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ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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FINGERSTYLE - FINGER…
FLAMENCO
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FUNK
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
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METHODE : ETUDES
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Non classifié
3305
PIANO & CLAVIERS
Piano Trio: piano, violon, violoncelle
459
Piano Quatuor: piano, 2 violons, violoncelle
229
Piano seul
117
Piano Quatuor: piano, violon, alto, violoncelle
92
Orgue
56
Piano Facile
49
Piano Quintette: piano, 2 violons, alto, violoncelle
44
Piano, Voix
43
Piano, Voix et Guitare
42
Accompagnement Piano
29
Instruments en Do
21
1 Piano, 4 mains
4
Piano Quintette: piano, violon, alto, violoncelle, contre basse
3
Accordéon
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
32
Guitare
4
Guitare, Violon, Violoncelle (trio)
2
Mandoline
2
Basse electrique
2
2 Guitares (duo)
1
Paroles et Accords
1
Ligne De Mélodie, (Paroles) et Accords
1
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VOIX
Chorale SATB
110
Chorale 3 parties
37
Chorale 2 parties
30
Voix duo
25
Chorale Unison
19
Voix duo, Piano
10
Chorale TTBB
8
Soli, choeur mixte et accompagnement
2
Chorale SSAA
2
Voix Alto, Piano
2
Voix moyenne, Piano
1
Voix Tenor, Piano
1
Voix Mezzo-Soprano, Piano
1
Instrumentations suivantes
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VENTS
Flûte, Violoncelle
165
Clarinette, Violoncelle (duo)
110
Hautbois, Violoncelle
97
Flûte traversière et Piano
35
Flûte, Violon et Violoncelle
35
Flûte, Violoncelle, Piano (trio)
27
Hautbois, Piano (duo)
23
Flûte, Hautbois, Clarinette, Basson
19
Quatuor de Saxophones: 4 saxophones
18
Clarinette et Piano
16
Quintette de Saxophone: 5 saxophones
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Saxophone Alto et Piano
14
Flûte et Trio à cordes
13
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
12
Saxophone Soprano et Piano
11
2 Saxophones (duo)
11
Saxophone Tenor et Piano
10
Clarinette, Violoncelle, Piano (trio)
7
Flûte traversière
7
Flûte, Violon, Violoncelle et Piano
7
2 Clarinettes (duo)
6
Flûte, Violon, Piano
6
Saxophone et violoncelle
6
Clarinette, Basson (duo)
6
2 Flûtes traversières (duo)
6
Ensemble de Flûtes
6
Quatuor de Clarinettes: 4 clarinettes
5
Flûte et Guitare
5
3 Saxophones (trio)
4
Trio de Flûtes: 3 flûtes
4
Hautbois, Violin, Alto et Violoncelle (Quatuor)
4
3 Clarinettes (trio)
3
2 Hautbois (duo)
3
Clarinette
3
Saxophone Tenor
3
Flute, harpe et violon
3
Hautbois, Violoncelle et Piano
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Hautbois (partie séparée)
3
Flûte à Bec
3
3 Flûtes à bec (trio)
2
Saxophone (partie séparée)
2
Hautbois, Basson (duo)
2
Flûte, Alto et Violoncelle
2
Quatuor de Flûtes à bec
2
Quintette de Flûte : 5 flûtes
2
Flûte, Harpe et Violoncelle
2
Clarinette Basse, Piano
2
Clarinette, Violon (duo)
2
Flûte, Violoncelle, Guitare
2
Cor anglais, Piano
2
Saxophone Alto
2
Clarinette, Guitare (duo)
2
Saxophone Baryton, Piano
2
Flûte à bec Alto, Basse continue
2
Flûte à bec Soprano
1
Flûte, Violon
1
Flûte, Clarinette (duo)
1
Clarinette, Harpe (duo)
1
Hautbois, Flûte
1
Hautbois
1
Quatuor de Flûtes : 4 flûtes
1
Piccolo
1
Flûte à bec Tenor
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Clarinette, Piano (trio)
1
2 Flûtes, Basse continue
1
2 Flûte à bec (duo)
1
Cor anglais, Guitare (duo)
1
Flûte et Quatuor à Cordes
1
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CUIVRES
Cor, Violoncelle (duo)
44
Trombone, violoncelle (duo)
35
Trompette, Violoncelle (duo)
34
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Cor et Piano
11
Trompette, Piano
10
Trombone et Piano
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Tuba et Piano
5
Trombone
5
2 Trombones (duo)
5
Trompette
4
2 Trompettes (duo)
4
2 Cors (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Cor
2
2 Tubas (duo)
2
Cor anglais, Piano
2
Quatuor de cuivres: 4 trombones
2
Trompette, Basson (duo)
1
Trompette, Trombone (duo)
1
Quatuor de Cuivres
1
Euphonium, Tuba (duo)
1
Bass Clef Instruments
1
Trombone, Cor (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Violoncelle et Piano
1
Euphonium, Piano (duo)
1
Trompette, Cor (duo)
1
Cor anglais, Guitare (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
6256
Violoncelle
3407
Violoncelle, Piano
2696
Violon, Violoncelle (duo)
1169
2 Violoncelles (duo)
1006
Trio à Cordes: violon, alto, violoncelle
802
Quintette à cordes: 2 violons, alto, violoncelle, basse
733
Trio à Cordes: 2 violons, violoncelle
315
Alto, Violoncelle (duo)
288
Trio à Cordes: 3 violoncelles
210
4 Violoncelles
183
Violoncelle , Guitare (duo)
89
Alto, Piano
57
Violon et Piano
51
Violoncelle (partie séparée)
47
Violon
41
Violoncelle, Contrebasse (duo)
37
Alto seul
25
Quintette à cordes : 2 violons, alto et 2 violoncelles
25
Violoncelle, Orgue
24
Quintette à cordes: 2 violons, 2 altos, violoncelle
22
2 Violons (duo)
20
Harpe, Violoncelle (duo)
20
Violon, Alto (duo)
18
2 Violoncelles, Piano
17
Violon (partie séparée)
15
Violoncelle, Basse continue
10
Ensemble de Violoncelles
9
Piano Trio: Violon, Alto, Piano
8
Alto (partie séparée)
8
Contrebasse, Piano (duo)
7
2 Altos (duo)
6
Contre Basse
6
Violon, Violoncelle, Clarinette
5
Harpe
4
2 Contrebasses (duo)
3
Violoncelle, Orchestre
3
Trio à cordes: 3 violins
3
Trio à cordes
3
Harpe, Violon, Violoncelle
3
Harpe, Voix
2
Alto et Harpe
2
Quatuor à cordes: 4 violons
2
Harpe, Violon (duo)
2
Harpe, Flûte (duo)
2
Trio à Cordes: 2 violons, alto
1
4 Contrebasses
1
Violon, Basson (duo)
1
Contrebasse (partie séparée)
1
Trio à cordes: 3 altos
1
Quatuor à cordes : 4 altos
1
Violon, Guitare (duo)
1
Alto, Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
562
Orchestre d'harmonie
347
Orchestre
107
Orchestre de chambre
80
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
20
Ensemble de Percussions
11
Cloches
9
Ensemble Jazz
7
Ensemble de cuivres
5
Jazz combo
3
Batterie
1
Xylophone, Piano
1
Piano et Orchestre
1
Xylophone
1
Marimba, Piano (duo)
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Cello
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Saxophone Tenor et Piano
Partitions à imprimer
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Marcello's Adagio for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1189996 Composed by Alle…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1189996 Composed by Allesandro Marcello. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 4 pages. Diego Marani #789620. Published by Diego Marani (A0.1189996). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This easy arrangement for tenor sax with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$7.99
7.28 €
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Saxophone Tenor et Piano
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Allesandro Marcello
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Diego Marani
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Marcello's Adagio for Tenor Saxophone and Piano
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Diego Marani
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SheetMusicPlus
When I Survey the Wondrous Cross--tenor sax solo
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.786546 Composed by Isaac…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.786546 Composed by Isaac Watts, Lowell Mason. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. Score and part. 4 pages. Beka Wilson #6253743. Published by Beka Wilson (A0.786546). When I Survey the Wondrous Cross has long been a favorite hymn to celebrate Easter and Christ’s sacrifice, and this arrangement for early intermediate instrumental solo is perfect for a prelude, offertory, or other special music piece for Easter Sunday, communion, or any other church service. This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for two harps, harp/flute, harp/violin, harp/viola, and harp/cello. A vocal version of this arrangement will be made available soon. Key: Concert GLength: approximately 3 minutes 4 pages (includes score and separate solo part)Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.36 €
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Saxophone Tenor et Piano
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Isaac Watts, Lowell Mason
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Beka Wilson
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When I Survey the Wondrous Cross--tenor sax solo
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Beka Wilson
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549424 Composed by Anton…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549424 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494011. Published by jmsgu3 (A0.549424). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30 €
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Saxophone Tenor et Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Praise to the Lord, the Almighty--tenor sax solo
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.786686 Composed by Joach…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.786686 Composed by Joachim Neander, anonymous. Arranged by Beka Wilson. Christian,Gospel,Praise & Worship,Sacred. Score and part. 5 pages. Beka Wilson #6369335. Published by Beka Wilson (A0.786686). This arrangement is perfect as part of a prelude, an offertory for a smaller church, or any other special music needs for a church service.Length: around 2 minutesLevel: easy/early intermediate for most instruments5 pages (includes score and separate solo part)This arrangement is available for both easy and advanced solos for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.
$6.99
6.36 €
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Saxophone Tenor et Piano
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Joachim Neander, anonymous
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Beka Wilson
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Praise to the Lord, the Almighty--tenor sax solo
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Beka Wilson
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SheetMusicPlus
Adore Him
Saxophone Tenor et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level …
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.611983 Composed by Don Poythress and Tony Wood. Arranged by Stephen DeCesare. Christmas,Contemporary,Praise & Worship,Sacred. Score and parts. 16 pages. Exultet Music #3219057. Published by Exultet Music (A0.611983). The tender Contemporary Christian Christmas song that also utilizes the familiar refrain of Adeste Fideles, has now been freshly arranged as a duet for Soprano and Tenor Saxophone, with a Cello obbligato and Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99
4.54 €
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Saxophone Tenor et Piano
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Don Poythress and Tony Wood
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Stephen DeCesare
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Adore Him
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Exultet Music
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SheetMusicPlus
Silent Night
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1107714 Composed by Fran…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1107714 Composed by Franz X. Gruber. Arranged by SMMUS. Children,Christian,Christmas,Classical,Pop. Score and part. 5 pages. João Reis #710360. Published by João Reis (A0.1107714). Arrangement for piano + ternor sax, c concert, tenor sax + cello, tenor sax, piano.
$4.99
4.54 €
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Saxophone Tenor et Piano
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Franz X
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SMMUS
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Silent Night
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João Reis
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SheetMusicPlus
I Love You Truly-Tenor saxophone/piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.844632 Composed by Phil …
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.844632 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413829. Published by Phil Beaman (A0.844632). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
5.45 €
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Saxophone Tenor et Piano
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Phil Beaman
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I Love You Truly-Tenor saxophone/piano
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Phil Beaman
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SheetMusicPlus
Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, …
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his<br> <br> own melody over a rippling keyboard accompaniment which was a slightly adapted version of the<br> <br> Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,<br> <br> published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de<br> <br> Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major<br> <br> into F major and it was scored for violin (or cello), organ and piano. In 1859, the French<br> <br> music publishing company Jacques-Léopold Heugel brought out a vocal version based on the<br> <br> familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the<br> <br> Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his<br> <br> own melody over a rippling keyboard accompaniment which was a slightly adapted version of the<br> <br> Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,<br> <br> published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de<br> <br> Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major<br> <br> into F major and it was scored for violin (or cello), organ and piano. In 1859, the French<br> <br> music publishing company Jacques-Léopold Heugel brought out a vocal version based on the<br> <br> familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the<br> <br> Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
7.24 €
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Saxophone Tenor et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
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Colin Kirkpatrick Publications
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