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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
2 Opera
Non classifié
1 045
Piano & claviers
Piano, Voix
1 134
Piano seul
599
Piano Facile
227
Piano, Voix et Guitare
91
1 Piano, 4 mains
56
Instruments en Do
48
Orgue
27
2 Pianos, 4 mains
25
Accompagnement Piano
15
Piano Quintette: piano, 2 violons, alto, violoncelle
10
Piano Trio: piano, violon, violoncelle
10
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano grosses notes
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Clavecin
3
Instrument seul et Orgue
2
Piano (partie séparée)
2
2 Pianos, 8 mains
2
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
73
Guitare
44
Ligne De Mélodie, (Paroles) et Accords
41
2 Guitares (duo)
38
Ukulele
12
Basse electrique
6
Paroles et Accords
4
Mandoline
3
Piano, Guitare (duo)
3
3 Guitares (trio)
2
Mandoline, Guitare (duo)
1
4 Guitares (Quatuor)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
88
Chorale 2 parties
77
Chorale 3 parties
49
Voix Soprano, Piano
48
Voix duo, Piano
36
Voix Tenor, Piano
32
Chorale TTBB
31
Voix Baryton, Piano
30
Voix Alto, Piano
27
Chorale Unison
25
Voix seule
23
Chorale SSAA
22
Voix haute
14
Voix duo
10
Voix basse, Piano
6
Voix Mezzo-Soprano, Piano
4
Voix Baryton
4
Voix moyenne, Piano
3
Pack Instrumental pour Chorale
3
Voix Soprano
1
Voix Tenor
1
Chorale
1
+ 17 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
163
2 Saxophones (duo)
139
Quatuor de Saxophones: 4 saxophones
105
Flûte traversière et Piano
91
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
81
Quatuor de Clarinettes: 4 clarinettes
78
2 Clarinettes (duo)
76
Hautbois, Piano (duo)
72
Clarinette et Piano
70
Flûte, Hautbois, Clarinette, Basson
61
Clarinette
55
Flûte traversière
52
Saxophone Alto et Piano
50
Harmonica
46
Quintette de Saxophone: 5 saxophones
42
Quatuor de Flûtes : 4 flûtes
42
Saxophone Alto
37
Saxophone Soprano et Piano
34
Hautbois (partie séparée)
32
Saxophone (partie séparée)
30
2 Hautbois (duo)
28
2 Flûte à bec (duo)
27
Saxophone Tenor et Piano
27
3 Saxophones (trio)
25
Saxophone Tenor
25
3 Clarinettes (trio)
21
Ensemble de saxophones
19
Cor anglais, Piano
18
Saxophone Baryton, Piano
13
2 Clarinettes, Piano
13
Clarinette (partie séparée)
12
Ensemble de Flûtes
12
Quintette de Clarinettes: 5 clarinettes
12
Ensemble de Clarinettes
11
Flûte et Guitare
10
Clarinette Basse, Piano
10
Flûte à bec Soprano
9
Trio de Flûtes: 3 flûtes
9
Flûte, Clarinette (duo)
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
2 Flûtes traversières, Piano
8
Instruments en Mib
8
Hautbois
7
Flute (partie séparée)
7
Clarinette, Basson (duo)
7
Hautbois, Clarinette (duo)
7
Hautbois, Clarinette, Basson (trio d'anches)
6
3 Flûtes à bec (trio)
6
Hautbois, Basson (duo)
6
Flûte, Clarinette et Basson
6
Quintette de Flûte : 5 flûtes
6
2 Saxophones, Piano
5
Saxophone Baryton
5
Flûte à Bec
5
Quatuor de Flûtes à bec
5
Flûte, Hautbois, Clarinette (trio)
4
2 Clarinettes, Basson
4
Flûte à bec Tenor
4
Hautbois, Flûte
4
Saxophone Soprano
4
Flûte à bec Alto
3
Flûte, Violoncelle
3
Saxophone, Clarinette (duo)
3
Flûte, Violon, Piano
3
Flûte, Saxophone (duo)
3
Flûte, Violoncelle, Piano (trio)
3
5 Flûtes à bec
3
3 Hautbois
2
Cor Anglais
2
Clarinette, Violon (duo)
2
Clarinette Basse
2
Clarinette, Guitare (duo)
2
Flûte à Bec, Piano
2
Flûte, Hautbois, Basson
2
Flûte à bec Soprano, Piano
2
Flûte, Basson et Piano
2
Flûte, Alto (duo)
2
Saxophone et Orgue
2
Clarinette, Violoncelle (duo)
2
Piccolo
2
Piccolo, Piano
1
2 Flûtes à bec, Guitare
1
Flûte, Clarinette, Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Trompette (duo)
1
Cor anglais, Guitare (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
Clarinette et Alto
1
Flûte à bec Alto, Piano
1
Flûte et Trio à cordes
1
Clarinette, Trombone (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violon et Violoncelle
1
4 Hautbois
1
Flûte, Violon
1
Clarinette, Trompette (duo)
1
+ 92 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
258
Quatuor de Cuivres : 2 trompettes, trombone, tuba
129
2 Trombones (duo)
67
Quatuor de Cuivres: 2 trompettes, Cor, trombone
54
2 Trompettes (duo)
53
Trompette, Piano
51
Trompette
48
Trombone et Piano
41
Cor et Piano
39
Cor
36
Trombone
33
2 Cors (duo)
23
Trompette (partie séparée)
23
Tuba et Piano
23
Tuba
23
Euphonium, Piano (duo)
20
Cor anglais, Piano
18
Quatuor de Cuivres
17
Trombone (partie séparée)
16
Quatuor de cuivres: 4 cors
15
Trio de Cuivres
12
2 Euphoniums (duo)
11
Quatuor de cuivres: 4 trombones
10
Trompette, Trombone (duo)
9
Bass Clef Instruments
8
Ensemble de Trombones
8
4 Tubas
8
Cor (partie séparée)
8
Instruments en Sib
8
2 Tubas (duo)
6
2 Euphoniums et 2 Tubas
6
3 Trombones (trio)
6
3 Trompettes (trio)
5
Ensemble de Cors
5
Quatuor de cuivres: 4 trompettes
4
Euphonium
4
Tuba (partie séparée)
4
2 Trompettes, Clavier (piano ou orgue)
3
3 Tubas (trio)
3
3 Cors (trio)
3
Euphonium, Tuba (duo)
3
Trompette, Saxophone (duo)
3
Cor Anglais
2
Trombone, Cor (duo)
2
Trombone, Tuba (duo)
2
Trompette, Cor (duo)
2
Trompette, Tuba (duo)
2
Cor anglais, Guitare (duo)
1
2 Cors, Piano
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
564
Violon et Piano
107
2 Violons (duo)
88
Violon
81
Violoncelle, Piano
66
Violoncelle
66
Alto, Piano
61
2 Violoncelles (duo)
59
2 Altos (duo)
46
Alto seul
46
Harpe
44
Quintette à cordes: 2 violons, alto, violoncelle, basse
42
2 Harpes (duo)
34
Trio à Cordes: violon, alto, violoncelle
33
Violon, Violoncelle (duo)
33
Trio à Cordes: 2 violons, violoncelle
32
Violon (partie séparée)
28
Contre Basse
22
Violon, Alto (duo)
18
Alto (partie séparée)
13
Alto, Violoncelle (duo)
10
4 Violoncelles
10
2 Contrebasses (duo)
9
Contrebasse, Piano (duo)
8
Trio à cordes: 3 violins
8
Trio à cordes: 3 altos
7
2 Violons, Piano
7
Trio à Cordes: 3 violoncelles
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Quatuor à cordes : 4 altos
6
Violoncelle, Contrebasse (duo)
5
Quatuor à cordes: 4 violons
5
Harpe, Flûte (duo)
4
Trio à Cordes: 2 violons, alto
4
Violoncelle (partie séparée)
4
Trio à cordes
3
Piano Trio: Violon, Alto, Piano
3
3 Contrebasses
3
Harpe, Violon (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
2 Altos, Piano
2
Flûte, Contrebasse (duo)
2
Violon, Guitare (duo)
2
Contrebasse (partie séparée)
2
2 Violoncelles, Piano
1
Violoncelle, Orchestre
1
Alto et Basson
1
2 Violons et Basse continue
1
Violoncelle, Orgue
1
Violoncelle , Guitare (duo)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
233
Orchestre
197
Orchestre à Cordes
110
Ensemble de cuivres
98
Orchestre de chambre
51
Percussion (partie séparée)
11
Jazz combo
10
Ensemble de Percussions
10
Ensemble Jazz
6
Cloches
5
Marimba
4
Xylophone, Piano
4
Xylophone
3
Piano et Orchestre
1
Fanfare
1
Batterie (partie séparée)
1
Batterie
1
+ 12 instrumentations
Retracter
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ACCORDEON
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BASSE
BASSON
BATTERIE
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BUGLE
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
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COR ANGLAIS
CORNEMUSE
CORNET
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DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
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LUTH, THEOR…
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VIOLON
VIOLONCELLE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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TROMPETTE
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Vous avez sélectionné:
2 Opera
Saxophone Tenor et Piano
Partitions à imprimer
27 partitions trouvées
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26
Eine Kleine Nachtmusik (2 mov.) - Tenor Sax and Piano (Full Score and Parts)
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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César Madeira
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Eine Kleine Nachtmusik
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1196205 Composed by Wolfgang Amadeus Mozart. Arranged by César Madeira. Children,Classical,Early Music,Mult...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1196205 Composed by Wolfgang Amadeus Mozart. Arranged by César Madeira. Children,Classical,Early Music,Multicultural,Wedding,World. Score and part. 14 pages. Sheet Music To Play Editions #795358. Published by Sheet Music To Play Editions (A0.1196205). Eine Kleine Nachtmusik - Serenade in G Major, K.525 - 2 movement (Andante), by Mozart. Arrangement for Tenor Sax and Piano. With Full Score and Individual Parts. Enjoy it!Wolfgang Amadeus Mozart (1756 - 1791), was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart was among the greatest composers in the history of Western music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Handel: Largo from Xerxes for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549385 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Weddi...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549385 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492303. Published by jmsgu3 (A0.549385). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
O Holy Night for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Noël
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Adam
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James M
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O Holy Night for Tenor Sax &am
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. J...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410441. Published by jmsgu3 (A0.548677). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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FACILE
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.587927 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 p...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.587927 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044841. Published by David McKeown (A0.587927). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Tenor Saxophone and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Sullivan: The Lost Chord for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for T
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497143. Published by jmsgu3 (A0.549447). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Turkish March by Beethoven for Tenor Sax
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Saxophone Tenor et Piano
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1155647 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1155647 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #755951. Published by Woods Only, Arrangements (A0.1155647). This arrangement adapted for tenor saxophone and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99
A Policemans Lot - Tenor Sax and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Sir Arthur Seymour Sullivan
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Anne Christopherson GRSM ARCM
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A Policemans Lot - Tenor Sax a
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Music-Scores.com
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.722133 Composed by Sir Arthur Seymour Sullivan. Arranged by Anne Christopherson GRSM ARCM. Concert,Contemporar...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.722133 Composed by Sir Arthur Seymour Sullivan. Arranged by Anne Christopherson GRSM ARCM. Concert,Contemporary,Opera,Wedding. Score and part. 3 pages. Music-Scores.com #5798545. Published by Music-Scores.com (A0.722133). A Policemans Lot is not a happy one, from Pirates of Penzance. This is one of the best known comic operas by Gilbert and Sullivan. Gilbert wrote the words and their partnership is affectionately abbreviated to G and S.This is a duo for Tenor Sax and Piano.Duration 2 minutes.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$6.95
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Weddin...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3468806. Published by jmsgu3 (A0.549236). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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FACILE
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G F Handel
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David McKeown
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Handel's Largo from Xerxes, Om
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.587902 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score ...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.587902 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042565. Published by David McKeown (A0.587902). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Tenor Saxophone and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
O Mio Babbino Caro - G.Puccini - Tenor Sax and Piano
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Saxophone Tenor et Piano
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FACILE
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G
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Raymond Fenech
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O Mio Babbino Caro - G.Puccini
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Raymond Fenech
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1073257 Composed by G.Puccini. Arranged by Raymond Fenech. Christmas,Easter,Opera,Romantic Period,Wedding. Sco...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1073257 Composed by G.Puccini. Arranged by Raymond Fenech. Christmas,Easter,Opera,Romantic Period,Wedding. Score and part. 11 pages. Raymond Fenech #677520. Published by Raymond Fenech (A0.1073257). O mio babbino caro (Oh my dear Papaâ€) is an aria from the opera Gianni Schicchi (1918) by Giacomo Puccini to a libretto by Giovacchino Forzano. It is sung by Lauretta after tensions between her father Schicchi and the family of Rinuccio, the boy she loves, have reached a breaking point that threatens to separate her from Rinuccio. It provides an interlude expressing lyrical simplicity and love in contrast with the atmosphere of hypocrisy, jealousy, double-dealing, and feuding in medieval Florence. It provides the only set-piece in the through-composed opera. This Aria is arranged by Raymond Fenech The duration is 3.21 minutes and it is an Intermediate level piece.
$3.99
Ombra mai fu
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Saxophone Tenor et Piano
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FACILE
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Classique
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George Frideric Handel
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John Nicolaus
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Ombra mai fu
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John Nicolaus
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1269398 Composed by George Frideric Handel. Arranged by John Nicolaus. Baroque,Opera. Score and part. 3 pages....
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1269398 Composed by George Frideric Handel. Arranged by John Nicolaus. Baroque,Opera. Score and part. 3 pages. John Nicolaus #861918. Published by John Nicolaus (A0.1269398). Ombra mai fuAria from the opera SerseMusic by Georg Friedrich Händelarranged by John NicolausTenor saxophone and pianoduration: 2:15 min.
$6.99
Intermezzo from Cavalleria Rusticana - Tenor Sax and Piano
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Saxophone Tenor et Piano
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FACILE
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Pietro Mascagni
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Valdir Maia
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Intermezzo from Cavalleria Rus
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Valdir Maia
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1437186 Composed by Pietro Mascagni. Arranged by Valdir Maia. 19th Century,Opera,Wedding. Score and part. 4 pa...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1437186 Composed by Pietro Mascagni. Arranged by Valdir Maia. 19th Century,Opera,Wedding. Score and part. 4 pages. Valdir Maia #1017257. Published by Valdir Maia (A0.1437186). Intermezzo from Cavalleria Rusticana for Tenor Saxophone and PianoExperience the enchanting beauty of Intermezzo from Cavalleria Rusticana with our easy intermediate sheet music crafted for tenor saxophone and piano. Perfect for musicians seeking a captivating duet, this high-quality PDF offers a simplified yet expressive rendition of Pietro Mascagni's timeless opera piece. Dive into the graceful melodies and masterful harmonies effortlessly, whether you're playing the tenor saxophone or accompanying on the piano.- Easy intermediate sheet music suitable for tenor saxophone and piano duet- Simplified yet expressive arrangement of the iconic Intermezzo sinfonico- High-quality PDF format for optimal readabilityUnlock the magic of this classical gem and elevate your musical collaboration. Purchase now and embark on a harmonious journey filled with elegance and charm!
$9.99
Song and Prayer (from Hansel and Gretel) for Tenor Sax and Organ
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Saxophone Tenor et Piano
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FACILE
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David Brown
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David Brown
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Song and Prayer
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David P. Brown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1368959 By David Brown. By Englebert Humperdinck. Arranged by David Brown. Chamber,Classical,Opera,Wedding. Sc...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1368959 By David Brown. By Englebert Humperdinck. Arranged by David Brown. Chamber,Classical,Opera,Wedding. Score and part. 5 pages. David P. Brown #953300. Published by David P. Brown (A0.1368959). This is the beautiful Evening Blessing melody from Humperdinck's Opera Hansel and Gretel, arranged here for Tenor Sax and Organ. This would be perfect for any event where a contemplative song is needed  - religious ceremony, wedding, or prelude music for any service.
$3.00
O Mio Babbino Caro - Tenor Sax and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Puccini, Giaccomo
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O Mio Babbino Caro - Tenor Sax
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Music-Scores.com
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.722171 Composed by Puccini, Giaccomo. Arranged by Anne L Christopherson GRSM ARCM. Concert,Holiday,Love,Opera,...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.722171 Composed by Puccini, Giaccomo. Arranged by Anne L Christopherson GRSM ARCM. Concert,Holiday,Love,Opera,Wedding. Score and part. 4 pages. Music-Scores.com #6012943. Published by Music-Scores.com (A0.722171). O Mio Babbino Caro, from the comic opera Gianni Scicchi. Lauretta is pleading with her father to patch up the bad feeling with the family of her true love.For Tenor Sax & Piano.Duration 2 minutes.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
Queen of the Night - From the Magic Flute - Tenor Sax and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Raymond Fenech
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Queen of the Night - From the
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Raymond Fenech
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SheetMusicPlus
Chamber Orchestra Piano,Tenor Saxophone - Level 3 - SKU: A0.760213 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Classical,Contest,Fe...
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Chamber Orchestra Piano,Tenor Saxophone - Level 3 - SKU: A0.760213 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Classical,Contest,Festival,Instructional,Multicultural,Opera,World. Score and part. 19 pages. Raymond Fenech #3520097. Published by Raymond Fenech (A0.760213). The Magic Flute (German: Die Zauberflöte), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue.[a] The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Queen of the Night is a popular aria from The Magic Flute. The Duration is approx. 2.51 minutes and the level is Intermediate.
$3.99
Lascia ch'io pianga
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Saxophone Tenor et Piano
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FACILE
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Classique
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George Frideric Handel
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John Nicolaus
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Lascia ch'io pianga
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John Nicolaus
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1269189 Composed by George Frideric Handel. Arranged by John Nicolaus. Baroque,Opera. Score and part. 4 pages....
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1269189 Composed by George Frideric Handel. Arranged by John Nicolaus. Baroque,Opera. Score and part. 4 pages. John Nicolaus #861727. Published by John Nicolaus (A0.1269189). Lascia ch'io piangafrom the opera RinaldoMusic by Georg Friedrich Händelarranged by John NicolausTenor Saxophone and pianoduration: 3:45 min.
$7.99
Nessun Dorma - Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Giacomo Puccini
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Anne Christopherson GRSM ARCM
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Nessun Dorma - Tenor Saxophone
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Music-Scores.com
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.721929 Composed by Giacomo Puccini. Arranged by Anne Christopherson GRSM ARCM. Concert,Contemporary,Opera,Wedd...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.721929 Composed by Giacomo Puccini. Arranged by Anne Christopherson GRSM ARCM. Concert,Contemporary,Opera,Wedding. Score and part. 4 pages. Music-Scores.com #5304223. Published by Music-Scores.com (A0.721929). Nessun Dorma, from the opera Turandot. This already much loved aria was made even more famous by the 3 Tenors during Italia 90.Arranged for Tenor Saxophone and Piano.Duration about 2 minutes. 15 seconds.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com.
$6.95
Funeral March
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Saxophone Tenor et Piano
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FACILE
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Classique
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George Frideric Handel
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John Nicolaus
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Funeral March
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John Nicolaus
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1269233 Composed by George Frideric Handel. Arranged by John Nicolaus. Baroque,March,Opera. Score and part. 3 ...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1269233 Composed by George Frideric Handel. Arranged by John Nicolaus. Baroque,March,Opera. Score and part. 3 pages. John Nicolaus #861770. Published by John Nicolaus (A0.1269233). Funeral Marchfrom SaulMusic by Georg Friedrich Händelarranged by John NicolausTenor saxophone and pianoduration: 2:15 min.
$7.99
Minuet (from Don Giovanni)
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Saxophone Tenor et Piano
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Gildson Cerqueira
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Minuet
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Gildson Cerqueira
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1420290 Composed by Wolfgang Amadeus Mozart. Arranged by Gildson Cerqueira. Chamber,Classical,Opera. Score and...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1420290 Composed by Wolfgang Amadeus Mozart. Arranged by Gildson Cerqueira. Chamber,Classical,Opera. Score and part. 3 pages. Gildson Cerqueira #1001663. Published by Gildson Cerqueira (A0.1420290). Unlock the charm of Mozart's Don Giovanni with my expertly crafted minuet arrangement. Dive into its enchanting harmonies and graceful melodies, perfect for musicians of all levels. Elevate your repertoire and infuse sophistication into your performances with these sheet music scores. Purchase your copy today and embark on a musical journey filled with timeless elegance[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
$4.99
Minuet (from Don Giovanni)
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Saxophone Tenor et Piano
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Gildson Cerqueira
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Minuet
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Gildson Cerqueira
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1420289 Composed by Wolfgang Amadeus Mozart. Arranged by Gildson Cerqueira. Chamber,Classical,Opera. Score and...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1420289 Composed by Wolfgang Amadeus Mozart. Arranged by Gildson Cerqueira. Chamber,Classical,Opera. Score and part. 3 pages. Gildson Cerqueira #1001662. Published by Gildson Cerqueira (A0.1420289). Unlock the charm of Mozart's Don Giovanni with my expertly crafted minuet arrangement. Dive into its enchanting harmonies and graceful melodies, perfect for musicians of all levels. Elevate your repertoire and infuse sophistication into your performances with these sheet music scores. Purchase your copy today and embark on a musical journey filled with timeless elegance[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
$4.99
Two Menuettos from Iphegenia
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Saxophone Tenor et Piano
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FACILE
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Christoph Willibald Von Gluck
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Nick Lacanski
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Two Menuettos from Iphegenia
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theupperstaff
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.647690 Composed by Christoph Willibald Von Gluck. Arranged by Nick Lacanski. Classical,Concert,Instructional,S...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.647690 Composed by Christoph Willibald Von Gluck. Arranged by Nick Lacanski. Classical,Concert,Instructional,Standards. Score and part. 4 pages. Theupperstaff #2570701. Published by theupperstaff (A0.647690). This pair of dances from the opera are a perfect addition for the upcoming recital.
$3.99
Intermezzo (Cavalleria Rusticana)
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Saxophone Tenor et Piano
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FACILE
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Intermezzo
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Fabio Eduardo
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1241006 By Fabio Eduardo de Oliveira. By Pietro Mascagni. Arranged by Fabio Eduardo de Oliveira. 19th Century,...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1241006 By Fabio Eduardo de Oliveira. By Pietro Mascagni. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Score and part. 4 pages. Fabio Eduardo #836403. Published by Fabio Eduardo (A0.1241006). FREE PLAYBACK DONWLOADÂ https://www.fabioeduardomusiconline.com/freedownloadCavalleria rusticana is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga.
$1.99
Bach: Wachet auf for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
#
Classique
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Tenor Sax
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Time To Say Goodbye
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Saxophone Tenor et Piano
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FACILE
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Opera
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Classique
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Andrea Bocelli & Sarah Brightm
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Stephen DeCesare
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Time To Say Goodbye
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.620477 By Andrea Bocelli & Sarah Brightman. By Fra...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.620477 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by Stephen DeCesare. Opera. Score and parts. 11 pages. Exultet Music #3379105. Published by Exultet Music (A0.620477). Also known as Con Te Partirò, this romantic Italian ballad which has become one of the best-selling singles of all time, has now been freshly arranged as a duet for Soprano and Tenor Saxophone with Piano accompaniment. Accessible and appropriate for any concert setting. .
$4.99
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