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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
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CLARINETTE
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CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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Musicnotes
Note4Piano
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difficulté (tous)
débutant
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expert
avec audio
avec vidéo
avec play-along
Non classifié
758
PIANO & CLAVIERS
Piano seul
853
Piano, Voix
723
Piano, Voix et Guitare
160
Orgue
135
Instruments en Do
25
Piano Facile
18
Piano Quatuor: piano, violon, alto, violoncelle
15
1 Piano, 4 mains
14
Piano Trio: piano, violon, violoncelle
11
Accompagnement Piano
6
Orgue, Piano (duo)
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
2 Pianos, 4 mains
3
Accordéon
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Trompette (duo)
1
Instrumentations suivantes
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
1386
Guitare
48
Guitare notes et tablatures
28
Ukulele
25
Paroles et Accords
17
Basse electrique
10
2 Guitares (duo)
7
Piano, Guitare (duo)
6
Ensemble de Ukulélés
5
Ukulele Baryton
4
Mandoline
3
Ensemble de guitares
2
Partitions De Groupes
1
Banjo
1
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
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VOIX
Chorale SATB
177
Chorale TTBB
56
Chorale 3 parties
53
Chorale SSAA
27
Chorale 2 parties
12
Voix basse, Piano
9
Voix Baryton, Piano
6
Chorale
4
Voix haute
3
Voix duo
3
Voix Tenor, Piano
3
Chorale SSATB
2
Chorale SSAATTBB
2
Voix duo, Piano
1
Chorale Unison
1
Voix Soprano, Piano
1
Voix basse
1
Voix, Guitare
1
Chorale SATBB
1
Voix Soprano
1
Voix Alto, Piano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
337
Hautbois, Piano (duo)
217
Clarinette et Piano
145
Saxophone Alto et Piano
98
Quintette de Saxophone: 5 saxophones
66
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
64
2 Saxophones (duo)
60
Saxophone Soprano et Piano
58
Cor anglais, Piano
53
Clarinette
52
Saxophone Tenor et Piano
51
Saxophone Baryton, Piano
48
Clarinette Basse, Piano
44
Flûte traversière
43
Ensemble de saxophones
34
2 Flûtes traversières (duo)
33
Quatuor de Saxophones: 4 saxophones
30
Saxophone Alto
24
2 Clarinettes (duo)
23
Saxophone Tenor
21
Quatuor de Clarinettes: 4 clarinettes
17
Ensemble de Clarinettes
16
2 Hautbois (duo)
15
Ensemble de Flûtes
14
Flûte à Bec
13
Quatuor de Flûtes : 4 flûtes
11
Flûte, Hautbois, Clarinette, Basson
11
3 Saxophones (trio)
11
Saxophone, Clarinette (duo)
9
Hautbois, Basson (duo)
9
Clarinette, Violon (duo)
9
Flûte, Violon
8
Ocarina
7
Quintette de Flûte : 5 flûtes
7
Clarinette, Trompette (duo)
6
3 Clarinettes (trio)
6
Flûte et Guitare
6
Clarinette et Alto
5
Flûte, Alto (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone
3
Hautbois, Flûte
3
Clarinette, Harpe (duo)
3
Hautbois, Harpe
3
Piccolo, Piano
3
Hautbois, Clarinette (duo)
3
Flûte, Clarinette (duo)
3
Flûte, Saxophone (duo)
3
Hautbois (partie séparée)
3
Harmonica
2
2 Flûtes traversières, Piano
2
Flûte, Violoncelle
2
Flûte, Violon, Piano
2
Flûte, Violon et Violoncelle
2
Flûte, Trompette (duo)
2
Saxophone (partie séparée)
2
2 Saxophones, Piano
2
Flûte traversière, Orgue (duo)
1
Flûte, Violon, Guitare
1
Flûte, Violoncelle, Guitare
1
Clarinette, Violoncelle (duo)
1
Clarinette, Guitare (duo)
1
2 Hautbois et Cor anglais
1
Flûte à bec Soprano
1
Cor anglais et Harpe (duo)
1
Flûte à bec Alto
1
Clarinette Basse
1
Flûte, Violoncelle, Piano (trio)
1
2 Flûte à bec (duo)
1
2 Hautbois, Piano
1
Ensemble De Flûte à bec
1
Cor Anglais
1
2 Clarinettes, Piano
1
Instrumentations suivantes
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CUIVRES
Cor et Piano
60
Euphonium, Piano (duo)
59
Trombone et Piano
58
Quatuor de Cuivres : 2 trompettes, trombone, tuba
57
Trompette, Piano
56
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
53
Cor anglais, Piano
53
Trompette
46
Quatuor de Cuivres: 2 trompettes, Cor, trombone
24
Trombone
23
Cor
21
Ensemble de Trompettes
18
2 Cors (duo)
16
Tuba et Piano
13
Ensemble de Trombones
11
2 Trombones (duo)
10
2 Trompettes (duo)
7
Trompette, Saxophone (duo)
6
Quatuor de cuivres: 4 cors
5
Trompette, Trombone (duo)
4
Quatuor de cuivres: 4 trombones
3
Trombone basse et Piano
2
Quatuor de Cuivres
2
Euphonium, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
2 Euphoniums (duo)
1
2 Tubas (duo)
1
Cor, Violoncelle (duo)
1
Tuba
1
Cor anglais et Harpe (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor Anglais
1
Trompette, Violoncelle et Piano
1
Instrumentations suivantes
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CORDES
Violon et Piano
320
Quatuor à cordes: 2 violons, alto, violoncelle
210
Violoncelle, Piano
116
Alto, Piano
109
Violon, Violoncelle (duo)
102
Violon
65
Trio à Cordes: violon, alto, violoncelle
58
Violoncelle
42
Trio à Cordes: 2 violons, violoncelle
40
2 Violons (duo)
37
2 Violoncelles (duo)
28
Alto seul
26
Violon, Alto (duo)
21
2 Altos (duo)
21
Harpe
20
Contrebasse, Piano (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Ensemble d'Altos
8
Ensemble de Violons
8
Trio à cordes: 3 violins
6
Violon, Orgue
5
2 Contrebasses (duo)
5
Harpe, Flûte (duo)
5
4 Violoncelles
4
Harpe, Violon (duo)
4
Alto (partie séparée)
4
Trio à Cordes: 3 violoncelles
3
Violoncelle , Guitare (duo)
3
Harpe, Violoncelle (duo)
2
Piano Trio: Violon, Alto, Piano
2
Alto et Basson
2
Violoncelle (partie séparée)
2
Alto, Violoncelle (duo)
2
Violoncelle, Orgue
2
Contre Basse
2
Violon, Guitare (duo)
2
Alto, Orgue
1
Alto, Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes: 4 violons
1
Alto et Harpe
1
Violon, Basson (duo)
1
Quatuor à cordes : 4 altos
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
61
Orchestre
57
Orchestre d'harmonie
55
Ensemble Jazz
30
Cloches
20
Ensemble de cuivres
16
Orchestre de chambre
16
Fanfare
10
Batterie
5
Xylophone
4
Ensemble de Percussions
3
Marimba
2
Jazz combo
2
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
2 Xylophones
1
Instrumentations suivantes
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AUTRES
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Saxophone Tenor et Piano
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Wichita Lineman
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1078283 By Glen Campbell…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1078283 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682490. Published by jmsgu3 (A0.1078283). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics, and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows, and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song is evocative of the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
134.62 €
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Saxophone Tenor et Piano
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
I'm A Believer
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.880066 By Smash Mouth. B…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.880066 By Smash Mouth. By Neil Diamond. Arranged by Robert Steadman. Contemporary. Score and part. 8 pages. Robert Steadman #6853195. Published by Robert Steadman (A0.880066). The Monkees classic song, written for them by Neil Diamond, covered by Smash Mouth and used in 'Shrek', in a fun new arrangement.
$4.99
4.48 €
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Saxophone Tenor et Piano
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Smash Mouth
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Robert Steadman
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I'm A Believer
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Robert Steadman
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SheetMusicPlus
Jesu Joy of Man's Desiring
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1121619 Composed by Bach…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1121619 Composed by Bach, J. S. Arranged by Nick M Lacanski. Baroque,Religious,Sacred. Score and part. 15 pages. Theupperstaff #722803. Published by theupperstaff (A0.1121619).
$4.99
4.48 €
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Saxophone Tenor et Piano
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Bach, J
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Nick M Lacanski
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Jesu Joy of Man's Desiring
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theupperstaff
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SheetMusicPlus
Rocket Man (I Think It's Gonna Be A Long Long Time)
Saxophone Tenor et Piano
By Elton John. By Elton John and Bernie Taupin. Arranged by James M. Guthrie, ASCAP. P…
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By Elton John. By Elton John and Bernie Taupin. Arranged by James M. Guthrie, ASCAP. Pop, Rock. Score and part. 47 pages. Jmsgu3 #3214145. Published by jmsgu3
$53.95
48.43 €
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Saxophone Tenor et Piano
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Elton John
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James M
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Rocket Man
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jmsgu3
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SheetMusicPlus
Schumann: Träumerei Op. 15 No. 7 for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.550190 Composed by Rober…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.550190 Composed by Robert Schumann. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards. Score and part. 5 pages. Jmsgu3 #4598369. Published by jmsgu3 (A0.550190). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà Duration ca. 2:38 An unexpected and welcome recital encore.
$24.95
22.4 €
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Saxophone Tenor et Piano
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Robert Schumann
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James M
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Schumann: Träumerei Op. 15 No. 7 for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Telemann: Sonata in G Major for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.550726 Composed by Georg…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.550726 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 43 pages. Jmsgu3 #4798393. Published by jmsgu3 (A0.550726). Sonata in four movements. Duration: 6:45, Score: 19 pages. 159 measures. 1. Cantabile 2. Allegro 3. Affetuoso 4. Allegro
$32.95
29.58 €
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Saxophone Tenor et Piano
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Georg Philipp Telemann
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James M
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Telemann: Sonata in G Major for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Telemann: Sonata in F Major for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.550847 Composed by Georg…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.550847 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Standards,Wedding. Score and part. 15 pages. Jmsgu3 #4839627. Published by jmsgu3 (A0.550847). Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace2. Largo3. Allegro.
$32.95
29.58 €
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Saxophone Tenor et Piano
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Georg Philipp Telemann
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James M
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Telemann: Sonata in F Major for Tenor Sax & Piano
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jmsgu3
#
SheetMusicPlus
Telemann: Sonata in Bb Major for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.550870 Composed by Georg…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.550870 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Standards,Wedding. Score and part. 33 pages. Jmsgu3 #4850825. Published by jmsgu3 (A0.550870). Sonata in Bb Major, Score: 17 pages, duration: ca. 9:30in five movements:1. Largo2. Allegro3. Allegretto4. Vivace5. Allegro.
$32.95
29.58 €
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Saxophone Tenor et Piano
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Georg Philipp Telemann
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James M
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Telemann: Sonata in Bb Major for Tenor Sax & Piano
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jmsgu3
#
SheetMusicPlus
Telemann: Sonata in C Minor for Tenor Sax & Piano
Saxophone Tenor et Piano
Composed by Georg Philipp Telemann (1681-1767). Arranged by James M. Guthrie, ASCAP. …
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Composed by Georg Philipp Telemann (1681-1767). Arranged by James M. Guthrie, ASCAP. Baroque, Instructional, Standards, Wedding. Score and part. 39 pages. Jmsgu3 #4802401. Published by jmsgu3
$32.95
29.58 €
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Saxophone Tenor et Piano
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Georg Philipp Telemann
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Telemann: Sonata in C Minor for Tenor Sax & Piano
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jmsgu3
#
SheetMusicPlus
I'm Getting Sentimental Over You
Saxophone Tenor et Piano
Tenor Saxophone & Piano - Grade 3 - Digital Download SKU: R0.43286 Composed by Geor…
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Tenor Saxophone & Piano - Grade 3 - Digital Download SKU: R0.43286 Composed by George Bassman and Ned Washington. Arranged by Jirka Kadlec. Tenor Saxophone & Piano. Score and parts. 6 pages. Duration 3'44. Editions Marc Reift - Digital #43286. Published by Editions Marc Reift - Digital (R0.43286).
$11.95
10.73 €
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Saxophone Tenor et Piano
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George Bassman and Ned Washington
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Jirka Kadlec
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I'm Getting Sentimental Over You
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Editions Marc Reift - Digital
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SheetMusicPlus
Mendelssohn: Wedding March for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
$32.95
29.58 €
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Saxophone Tenor et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Mädchens Wunsch
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.640094 Composed by Frede…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.640094 Composed by Frederic Chopin. Arranged by Kaiserin Rebecca. Holiday,Instructional,Love,Romantic Period,Standards,Wedding. Score and part. 3 pages. Kaiserin Rebecca #3639937. Published by Kaiserin Rebecca (A0.640094). For tenor saxophone solo and piano accompaniment with chords.Key: B flat majorDuration: 0'57.
$4.99
4.48 €
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Saxophone Tenor et Piano
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Frederic Chopin
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Kaiserin Rebecca
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Mädchens Wunsch
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Kaiserin Rebecca
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SheetMusicPlus
Excelsior
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1142174 Composed by Neck…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1142174 Composed by Necke, Hermann. Arranged by Nick M Lacanski. Romantic Period. Score and part. 12 pages. Theupperstaff #742553. Published by theupperstaff (A0.1142174). Excelsior originally was a vocal piece and was dedicated to Count Zeppelin. The librettist was Carl Ruhle and was written in German.
$2.99
2.68 €
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Saxophone Tenor et Piano
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Necke, Hermann
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Nick M Lacanski
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Excelsior
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theupperstaff
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SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549514 Composed by Edvar…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549514 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502589. Published by jmsgu3 (A0.549514). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
29.58 €
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Saxophone Tenor et Piano
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer Gynt Suite for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549557 Composed by Edvar…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549557 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507671. Published by jmsgu3 (A0.549557). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.4 €
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Saxophone Tenor et Piano
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Peer Gynt Suite for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexa…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
17.91 €
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Saxophone Tenor et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549536 Composed by Edvar…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549536 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505873. Published by jmsgu3 (A0.549536). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.4 €
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Saxophone Tenor et Piano
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer Gynt Suite for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549577 Composed by Edvar…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549577 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509379. Published by jmsgu3 (A0.549577). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.4 €
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Saxophone Tenor et Piano
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549642 Composed by Ludwi…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516585. Published by jmsgu3 (A0.549642). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
22.4 €
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Saxophone Tenor et Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Handel: Largo from Xerxes for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549385 Composed by Georg…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549385 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492303. Published by jmsgu3 (A0.549385). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
29.58 €
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Saxophone Tenor et Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Pachelbel: Canon for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548470 Composed by Johan…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3386301. Published by jmsgu3 (A0.548470). The famous Pachelbel Canon arranged for Tenor Sax & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
29.58 €
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Saxophone Tenor et Piano
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Johann Pachelbel
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James M
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Pachelbel: Canon for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
I Write The Songs
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549334 By Barry Manilow.…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549334 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486301. Published by jmsgu3 (A0.549334). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
35.86 €
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Saxophone Tenor et Piano
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Bohm: Calm as the Night for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549404 Composed by Carl …
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549404 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493501. Published by jmsgu3 (A0.549404). Duration: ca. 4:00, Score: 7 pages, solo part: 2 page, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
$26.95
24.19 €
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Saxophone Tenor et Piano
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Carl Bohm
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James M
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Bohm: Calm as the Night for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Fix You
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548185 By Glee Cast. By …
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548185 By Glee Cast. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 17 pages. Jmsgu3 #3220597. Published by jmsgu3 (A0.548185). Duration: 4:18, score 11 pages, solo part: 2 pages. piano part: 4 pages. Suitable for recital encore, nightclub or church performance.
$52.95
47.54 €
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Saxophone Tenor et Piano
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Glee Cast
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James M
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Fix You
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jmsgu3
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SheetMusicPlus
Amsterdam
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.547696 By Coldplay. By C…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.547696 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by James M. Guthrie. Rock. Score and part. 9 pages. Jmsgu3 #3032601. Published by jmsgu3 (A0.547696). Amsterdam by Coldplay arranged for Tenor Sax & Piano. Tenor Sax performance part included. Score: 7 pages. Part: 2 pages. Duration: 5'15
$49.95
44.84 €
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Saxophone Tenor et Piano
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Coldplay
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James M
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Piano
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Amsterdam
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jmsgu3
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SheetMusicPlus
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