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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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4 Movements From
Non classifié
349
Piano & claviers
Piano seul
187
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15
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12
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10
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7
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5
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3
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1
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1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Piano (duo)
1
+ 8 instrumentations
Retracter
Guitares
Guitare
20
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3
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1
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1
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66
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4
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Chorale
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+ 4 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
54
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50
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40
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37
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28
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24
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24
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22
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19
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18
Clarinette et Piano
16
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14
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13
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10
Saxophone Tenor et Piano
8
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8
2 Flûtes traversières (duo)
7
3 Saxophones (trio)
6
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6
Clarinette
5
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5
Cor anglais, Piano
5
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4
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3
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2
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2
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2
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Ocarina
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5 Flûtes à bec
1
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Saxophone Alto
1
Harmonica
1
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1
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1
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1
Flûte à bec Tenor
1
Hautbois, Clarinette (duo)
1
2 Hautbois (duo)
1
Clarinette, Basson (duo)
1
2 Clarinettes, Piano
1
Flûte, Violoncelle
1
+ 49 instrumentations
Retracter
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
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26
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12
Quatuor de Cuivres
11
Ensemble de Trompettes
11
Ensemble de Trombones
8
Trompette
8
Quatuor de cuivres: 4 trombones
8
Euphonium, Piano (duo)
7
Tuba et Piano
7
Cor et Piano
7
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5
Cor anglais, Piano
5
Ensemble de Cors
4
Cor
4
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 4 trompettes
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Trompettes (duo)
2
Trombone
1
Tuba et Orgue
1
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
Tuba
1
2 Cors (duo)
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
62
Violon et Piano
44
Trio à Cordes: violon, alto, violoncelle
24
Alto, Piano
22
Violoncelle, Piano
14
Alto seul
6
Violoncelle
6
Violon, Violoncelle (duo)
5
Violon
5
2 Violons (duo)
5
2 Violoncelles (duo)
4
2 Altos (duo)
3
Violon (partie séparée)
3
Harpe, Violon (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Contrebasse, Piano (duo)
2
4 Violoncelles
2
Ensemble d'Altos
2
Ensemble de Violons
2
Violoncelle, Contrebasse (duo)
2
Harpe
2
Contrebasse (partie séparée)
1
Alto, Violoncelle (duo)
1
2 Violons, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quatuor à cordes: 4 violons
1
Contre Basse
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes : 4 altos
1
Alto, Guitare (duo)
1
4 Contrebasses
1
Trio à cordes: 3 violins
1
Violoncelle (partie séparée)
1
Alto (partie séparée)
1
+ 29 instrumentations
Retracter
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Orchestre d'harmonie
154
Orchestre
55
Orchestre de chambre
50
Orchestre à Cordes
33
Ensemble de cuivres
14
Ensemble Jazz
5
Cloches
4
Jazz combo
2
Percussion (partie séparée)
1
Batterie
1
Ensemble de Percussions
1
Piano et Orchestre
1
+ 7 instrumentations
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Saxophone Tenor et Piano
Partitions à imprimer
8 partitions trouvées
<
1
Selections from Boat Symphony (Solo for Tenor Saxophone)
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Saxophone Tenor et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Michael Young
#
Selections from Boat Symphony
#
Michael Young
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.934097 Composed by Michael Young. Contemporary. Score and part. 11 pages. Michael Young #3258325. Published by...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.934097 Composed by Michael Young. Contemporary. Score and part. 11 pages. Michael Young #3258325. Published by Michael Young (A0.934097). Selections from Boat Symphony for Solo Tenor Saxophone and Piano.This piece comprises of the second and fourth movements from Boat Symphony, titled Maiden Voyage and Final Voyage. Includes solo part and piano score in file. This solo version is also suitable for any Bb instrument (i.e.: clarinet, soprano saxophone, trumpet). A recording can be found here: https://soundcloud.com/michael_a_young/boat-symphony-maiden-voyage-final-voyage
$12.99
Anitra's Dance - From Peer Gynt - Alto & Tenor Saxaphones and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Edvard Grieg
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Raymond Fenech
#
Anitra's Dance - From Peer Gyn
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Raymond Fenech
#
SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 4 - SKU: A0.760064 Composed by Edvard Grieg. Arranged by Raymond ...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 4 - SKU: A0.760064 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicultural,Patriotic,Romantic Period,World. Score and parts. 18 pages. Raymond Fenech #3500583. Published by Raymond Fenech (A0.760064). Peer Gynt, Op. 23 is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo). Later, in 1888 and 1891, Grieg extracted eight movements to make two four-movement suites: Suite No. 1, Op. 46, and Suite No. 2, Op. 55. Some of these movements have received coverage in popular culture; see Grieg's music in popular culture. This aria is arranged for Alto & Tenor Saxophones and Piano . The Duration is approx. 3.19 minutes and the level is Advanced Intermediate.
$4.99
Anitra's Dance - From Peer Gynt (Alto & Tenor Saxophones and Piano)
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Saxophone Tenor et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Edvard Grieg
#
Raymond Fenech
#
Anitra's Dance - From Peer Gyn
#
Raymond Fenech
#
SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 4 - SKU: A0.760028 Composed by Edvard Grieg. Arranged by Raymond ...
(+)
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 4 - SKU: A0.760028 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicultural,Patriotic,Romantic Period,World. Score and parts. 18 pages. Raymond Fenech #3483443. Published by Raymond Fenech (A0.760028). Peer Gynt, Op. 23 is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo). Later, in 1888 and 1891, Grieg extracted eight movements to make two four-movement suites: Suite No. 1, Op. 46, and Suite No. 2, Op. 55. Some of these movements have received coverage in popular culture; see Grieg's music in popular culture. This aria is arranged for Alto & Tenor Saxophones and Piano . The Duration is approx. 3.19 minutes and the level is Advanced Intermediate.
$4.99
Anitra's Dance - From Peer Gynt - Tenor Saxophone and Piano
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Saxophone Tenor et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Edvard Grieg
#
Raymond Fenech
#
Anitra's Dance - From Peer Gyn
#
Raymond Fenech
#
SheetMusicPlus
Chamber Orchestra Piano,Tenor Saxophone - Level 4 - SKU: A0.760073 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicu...
(+)
Chamber Orchestra Piano,Tenor Saxophone - Level 4 - SKU: A0.760073 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicultural,Patriotic,Romantic Period,World. Score and part. 14 pages. Raymond Fenech #3500631. Published by Raymond Fenech (A0.760073). Peer Gynt, Op. 23 is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo). Later, in 1888 and 1891, Grieg extracted eight movements to make two four-movement suites: Suite No. 1, Op. 46, and Suite No. 2, Op. 55. Some of these movements have received coverage in popular culture; see Grieg's music in popular culture. This aria is arranged for Tenor Saxophone and Piano . The Duration is approx. 3.19 minutes and the level is Advanced Intermediate.
$3.99
Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
#
Ludwig van Beethoven
#
James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic P...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516585. Published by jmsgu3 (A0.549642). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Minuet - Pezold (Bach) + FREE Playback + PDF Solo and Piano Parts
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Saxophone Tenor et Piano
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Minuet - Pezold
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Fabio Eduardo
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1266689 By Fabio Eduardo de Oliveira. By Petzold. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Cen...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1266689 By Fabio Eduardo de Oliveira. By Petzold. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Score and part. 4 pages. Fabio Eduardo #859367. Published by Fabio Eduardo (A0.1266689). FREE Download Backing TrackThe Minuets in G major and G minor, BWV Anh. 114 and 115, are a pair of movements from a suite for harpsichord by Christian Petzold, which, through their appearance in the 1725 Notebook for Anna Magdalena Bach, used to be attributed to Johann Sebastian Bach.
$1.99
Arioso by Bach for Tenor Sax and Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Arioso by Bach for Tenor Sax a
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1047135 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Traditional,Wedding. Score...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1047135 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #651664. Published by Woods Only, Arrangements (A0.1047135). This easy arrangement for tenor sax and piano was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.
$1.99
Bach: Wachet auf for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Tenor Sax
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
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