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9
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5
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20
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19
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16
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14
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14
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12
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10
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9
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9
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9
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8
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5
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4
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4
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3
2 Saxophones (duo)
3
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3
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3
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3
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3
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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55
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16
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15
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13
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12
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11
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9
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8
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8
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6
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6
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6
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5
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5
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5
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3
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3
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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79
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25
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16
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15
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12
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8
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7
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6
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6
Alto seul
6
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5
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4
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4
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3
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3
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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82
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31
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10
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Saxophone Tenor et Piano
Partitions à imprimer
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O Come All Ye Faithful (Adeste Fidelis) - Theme and Variation for Tenor Sax and Piano - Advanced Lev
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Saxophone Tenor et Piano
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AVANCÉ
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FRANCIS WADE
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Raymond Fenech
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O Come All Ye Faithful
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Raymond Fenech
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SheetMusicPlus
Piano,Tenor Saxophone - Level 5 - SKU: A0.760675 Composed by FRANCIS WADE. Arranged by Raymond Fenech. 20th Century,Christmas,Holiday,Praise & Worship,T...
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Piano,Tenor Saxophone - Level 5 - SKU: A0.760675 Composed by FRANCIS WADE. Arranged by Raymond Fenech. 20th Century,Christmas,Holiday,Praise & Worship,Traditional. Score and part. 10 pages. Raymond Fenech #5772101. Published by Raymond Fenech (A0.760675). O Come, All Ye Faithful (originally written in Latin as Adeste Fideles) is a Christmas carol that has been attributed to various authors, including John Francis Wade (1711–1786). This carol was arranged as a Theme and Variations, in fact there are two variations. The Duration is approx. 3.40 minutes and the level is Advanced. NB: I can send you backing mp3 with proof of buying any solo/duet piece with piano. Please contact me on rfenech58@gmail.com
$4.50
Jogo de Cartas (for Tenor Sax and Piano)
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Saxophone Tenor et Piano
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AVANCÉ
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Brandon Nelson
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Jogo de Cartas
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Brandon Nelson
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SheetMusicPlus
Piano,Tenor Saxophone - Level 5 - SKU: A0.1201702 Composed by Brandon Nelson. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. ...
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Piano,Tenor Saxophone - Level 5 - SKU: A0.1201702 Composed by Brandon Nelson. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. Score and part. 24 pages. Brandon Nelson #800317. Published by Brandon Nelson (A0.1201702). Jogo de Cartas is Portuguese for “card game.†I opted for the Portuguese to honor my patron for this piece, tenor saxophonist Philippe Trovão of Lisbon.In this work, I celebrate four favorite card games.War is a relatively simple game in which each player is dealt half of the deck. The players play one card and the player with the larger card value wins the “battle.†If both players play an identical value, a “war†is started. There are variations on the game at this point, but in one popular version, each player places three cards face down then play another card face up—whichever player has the highest card takes all the cards. The object is to win all of the cards in the deck. In this musical setting, the sax and piano are each a “player,†and each plays cards (translated into rhythmic values) with the conflict and victory painted in dynamic, sometimes dissonant vitality.In Solitaire, the sax plays alone as one plays this game alone. And, just as in the game, each phrase (or suit-based pile) becomes longer, more complex, and ends in an excited flurry of activity as “victory “ is achieved!The third movement, Blackjack, illustrates the deceptively-simple game of chance, with gradually ebbing and flowing tension until, in this case, the (sax) player takes the hand. The number 21 features prominently in the construction principles of the movement as a hand totaling 21 is considered the best in the game.The finale is a wild ride portraying a newer card game called Egyptian Rat Screw. In this colorful and fast-paced game, players flip one card up in turn, continuing to do so until one player puts down a face card. The next player then has several chances (based on the specific face card played) to match or beat that card. In a interesting quirk, if two players play cards of equal rank, the player who “slaps†the card pile first wins all of the cards in the pile. This unique game was fertile ground for musical interplay, illustrating both the back-and-forth and the more aggressive aspects of play!
$10.99
Guthrie: Toccata Agitato for Tenor Saxophone & Piano
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Saxophone Tenor et Piano
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AVANCÉ
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James M
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Guthrie: Toccata Agitato for T
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 5 - SKU: A0.1384458 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and pa...
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Piano,Tenor Saxophone - Level 5 - SKU: A0.1384458 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 27 pages. Jmsgu3 #968722. Published by jmsgu3 (A0.1384458). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
$32.95
Making the Darkness Conscious
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Saxophone Tenor et Piano
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AVANCÉ
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the end of the piece, the solo
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Brett L
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Making the Darkness Conscious
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Sonata Grendel Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - SKU: A0.837493 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 3...
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Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - SKU: A0.837493 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 38 pages. Sonata Grendel Publishing #5741825. Published by Sonata Grendel Publishing (A0.837493). Making the Darkness Conscious was commissioned by my friend, Jonathan Hulting-Cohen. Jonathan is the Professor of Saxophone at the University of Massachusetts, Amherst. He is an amazing artist and a technical wizard. The piece was premiered in its original version as a solo for tenor saxophone and wind ensemble. The present version for piano is not intended to be a reduction of the wind ensemble accompaniment but is a reworking of the piece as an addition to the saxophone/piano duo repertoire. The anti-heroes in film, TV, and literature who feel themselves pushed to do very bad things for very noble reasons inspired this sonata in one movement. These characters often are themselves corrupted by their efforts. One trope of scripted television anti-hero vehicles like Breaking Bad is the cold opening presented out of sequence. The main character is shown in the moment of highest tension or deepest desperation then the story backs up to explain the events that led to that moment. Making the Darkness Conscious uses the same device by starting with a mysterious, disoriented setting full of strange groans and weird echoes. The scene ends in a terrified scream and cuts directly to a happier, jolly portrayal of the solo tenor saxophone’s character. By the end of the piece, the soloist’s character is transformed into something more ruthless and tortured. One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular. C.G. Jung
$14.95
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