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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
at the end
Non classifié
4 155
Piano & claviers
Piano seul
2 359
Piano, Voix
759
Piano Facile
655
Piano, Voix et Guitare
479
Instruments en Do
340
Orgue
220
Accompagnement Piano
78
1 Piano, 4 mains
75
Piano Trio: piano, violon, violoncelle
50
2 Pianos, 4 mains
36
Piano Quatuor: piano, violon, alto, violoncelle
21
Accordéon
19
Piano grosses notes
16
Piano (partie séparée)
12
Piano Quatuor: piano, 2 violons, violoncelle
7
Orgue, Trompette (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Piano (duo)
4
Clavecin
2
Fake Book
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
202
Guitare
194
Ukulele
131
Ligne De Mélodie, (Paroles) et Accords
43
Basse electrique
38
2 Guitares (duo)
24
Guitare (partie séparée)
20
Mandoline
17
Dulcimer
13
4 Guitares (Quatuor)
13
Piano, Guitare (duo)
11
Paroles et Accords
11
Banjo
6
Ensemble de guitares
4
3 Guitares (trio)
3
Guitare, Violon, Violoncelle (trio)
2
Mandoline, Piano (duo)
2
Basse électrique (partie séparée)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
1 242
Chorale 2 parties
415
Chorale 3 parties
352
Chorale TTBB
200
Chorale Unison
159
Voix duo, Piano
157
Chorale SSAA
146
Voix duo
54
Voix Soprano, Piano
48
Voix Tenor, Piano
30
Voix Baryton, Piano
29
Voix Alto, Piano
28
Pack Instrumental pour Chorale
22
Voix haute
17
Voix seule
11
Voix basse, Piano
9
Chorale SSAATTBB
5
Voix Mezzo-Soprano, Piano
4
Voix moyenne, Piano
4
Voix basse
4
Chorale SSATTB
2
Voix Tenor
2
Voix Soprano
2
Voix duo, Orgue
1
Chorale SSAB, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSAB a cappella
1
Chorale SATTBB A Cappella
1
Chorale SSATB
1
Chorale
1
+ 25 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
300
Flûte à bec Soprano
275
Ocarina
275
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
272
Flûte traversière et Piano
250
Clarinette et Piano
222
2 Saxophones (duo)
210
Flûte, Hautbois, Clarinette, Basson
205
Harmonica
205
Flûte à bec Alto
196
Saxophone Alto et Piano
180
Hautbois, Piano (duo)
178
Quintette de Saxophone: 5 saxophones
158
Flûte traversière
150
Clarinette
142
Saxophone Tenor et Piano
124
2 Flûtes traversières (duo)
120
Saxophone (partie séparée)
116
Quatuor de Clarinettes: 4 clarinettes
110
Saxophone Alto
107
Saxophone Soprano et Piano
105
2 Clarinettes (duo)
100
Saxophone Tenor
85
Hautbois (partie séparée)
80
Saxophone
71
Flûte, Clarinette (duo)
65
Quatuor de Flûtes : 4 flûtes
64
Saxophone Baryton, Piano
60
Saxophone, Clarinette (duo)
57
Clarinette, Violon (duo)
46
Ensemble de Clarinettes
46
3 Saxophones (trio)
45
2 Hautbois (duo)
40
Flûte à bec Alto, Piano
37
Flûte à Bec
36
Clarinette, Trompette (duo)
36
Ensemble de Flûtes
35
Hautbois
35
Hautbois, Basson (duo)
35
Cor anglais, Piano
33
Ensemble de saxophones
32
Clarinette Basse, Piano
30
Hautbois, Clarinette (duo)
30
Quintette de Clarinettes: 5 clarinettes
29
3 Clarinettes (trio)
29
Trio de Flûtes: 3 flûtes
28
Flute (partie séparée)
28
Quintette de Flûte : 5 flûtes
24
Flûte et Guitare
24
Hautbois, Flûte
22
Flûte, Violon
22
Clarinette (partie séparée)
21
Flûte, Alto (duo)
21
Flûte, Saxophone (duo)
21
Clarinette et Alto
20
2 Flûte à bec (duo)
20
Quatuor de Flûtes à bec
19
Flûte, Trompette (duo)
17
Flûte, Violon, Piano
16
Saxophone Soprano
13
Hautbois, Clarinette, Basson (trio d'anches)
12
Flûte, Hautbois (duo)
12
Clarinette, Basson (duo)
11
Flûte, Hautbois, Clarinette (trio)
10
5 Flûtes à bec
9
Clarinette, Violoncelle, Piano (trio)
9
Clarinette, Violoncelle (duo)
9
Flûte, Violoncelle, Piano (trio)
9
Flûte, Clarinette et Basson
8
Flûte, Hautbois, Basson
7
2 Clarinettes, Piano
7
Hautbois, Violoncelle
7
Flûte, Hautbois, Piano (trio)
7
Clarinette, Guitare (duo)
6
Saxophone Baryton
6
Flûte, Violoncelle
6
Flûte, Basson et Piano
6
Flûte, Clarinette, Piano (trio)
6
Flûte à bec Tenor
5
3 Flûtes à bec (trio)
5
2 Flûtes traversières, Piano
4
Clarinette, Harpe (duo)
4
Hautbois, Violoncelle et Piano
4
Flûte, Alto et Piano
4
Hautbois, Clarinette et Piano (Trio)
3
Clarinette, Alto et Piano (trio)
3
Hautbois, Guitare (duo)
3
Clarinette, Basson, Piano (trio)
3
Piccolo
3
Flute, harpe et violon
3
Hautbois, Harpe
3
Piccolo, Piano
3
Flûte à bec Soprano, Piano
3
Hautbois, Basson et Piano
2
2 Saxophones, Piano
2
Hautbois, violon (duo)
2
Ensemble de Hautbois
2
Flûte, Violon, Violoncelle et Piano
2
Instruments en Mib
2
Cor Anglais
2
Saxophone et Guitare
2
Hautbois, Violon, Piano
2
Flûte à Bec, Piano
1
Clarinette, Tuba
1
Clarinette, Trombone (duo)
1
Saxophone et Orgue
1
Hautbois et Orchestre
1
2 Hautbois, Piano
1
Hautbois, trombone (duo)
1
4 Hautbois
1
2 Clarinettes, Basson
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois et alto (duo)
1
Flûte, Harpe et Violoncelle
1
Flûte irlandaise
1
Hautbois, Trompette (duo)
1
Flûte, Violon et Violoncelle
1
Flûte, Trombone (duo)
1
Clarinette, Orgue
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Tuba (duo)
1
+ 116 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
344
Trompette
192
Quatuor de Cuivres : 2 trompettes, trombone, tuba
166
Trombone et Piano
161
Trompette, Piano
152
Cor et Piano
122
Trombone
93
Trombone (partie séparée)
81
Cor
76
Trompette (partie séparée)
74
Ensemble de Trompettes
72
Quatuor de Cuivres: 2 trompettes, Cor, trombone
60
Quatuor de cuivres: 4 trombones
55
Tuba et Piano
51
Tuba
50
2 Trompettes (duo)
48
Trompette, Saxophone (duo)
46
Quatuor de Cuivres
45
Euphonium, Piano (duo)
45
2 Trombones (duo)
44
Ensemble de Trombones
34
Cor anglais, Piano
33
Trompette, Trombone (duo)
31
Cor (partie séparée)
21
2 Cors (duo)
20
Tuba (partie séparée)
13
Trio de Cuivres
13
Quatuor de cuivres: 4 cors
11
Quatuor de cuivres: 4 trompettes
9
2 Tubas (duo)
8
Trompette, Trombone, Piano
7
Euphonium
6
3 Trompettes (trio)
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Trompette, Cor (duo)
6
Trompette, Basson (duo)
5
4 Tubas
4
2 Euphoniums et 2 Tubas
4
Cor, Violoncelle (duo)
4
Trompette, Violoncelle (duo)
4
Trombone basse
3
Bass Clef Instruments
3
Cor et Basson (duo)
3
Trombone, Tuba (duo)
3
Cor et Harpe
3
Ensemble de Cors
3
Trompette, Harpe
3
Trombone, Violon (duo)
2
Euphonium, Tuba (duo)
2
Cor Anglais
2
Trompette, Tuba (duo)
2
Instruments en Sib
2
2 Cors, Piano
2
3 Euphoniums
1
Cor, Trompette, Trombone (trio)
1
Trombone basse et Piano
1
3 Cors (trio)
1
Trombone et orchestre
1
Ensemble de Tubas
1
Instruments en Fa
1
Trompette, Violoncelle et Piano
1
Trompette, Orchestre
1
Cor et Orgue
1
2 Euphoniums (duo)
1
3 Trombones (trio)
1
+ 60 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
882
Violon et Piano
323
Violon
225
Violon, Violoncelle (duo)
224
Violoncelle, Piano
202
Trio à Cordes: violon, alto, violoncelle
195
Violoncelle
191
Alto, Piano
182
Alto seul
110
Harpe
109
Trio à Cordes: 2 violons, violoncelle
105
2 Violons (duo)
105
Violon, Alto (duo)
75
Quintette à cordes: 2 violons, alto, violoncelle, basse
72
2 Violoncelles (duo)
67
Contre Basse
55
Contrebasse, Piano (duo)
46
2 Altos (duo)
43
Violon (partie séparée)
29
Alto (partie séparée)
28
Contrebasse (partie séparée)
22
2 Harpes (duo)
19
4 Violoncelles
19
Alto, Violoncelle (duo)
15
Piano Trio: Violon, Alto, Piano
13
Trio à Cordes: 3 violoncelles
11
Harpe, Flûte (duo)
11
Quatuor à cordes: 4 violons
9
Quatuor à cordes : 4 altos
9
Ensemble d'Altos
8
Trio à cordes: 3 violins
8
Harpe, Violon (duo)
7
Trio à Cordes: 2 violons, alto
7
Ensemble de Violons
7
Trio à cordes: 3 altos
7
Violon, Clarinette, Piano (trio)
6
Harpe, Voix
5
Violon, Guitare (duo)
5
Violon, Basson (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
2 Altos, Piano
3
2 Contrebasses (duo)
3
Alto et Harpe
3
Violoncelle, Orgue
2
Violoncelle , Guitare (duo)
2
Harpe, Violoncelle (duo)
2
Harpe et mandoline
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violoncelle (partie séparée)
2
Trio à cordes
1
2 Violoncelles, Piano
1
Violon, Violoncelle, Clarinette
1
Alto et Basson
1
Alto et orchestre
1
Harpe et Piano
1
Violoncelle, Contrebasse (duo)
1
Violon, Tuba (duo)
1
2 Violons, Piano
1
Violoncelle, Basse continue
1
Harpe, Violon, Violoncelle
1
Harpe, Trombone (duo)
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 038
Orchestre
388
Orchestre à Cordes
239
Ensemble de cuivres
221
Ensemble Jazz
210
Fanfare
163
Cloches
119
Orchestre de chambre
102
Jazz combo
60
Ensemble de Percussions
51
Percussion (partie séparée)
21
Batterie
20
Xylophone, Piano
14
Xylophone
14
Batterie (partie séparée)
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Marimba
8
Vibraphone
6
Orchestre, Violon
2
Timbales (partie séparée)
2
2 Marimbas
1
Xylophone (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Percussion
1
2 Xylophones
1
Conga
1
Big band
1
3 Marimbas
1
Ensemble d'École
1
+ 25 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
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Saxophone Alto et Piano
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176
Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Sax & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Hall of the Mountain Ki
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549578 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sta...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549578 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509393. Published by jmsgu3 (A0.549578). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore!Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
The Wedding Album, for Solo Alto Saxophone and Piano
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Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Film Walt Disney
#
Various
#
David McKeown
#
The Wedding Album, for Solo Al
#
David McKeown
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.587624 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score...
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Alto Saxophone,Piano - Level 3 - SKU: A0.587624 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594683. Published by David McKeown (A0.587624). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Alto Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Luther: Out of the Depths for Alto Sax & Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part....
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Alto Saxophone,Piano - Level 1 - SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411721. Published by jmsgu3 (A0.548709). Out of the Depths I Cry to You by Martin Luther arranged for alto sax & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Sullivan: The Lost Chord for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494751. Published by jmsgu3 (A0.549443). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord Winds The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
The Parting Glass (Alto Saxophone and Piano)
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Saxophone Alto et Piano
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FACILE
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Traditional
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Stephen DeCesare
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The Parting Glass
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Exultet Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.628558 Composed by Traditional. Arranged by Stephen DeCesare. Celtic,Folk,Holiday,Irish,Multicultural,Standards...
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Alto Saxophone,Piano - Level 2 - SKU: A0.628558 Composed by Traditional. Arranged by Stephen DeCesare. Celtic,Folk,Holiday,Irish,Multicultural,Standards,World. Score and part. 8 pages. Exultet Music #6189955. Published by Exultet Music (A0.628558). The traditional parting song that is sung at the end of a gathering of friends has now been freshly arranged for an Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any school or concert venue. An accompaniment track is also available.
$4.99
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Saxophone Alto et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Over The Rainbow
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Saxophone Alto et Piano
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FACILE
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Comédie Musicale
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Film/TV
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Judy Garland
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Robert Fisco
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Over The Rainbow
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Robert Fisco
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.803426 By Judy Garland. By Harold Arlen. Arranged by Robert Fisco. Contemporary. Score and part. 6 pages. Rober...
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Alto Saxophone,Piano - Level 2 - SKU: A0.803426 By Judy Garland. By Harold Arlen. Arranged by Robert Fisco. Contemporary. Score and part. 6 pages. Robert Fisco #6232719. Published by Robert Fisco (A0.803426). Solo arrangement for Alto Saxophone of the famous song Over The Rainbow from The Wizard of Oz. This arrangement comes with piano accompaniment and is just as fun to play along with the accompaniment as it is to play alone. Recommended level: high school and above (advanced middle school could work it up too!). The piano part is at an intermediate level, primarily because of the last time through the melody at the end. Approximate length: 2 minutes and 45 seconds.
$5.00
DvoÅ™ák: Largo from the New World Symphony for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549423 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,St...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549423 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494005. Published by jmsgu3 (A0.549423). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
Up on the Housetop - 2 Alto Saxes and Piano
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Saxophone Alto et Piano
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FACILE
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Noël
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Hanby, Benjamin
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Up on the Housetop - 2 Alto Sa
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Music-Scores.com
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.721099 Composed by Hanby, Benjamin. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert. Score and p...
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Alto Saxophone,Piano - Level 2 - SKU: A0.721099 Composed by Hanby, Benjamin. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert. Score and part. 5 pages. Music-Scores.com #3880855. Published by Music-Scores.com (A0.721099). Up on the Housetop is a popular carol for children. Ho ho ho, down he goes, through the chimney with lots of toys. In this version he gets slightly stuck but manages to pop out at the end.For 2 Alto Saxophones and Piano.Playing time 1 minute.Arranged by Anne Christopherson at https://www.music-scores.com
$5.95
We Gather Together
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Adrianus Valerius
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Lori Archer Sutherland
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We Gather Together
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Lori Archer Sutherland
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.765033 Composed by Adrianus Valerius. Arranged by Lori Archer Sutherland. Contemporary,Holiday,Sacred. Score an...
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Alto Saxophone,Piano - Level 3 - SKU: A0.765033 Composed by Adrianus Valerius. Arranged by Lori Archer Sutherland. Contemporary,Holiday,Sacred. Score and part. 6 pages. Lori Archer Sutherland #4968773. Published by Lori Archer Sutherland (A0.765033). Celebrate Thanksgiving and the holiday season with the well-loved hymn, We Gather Together, a song of Dutch origin.Set for intermediate solo with piano accompaniment, this hymn is a nice addition to church worship and holiday services. After a brief introduction, the instrumentalist has the first turn at the melody. As the piano takes over the hymn, the instrumentalist plays a descant line. Both come together at the end to finish out the piece.
$4.99
The Conforter Has Come (AltoSax & Piano)
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Saxophone Alto et Piano
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FACILE
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Musique Sacrée
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William James Kirkpatrick
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Albertino Fernandes
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The Conforter Has Come
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Albertino Fernandes
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1115415 Composed by William James Kirkpatrick. Arranged by Albertino Fernandes. Contemporary,Praise & Worship. ...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1115415 Composed by William James Kirkpatrick. Arranged by Albertino Fernandes. Contemporary,Praise & Worship. Score and part. 4 pages. Albertino Fernandes #717206. Published by Albertino Fernandes (A0.1115415). Sheet music with 2 instruments and Alto sax separately at the end.
$2.00
There's Something About That Name
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Saxophone Alto et Piano
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FACILE
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Contemporain
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Bill Gaither
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Stephen DeCesare
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There's Something About That N
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Exultet Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.630739 Composed by Bill Gaither. Arranged by Stephen DeCesare. Contemporary. Score and part. 7 pages. Exultet M...
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Alto Saxophone,Piano - Level 2 - SKU: A0.630739 Composed by Bill Gaither. Arranged by Stephen DeCesare. Contemporary. Score and part. 7 pages. Exultet Music #6473921. Published by Exultet Music (A0.630739). The tender Contemporary Christian / Praise and Worship anthem associated with the Bill Gaither Trio has now been freshly arranged for an Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$4.99
LORD, WHO THROUGHOUT THESE FORTY DAYS - alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Anthony Giamanco
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LORD, WHO THROUGHOUT THESE FOR
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Whole Tone Press
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.774081 Arranged by Anthony Giamanco. Concert,Contemporary,Easter,Sacred. Score and part. 11 pages. Whole Tone P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.774081 Arranged by Anthony Giamanco. Concert,Contemporary,Easter,Sacred. Score and part. 11 pages. Whole Tone Press #6657909. Published by Whole Tone Press (A0.774081). Expertly arranged for alto saxophone and piano, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the sax above the drone in the piano. Then the melody is transferred to the piano (bass clef), transposing it to F Dorian, then, briefly to G Mixolydian. At the key change, the melody returns to its original form, taken up again by the sax. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a Dmaj9 arpeggio. Particularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel.
$5.25
Alto Sax - "And Can It Be?" Theme and Variations
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
Shall We Gather at the River (Alto Sax and Piano)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Robert Lowry
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John A
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Shall We Gather at the River
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John A. Dempsey
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.523881 Composed by Robert Lowry. Arranged by John A. Dempsey. Christian,Praise & Worship,Sacred,Spiritual,Tradi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.523881 Composed by Robert Lowry. Arranged by John A. Dempsey. Christian,Praise & Worship,Sacred,Spiritual,Traditional. Score and part. 14 pages. John A. Dempsey #4290815. Published by John A. Dempsey (A0.523881). Arranged as a duet for alto sax and piano, Shall We Gather at the River, the ageless hymn of love, comfort and assurance, is recommended for recitals and concerts as well as traditional church services and other worship events, including baptisms and funerals.  Suggested worship uses: prelude, postlude, offertory, interlude, silent prayer accompaniment and special music.  10 pages of music (that includes a separate two-page alto sax part).  Concert Key (Piano): Bb major.  Alto Sax Key: G major .
$6.99
Grieg: Ase's Death from Peer Gynt Suite for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549533 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacr...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549533 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505785. Published by jmsgu3 (A0.549533). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549555 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sta...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549555 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507663. Published by jmsgu3 (A0.549555). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Peer Gynt Suite Complete for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.551493 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 4 - SKU: A0.551493 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306287. Published by jmsgu3 (A0.551493). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
I Surrender All (Alto Saxophone and Piano)
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Saxophone Alto et Piano
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FACILE
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Musique Sacrée
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Christian contemporain
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Winfield Scott Weeden
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Stephen DeCesare
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I Surrender All
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Exultet Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.626776 Composed by Winfield Scott Weeden. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship...
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Alto Saxophone,Piano - Level 2 - SKU: A0.626776 Composed by Winfield Scott Weeden. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Standards. Score and part. 10 pages. Exultet Music #5778499. Published by Exultet Music (A0.626776). The tender Gospel hymn that has scripture references to Luke 14:33 Any of you who does not give up everything he has cannot be My disciple. has been freshly arranged for an Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year. Â An accompaniment track is also available.
$4.99
Joy to the World
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Saxophone Alto et Piano
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DÉBUTANT
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Noël
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Isaac Watts
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Lori Archer Sutherland
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Joy to the World
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Lori Archer Sutherland
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.764913 Composed by Isaac Watts. Arranged by Lori Archer Sutherland. Christmas,Sacred. Score and part. 5 pages. ...
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Alto Saxophone,Piano - Level 1 - SKU: A0.764913 Composed by Isaac Watts. Arranged by Lori Archer Sutherland. Christmas,Sacred. Score and part. 5 pages. Lori Archer Sutherland #3620393. Published by Lori Archer Sutherland (A0.764913). Let your beginner students shine during the holidays with Joy to the World for alto sax and piano. Â The piano part is also for beginner students so the soloist can play with friends or relatives who are at a similar level. This gives young pianists a chance to try their hands at collaborative piano early on in their playing careers. Each piece gives both players a chance at the melody and accompanying lines, resulting in an equally balanced duet between the instruments.Also offered as a collection of five songs entitled Christmas Moments for beginner alto sax (S0.492375).
$4.99
Bells Ringing in the Tower
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Saxophone Alto et Piano
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DÉBUTANT
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Noël
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Leland Cornell
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Lori Archer Sutherland
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Bells Ringing in the Tower
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Lori Archer Sutherland
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.764910 Composed by Leland Cornell. Arranged by Lori Archer Sutherland. Christmas,Sacred. Score and part. 4 page...
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Alto Saxophone,Piano - Level 1 - SKU: A0.764910 Composed by Leland Cornell. Arranged by Lori Archer Sutherland. Christmas,Sacred. Score and part. 4 pages. Lori Archer Sutherland #3620389. Published by Lori Archer Sutherland (A0.764910). Let your beginner students shine during the holidays with Bells Ringing in the Tower, a  Bohemian (Czech) song, for alto saxophone and piano. The piano part is also for beginner students so the soloist can play with friends or relatives who are at a similar level. This gives young pianists a chance to try their hands at collaborative piano early on in their playing careers. Each piece gives both players a chance at the melody and accompanying lines, resulting in an equally balanced duet between the instruments.Also offered as a collection of five songs entitled Christmas Moments for beginner alto sax (S0.492375).
$4.99
Up on the Housetop
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Saxophone Alto et Piano
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DÉBUTANT
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Benjamin Hanby
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Lori Archer Sutherland
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Up on the Housetop
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Lori Archer Sutherland
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.764970 Composed by Benjamin Hanby. Arranged by Lori Archer Sutherland. Christmas,Instructional. Score and part....
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Alto Saxophone,Piano - Level 1 - SKU: A0.764970 Composed by Benjamin Hanby. Arranged by Lori Archer Sutherland. Christmas,Instructional. Score and part. 5 pages. Lori Archer Sutherland #4642115. Published by Lori Archer Sutherland (A0.764970). Liven up your holiday with Benjamin Handby’s classic Christmas tune arranged for beginner solo with piano accompaniment. The piano part is also for beginner students so the soloist can play with friends or relatives who are at a similar level. This gives young pianists a chance to try their hands at collaborative piano early on in their playing careers. Both players get a chance at the melody and accompanying lines, resulting in an equally balanced duet between the instruments.
$4.99
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