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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style,
Non classifié
7 585
Piano & claviers
Piano seul
5 702
Piano Facile
2 630
Piano, Voix et Guitare
900
Piano, Voix
844
Orgue
671
Instruments en Do
385
1 Piano, 4 mains
120
Accompagnement Piano
84
Accordéon
75
Piano Trio: piano, violon, violoncelle
46
Piano (partie séparée)
35
2 Pianos, 4 mains
30
Clavecin
21
Orgue, Piano (duo)
14
Orgue, Trompette (duo)
12
Piano grosses notes
11
Tous Les Instruments
7
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Quatuor: piano, 2 violons, violoncelle
6
Clavier
6
1 Piano, 6 mains
3
2 Pianos, 8 mains
3
Accordéon et Orchestre
2
Concertina
1
Ensemble d'Accordéons
1
+ 21 instrumentations
Retracter
Guitares
Guitare
993
Guitare notes et tablatures
874
Ukulele
163
Dulcimer
139
Ligne De Mélodie, (Paroles) et Accords
97
Basse electrique
89
Guitare (partie séparée)
70
Banjo
64
2 Guitares (duo)
58
Mandoline
54
Paroles et Accords
32
4 Guitares (Quatuor)
17
Piano, Guitare (duo)
15
2 Dulcimers (duo)
8
Ensemble de guitares
8
3 Guitares (trio)
7
Ukulele Baryton
6
Dobro
4
Guitare Pedal Steel
4
2 Ukuleles
4
2 Mandolines (duo)
3
Guitare, Quatuor à cordes
2
Basse électrique (partie séparée)
2
Mandoline, Guitare (duo)
2
Guitare, Violon, Violoncelle (trio)
1
Orchestre à Plectres
1
+ 21 instrumentations
Retracter
Voix
Chorale SATB
1 694
Chorale SSAA
689
Chorale TTBB
635
Chorale 3 parties
524
Chorale 2 parties
389
Chorale Unison
224
Voix duo, Piano
122
Voix duo
33
Voix Alto, Piano
28
Voix Soprano, Piano
27
Voix haute
17
Voix seule
17
Voix Tenor, Piano
17
Pack Instrumental pour Chorale
14
Voix moyenne, Piano
11
Chorale SSAATTBB
8
Chorale
8
Voix Baryton, Piano
6
Voix Tenor
5
Voix basse, Piano
5
Chorale SSATB
5
Voix basse
3
Voix Mezzo-Soprano, Piano
2
Chorale SSATTB
2
Voix, Guitare
1
Chorale SSAB, Piano
1
+ 21 instrumentations
Retracter
Vents
Flûte traversière et Piano
676
2 Saxophones (duo)
675
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
428
Hautbois, Piano (duo)
369
Quatuor de Saxophones: 4 saxophones
354
2 Clarinettes (duo)
345
Flûte traversière
342
Clarinette
323
2 Flûtes traversières (duo)
319
Clarinette et Piano
318
Saxophone Alto
292
Saxophone (partie séparée)
267
Saxophone, Clarinette (duo)
265
Saxophone Alto et Piano
256
Saxophone Tenor
253
Quintette de Saxophone: 5 saxophones
237
Flûte, Hautbois, Clarinette, Basson
205
Clarinette, Violon (duo)
202
Quatuor de Clarinettes: 4 clarinettes
189
Clarinette, Trompette (duo)
179
Saxophone Tenor et Piano
142
Flûte, Clarinette (duo)
133
Ensemble de saxophones
130
2 Hautbois (duo)
127
Flûte, Violon
108
Quatuor de Flûtes : 4 flûtes
107
Hautbois, Basson (duo)
107
Hautbois, Clarinette (duo)
104
Flûte, Saxophone (duo)
104
Saxophone
102
Clarinette et Alto
98
Flûte, Alto (duo)
88
Ensemble de Clarinettes
87
Flûte, Trompette (duo)
84
Saxophone Soprano et Piano
83
Hautbois, Flûte
81
3 Saxophones (trio)
76
Cor anglais, Piano
73
Trio de Flûtes: 3 flûtes
73
Hautbois (partie séparée)
72
Quintette de Clarinettes: 5 clarinettes
71
3 Clarinettes (trio)
68
2 Flûte à bec (duo)
67
Quintette de Flûte : 5 flûtes
65
Saxophone Baryton, Piano
54
Ensemble de Flûtes
47
Flûte et Guitare
43
Flute (partie séparée)
43
Clarinette (partie séparée)
41
Flûte, Hautbois, Clarinette (trio)
28
Clarinette Basse, Piano
28
Flûte, Violon, Piano
27
Flûte, Hautbois (duo)
25
Flûte, Clarinette et Basson
22
Flûte à bec Soprano
22
Flûte, Hautbois, Basson
22
Ensemble De Flûte à bec
20
Flûte, Violon et Violoncelle
18
Hautbois
16
Quatuor de Flûtes à bec
15
Hautbois, violon (duo)
15
Harmonica
14
Clarinette, Trombone (duo)
13
Flûte, Violoncelle
13
Saxophone Soprano
11
Hautbois, Clarinette, Basson (trio d'anches)
10
Cor Anglais
10
Flûte à Bec
9
Flûte, Clarinette, Piano (trio)
9
Clarinette, Guitare (duo)
9
3 Flûtes à bec (trio)
8
Saxophone Baryton
7
Flûte, Trombone (duo)
7
Clarinette, Basson (duo)
6
Flûte, Basson et Piano
5
Clarinette, Harpe (duo)
5
2 Flûtes traversières, Piano
5
Clarinette, Violoncelle (duo)
5
5 Flûtes à bec
5
Flûte à bec Soprano, Piano
5
2 Clarinettes, Basson
5
Flûte, Violoncelle, Piano (trio)
4
Ocarina
4
Flûte traversière, Orgue (duo)
4
Hautbois, Guitare (duo)
4
Flûte, alto et harpe
4
Piccolo, Piano
4
Hautbois, Harpe
4
Flûte à bec Alto
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Instruments en Mib
3
Hautbois, Violoncelle
3
Flûte à bec Alto, Piano
3
Flûte à bec Tenor
3
2 Cors Anglais Et Pianoforte
3
2 Saxophones, Piano
3
2 Hautbois et Basson
3
3 Hautbois
3
Saxophone et Orgue
3
Saxophone et Guitare
3
Cornemuse
2
Flute, harpe et violon
2
Flûte irlandaise
2
2 Clarinettes, Piano
2
Saxophone et Harpe
2
Flûte de Pan
2
Flute, Cor (duo)
2
Flûte traversière, Basse continue
2
Flûte, trombone et piano
2
Flûte, Clarinette, Violon (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte à Bec, Piano
1
Hautbois et alto (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte et Quatuor à Cordes
1
Clarinette, Basson, Piano (trio)
1
Cor anglais, Guitare (duo)
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte et Trio à cordes
1
Cor anglais et Harpe (duo)
1
Ensemble à vent
1
Piccolo
1
Hautbois, Basson et Piano
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette Basse
1
4 Hautbois
1
Clarinette, Violoncelle, Piano (trio)
1
+ 124 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
472
Trompette
310
Quatuor de Cuivres : 2 trompettes, trombone, tuba
276
Trombone
243
Trompette, Saxophone (duo)
193
Trompette (partie séparée)
187
Trombone (partie séparée)
183
Trombone et Piano
172
Trompette, Piano
170
2 Trombones (duo)
166
2 Trompettes (duo)
161
Cor et Piano
153
Trompette, Trombone (duo)
121
Ensemble de Trombones
98
Quatuor de Cuivres: 2 trompettes, Cor, trombone
94
Cor
87
Quatuor de cuivres: 4 trombones
75
Cor anglais, Piano
73
Ensemble de Trompettes
70
Tuba et Piano
69
Euphonium, Piano (duo)
63
Tuba
51
Quatuor de Cuivres
50
Cor (partie séparée)
43
2 Cors (duo)
41
Tuba (partie séparée)
35
2 Tubas (duo)
23
3 Trombones (trio)
19
Quatuor de cuivres: 4 cors
19
2 Euphoniums et 2 Tubas
17
3 Trompettes (trio)
15
2 Euphoniums (duo)
14
Euphonium, Tuba (duo)
14
Euphonium
11
Cor Anglais
10
Bass Clef Instruments
9
Instruments en Sib
8
Trompette, Cor (duo)
8
4 Tubas
8
Ensemble de Cors
8
Trio de Cuivres
7
Quatuor de cuivres: 4 trompettes
6
3 Tubas (trio)
5
3 Euphoniums
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Cor et Harpe
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trombone, Tuba (duo)
4
2 Cors Anglais Et Pianoforte
3
Cor, Violoncelle (duo)
3
Trompette, Harpe
3
Tuba et Orgue
3
Ensemble de Tubas
2
Trombone basse et Piano
2
Trompette et Guitare
2
Trompette, Violoncelle et Piano
2
Trompette, Violoncelle (duo)
2
Trombone basse
2
Trompette, violon (duo)
1
Cor, Tuba (duo)
1
Instruments en Fa
1
Cor anglais, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
Cornet et orchestre
1
Tuba ou Euphonium ou Saxhorn
1
Trompette, Tuba (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Clarinette, Cor (duo)
1
+ 63 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 168
Violon et Piano
761
Violon
495
Violoncelle, Piano
283
Alto, Piano
230
Violoncelle
217
2 Violons (duo)
189
Violon, Violoncelle (duo)
188
Trio à Cordes: violon, alto, violoncelle
166
2 Violoncelles (duo)
161
2 Altos (duo)
149
Violon, Alto (duo)
141
Harpe
122
Alto seul
111
Violon (partie séparée)
91
Contrebasse (partie séparée)
77
Alto (partie séparée)
60
Quintette à cordes: 2 violons, alto, violoncelle, basse
58
Contre Basse
49
Contrebasse, Piano (duo)
46
Violon, Guitare (duo)
41
Quintette à cordes: 2 violons, 2 altos, violoncelle
35
Ensemble d'Altos
27
Trio à Cordes: 2 violons, violoncelle
26
Ensemble de Violons
26
Violoncelle (partie séparée)
23
Trio à cordes: 3 violins
20
Harpe, Flûte (duo)
18
Alto, Violoncelle (duo)
17
Trio à Cordes: 3 violoncelles
16
4 Violoncelles
15
Violoncelle , Guitare (duo)
13
2 Contrebasses (duo)
12
Trio à Cordes: 2 violons, alto
12
Trio à cordes: 3 altos
11
Quintette à cordes : 2 violons, alto et 2 violoncelles
11
Piano Trio: Violon, Alto, Piano
10
Quatuor à cordes: 4 violons
10
Harpe, Violon (duo)
9
2 Harpes (duo)
7
Violoncelle, Contrebasse (duo)
6
Alto, Guitare (duo)
6
Violon, Basson (duo)
5
Harpe, Violoncelle (duo)
5
Autoharp
5
Alto et Harpe
5
Quatuor à cordes : 4 altos
4
Violon, Clarinette, Piano (trio)
4
Alto et Basson
3
Violoncelle, Orchestre
2
3 Contrebasses
2
2 Violons, Piano
2
Violon, Basse continue
2
Flûte, Contrebasse (duo)
2
Harpe, Trombone (duo)
1
Violon, Violoncelle, Clarinette
1
Harpe et Piano
1
2 Violons et Basse continue
1
4 Contrebasses
1
Ensemble de Violoncelles
1
Harpe et mandoline
1
Harpe, Voix
1
Violoncelle, Orgue
1
Violoncelle, Basse continue
1
4 Harpes
1
Violon, Trompette et Piano
1
+ 61 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 822
Ensemble Jazz
938
Orchestre
772
Orchestre à Cordes
670
Ensemble de cuivres
294
Jazz combo
272
Fanfare
253
Orchestre de chambre
169
Cloches
150
Batterie
138
Ensemble de Percussions
47
Batterie (partie séparée)
40
Percussion (partie séparée)
34
Marimba
26
Vibraphone
11
Percussion
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Caisse Claire
3
Xylophone, Piano
3
Quintette à Vent
3
Piano et Orchestre
3
Xylophone
3
Timbales
2
Conga
2
Big band
2
Marimba, Piano (duo)
1
Bongos
1
Instrumentation Flexible
1
Timbales (partie séparée)
1
Cajon
1
Vibraphone et Marimba
1
Quatuor à Vent : 4 instruments à vents
1
Ensemble d'École
1
Bodhran
1
2 Xylophones
1
+ 30 instrumentations
Retracter
Autres
Formation musicale - Solfège
4
Théorie de la musique
3
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
BLUES
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COMEDIES MUSICALES -…
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Saxophone Alto et Piano
Partitions à imprimer
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251
Sunny Blue - A Jazz Style Jaunt for Eb or Bb Saxophone and Piano (improvisation optional, or use sol
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.761487 Composed by Keri D…
(+)
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.761487 Composed by Keri Degg. Jazz. Score and part. 15 pages. Masquerade Music #3867477. Published by Masquerade Music (A0.761487). An infectiously catchy melody make this jazz-style jaunt incredibly fun to play; for Eb or Bb Saxophone (both parts included) and piano. Sunny Blue meanders through various styles; a straight start (mainly 6/8), launching into a groovy swing (following with optional improvisation, or use one of the two written out 'solos' provided). The journey then gravitates to a waltz, before completing its course by ending with a swing ending, and dramatic finish. Sunny Blue has a duration of 3'22 minutes, and is aimed at grade 6/+ players and makes a fantastic concert item. The YouTube video demo shows the whole piece performed on alto sax. You will however receive a universal piano score, and then two saxophone parts (one for Eb, and one for Bb sax).
$7.99
7.35 €
#
Saxophone Alto et Piano
#
Keri Degg
#
Sunny Blue - A Jazz Style Jaunt for Eb or Bb Saxophone and Piano
#
Masquerade Music
#
SheetMusicPlus
O Holy Night - Eb Saxophone and Piano (funk/groove style) by Chris Lawry and Keri Degg. Includes FRE
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.76151…
(+)
Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.761511 Composed by Chris Lawry, Keri Degg. Christmas,Jazz. Score and part. 9 pages. Masquerade Music #6056683. Published by Masquerade Music (A0.761511). O Holy Night for Eb saxophone (Alto, or Baritone) and piano (or use the enhanced free demo/backing tracks via request after ordering - details are given on your printed sheet music) by UK composers Chris Lawry and Keri Degg. New for September 2020 this is a very fresh take on this traditional classic and has been launched into a cheeky funk/groove style! Optional slap tongue and growl is optional in two parts (but is entirely optional). The piece includes playful interplay and new original material. O Holy Night is just one of five pieces from 'Christmas Jazz - Volume 2' Eb Saxophone (also available in Bb sax, Bb clarinet, and flute editions) which also includes; Deck the halls (Piazzolla-inspired style), The Holly and the Ivy - a smooshy smooth jazz ballad with original solo/s, Away in a manger - again, a gentle smooth jazz style, and Ukrainian Folk Carol (often well known by another name ;) in a fast swung style.There is also a 'Christmas Jazz - Volume 1' collection by the same composers (which includes; God rest ye merry gentlemen, Silent night, The first nowell, Hark the herald, and I saw three ships - all of which are available on SMP, or search for Christmas Jazz volume 1 if you'd like to buy the collection at a bargain price).
$3.99
3.67 €
#
Saxophone Alto et Piano
#
Chris Lawry, Keri Degg
#
O Holy Night - Eb Saxophone and Piano
#
Masquerade Music
#
SheetMusicPlus
Ukrainian Folk Carol - Eb Saxophone and Piano (swing style!) by Chris Lawry and Keri Degg. Includes
Saxophone Alto et Piano
Composed by Chris Lawry, Keri Degg. Christmas, Jazz. Score and part. 7 pages. Masquera…
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Composed by Chris Lawry, Keri Degg. Christmas, Jazz. Score and part. 7 pages. Masquerade Music #6056689. Published by Masquerade Music
Ukrainian Folk Carol (often known by another name however) for Eb saxophone (Alto, or Baritone) and piano (or use the enhanced free demo/backing tracks via request after ordering - details are given on your printed sheet music) by UK composers Chris Lawry and Keri Degg.<br> <br> New for September 2020 this is a very fresh take on this traditional classic and has been launched into a crazy swing/groove style! It\'s a great showstopper and a real joy to play. The piece includes playful interplay and new original material/solo/s.<br> <br> Ukrainian Folk Carol is just one of five pieces from \'Christmas Jazz - Volume 2\' Eb Saxophone (also available in Bb sax, Bb clarinet, and flute editions) which also includes; Deck the halls (Piazzolla-inspired style), The Holly and the Ivy - a smooshy smooth jazz ballad with original solo/s, Away in a manger - again, a gentle smooth jazz style, and O Holy Night (which has cheeky interplay, yet sweeping original lines too).<br> <br> There is also a \'Christmas Jazz - Volume 1\' collection by the same composers (which includes; God rest ye merry gentlemen, Silent night, The first nowell, Hark the herald, and I saw three ships - all of which are available on SMP, or search for Christmas Jazz volume 1 if you\'d like to buy the collection at a bargain price).Ukrainian Folk Carol (often known by another name however) for Eb saxophone (Alto, or Baritone) and piano (or use the enhanced free demo/backing tracks via request after ordering - details are given on your printed sheet music) by UK composers Chris Lawry and Keri Degg.<br> <br> New for September 2020 this is a very fresh take on this traditional classic and has been launched into a crazy swing/groove style! It\'s a great showstopper and a real joy to play. The piece includes playful interplay and new original material/solo/s.<br> <br> Ukrainian Folk Carol is just one of five pieces from \'Christmas Jazz - Volume 2\' Eb Saxophone (also available in Bb sax, Bb clarinet, and flute editions) which also includes; Deck the halls (Piazzolla-inspired style), The Holly and the Ivy - a smooshy smooth jazz ballad with original solo/s, Away in a manger - again, a gentle smooth jazz style, and O Holy Night (which has cheeky interplay, yet sweeping original lines too).<br> <br> There is also a \'Christmas Jazz - Volume 1\' collection by the same composers (which includes; God rest ye merry gentlemen, Silent night, The first nowell, Hark the herald, and I saw three ships - all of which are available on SMP, or search for Christmas Jazz volume 1 if you\'d like to buy the collection at a bargain price).
$3.99
3.67 €
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Saxophone Alto et Piano
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Chris Lawry, Keri Degg
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Ukrainian Folk Carol - Eb Saxophone and Piano
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Masquerade Music
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SheetMusicPlus
Jingle Bells (Jazzy Style!) for Alto Saxophone and Piano
Saxophone Alto et Piano
Instrumental Solo,Piano,Saxophone - Level 1 - Digital Download SKU: A0.554547 Compo…
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Instrumental Solo,Piano,Saxophone - Level 1 - Digital Download SKU: A0.554547 Composed by James Pierpont. Arranged by David Burndrett. Christmas,Jazz. Score and individual part. 8 pages. David Burndrett #2015263. Published by David Burndrett (A0.554547). This works well as a concert piece or just for fun! Download includes the score and both of the parts.
$4.95
4.56 €
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Saxophone Alto et Piano
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James Pierpont
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David Burndrett
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Jingle Bells
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David Burndrett
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SheetMusicPlus
Jingle Bells (Jazzy Style) for Alto Saxophone and Piano
Saxophone Alto et Piano
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download S…
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Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.557719 Composed by James Pierpont. Arranged by David Burndrett. Christmas,Jazz. Score and parts. 7 pages. David Burndrett #442901. Published by David Burndrett (A0.557719). This works well as a concert piece or just for fun! Download includes the score and both of the parts.
$3.99
3.67 €
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Saxophone Alto et Piano
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James Pierpont
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David Burndrett
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Jingle Bells
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David Burndrett
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SheetMusicPlus
God Rest Ye Merry Gentlemen (Latin jazz style)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1110305 Composed by Tradi…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1110305 Composed by Traditional. Arranged by Tim Downs. Christmas,Holiday,Jazz,Latin. Score and part. 10 pages. Tim Downs Music #712646. Published by Tim Downs Music (A0.1110305).
$4.99
4.59 €
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Saxophone Alto et Piano
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Traditional
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Tim Downs
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God Rest Ye Merry Gentlemen
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Tim Downs Music
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SheetMusicPlus
Suite in Retro Style
Saxophone Alto et Piano
Composed by Yuri Povolotsky. Alto Sax and Piano. Score and part. 28 pages. Forton Musi…
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Composed by Yuri Povolotsky. Alto Sax and Piano. Score and part. 28 pages. Forton Music - Digital #FM499. Published by Forton Music - Digital
$10.95
10.08 €
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Saxophone Alto et Piano
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Yuri Povolotsky
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Suite in Retro Style
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Forton Music - Digital
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SheetMusicPlus
Christmas Jazz Volume 2 for Eb Saxophone; Five Christmas/Holiday pieces in Jazz Styles.
Saxophone Alto et Piano
Composed by Keri Degg and Chris Lawry. 163, Christian, Christmas, Holiday, Jazz. Sco…
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Composed by Keri Degg and Chris Lawry. 163, Christian, Christmas, Holiday, Jazz. Score and part. 36 pages. Masquerade Music #6056673. Published by Masquerade Music
$12.50
11.5 €
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Saxophone Alto et Piano
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Keri Degg and Chris Lawry
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Christmas Jazz Volume 2 for Eb Saxophone; Five Christmas/Holiday pieces in Jazz Styles.
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Masquerade Music
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SheetMusicPlus
CPE BACH: Sonata in E Minor WQ124 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.551519 Composed by Carl P…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.551519 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5308387. Published by jmsgu3 (A0.551519). Sonata in E Minor. Duration: 7:151. Adagio2. Allegro3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a time of transition between the Baroque and Classical styles of music. His personal approach, known as empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered to be some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from the style of his father, Johann Sebastian Bach.
$24.95
22.96 €
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Saxophone Alto et Piano
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Carl Philipp Emanuel Bach
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James Guthrie, ASCAP
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CPE BACH: Sonata in E Minor WQ124 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95
30.32 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.32 €
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Saxophone Alto et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Christmas Jazz Volume 3 Eb saxophone. Chris Lawry & Keri Degg
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1278954 Composed by Chris…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1278954 Composed by Chris Lawry and Keri Degg. Christian,Christmas,Holiday,Jazz. Score and part. 37 pages. Masquerade Music #870503. Published by Masquerade Music (A0.1278954). Christmas Jazz Volume 3 Eb saxophone edition is another collection of five fabulous arrangements for Eb saxophone (alto or baritone) and piano by Chris Lawry and Keri Degg. The pack includes inventive and original ideas from the two composers/arrangers and include an accessible written out 'sax solo' type section in each. Christmas Jazz Volume 3 includes O Little Town of Bethlehem (a cheeky swing), O Christmas Tree (a lush smooshy ballad), Here we Come a Wassailing (an energetic swing), It Came upon a Midnight Clear (ballad), and Ding Dong Merrily on High (Jazz/Jazz Waltz). With various styles covered (including Funk, smooth jazz, ballad, swing and more). The pieces are accessible with the ballad-style pieces being around grade 3-4 and even the most challenging are only around grade 6 standard, so they are easy enough to practice up with limited time available.You are invited to download for free the full demonstration and accompaniment only audio tracks by following the instructions on the final page of your purchased print out. Note that the audio tracks are of the exciting enhanced audio (as on the Youtube videos - not just sax and piano). In your purchased print out you receive Eb sax part, piano part for live accompaniment options, and MP3 full demonstration and accompaniment only audio tracks (to be downloaded via the instructions on the final page of your sheet music).Bring some joy this Christmastime...bring on the Christmas Jazz! Visit www.masquerade-music.com for more exciting sheet music for woodwinds and free practice resources.The Youtube video shows a medley of excerpts from all five pieces included in the book. This purchase includes Eb saxophone part PDF and piano accompaniment score to accompany Eb saxophone plus audio tracks (demo and accompaniment only) free to download via the given code on your print out. The pack is also available in Bb Saxophone, Bb Clarinet, and flute editions, and Christmas Jazz Volumes 1 and 2 are also available.
$14.99
13.8 €
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Saxophone Alto et Piano
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Chris Lawry and Keri Degg
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Christmas Jazz Volume 3 Eb saxophone. Chris Lawry & Keri Degg
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Masquerade Music
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SheetMusicPlus
Ali Ben Sou Alle: Adieu, Valse de Concert for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533505 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533505 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 21 pages. Musik Fabrik Music Publishing #3001087. Published by Musik Fabrik Music Publishing (A0.533505). The concert waltz Adieu begins with an introduction in the style of a Bel Canto aria. The Valse which follows is divided into several sections of contrasting styles and tonalites. The coda brings the piece to a calm and quiet close which is broken by a final fortissimo outburst.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$12.95
11.92 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Adieu, Valse de Concert for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bach: Wachet auf for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549842 Composed by Johann…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554821. Published by jmsgu3 (A0.549842). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
22.96 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.550919 Composed by J. S. …
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888291. Published by jmsgu3 (A0.550919). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.32 €
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Saxophone Alto et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549364 Composed by Bach-G…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490139. Published by jmsgu3 (A0.549364). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano, S0.661763. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.32 €
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Saxophone Alto et Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach: Sheep May Safely Graze for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.548976 Composed by Johann…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444569. Published by jmsgu3 (A0.548976). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
30.32 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.32 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikola…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.32 €
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Saxophone Alto et Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Debussy: Reverie for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.550082 Composed by Claude…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.550082 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Standards,Wedding. Score and part. 19 pages. Jmsgu3 #4593283. Published by jmsgu3 (A0.550082). Claude Debussy's Rêverie holds significant importance in the realm of classical music for several reasons:Early Work: Composed in 1890, Rêverie is one of Debussy's earlier works, showcasing his evolving style and paving the way for his later, more mature compositions.Dream-like State: The title Rêverie refers to a dream-like state, and the piece is known for its calm, peaceful, and atmospheric qualities, making it a perfect entry point into Debussy's style.Impressionism: Rêverie is often considered a symbol of the Impressionism musical movement, featuring subtle, dreamy emotions that capture the essence of this artistic style.Emotive and Dreamy Nature: The emotive and dreamy nature of Rêverie has made it a popular choice for various multimedia, including films, commercials, and piano recitals, solidifying its iconic piece of piano repertoire.Personal and Romantic: The music of Rêverie overwhelms and transports the listener to a dreamlike state, creating a personal and romantic experience open to individual interpretation.Masterful Atmosphere: Debussy's ability to create a dream-like atmosphere through the music, with a gently repetitive theme that evolves into richer textures, showcases his mastery in crafting captivating musical landscapes.In summary, Rêverie is significant for its role in Debussy's early career, embodiment of Impressionism, and enduring popularity as a captivating and emotive musical piece.
$32.95
30.32 €
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Saxophone Alto et Piano
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Claude Debussy
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James M
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Debussy: Reverie for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
CHINESE RHAPSODY No.3 For Saxophone and Piano, Op.46 (1988) [Piano score]
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1048927 Composed by An-lu…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1048927 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and part. 25 pages. DoReMi Edition #653319. Published by DoReMi Edition (A0.1048927). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
$19.99
18.4 €
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Saxophone Alto et Piano
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An-lun Huang
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CHINESE RHAPSODY No.3 For Saxophone and Piano, Op.46
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DoReMi Edition
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SheetMusicPlus
Paul Wehage: Valse Sophie for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533538 Composed by Paul W…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533538 Composed by Paul Wehage. Concert,Contemporary,Ragtime,Standards. Score and part. 21 pages. Musik Fabrik Music Publishing #3015063. Published by Musik Fabrik Music Publishing (A0.533538). Valse Sophie is a part of a series of works in the style of 1920s saxophone music in preparation of the composition of my opera Light Unto Ashes, a musical allegory about the life of Saxophonist Rudy Wiedoeft to a libretto by Elizabeth Kirschner. The particular work is in the style of the typical Operetta-style Waltz that was performed by instrumental soloists in recordings and concerts during the vaudeville era in the United States. The modified Rondo form (ABACA-coda) is also similar to 19th century works such as those composed by Ali Ben Sou Alle.
$10.35
9.53 €
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Saxophone Alto et Piano
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Paul Wehage
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Paul Wehage: Valse Sophie for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Après un rêve, Op.7 - Alto Sax and Piano (Full Score and Parts)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1474765 Composed by Gabri…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1474765 Composed by Gabriel Faure. Arranged by César Madeira. Classical,Lent,Multicultural,Romantic Period,Wedding,World. Score and part. 10 pages. Sheet Music To Play Editions #1052352. Published by Sheet Music To Play Editions (A0.1474765). Aprés un rêve, Op.7 by Gabriel Faure. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Gabriel Fauré (1845 – 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs Après un rêve and Clair de lune. Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.For Tutorials, Play Alongs or request New Arrangements, visit the Youtube Channel: Sheet Music To Play
$8.99
8.27 €
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Saxophone Alto et Piano
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Gabriel Faure
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César Madeira
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Après un rêve, Op.7 - Alto Sax and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Tico Tico no Fubá by Zequinha de Abreu for Alto Sax & Piano Duo
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1127159 Composed by Zequi…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1127159 Composed by Zequinha de Abreu. Arranged by Anderson Quevedo. Classical,Instructional,Latin,Multicultural,Traditional,World. Score and part. 18 pages. The Sheet Music Library #727791. Published by The Sheet Music Library (A0.1127159). Tico Tico no Fubá by Zequinha de Abreu for Alto Sax & Piano DuoAmazing arrangement based on Altamiro Carrilho`s performance where Tico Tico no Fubá goes over 3 brazilian rhythms, the A section is a tradicional choro style then the B section is a Toada, a particular brazilian country style then it turns into a brazilian waltz to go back to the choro.This music is super fun to play and this arrangement speaks for itself! Take a listen to the sample and hear it!
$9.99
9.19 €
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Saxophone Alto et Piano
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Zequinha de Abreu
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Anderson Quevedo
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Tico Tico no Fubá by Zequinha de Abreu for Alto Sax & Piano Duo
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The Sheet Music Library
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SheetMusicPlus
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