.1223335). Nessun Dorma from the Opera Turandot by Giacomo Puccini. Arrangement for Alto Sax and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Giacomo Puccini (1858 - 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming to the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera he later developed his work in the realistic verismo style, of which he became one of the leading exponents. His most renowned works are La bohème (1896), Tosca (1900), Madama Butterfly (1904), and Turandot (1924), all of which are among the most frequently performed and recorded of all operas.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Saxophone Alto et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Handel: Largo (from Xerxes) for alto sax and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.522293 Composed by G F Handel. Arranged by Colin Kirkpatrick. Christmas,Easter,Holiday. Score and part. 6 pages...
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Alto Saxophone,Piano - Level 3 - SKU: A0.522293 Composed by G F Handel. Arranged by Colin Kirkpatrick. Christmas,Easter,Holiday. Score and part. 6 pages. Colin Kirkpatrick Publications #6637671. Published by Colin Kirkpatrick Publications (A0.522293). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in E flat major concert (alto sax in C major) and the top note is the C above the treble clef and the piece generally requires the use of a long and sustained tone quality. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a recital. The audio sample was performed by Alastair Penman https://www.alastairpenman.co.uk
$7.95
Scarlatti - Già il sole dal Gange - Alto Sax and Piano (Full Score and Parts)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Alessandro Scarlatti
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César Madeira
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Scarlatti - Già il sole
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1472204 Composed by Alessandro Scarlatti. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultur...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1472204 Composed by Alessandro Scarlatti. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Opera,World. Score and part. 12 pages. Sheet Music To Play Editions #1049905. Published by Sheet Music To Play Editions (A0.1472204). Già il sole dal Gange by Scarlatti. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Pietro Alessandro Gaspare Scarlatti (1660 – 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera.For Tutorials, Play Alongs or request New Arrangements, visit the Youtube Channel: Sheet Music To Play
$8.99
Largo al Factotum - Alto Sax and Piano (Full Score and Parts)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Gioachino Rossini
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César Madeira
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Largo al Factotum - Alto Sax a
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1456815 Composed by Gioachino Rossini. Arranged by César Madeira. 19th Century,Classical,Comedy,Opera,Romantic...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1456815 Composed by Gioachino Rossini. Arranged by César Madeira. 19th Century,Classical,Comedy,Opera,Romantic Period. Score and part. 33 pages. Sheet Music To Play Editions #1035889. Published by Sheet Music To Play Editions (A0.1456815). Largo al Factotum from Barbieri di Seviglia by Rossini. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Gioachino Antonio Rossini (1792 – 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
Intermezzo from Cavalleria Rusticana - Alto Sax and Piano (Full Score and Parts)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Pietro Mascagni
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César Madeira
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Intermezzo from Cavalleria Rus
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1321213 Composed by Pietro Mascagni. Arranged by César Madeira. Classical,Lent,Opera,Romantic Period,Wedding...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1321213 Composed by Pietro Mascagni. Arranged by César Madeira. Classical,Lent,Opera,Romantic Period,Wedding. Score and part. 8 pages. Sheet Music To Play Editions #909666. Published by Sheet Music To Play Editions (A0.1321213). Intermezzo from Cavalleria Rusticana by Mascagni. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Pietro Mascagni (1863 – 1945) was an Italian composer primarily known for his operas. His 1890 masterpiece Cavalleria rusticana caused one of the greatest sensations in opera history and single-handedly ushered in the Verismo movement in Italian dramatic music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Meditation from Thais - Alto Sax and Piano (Full Score and Parts)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Opera
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Classique
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Jules Massenet
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César Madeira
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Meditation from Thais - Alto S
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1199381 Composed by Jules Massenet. Arranged by César Madeira. 19th Century,20th Century,Classical,Opera,Rom...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1199381 Composed by Jules Massenet. Arranged by César Madeira. 19th Century,20th Century,Classical,Opera,Romantic Period. Score and part. 14 pages. Sheet Music To Play Editions #798448. Published by Sheet Music To Play Editions (A0.1199381). Méditation from opera Thaïs by Massenet. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Jules Massenet (1842 - 1912) was a French composer. He is most famous for his operas, although he wrote a large amount of other music as well.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Habanera from Carmen by Bizet - Alto Sax and Piano (Full Score and Parts)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Georges Bizet
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César Madeira
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Habanera from Carmen by Bizet
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1179866 Composed by Georges Bizet. Arranged by César Madeira. 19th Century,20th Century,Multicultural,Opera,...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1179866 Composed by Georges Bizet. Arranged by César Madeira. 19th Century,20th Century,Multicultural,Opera,Romantic Period,World. Score and part. 14 pages. Sheet Music To Play Editions #779815. Published by Sheet Music To Play Editions (A0.1179866). Habanera from Carmen by Bizet. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Georges Bizet (1838 - 1875), was a French composer of the Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Alto Saxophone and Piano
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Saxophone Alto et Piano
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FACILE
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G F Handel
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David McKeown
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Handel's Largo from Xerxes, Om
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.587913 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score a...
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Alto Saxophone,Piano - Level 2 - SKU: A0.587913 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042587. Published by David McKeown (A0.587913). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Alto Saxophone and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Largo from 'Xerxes' (Handel) - alto sax and piano with FREE BACKING TRACK
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Austin Ralphson
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Largo from 'Xerxes'
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Austin Ralphson
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1169092 Composed by George Frideric Handel. Arranged by Austin Ralphson. Baroque,Classical,Wedding. Score and p...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1169092 Composed by George Frideric Handel. Arranged by Austin Ralphson. Baroque,Classical,Wedding. Score and part. 5 pages. Austin Ralphson #769440. Published by Austin Ralphson (A0.1169092). Handel wrote this aria as the opening to the 1738 opera 'Serse'. Initially, the opera was a commercial failure, before it was later rediscovered and going on to become one of Handel's best-loved works. It is presented here as an intermediate-level solo with piano.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/fAWXlZ9hn0g and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/GbPNz
$3.99
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Turkish March by Beethoven for Alto Sax
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Saxophone Alto et Piano
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1155646 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score ...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1155646 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #755950. Published by Woods Only, Arrangements (A0.1155646). This arrangement adapted for alto saxophone and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99
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