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And There Was Light - Flute 2
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74
Piano & claviers
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39
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11
Piano, Voix et Guitare
8
Piano Facile
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue
2
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2
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1
2 Pianos, 8 mains
1
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Guitare
6
Guitare notes et tablatures
5
Ligne De Mélodie, (Paroles) et Accords
2
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1
2 Guitares (duo)
1
Ukulele
1
3 Guitares (trio)
1
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20
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14
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11
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8
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5
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4
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2
Voix moyenne, Piano
1
Chorale SSAA
1
Voix Soprano
1
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Vents
2 Saxophones (duo)
53
2 Clarinettes (duo)
22
2 Hautbois (duo)
11
Quatuor de Saxophones: 4 saxophones
7
Quintette de Saxophone: 5 saxophones
6
Hautbois, Piano (duo)
6
Clarinette et Piano
5
Saxophone Baryton, Piano
5
3 Saxophones (trio)
4
2 Flûte à bec (duo)
3
Saxophone Alto et Piano
3
Saxophone Tenor et Piano
3
Cor anglais, Piano
3
Quatuor de Clarinettes: 4 clarinettes
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
3 Clarinettes (trio)
1
Flûte irlandaise
1
Quatuor de Flûtes à bec
1
Flûte à Bec
1
Ensemble de saxophones
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Clarinette
1
Ensemble de Clarinettes
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Flûte à bec Soprano
1
3 Flûtes à bec (trio)
1
Clarinette, Guitare (duo)
1
Clarinette, Basson (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
5 Flûtes à bec
1
Saxophone Soprano et Piano
1
Clarinette Basse, Piano
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
2 Trompettes (duo)
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
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8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Quatuor de Cuivres
4
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4
Trombone et Piano
4
Euphonium, Piano (duo)
3
Cor anglais, Piano
3
Trio de Cuivres
2
Ensemble de Trompettes
1
Cor et Piano
1
4 Tubas
1
2 Tubas (duo)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 trompettes
1
+ 13 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
2 Altos (duo)
12
2 Violoncelles (duo)
10
2 Violons (duo)
10
Violon et Piano
5
Harpe
5
Alto, Piano
4
Violoncelle, Piano
4
Trio à Cordes: violon, alto, violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Violoncelle (duo)
2
Trio à cordes: 3 violins
1
Violon
1
4 Violoncelles
1
Violoncelle, Orchestre
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes : 4 altos
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
4 Contrebasses
1
Violon, Alto (duo)
1
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Orchestre d'harmonie
22
Orchestre à Cordes
14
Orchestre
5
Ensemble de cuivres
4
Orchestre de chambre
3
Cloches
2
2 Marimbas
1
Ensemble de Percussions
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AUTOHARPE
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Vous avez sélectionné:
And There Was Light - Flute 2
SheetMusicPlus
Partitions à imprimer
3 partitions trouvées
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Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Moonlight Sonata by Beethoven for Tenor Sax
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Saxophone Tenor et Piano
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1156943 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic ...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1156943 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #757287. Published by Woods Only, Arrangements (A0.1156943). This arrangement adapted for tenor saxophone and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$1.99
Morning Has Broken
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Saxophone Tenor et Piano
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DÉBUTANT
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Rock
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548749 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jm...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548749 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415225. Published by jmsgu3 (A0.548749). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
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And There Was Light - Flute 2
