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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
because of an
Non classifié
794
Piano & claviers
Piano seul
204
Piano, Voix
96
Piano, Voix et Guitare
50
Piano Facile
35
Instruments en Do
15
Orgue
14
Piano Trio: piano, violon, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
1 Piano, 4 mains
3
2 Pianos, 4 mains
2
Piano grosses notes
1
Accordéon
1
Piano (partie séparée)
1
2 Accordéons
1
+ 10 instrumentations
Retracter
Guitares
Guitare
24
Guitare notes et tablatures
22
Ligne De Mélodie, (Paroles) et Accords
14
2 Guitares (duo)
8
Ukulele
3
Dulcimer
2
4 Guitares (Quatuor)
2
Guitare (partie séparée)
1
Mandoline, Guitare (duo)
1
Banjo
1
3 Guitares (trio)
1
Ukulele Baryton
1
Piano, Guitare (duo)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
86
Chorale 3 parties
32
Chorale TTBB
18
Chorale 2 parties
16
Chorale Unison
15
Voix duo, Piano
13
Chorale SSAA
10
Voix Soprano, Piano
4
Voix haute
3
Voix duo
2
Voix seule
2
Voix Alto, Piano
1
Voix Tenor
1
+ 8 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
90
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
90
Ensemble de saxophones
62
Flûte traversière et Piano
41
Quatuor de Saxophones: 4 saxophones
39
Clarinette et Piano
35
Saxophone Tenor et Piano
27
Ensemble de Clarinettes
26
Hautbois, Piano (duo)
24
Clarinette
23
Saxophone Alto et Piano
21
Saxophone Soprano et Piano
21
2 Flûtes traversières (duo)
20
Saxophone Baryton, Piano
19
Flûte, Hautbois, Clarinette, Basson
17
2 Saxophones (duo)
14
Quatuor de Clarinettes: 4 clarinettes
14
Ensemble de Flûtes
13
Clarinette Basse, Piano
13
Cor anglais, Piano
13
Hautbois (partie séparée)
12
Flûte traversière
11
Saxophone Alto
11
Quintette de Flûte : 5 flûtes
10
Saxophone (partie séparée)
10
Saxophone Tenor
10
3 Saxophones (trio)
8
2 Flûte à bec (duo)
6
Saxophone Soprano
6
Quatuor de Flûtes : 4 flûtes
6
Flûte et Guitare
6
3 Clarinettes (trio)
5
Clarinette, Guitare (duo)
5
2 Clarinettes (duo)
5
Clarinette, Basson (duo)
4
Flûte à bec Soprano
3
Trio de Flûtes: 3 flûtes
3
Flûte, Clarinette (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
3 Flûtes à bec (trio)
2
Flûte, Violon et Violoncelle
2
Quintette de Clarinettes: 5 clarinettes
2
Quatuor de Flûtes à bec
2
Saxophone
1
Flûte, Clarinette et Basson
1
Flûte, Violon, Piano
1
Flûte à bec Alto
1
Flûte irlandaise
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
2 Saxophones, Piano
1
2 Hautbois (duo)
1
Piccolo
1
2 Cors Anglais Et Pianoforte
1
Ocarina
1
Flûte à bec Tenor
1
Flûte à Bec
1
Piccolo, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Cor anglais, Guitare (duo)
1
5 Flûtes à bec
1
+ 56 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
78
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Quatuor de Cuivres: 2 trompettes, Cor, trombone
24
Ensemble de Trombones
22
Trombone et Piano
21
Cor et Piano
21
Trompette
20
Euphonium, Piano (duo)
18
Trompette, Piano
16
Ensemble de Trompettes
13
Cor anglais, Piano
13
Quatuor de Cuivres
11
Trombone
7
Tuba et Piano
7
Trompette, Trombone (duo)
6
Ensemble de Cors
5
Cor
5
4 Tubas
4
Trombone (partie séparée)
4
Trompette (partie séparée)
4
Quatuor de cuivres: 4 trombones
4
Quatuor de cuivres: 4 trompettes
3
2 Trombones (duo)
3
2 Trompettes (duo)
3
3 Trombones (trio)
2
2 Cors (duo)
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 cors
1
Euphonium
1
2 Euphoniums (duo)
1
Trompette, Euphonium (duo)
1
Tuba et Orgue
1
Trio de Cuivres
1
3 Tubas (trio)
1
Trombone, Cor (duo)
1
2 Cors Anglais Et Pianoforte
1
3 Cors (trio)
1
Ensemble de Tubas
1
Euphonium, Tuba (duo)
1
Bass Clef Instruments
1
Cor anglais, Guitare (duo)
1
Trompette, Cor (duo)
1
3 Euphoniums
1
Trombone, Tuba (duo)
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
63
Violon et Piano
44
Alto, Piano
30
Violoncelle, Piano
27
Trio à Cordes: violon, alto, violoncelle
21
Violon
20
Violoncelle
15
2 Violons (duo)
14
Violon, Violoncelle (duo)
13
Ensemble d'Altos
10
Ensemble de Violons
10
Trio à Cordes: 2 violons, violoncelle
9
Harpe
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
4 Violoncelles
6
2 Violoncelles (duo)
5
Violon, Alto (duo)
4
Contrebasse, Piano (duo)
4
Trio à Cordes: 3 violoncelles
4
Alto seul
4
2 Altos (duo)
4
Alto, Guitare (duo)
3
Quatuor à cordes : 4 altos
3
Quatuor à cordes: 4 violons
3
2 Harpes (duo)
2
Contre Basse
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violon (partie séparée)
2
Trio à cordes: 3 altos
2
Trio à cordes: 3 violins
2
Violoncelle , Guitare (duo)
2
Harpe et Piano
1
Alto, Violoncelle (duo)
1
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
Ensemble de Violoncelles
1
Alto et Harpe
1
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
81
Orchestre à Cordes
27
Orchestre
25
Ensemble de cuivres
19
Ensemble Jazz
16
Orchestre de chambre
10
Cloches
7
Ensemble de Percussions
7
Jazz combo
4
Fanfare
3
Xylophone
1
Batterie
1
Piano et Orchestre
1
Batterie (partie séparée)
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Saxophone Alto et Piano
Partitions à imprimer
21 partitions trouvées
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1
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Saxophone Alto et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Psalm 23 (theme From The Vicar Of Dibley)
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Saxophone Alto et Piano
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FACILE
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Contemporain
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Howard Goodall
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Stephen DeCesare
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Psalm 23
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Exultet Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.626453 Composed by Howard Goodall. Arranged by Stephen DeCesare. Contemporary. Score and part. 10 pages. Exulte...
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Alto Saxophone,Piano - Level 2 - SKU: A0.626453 Composed by Howard Goodall. Arranged by Stephen DeCesare. Contemporary. Score and part. 10 pages. Exultet Music #5722003. Published by Exultet Music (A0.626453). Because of the immense popularity of the British television comedy The Vicar Of Dibley, this setting of The Lord Is My Shepherd (Psalm 23) has become a stand-alone classic. Scored for an Alto Saxophone Solo with Piano accompaniment, this arrangement is accessible and appropriate for any church or concert setting.
$4.99
Feast of Love - Alto Sax/Piano
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Saxophone Alto et Piano
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FACILE
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Robert Franz
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Phil Beaman
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Feast of Love - Alto Sax/Piano
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Phil Beaman
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.844547 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Scor...
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Alto Saxophone,Piano - Level 2 - SKU: A0.844547 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3517817. Published by Phil Beaman (A0.844547). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.
$4.99
O Come All Ye Faithful for Alto Sax & Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Alt
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jms...
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Alto Saxophone,Piano - Level 1 - SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388099. Published by jmsgu3 (A0.548508). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages. Part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
Look What You've Done To Me
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Contemporain
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Boz Scaggs
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Jeff Tincher
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Look What You've Done To Me
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Jeff Tincher
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.582778 By Boz Scaggs. By Boz Scaggs and David Babyface Foster. Arranged by Jeff Tincher. Contemporary. Score an...
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Alto Saxophone,Piano - Level 3 - SKU: A0.582778 By Boz Scaggs. By Boz Scaggs and David Babyface Foster. Arranged by Jeff Tincher. Contemporary. Score and part. 42 pages. Jeff Tincher #3489131. Published by Jeff Tincher (A0.582778). This is a Eb instrument and Piano arrangement of one of the bost beautiful love songs ever written. In the original key, this arrangement is from Boz Scaggs Greatest Hits Live CD. I chose this version because I the live ending is simply awesome. I'm listing this as an intermediate because of the piano part. If you don't play the high notes, this could easily be an early intermediate arrangement. This song is great for any live venue! Duration=6:45.Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
Mignon
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Saxophone Alto et Piano
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FACILE
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Classique
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Fanny Cecile Mendelssohn
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Jane Frasier
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Mignon
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Jane Frasier
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1099747 Composed by Fanny Cecile Mendelssohn. Arranged by Jane Frasier. Chamber,Classical,Romantic Period. Scor...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1099747 Composed by Fanny Cecile Mendelssohn. Arranged by Jane Frasier. Chamber,Classical,Romantic Period. Score and part. 5 pages. Jane Frasier #703622. Published by Jane Frasier (A0.1099747). This is an arrangement for alto sax and piano of an art song by Fanny Mendelssohn Hensel, a German composer of the early Romantic era. Her brother was Felix Mendelssohn and because of social conventions at the time about the roles of women, six of her songs were published under her brother's name in his Opus 8 and 9 collections. She composed more than 250 lieder, most of the unpublished during her lifetime.
$4.50
Tchaikovsky: Arabian Dance from Nutcracker Suite for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Arabian Dance fro
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549750 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549750 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3532695. Published by jmsgu3 (A0.549750). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Scene 10 from Swan Lake for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Scene 10 from Swa
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549597 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549597 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3512825. Published by jmsgu3 (A0.549597). Duration: 2:30, score: 8 pages, solo part: 2 pages, piano part: 5 pages. A well-known favorite masterpiece suitable for a recital or school program. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Swan Lake Op. 20 Tchaikovsky composed Swan Lake in 1875-76. To begin with, most noteworthy the ballet failed to attract a positive reception. Over time, however, the ballet became probably one of the most popular of all of Tchaikovsky’s works. The ballet was certainly first performed by the Bolshoi Ballet in Moscow.
$32.95
Tchaikovsky: Chinese Dance from Nutcracker Suite for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Chinese Dance fro
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549772 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549772 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3534981. Published by jmsgu3 (A0.549772). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
O Jesulein süss by Bach for Alto Sax and Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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O Jesulein süss by Bach f
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Woods Only, Arrangements
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1049986 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred. Score and part. ...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1049986 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred. Score and part. 3 pages. Woods Only, Arrangements #654384. Published by Woods Only, Arrangements (A0.1049986). This easy arrangement for alto sax and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song. The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering.
$1.99
Volare
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Domenico Modugno
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Cathy Stamegna
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Volare
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Cathy Stamegna
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SheetMusicPlus
Large Ensemble Alto Saxophone,Piano - Level 3 - SKU: A0.780876 By Domenico Modugno. By Domenico Modugno. Arranged by Cathy Stamegna. Contemporary,Film/T...
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Large Ensemble Alto Saxophone,Piano - Level 3 - SKU: A0.780876 By Domenico Modugno. By Domenico Modugno. Arranged by Cathy Stamegna. Contemporary,Film/TV,Multicultural,Pop,World. Score and part. 9 pages. Cathy Stamegna #5734367. Published by Cathy Stamegna (A0.780876). Volare (Nel Blu, Dipinto Di Blu) (Alto Saxophone Solo, Chords, Piano Accompaniment). Concert Key, Bb. This popular Italian song has been recorded in other countries as well as its native Italy. The saxophone arrangement incorporates both the traditional melody and some jazz embellishment (as heard on sound clip). Created during a time of social distancing because of the coronavirus pandemic, giving people an opportunity to play and sing together. Chords included for guitar or mallet instruments to accompany as well. Other vocal and instrumental arrangements available. Set of Parts.
$4.99
Over The Rainbow
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Saxophone Alto et Piano
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FACILE
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Comédie Musicale
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Film/TV
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Judy Garland
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Robert Fisco
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Over The Rainbow
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Robert Fisco
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.803426 By Judy Garland. By Harold Arlen. Arranged by Robert Fisco. Contemporary. Score and part. 6 pages. Rober...
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Alto Saxophone,Piano - Level 2 - SKU: A0.803426 By Judy Garland. By Harold Arlen. Arranged by Robert Fisco. Contemporary. Score and part. 6 pages. Robert Fisco #6232719. Published by Robert Fisco (A0.803426). Solo arrangement for Alto Saxophone of the famous song Over The Rainbow from The Wizard of Oz. This arrangement comes with piano accompaniment and is just as fun to play along with the accompaniment as it is to play alone. Recommended level: high school and above (advanced middle school could work it up too!). The piano part is at an intermediate level, primarily because of the last time through the melody at the end. Approximate length: 2 minutes and 45 seconds.
$5.00
Because He Lives
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Bill Gaither and Gloria Gaithe
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John A
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Because He Lives
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John A. Dempsey
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1419768 Composed by Bill Gaither and Gloria Gaither. Arranged by John A. Dempsey. Christian,Contemporary,Easter...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1419768 Composed by Bill Gaither and Gloria Gaither. Arranged by John A. Dempsey. Christian,Contemporary,Easter,Praise & Worship,Sacred. Score and part. 13 pages. John A. Dempsey #1001190. Published by John A. Dempsey (A0.1419768). Arranged as a duet for alto sax and piano, this Gaither gospel classic with its strong, steadfast message of belief in Christ and His death, burial and Resurrection is recommended for traditional church services and other worship events including Good Friday and Easter services, as a prelude, postlude, an offertory, and special music. Â The structure of the arrangement is: piano intro, first verse, chorus, second verse, chorus and a repeat of the last line of the chorus. Â The alto sax note range is more expansive during the second verse and chorus. Â 9 pages of music (that includes a two-page alto sax part). Â Concert Key: F major.
$7.99
My Saxophone and Me (E flat version)
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Saxophone Alto et Piano
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DÉBUTANT
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Colin Kirkpatrick
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Lazy Days
(No 4)
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My Saxophone and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publ...
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Alto Saxophone,Piano - Level 1 - SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3134129. Published by Colin Kirkpatrick Publications (A0.522194). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679821The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Nice ‘n Easy (No 2); Lazy Days (No 4); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has writte.
$5.95
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
O Holy Night for Alto Sax & Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Noël
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Adam
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James M
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O Holy Night for Alto Sax &
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548668 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jm...
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Alto Saxophone,Piano - Level 1 - SKU: A0.548668 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410421. Published by jmsgu3 (A0.548668). O Holy Night arranged for alto sax & piano. Duration: 4:56, 44 ms. Score: 5 pg Part: 2 pg, piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from him poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
CPE BACH: Sonata in E Minor WQ124 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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James Guthrie, ASCAP
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CPE BACH: Sonata in E Minor WQ
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.551519 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructi...
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Alto Saxophone,Piano - Level 4 - SKU: A0.551519 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5308387. Published by jmsgu3 (A0.551519). Sonata in E Minor. Duration: 7:151. Adagio2. Allegro3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a time of transition between the Baroque and Classical styles of music. His personal approach, known as empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered to be some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from the style of his father, Johann Sebastian Bach.
$24.95
Praise You Anywhere
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Saxophone Alto et Piano
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FACILE
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Musique Sacrée
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Brandon Lake
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Jeff Tincher
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Praise You Anywhere
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Jeff Tincher
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1359105 By Brandon Lake. By Benjamin Fielding, Brandon Lake, Hank Bentley, and Jacob Scooter. Arranged by Jeff ...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1359105 By Brandon Lake. By Benjamin Fielding, Brandon Lake, Hank Bentley, and Jacob Scooter. Arranged by Jeff Tincher. Christian,Contemporary,Pop,Praise & Worship,Sacred. Score and part. 13 pages. Jeff Tincher #943551. Published by Jeff Tincher (A0.1359105). If you are into Praise and Worship music, this one should be in your library. This is a lively song by Brandon Lake from his Coat Of Many Colors project. This arrangement is taken from his Song Edition video because it's in an easier key to perform in. Duration = 3:23. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$5.99
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