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ACCORDEON
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PIANO & CLAVIERS
Piano seul
133
Piano, Voix et Guitare
81
Accompagnement Piano
68
Instruments en Do
67
Piano Facile
35
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15
1 Piano, 4 mains
11
Orgue
10
Piano grosses notes
5
2 Pianos, 4 mains
5
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4
Accordéon
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2
Clavecin
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2
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1
Orgue, Trompette (duo)
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GUITARES
Guitare notes et tablatures
28
Guitare
23
Ukulele
18
2 Guitares (duo)
11
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10
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8
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4
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4
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3
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3
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2
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2
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2
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2
2 Dulcimers (duo)
1
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1
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1
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VOIX
Chorale SATB
36
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11
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8
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6
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4
Voix duo
3
Voix Soprano, Piano
2
Voix duo, Piano
2
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1
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1
Voix Tenor, Piano
1
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VENTS
2 Saxophones (duo)
361
2 Clarinettes (duo)
122
2 Flûtes traversières (duo)
120
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97
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77
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49
2 Flûte à bec (duo)
45
Clarinette, Trompette (duo)
44
Flûte, Clarinette (duo)
37
Flûte traversière et Piano
36
Saxophone (partie séparée)
29
Clarinette et Alto
26
Hautbois, Clarinette (duo)
25
Flûte, Saxophone (duo)
25
Saxophone Alto et Piano
24
Hautbois, Flûte
23
Flûte, Violon
23
Flûte, Trompette (duo)
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Hautbois, Piano (duo)
21
Clarinette
19
Saxophone Tenor et Piano
19
Flûte, Alto (duo)
18
Hautbois, Basson (duo)
18
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17
Clarinette et Piano
17
Flûte, Hautbois, Clarinette, Basson
15
Quatuor de Saxophones: 4 saxophones
15
Saxophone Soprano et Piano
15
Flûte traversière
14
Ensemble de Clarinettes
11
Cor anglais, Piano
10
Ensemble de saxophones
10
3 Clarinettes (trio)
10
Hautbois (partie séparée)
10
Ensemble de Flûtes
9
Quatuor de Clarinettes: 4 clarinettes
9
Flûte à bec Soprano
7
Trio de Flûtes: 3 flûtes
6
Cor Anglais
5
Quatuor de Flûtes : 4 flûtes
5
Clarinette Basse, Piano
4
Flûte à bec Soprano, Piano
4
3 Saxophones (trio)
4
Ensemble De Flûte à bec
4
Saxophone Alto
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Baryton, Piano
4
Flûte à bec Alto, Piano
3
Flûte, Hautbois, Clarinette (trio)
3
Quatuor de Flûtes à bec
3
Quintette de Flûte : 5 flûtes
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Clarinette, Basson (duo)
2
Flûte à bec Alto
2
Flûte, Hautbois (duo)
2
Flûte à bec Tenor
2
Clarinette, Violoncelle (duo)
2
5 Flûtes à bec
2
2 Flûtes traversières, Piano
2
2 Cors Anglais Et Pianoforte
1
Flûte irlandaise
1
Clarinette, Trombone (duo)
1
Clarinette, Harpe (duo)
1
Piccolo, Piano
1
Flute, Cor (duo)
1
Saxophone et Orgue
1
Hautbois, violon (duo)
1
Flûte et Guitare
1
Piccolo
1
Harmonica
1
Clarinette Basse
1
Flûte, Violoncelle
1
Flûte, Basson et Piano
1
Cor anglais et Harpe (duo)
1
Flûte à Bec
1
Saxophone
1
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CUIVRES
2 Trombones (duo)
103
2 Trompettes (duo)
94
Trompette, Saxophone (duo)
52
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Trompette, Trombone (duo)
29
Trombone (partie séparée)
25
Trompette (partie séparée)
19
Trompette, Piano
15
Trombone et Piano
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Cor
12
Trompette
12
Cor anglais, Piano
10
2 Euphoniums (duo)
10
Euphonium, Piano (duo)
8
Ensemble de Trombones
7
Cor et Piano
5
Cor Anglais
5
Ensemble de Trompettes
5
2 Cors (duo)
5
Trombone
4
Tuba et Piano
3
Euphonium
2
2 Euphoniums et 2 Tubas
2
2 Cors Anglais Et Pianoforte
1
Cor, Violoncelle (duo)
1
Trompette, violon (duo)
1
4 Tubas
1
Euphonium, Tuba (duo)
1
Quatuor de Cuivres
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor anglais et Harpe (duo)
1
Tuba
1
Clarinette, Cor (duo)
1
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CORDES
2 Violons (duo)
105
2 Altos (duo)
105
2 Violoncelles (duo)
96
Quatuor à cordes: 2 violons, alto, violoncelle
57
Violon, Violoncelle (duo)
49
Violon et Piano
45
Violon, Alto (duo)
31
Alto, Piano
25
Violon
22
Violoncelle, Piano
17
Trio à Cordes: violon, alto, violoncelle
12
Alto seul
10
Trio à Cordes: 2 violons, violoncelle
9
Violoncelle (partie séparée)
7
Harpe
7
Contre Basse
6
Contrebasse (partie séparée)
5
Trio à Cordes: 3 violoncelles
3
Ensemble de Violons
3
Violoncelle
3
Alto, Violoncelle (duo)
3
Harpe, Flûte (duo)
2
Alto (partie séparée)
2
Violoncelle, Contrebasse (duo)
2
4 Violoncelles
1
Trio à cordes: 3 violins
1
Ensemble d'Altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes: 4 violons
1
2 Contrebasses (duo)
1
Contrebasse, Piano (duo)
1
Quatuor à cordes : 4 altos
1
Alto et Basson
1
Harpe et Piano
1
Autoharp
1
Piano Trio: Violon, Alto, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
38
Ensemble Jazz
28
Ensemble de cuivres
20
Orchestre à Cordes
19
Orchestre
16
Jazz combo
12
Ensemble de Percussions
6
Orchestre de chambre
6
Batterie (partie séparée)
5
Batterie
5
Cloches
3
Xylophone
1
Ensemble d'École
1
Fanfare
1
Marimba
1
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AUTRES
Vous avez sélectionné:
two stand out
Saxophone Alto et Piano
Partitions à imprimer
24 partitions trouvées
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1
THE ENTERTAINER (a ragtime two-step) - easy version for Alto Sax and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.770594 Composed by Scott …
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.770594 Composed by Scott Joplin. Arranged by Ivan Marini. Folk,Standards. Score and part. 4 pages. Www.dalsegno.eu #6332549. Published by www.dalsegno.eu (A0.770594). Easy transcription of the most beloved ragtime ever!Really useful for instrumental classes, to build a repertoire, for concerts, recitals...Complete set of Piano and Alto Sax part. Free backing track available on YouTube (https://youtu.be/0Hd9F-ox__c).Other transpositions or custom settings available at simply request.Duration: ca. 2 minutes, 4 pages.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$1.99
1.82 €
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Saxophone Alto et Piano
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Scott Joplin
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Ivan Marini
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THE ENTERTAINER
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www.dalsegno.eu
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SheetMusicPlus
The Moldau for Two Alto Saxophones and Piano
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 2 - Digital Downloa…
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.612647 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #221837. Published by Diego Marani (A0.612647). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement for 2 alto saxes with piano accompaniment is suitable for classroom, repertoire and recital. It can also be played as a simple duet, with no piano.
$8.99
8.22 €
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Saxophone Alto et Piano
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Bedrich Smetana
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Diego Marani
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The Moldau for Two Alto Saxophones and Piano
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Diego Marani
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SheetMusicPlus
Pineapple Rag (Alto Sax and Piano)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.524366 Composed by Scott …
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.524366 Composed by Scott Joplin. Arranged by John A. Dempsey. Film/TV,Holiday,Patriotic,Ragtime,Standards. Score and part. 14 pages. John A. Dempsey #5335405. Published by John A. Dempsey (A0.524366). Scott Joplin's effervescent, rollicking Pineapple Rag is arranged here as a ragtime duet for alto sax and piano. Recommended for concerts, recitals and other multiple venues; especially popular as an encore! Featured in the movie THE STING and the TV series WESTWORLD. 10 pages of music (that includes a separate two-page pullout alto sax part). Concert Key (Piano): Bb major / modulates to Eb major. Alto Sax Key: G major / modulates to C major.
$6.99
6.39 €
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Saxophone Alto et Piano
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Scott Joplin
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John A
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Pineapple Rag
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John A. Dempsey
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SheetMusicPlus
Happy Together
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.522821 By The Turtles. By…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.522821 By The Turtles. By Alan Gordon and Garry Bonner. Arranged by John A. Dempsey. Film/TV,Pop,Rock,Standards,Wedding. Score and part. 12 pages. John A. Dempsey #2930087. Published by John A. Dempsey (A0.522821). A sunny arrangement lovingly crafted for all you Turtles fans, this version is an amped up, embellished instrumental. Â A duet for alto sax and piano, this music is a pure slice of 60s classic pop/rock. Sure to add excitement, joy and nostalgia to any concert or recital. Â 8 pages of music (that includes a separate two-page pullout alto sax part). Â Concert Key (Piano): D minor. Â Alto Sax Key: B minor. Â Alto Sax Level: Intermediate. Â Piano Level: Late Intermediate.
$7.99
7.31 €
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Saxophone Alto et Piano
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The Turtles
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John A
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Happy Together
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John A. Dempsey
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SheetMusicPlus
Christmas Jazz Volume 3 Eb saxophone. Chris Lawry & Keri Degg
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1278954 Composed by Chris…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1278954 Composed by Chris Lawry and Keri Degg. Christian,Christmas,Holiday,Jazz. Score and part. 37 pages. Masquerade Music #870503. Published by Masquerade Music (A0.1278954). Christmas Jazz Volume 3 Eb saxophone edition is another collection of five fabulous arrangements for Eb saxophone (alto or baritone) and piano by Chris Lawry and Keri Degg. The pack includes inventive and original ideas from the two composers/arrangers and include an accessible written out 'sax solo' type section in each. Christmas Jazz Volume 3 includes O Little Town of Bethlehem (a cheeky swing), O Christmas Tree (a lush smooshy ballad), Here we Come a Wassailing (an energetic swing), It Came upon a Midnight Clear (ballad), and Ding Dong Merrily on High (Jazz/Jazz Waltz). With various styles covered (including Funk, smooth jazz, ballad, swing and more). The pieces are accessible with the ballad-style pieces being around grade 3-4 and even the most challenging are only around grade 6 standard, so they are easy enough to practice up with limited time available.You are invited to download for free the full demonstration and accompaniment only audio tracks by following the instructions on the final page of your purchased print out. Note that the audio tracks are of the exciting enhanced audio (as on the Youtube videos - not just sax and piano). In your purchased print out you receive Eb sax part, piano part for live accompaniment options, and MP3 full demonstration and accompaniment only audio tracks (to be downloaded via the instructions on the final page of your sheet music).Bring some joy this Christmastime...bring on the Christmas Jazz! Visit www.masquerade-music.com for more exciting sheet music for woodwinds and free practice resources.The Youtube video shows a medley of excerpts from all five pieces included in the book. This purchase includes Eb saxophone part PDF and piano accompaniment score to accompany Eb saxophone plus audio tracks (demo and accompaniment only) free to download via the given code on your print out. The pack is also available in Bb Saxophone, Bb Clarinet, and flute editions, and Christmas Jazz Volumes 1 and 2 are also available.
$14.99
13.71 €
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Saxophone Alto et Piano
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Chris Lawry and Keri Degg
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Christmas Jazz Volume 3 Eb saxophone. Chris Lawry & Keri Degg
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Masquerade Music
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SheetMusicPlus
Saint-Saëns: The Swan for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camil…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.14 €
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Saxophone Alto et Piano
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
My Saxophone and Me (E flat version)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.522194 Composed by Colin …
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3134129. Published by Colin Kirkpatrick Publications (A0.522194). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679821The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Nice ‘n Easy (No 2); Lazy Days (No 4); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has writte.
$5.95
5.44 €
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Saxophone Alto et Piano
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Colin Kirkpatrick
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Lazy Days
(No 4)
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My Saxophone and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.14 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Jean-Thierry Boisseau: Bis Repetita for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534479 Composed by Jean-T…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534479 Composed by Jean-Thierry Boisseau. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #3531731. Published by Musik Fabrik Music Publishing (A0.534479). This work consists of two parts which are of the same length which are played withoutpause. The same long melodic sequence is played twice by the saxophone. One of theclues to understanding this work lies in the fact that the brilliant piano part which isradically different in both repetitions is written to give the impression that the sequence isnot repeated at all. The players should keep this in mind in rehearsing this work.
$19.95
18.25 €
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Saxophone Alto et Piano
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Jean-Thierry Boisseau
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Jean-Thierry Boisseau: Bis Repetita for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Meleagro: Music for Thomas (for alto sax & piano)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.787339 Composed by Greg B…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.787339 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and part. 10 pages. Burke & Bagley #2807575. Published by Burke & Bagley (A0.787339). Meleagro: Music for Thomas was composed in 2015 for Thomas Piercy. Duration ca. 2'30. Originally for clarinet & piano, this arrangement is for alto sax & piano. The title is a riff on Meleager, a hero in Greek mythology and one of the Argonauts famed as the host of the Calydonian boar hunt in the epic tradition that was reworked by Homer. The artwork on the cover is Meleagro from the Ombra Suite (Italian Shadow Series) by artist Richard Hutter. Used with permission. © Richard Hutter www.richardhutter.com/ombra.html Watch a performance on YouTube: https://youtu.be/hsHvlTq0cZs?list=PLC467B58A453D766ADownload free piano accompaniment track: http://www.gregbartholomew.com/piano/BB326P.mp3
$9.95
9.1 €
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Saxophone Alto et Piano
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Greg Bartholomew
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Meleagro: Music for Thomas
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Burke & Bagley
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SheetMusicPlus
"Flight Of The Fingers"-Jazz Waltz for Alto Sax and Piano-Video
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.633911 Composed by Fishel…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.633911 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,Standards. Score and part. 7 pages. F & N Enterprise #3479363. Published by F & N Enterprise (A0.633911). An excellent arrangement of famous Song Flight Of The Fingers-Jazz Waltz for Alto Sax and Piano (Jazz/Pop Version),Video for Violin and Piano: https://www.youtube.com/watch?v=2Nj2ne4NY-M&feature=youtu.be The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$2.99
2.73 €
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Saxophone Alto et Piano
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Fishel Pustilnik
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Fishel Pustilnik
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"Flight Of The Fingers"-Jazz Waltz for Alto Sax and Piano-Video
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F & N Enterprise
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SheetMusicPlus
Heaven Is A Place On Earth
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1386955 By Belinda Carlis…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1386955 By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Standards. Score and part. 7 pages. Kevin P Holdgate #970840. Published by Kevin P Holdgate (A0.1386955). This is an arrangement for solo instrument and piano pitched at around the level of ABRSM Grade 4/5 for most instruments. The range of notes is very compact with the difficulty steming from the often complicated rhythms and also the opening statement of the main theme is unaccompanied requiring the soloist to play with confidence and accuracy. The use of syncopated rhythms makes this an excellent repertoire piece.Heaven Is a Place on Earth is a single by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Rick Nowels and Ellen Shipley, the song was released as the lead single from the Heaven on Earth album on September 14, 1987, and it reached number one on the US Billboard Hot 100 on December 5, 1987, becoming Carlisle's only US chart-topper to date. A month later it peaked at number one in the United Kingdom, where it held the top spot of the UK Singles Chart for two weeks. In Australia it peaked at number 2. It is considered to be Carlisle's signature song.The song was nominated for the Grammy Award for Best Female Pop Vocal Performance in 1988, but lost out to Whitney Houston's I Wanna Dance with Somebody (Who Loves Me).
$5.99
5.48 €
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Saxophone Alto et Piano
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Belinda Carlisle
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Kevin P Holdgate
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Heaven Is A Place On Earth
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Kevin P Holdgate
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SheetMusicPlus
Pomp and Circumstance March No. 1 for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1041586 Composed by Edwar…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1041586 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #646345. Published by Diego Marani (A0.1041586). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for alto sax with piano is suitable for classroom, repertoire and recital.
$9.99
9.14 €
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Saxophone Alto et Piano
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Edward Elgar
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Diego Marani
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Pomp and Circumstance March No. 1 for Alto Saxophone and Piano
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Diego Marani
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SheetMusicPlus
It's Been A Long, Long Time
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.592548 Composed by Jule S…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.592548 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366359. Published by David McKeown (A0.592548). It’s Been a Long Long Time is arranged as a solo for one Alto Saxophone with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.48 €
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Saxophone Alto et Piano
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.594422 Composed by G F Ha…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.594422 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658359. Published by David McKeown (A0.594422). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Alto Saxophone with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
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Saxophone Alto et Piano
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Swan Lake Theme, for Solo Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587684 Composed by Peter …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587684 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. David McKeown #4737755. Published by David McKeown (A0.587684). Swan Lake, is the first ballet of three composed by Pyotr Tchaikovsky. Here, the famous main theme is arranged for Solo Alto Saxophone and Piano, directly from the orchestral score. The first performance of the ballet in Moscow in 1877 was not well received. The production was fraught with disagreements between choreographer and composer; the Russian audience were suspicious of the story’s Germanic origins and the music was regarded as too complex for ballet. Tchaikovsky did not live to see a triumphant revival production in 1895 that confirmed Swan Lake as one of the greatest ballet scores of all. Included in the single download are six pages of piano score and a separate two-page part for the solo instrument. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts, with tremolos and rich chords. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around two and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
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Saxophone Alto et Piano
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Peter Ilyich Tchaikovsky
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David McKeown
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Swan Lake Theme, for Solo Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
COME BACK TO SORRENTO - alto sax and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.774048 Composed by Ernest…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.774048 Composed by Ernesto De Curtis. Arranged by Anthony Giamanco. 20th Century,Concert,Standards,World. Score and part. 12 pages. Whole Tone Press #6425717. Published by Whole Tone Press (A0.774048). One of the most beloved Neapolitan songs of all time, composed by Ernesto de Curtis in 1894, and recorded by many artists, including Enrico Caruso, Luciano Pavarotti, Dean Martin, Bing Crosby and Sergio Franchi. This intermediate-level arrangement for alto sax and piano displays the beauty and passion of the original vocal solo, and will be a welcome addition to your recital/concert repertoire. NOTE: There are two possible endings - the 'Long Ending', with cadenza (which requires a more advanced player as it soars well into the altissimo range; and the 'Short Ending', which is much simpler and easier to play.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$4.50
4.12 €
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Saxophone Alto et Piano
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Ernesto De Curtis
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Anthony Giamanco
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repertoire. NOTE:
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COME BACK TO SORRENTO - alto sax and piano
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Whole Tone Press
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SheetMusicPlus
Carson Cooman: Fantasy Variations (2005) for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.533621 Composed by Carson…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.533621 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #3033373. Published by Musik Fabrik Music Publishing (A0.533621). Fantasy Variations (2005) for alto saxophone and piano was written for saxophonist PaulWehage and is dedicated to him and to American composer George Perle (on his 90thbirthday).The work is cast as two presentations of the theme surrounding five free variations -- allplayed without break. The theme serves as the basis of the musical material for the entirework as well as the structural template for each variation. Also, each variation containsmaterial referring back specifically to the previous variation.The opening theme is declamatory and massive. The first variation is fast and limber. Thesecond variation is introspective and stratified. The third variation is fleeting. The fourthvariation is distant and spare. The fifth variation is fast and driving, and the final themebegins whispered and slowly regains its declamatory nature before an intensely hammeredcoda.Carson
$14.95
13.67 €
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Saxophone Alto et Piano
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Carson Cooman
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Carson Cooman: Fantasy Variations
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Musik Fabrik Music Publishing
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SheetMusicPlus
Classics in Color (Alto Saxophone)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.883225 Composed by Antoni…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.883225 Composed by Antonio Vivaldi, Franz Joseph Haydn, Franz Schubert, George Frideric Handel, Johannes Brahms, Ludwig van Beethoven, Michel Corrette, Peter Ilyich Tchaikovsky, Robert Schumann, and Wolfgang Amadeus Mozart. Arranged by Eugenia Goldman. Baroque,Classical,Instructional,Romantic Period,Standards. Score and part. 43 pages. Eugenia Goldman #5968557. Published by Eugenia Goldman (A0.883225). Classics in Color is a collection of themes from famous classical music compositions edited for beginner instrumental players. The pieces were selected for their melodic beauty and playability, and organized in the order of progressive difficulty. In addition, all pieces in the collection contain references to the extra-musical content, thus allowing to add the visual dimension to the musical experience. Students and music enthusiasts of all ages are invited to engage with music through several types of activities:learning basic facts about the composers and the pieces, playing the melodies,and coloring the artwork on the music pages. Suitable for individual and group instruction. Coloring can be done on paper or on an electronic device using a free style pen. Beginner/easy level.
$12.95
11.84 €
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Saxophone Alto et Piano
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Antonio Vivaldi, Franz Joseph Haydn, Franz Schubert, George Frideric Handel, Johannes Brahms, Ludwig van Beethoven, Michel Corrette, Peter Ilyich Tchaikovsky, Robert Schumann, and Wolfgang Amadeus Mozart
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Eugenia Goldman
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Classics in Color
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Eugenia Goldman
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SheetMusicPlus
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.587925 Composed by G F Ha…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.587925 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044837. Published by David McKeown (A0.587925). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Alto Saxophone and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
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Saxophone Alto et Piano
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.587913 Composed by G F Ha…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.587913 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042587. Published by David McKeown (A0.587913). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Alto Saxophone and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
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Saxophone Alto et Piano
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G F Handel
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David McKeown
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Handel's Largo from Xerxes, Ombra Mai Fù, for solo Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
Trumpet Voluntary, (Prince of Denmark's March), for Solo Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587590 Composed by Jeremi…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587590 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4367400. Published by David McKeown (A0.587590). The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. This full version is arranged as a Solo for Alto Saxophone and Piano; the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The single pdf file contains both the score and the solo instrumental part. Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamics.The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
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Saxophone Alto et Piano
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Jeremiah Clarke
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David McKeown
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Trumpet Voluntary,
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David McKeown
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SheetMusicPlus
Trumpet Tune and Air, by Purcell; for solo Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587650 Composed by Henry …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587650 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4728535. Published by David McKeown (A0.587650). The Trumpet Tune and Air was in fact written for organ, with the melody played on the trumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite. This full version is arranged as a solo for Alto Saxophone and Piano and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in the downloaded file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
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Saxophone Alto et Piano
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Henry Purcell
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David McKeown
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Trumpet Tune and Air, by Purcell; for solo Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
10.93 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle, Wolfgang Amadeus Mozart
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
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