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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Minor Prelude
Non classifié
152
Piano & claviers
Piano seul
389
Orgue
64
Piano Facile
29
Instruments en Do
5
Piano, Voix
5
Orgue, Piano (duo)
3
Clavecin
3
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano, Voix et Guitare
1
Accompagnement Piano
1
+ 6 instrumentations
Retracter
Guitares
Guitare
24
Guitare notes et tablatures
22
Piano, Guitare (duo)
6
2 Guitares (duo)
5
Banjo
2
Ligne De Mélodie, (Paroles) et Accords
2
2 Mandolines (duo)
1
Basse electrique
1
3 Guitares (trio)
1
Mandoline
1
Paroles et Accords
1
+ 6 instrumentations
Retracter
Voix
Pack Instrumental pour Chorale
13
Chorale SATB
5
Chorale 3 parties
2
Chorale TTBB
1
Vents
Flûte traversière et Piano
45
Hautbois, Piano (duo)
26
Clarinette et Piano
22
Quatuor de Saxophones: 4 saxophones
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Saxophone Tenor et Piano
16
Flûte, Hautbois, Clarinette, Basson
15
Saxophone Alto et Piano
15
Saxophone Soprano et Piano
14
Clarinette
9
Quatuor de Clarinettes: 4 clarinettes
9
Flûte traversière
7
3 Saxophones (trio)
6
Quintette de Clarinettes: 5 clarinettes
6
Cor anglais, Piano
6
Saxophone Baryton, Piano
5
Clarinette, Violoncelle, Piano (trio)
4
Hautbois (partie séparée)
4
Clarinette Basse, Piano
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Hautbois, Piano (trio)
3
Flute (partie séparée)
3
2 Clarinettes, Piano
3
3 Clarinettes (trio)
3
Ensemble de Clarinettes
3
2 Flûtes traversières, Piano
3
Flûte, Violon et Violoncelle
3
2 Saxophones (duo)
2
Cor Anglais
2
Flûte, trombone et piano
2
Ensemble de Flûtes
2
Clarinette, Violon (duo)
2
Flûte et Guitare
2
Flûte, Violon, Piano
2
Flûte, Violoncelle, Piano (trio)
2
Saxophone Alto
2
Quintette de Saxophone: 5 saxophones
1
Cor anglais et Harpe (duo)
1
Flûte, Violoncelle
1
Saxophone, Clarinette (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
2 Flûtes traversières (duo)
1
2 Clarinettes (duo)
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Guitare (duo)
1
Clarinette, Harpe (duo)
1
Piccolo
1
Flûte, Clarinette (duo)
1
Saxophone Soprano
1
Clarinette, trompette et piano
1
Flûte, Violon, Violoncelle et Piano
1
2 Clarinettes, Basson
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Saxophone (duo)
1
Flûte, Violon
1
Flûte à Bec
1
Flûte, Clarinette et Basson
1
Flûte, Basson et Piano
1
Piccolo, Piano
1
+ 54 instrumentations
Retracter
Cuivres
Trombone et Piano
17
Trompette, Piano
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Euphonium, Piano (duo)
10
Cor et Piano
7
Trompette
6
Cor anglais, Piano
6
Cor
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor Anglais
2
Trompette, Violoncelle et Piano
2
Trompette (partie séparée)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trombone
2
Tuba et Piano
2
Quatuor de cuivres: 4 trompettes
2
Ensemble de Trombones
2
Cor anglais et Harpe (duo)
1
Trio de Cuivres
1
Tuba
1
2 Euphoniums et 2 Tubas
1
Trombone (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
Trombone basse et Piano
1
3 Trombones (trio)
1
+ 20 instrumentations
Retracter
Cordes
Violon et Piano
37
Quatuor à cordes: 2 violons, alto, violoncelle
36
Alto, Piano
23
Violoncelle, Piano
19
Violon
13
Trio à Cordes: violon, alto, violoncelle
11
Violoncelle
8
Alto seul
6
Harpe
4
Violon, Violoncelle (duo)
4
2 Violoncelles (duo)
4
Trio à Cordes: 3 violoncelles
3
Trio à Cordes: 2 violons, violoncelle
3
Violon (partie séparée)
3
Contrebasse, Piano (duo)
3
4 Violoncelles
3
Violon, Guitare (duo)
2
Harpe, Flûte (duo)
2
Quatuor à cordes: 4 violons
2
Contre Basse
2
Violon, Clarinette, Piano (trio)
2
Alto, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
Alto (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
2 Violons, Piano
1
Harpe, Voix
1
Alto, Guitare (duo)
1
2 Violons (duo)
1
Contrebasse (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle (partie séparée)
1
4 Contrebasses
1
Trio à cordes: 3 violins
1
Violon, Alto (duo)
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
22
Orchestre d'harmonie
16
Orchestre
10
Cloches
5
Ensemble de cuivres
3
Orchestre de chambre
2
Jazz combo
1
Ensemble Jazz
1
Marimba
1
+ 4 instrumentations
Retracter
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ACCORDEON
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AUTRES INST…
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BASSE
BASSON
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
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Vous avez sélectionné:
A Minor Prelude
Saxophone Tenor et Piano
Partitions à imprimer
16 partitions trouvées
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1
"Prelude In E Minor" by Chopin-Piano Background for Tenor Sax and Piano-Jazz/Pop Version
Saxophone Tenor et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level …
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.634113 Composed by Frederic Chopin. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and parts. 7 pages. F & N Enterprise #3510669. Published by F & N Enterprise (A0.634113). Piano Background for famous Song Prelude In E Minor by Frederic Chopin for Tenor Sax & Piano (Jazz/Pop Version)Plus Version at SMP: S0.352385 The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
1.83 €
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Saxophone Tenor et Piano
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Frederic Chopin
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Fishel Pustilnik
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"Prelude In E Minor" by Chopin-Piano Background for Tenor Sax and Piano-Jazz/Pop Version
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F & N Enterprise
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SheetMusicPlus
Bach Prelude in C# Minor (BWV 849) - Tenor Saxophone Solo with Piano Accompaniment
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1294405 Composed by Joha…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1294405 Composed by Johann Sebastian Bach. Arranged by Nancy Frese Tabb. Baroque,Chamber,Classical,Contest,Festival. Score and part. 10 pages. Nancy Frese Tabb #884792. Published by Nancy Frese Tabb (A0.1294405). This haunting melody of Bach's Prelude in C# Minor from the Well-Tempered Klavier is scored as a Tenor Saxophone Solo with Piano Accompaniment. This arrangement keeps all of Bach's original Baroque ornaments and displays them in both the Saxophone and Piano parts. Great period piece and perfect for a contest, competition or recital!
$5.00
4.61 €
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Saxophone Tenor et Piano
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Johann Sebastian Bach
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Nancy Frese Tabb
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Bach Prelude in C# Minor
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Nancy Frese Tabb
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexa…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.39 €
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Saxophone Tenor et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Christmas Medley (What Child is This / Away in a Manger): Trio for Alto Sax, Tenor Sax and Piano
Saxophone Tenor et Piano
Small Ensemble Alto Saxophone,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A…
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Small Ensemble Alto Saxophone,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.522782 Composed by James R. Murray. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 22 pages. John A. Dempsey #2913113. Published by John A. Dempsey (A0.522782). This triumphant, stirring trio for alto sax, tenor sax and piano - a medley of two Christmas carols - is shaded with quiet, prayerful moments of reflection and brightened by joyful bursts of praise. Â Embellishments occur, together with mood and tempo changes that add to the dramatic impact of the arrangement. Â It's a sweeping musical journey that celebrates the miracle of Jesus' birth. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts, traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture and special music. Â 18 pages of music (that includes separate two-page parts for alto sax and tenor sax). Â Concert Key (Piano): D minor. Â Tenor Sax Key: E minor. Â Alto Sax Key: B minor. Â Sax Level: Intermediate. Â Piano Level: Late Intermediate.
$11.99
11.05 €
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Saxophone Tenor et Piano
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James R
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John A
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Christmas Medley
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John A. Dempsey
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SheetMusicPlus
We Three Kings (Trio for Flute, Tenor Sax and Piano)
Saxophone Tenor et Piano
Small Ensemble Flute,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524965
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Small Ensemble Flute,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524965 Composed by John Henry Hopkins, Jr., Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 21 pages. John A. Dempsey #6527181. Published by John A. Dempsey (A0.524965). Arranged as a festive trio for flute, tenor sax and piano, the warm, evocative Christmas carol We Three Kings follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful piece Oriental.  A bit of holiday serendipity! Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  Concert Key (Piano): G minor.  Flute Key: G minor.  Tenor Sax Key: A minor.  17 pages of music (that includes separate two-page parts for flute and tenor sax)      We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$11.99
11.05 €
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Saxophone Tenor et Piano
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John Henry Hopkins, Jr
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John A
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
Bach: Wachet auf for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johan…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
23 €
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Saxophone Tenor et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549367 Composed by Bach-…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490159. Published by jmsgu3 (A0.549367). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano - S0.662027. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.38 €
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Saxophone Tenor et Piano
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550935 Composed by J. S.…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888767. Published by jmsgu3 (A0.550935). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
25.77 €
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Saxophone Tenor et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Rise Up, Shepherd and Follow (Trio for Flute, Tenor Sax and Piano)
Saxophone Tenor et Piano
Small Ensemble Flute,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524986
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Small Ensemble Flute,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524986 Composed by Traditional Spiritual. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Spiritual. Score and parts. 18 pages. John A. Dempsey #6567699. Published by John A. Dempsey (A0.524986). Reimagined as a trio for flute, tenor sax and piano, this arrangement of Rise Up, Shepherd and Follow accentuates the dramatic message of hope, everlasting joy and intense emotion that's at the heart of this tuneful, traditional spiritual celebrating Jesus' birth.  Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture and special music.  14 pages of music (that includes separate two-page parts for flute and tenor sax).  Concert Key: D minor.  Flute Key: D minor.  Tenor Sax Key: E minor.  Flute/Tenor Sax Level: Intermediate.  Piano Level: Late Intermediate    There's a star in the East on Christmas morn,    Rise up shepherd, and follow    It will lead to the place where the Christ was born    Rise up, shepherd and follow.    Follow, follow    Rise up, shepherd and follow    Follow the Star of Bethlehem    Rise up, shepherd and follow.Â
$11.99
11.05 €
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Saxophone Tenor et Piano
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Traditional Spiritual
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John A
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Rise Up, Shepherd and Follow
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John A. Dempsey
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SheetMusicPlus
Pachelbel: Canon for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548470 Composed by Johan…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3386301. Published by jmsgu3 (A0.548470). The famous Pachelbel Canon arranged for Tenor Sax & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
30.38 €
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Saxophone Tenor et Piano
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Johann Pachelbel
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James M
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Pachelbel: Canon for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Rise Up, Shepherd and Follow (Tenor Sax and Piano)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524952 Composed by Tradi…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524952 Composed by Traditional Spiritual. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Spiritual. Score and part. 14 pages. John A. Dempsey #6511271. Published by John A. Dempsey (A0.524952). A duet for tenor sax and piano, Rise Up, Shepherd and Follow has been reimagined to accentuate the message of hope, everlasting joy and intense emotion that's at the heart of this tuneful carol celebrating Jesus' birth.  Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture and special music.  Concert Key (Piano): D minor.  Tenor Sax Key: E minor.  10 pages of music (that includes a separate two-page tenor sax part).  Tenor Sax Level: Intermediate.  Piano Level: Late Intermediate      There's a star in the East on Christmas morn,   Rise up shepherd, and follow   It will lead to the place where the Christ was born   Rise up, shepherd and follow.   Follow, follow   Rise up, shepherd and follow   Follow the Star of Bethlehem   Rise up, shepherd and follow.    Â
$6.99
6.44 €
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Saxophone Tenor et Piano
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Traditional Spiritual
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John A
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Rise Up, Shepherd and Follow
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John A. Dempsey
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SheetMusicPlus
Scarborough Fair (Trio for Alto Sax, Tenor Sax and Piano)
Saxophone Tenor et Piano
Alto Saxophone,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524125 Co…
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Alto Saxophone,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524125 Composed by Traditional English Ballad. Arranged by John A. Dempsey. Celtic,Film/TV,Folk,Irish,Multicultural,Pop,World. 18 pages. John A. Dempsey #4798613. Published by John A. Dempsey (A0.524125). A traditional English ballad, a folk music classic, a song of wistful beauty:  that's Scarborough Fair, arranged as a trio for alto sax, tenor sax and piano.  Each verse has a varied instrumental part with embellishments and a bit of variation.  Recommended as a prelude for multiple venues and also as a performance piece for concerts and recitals.  14 pages of music (that includes separate two-page parts for alto sax and tenor sax).  Concert Key: D minor   Are you going to Scarborough Fair / Parsley, sage, rosemary and thyme / Remember me to one who lived there / She was once a true love of mine..
$11.99
11.05 €
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Saxophone Tenor et Piano
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Traditional English Ballad
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John A
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Scarborough Fair
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John A. Dempsey
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SheetMusicPlus
Summer Dreamscape (Trio for Alto Sax, Tenor Sax and Piano)
Saxophone Tenor et Piano
Alto Saxophone,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1342412 B…
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Alto Saxophone,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1342412 By John A. Dempsey. By John A. Dempsey. Arranged by John A. Dempsey. Classical,Contemporary,New Age,Pop,Wedding. 16 pages. John A. Dempsey #927903. Published by John A. Dempsey (A0.1342412). Half-forgotten memories of past summers come floating back on a sea of serenity beneath a nighttime sky of hazy pastel colors in this tranquil nocturne, a trio for alto sax, tenor sax and piano. Â Recommended for weddings and other multiple venues as a prelude and more. 12 pages of music (that includes separate two-page parts for alto sax and tenor sax). Concert Key: G Â minor.
$12.99
11.98 €
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Saxophone Tenor et Piano
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John A
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John A
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Summer Dreamscape
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John A. Dempsey
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SheetMusicPlus
Summer Dreamscape (Trio for Flute, Tenor Sax and Piano)
Saxophone Tenor et Piano
Flute,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1319597 By John A.…
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Flute,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1319597 By John A. Dempsey. By John A. Dempsey. Arranged by John A. Dempsey. Classical,Contemporary,New Age,Pop,Wedding. 16 pages. John A. Dempsey #908156. Published by John A. Dempsey (A0.1319597). Half-forgotten memories of past summers come floating back on a sea of serenity beneath a nighttime sky of hazy pastel colors in this tranquil nocturne, a trio for flute, tenor sax and piano. Â Recommended for weddings and other multiple venues as a prelude and more. 12 pages of music (that includes separate two-page parts for flute and tenor sax). Key: G Â minor.
$12.99
11.98 €
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Saxophone Tenor et Piano
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John A
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John A
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Summer Dreamscape
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John A. Dempsey
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SheetMusicPlus
Summer Dreamscape (Tenor Sax and Piano)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1280493 Composed by John…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1280493 Composed by John A. Dempsey. Arranged by John A. Dempsey. Classical,Contemporary,New Age,Pop,Wedding. Score and part. 12 pages. John A. Dempsey #871902. Published by John A. Dempsey (A0.1280493). Half-forgotten memories of past summers come floating back on a sea of serenity beneath a nighttime sky of hazy pastel colors in this tranquil nocturne, a duet for tenor sax and piano. Â Recommended for weddings and other multiple venues as a prelude and more. 8 pages of music (that includes a two-page tenor sax part) Concert Key: C minor.
$7.99
7.37 €
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Saxophone Tenor et Piano
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John A
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John A
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Summer Dreamscape
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John A. Dempsey
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SheetMusicPlus
Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, …
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his<br> <br> own melody over a rippling keyboard accompaniment which was a slightly adapted version of the<br> <br> Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,<br> <br> published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de<br> <br> Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major<br> <br> into F major and it was scored for violin (or cello), organ and piano. In 1859, the French<br> <br> music publishing company Jacques-Léopold Heugel brought out a vocal version based on the<br> <br> familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the<br> <br> Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his<br> <br> own melody over a rippling keyboard accompaniment which was a slightly adapted version of the<br> <br> Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,<br> <br> published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de<br> <br> Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major<br> <br> into F major and it was scored for violin (or cello), organ and piano. In 1859, the French<br> <br> music publishing company Jacques-Léopold Heugel brought out a vocal version based on the<br> <br> familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the<br> <br> Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
7.33 €
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Saxophone Tenor et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
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A Minor Prelude
