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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
3 Meditations
Non classifié
337
Piano & claviers
Piano seul
617
Orgue
316
Piano, Voix
38
Piano Facile
26
Piano, Voix et Guitare
19
Orgue, Trompette (duo)
15
Piano Trio: piano, violon, violoncelle
11
Accompagnement Piano
8
Piano Quatuor: piano, violon, alto, violoncelle
5
Instruments en Do
5
Piano (partie séparée)
2
Orgue, Piano (duo)
2
1 Piano, 4 mains
1
2 Pianos, 4 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 10 instrumentations
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Guitares
Guitare
32
Guitare notes et tablatures
16
Guitare Pedal Steel
9
2 Guitares (duo)
3
Piano, Guitare (duo)
2
Dulcimer
1
+ 1 instrumentations
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Voix
Chorale 3 parties
115
Chorale SATB
101
Chorale 2 parties
20
Chorale Unison
13
Voix duo, Piano
11
Chorale TTBB
9
Chorale SSAA
6
Voix moyenne, Piano
3
Voix haute
2
Voix duo
2
Voix Soprano, Piano
1
Voix Mezzo-Soprano, Piano
1
+ 7 instrumentations
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Vents
Flûte traversière et Piano
61
Hautbois, Piano (duo)
40
Clarinette et Piano
32
Saxophone Alto et Piano
22
Saxophone Tenor et Piano
15
Saxophone Soprano et Piano
14
2 Flûtes traversières (duo)
14
Flûte traversière
14
Cor anglais, Piano
13
Quatuor de Saxophones: 4 saxophones
12
Clarinette
12
Clarinette Basse, Piano
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Saxophone Baryton, Piano
9
2 Clarinettes (duo)
8
Ensemble de Clarinettes
8
2 Saxophones (duo)
6
Quatuor de Flûtes : 4 flûtes
6
Quatuor de Clarinettes: 4 clarinettes
6
Ensemble de Flûtes
6
Ensemble de saxophones
5
Flûte, Hautbois, Clarinette, Basson
5
Quintette de Saxophone: 5 saxophones
4
Clarinette, Harpe (duo)
3
3 Clarinettes (trio)
3
Flûte, Clarinette et Basson
3
Flûte, Clarinette (duo)
3
Flûte, Hautbois (duo)
3
2 Hautbois (duo)
3
Piccolo, Piano
2
Saxophone et Orgue
2
Hautbois (partie séparée)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois, Violoncelle
2
Flûte, Saxophone (duo)
2
Flûte, Violoncelle
2
Saxophone Alto
2
Flûte à bec Alto
2
Hautbois, Harpe
2
Trio de Flûtes: 3 flûtes
2
Quintette de Flûte : 5 flûtes
2
Flûte à bec Soprano
2
Flûte, Violon, Piano
1
Flute (partie séparée)
1
Saxophone
1
Piccolo
1
Flûte et Trio à cordes
1
Flûte, Violoncelle, Piano (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone Tenor
1
Saxophone Soprano
1
Flûte traversière, Orgue (duo)
1
Flûte et Guitare
1
Quatuor de Flûtes à bec
1
Hautbois, Basson (duo)
1
2 Clarinettes, Piano
1
Flute, harpe et violon
1
Flûte, Hautbois, Clarinette (trio)
1
+ 54 instrumentations
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Cuivres
Trombone et Piano
21
Cor et Piano
15
Euphonium, Piano (duo)
14
Cor anglais, Piano
13
Trompette, Piano
13
Trompette
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Ensemble de Trombones
3
2 Trombones (duo)
3
2 Cors (duo)
3
Trombone
3
Tuba et Piano
2
Trompette (partie séparée)
2
Cor
2
Cornet et orchestre
1
Trompette, Trombone (duo)
1
Trompette, Cor (duo)
1
Trombone, Orgue
1
Quatuor de Cuivres
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 17 instrumentations
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Cordes
Harpe
156
Violon et Piano
72
Quatuor à cordes: 2 violons, alto, violoncelle
47
Violoncelle, Piano
37
Alto, Piano
33
Violon
15
Trio à Cordes: violon, alto, violoncelle
12
2 Harpes (duo)
8
Violon, Alto (duo)
8
Violoncelle
7
2 Violons (duo)
7
2 Violoncelles (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
2 Altos (duo)
4
Alto seul
4
Alto (partie séparée)
3
Violon, Violoncelle (duo)
3
Contrebasse, Piano (duo)
3
Harpe, Flûte (duo)
3
Harpe, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
Alto, Violoncelle (duo)
2
Violon, Guitare (duo)
2
Contre Basse
2
Violoncelle (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Violon, Orgue
1
Piano Trio: Violon, Alto, Piano
1
Violon (partie séparée)
1
Ensemble d'Altos
1
Harpe, Voix
1
Violoncelle, Contrebasse (duo)
1
Ensemble de Violons
1
Harpe, Violon (duo)
1
+ 29 instrumentations
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Orchestre & Percussions
Cloches
94
Orchestre à Cordes
17
Orchestre
13
Orchestre d'harmonie
11
Ensemble de cuivres
5
Orchestre de chambre
4
Vibraphone
3
Marimba
1
3 Percussions
1
Ensemble Jazz
1
+ 5 instrumentations
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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OUD
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PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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LATIN - BOSSA - WORL…
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MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
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OPERA
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Vous avez sélectionné:
3 Meditations
Saxophone Tenor et Piano
Partitions à imprimer
15 partitions trouvées
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1
Carson Cooman: Silent Prisms (2002) meditation for tenor saxophone and piano, score for two players
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Carson Cooman
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Carson Cooman: Silent Prisms
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.533584 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and part. 4 pages. Musik Fabrik Music ...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.533584 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and part. 4 pages. Musik Fabrik Music Publishing #3029119. Published by Musik Fabrik Music Publishing (A0.533584). Silent Prisms (2002) meditation for tenor saxophone and piano was written for saxophonist Paul Wehage and is dedicated to composer Philip Goddard.The work is a continuous transformation of aspects of a single sonority (the opening chord throughout the entire work -- as if reflected through a prism. The prism is silent, however, and thus what results is not a burst of varied colors, but rather a focused and mystical contemplation on a single idea. Throughout the work, the piano presents a consistent pattern of repeated chords, always independent from the saxophone.
$7.75
Meditation for tenor saxophone and piano (easy)
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Saxophone Tenor et Piano
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FACILE
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Jules Massenet
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Daniel C
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Meditation for tenor saxophone
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Daniel C. M.
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.810146 Composed by Jules Massenet. Arranged by Daniel C. M. Concert,Romantic Period,Standards,Wedding. Score a...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.810146 Composed by Jules Massenet. Arranged by Daniel C. M. Concert,Romantic Period,Standards,Wedding. Score and part. 3 pages. Daniel C. M. #5214673. Published by Daniel C. M. (A0.810146). This is a simplified and easy arrangement for saxophone and piano. The accompaniment has been simplified for the piano part and the melody on the sax has changes in some places to be easier to play. Also, the structure of the piece has been shortened.
$3.99
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Bohm: Calm as the Night for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Carl Bohm
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James M
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Bohm: Calm as the Night for Te
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549404 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. S...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549404 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493501. Published by jmsgu3 (A0.549404). Duration: ca. 4:00, Score: 7 pages, solo part: 2 page, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
$26.95
Sullivan: The Lost Chord for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for T
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497143. Published by jmsgu3 (A0.549447). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
DvoÅ™ák: Largo from the New World Symphony for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549424 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,S...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549424 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494011. Published by jmsgu3 (A0.549424). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic P...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516585. Published by jmsgu3 (A0.549642). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Tchaikovsky: Overture from Nutcracker Suite for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Overture from Nut
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549621 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic ...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549621 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 1 pages. Jmsgu3 #3515123. Published by jmsgu3 (A0.549621). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$32.95
Grieg: Ase's Death from Peer Gynt Suite for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549536 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sac...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549536 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505873. Published by jmsgu3 (A0.549536). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Handel: Largo from Xerxes for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549385 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Weddi...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549385 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492303. Published by jmsgu3 (A0.549385). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Grieg: Morning Mood from Peer Gynt Suite for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549514 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Sta...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549514 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502589. Published by jmsgu3 (A0.549514). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Bach: Largo from Concerto BWV 1056 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Valentine's Day.
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Bach: Largo from Concerto BWV
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.550217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Sco...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.550217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #4600725. Published by jmsgu3 (A0.550217). The very popular Largo from Concerto in G Minor BWV 1056. Duration: ca. 3:24. Ideal for meditation, weddings, recital encores, & Valentine's Day.
$28.95
Guthrie: Chaconne for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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James M
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Guthrie: Chaconne for Tenor Sa
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549323 Composed by James M. Guthrie. Concert,Contemporary,Instructional,Standards. Score and part. 7 pages. Jm...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549323 Composed by James M. Guthrie. Concert,Contemporary,Instructional,Standards. Score and part. 7 pages. Jmsgu3 #3485923. Published by jmsgu3 (A0.549323). Chaconne for Tenor Sax & Piano. Duration: 5:36, score: 5 pages, solo part: 2 pages.Very meditative and introspective piece for church or recital.
$24.95
Just As I Am (Tenor Sax and Piano)
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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William Bradbury, Gaetano Doni
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John A
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Just As I Am
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John A. Dempsey
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.523701 Composed by William Bradbury, Gaetano Donizetti. Arranged by John A. Dempsey. Christian,Classical,Easte...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.523701 Composed by William Bradbury, Gaetano Donizetti. Arranged by John A. Dempsey. Christian,Classical,Easter,Praise & Worship,Sacred. Score and part. 13 pages. John A. Dempsey #3684901. Published by John A. Dempsey (A0.523701). This duet for tenor sax and piano sets a prayerful tone for traditional church services and other worship events. Â Especially effective as an invitation, this music is also recommended as accompaniment for quiet meditation and silent prayer as well as a prelude or an offertory. Â Donizetti composed the incidental music. Â 9 pages of music (that includes a separate two-page tenor sax part). Â Concert Key (Piano): Bb major / modulates to G major. Â Tenor Sax Key: C major / modulates to A major. Â Tenor Sax Level: Intermediate. Â Piano Level: Late Intermediate.
$6.99
Be Thou My Vision (Tenor Saxophone and Piano)
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Saxophone Tenor et Piano
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Stephen DeCesare
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Be Thou My Vision
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Exultet Music
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.627614 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Celtic,Christian,Irish,Praise & Wors...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.627614 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Celtic,Christian,Irish,Praise & Worship,Sacred,Standards. Score and part. 9 pages. Exultet Music #6027833. Published by Exultet Music (A0.627614). The traditional Irish hymn that has beloved by Christians everywhere has been freshly arranged for a Tenor Saxophone solo with Piano accompaniment. The piece starts meditatively in the normal 3/4 time signature and then progresses to a 4/4 inspirational Praise in the final section. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year. An accompaniment track is also available.
$4.99
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