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Ave Maria for cello
Non classifié
115
Piano & claviers
Piano Trio: piano, violon, violoncelle
13
Piano, Voix
8
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
3
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3
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3
Piano Facile
2
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2
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2
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1
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1
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1
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1
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12
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2
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2
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1
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1
Vents
Saxophone Alto et Piano
4
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3
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3
Clarinette et Piano
2
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2
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2
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2
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1
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1
2 Flûtes traversières (duo)
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1
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1
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1
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133
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95
Violoncelle
67
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29
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20
2 Violoncelles (duo)
18
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16
Violoncelle , Guitare (duo)
11
4 Violoncelles
9
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5
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3
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3
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3
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2
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2
Trio à cordes
2
Harpe
2
Alto seul
2
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2
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1
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1
Alto, Piano
1
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1
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1
Violon (partie séparée)
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Contrebasse, Piano (duo)
1
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1
Contre Basse
1
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CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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FLUTE TRAVERSI…
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Vous avez sélectionné:
Ave Maria for cello
Saxophone Tenor et Piano
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Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Ten
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 ...
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn
ceremonial events. It has always been a favorite among instrumental players and often used in
recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his
own melody over a rippling keyboard accompaniment which was a slightly adapted version of the
Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,
published in 1722. The title of the ?combined? piece was Méditation sur le Premier Prélude de
Piano de S. Bach. Gounod?s original arrangement transposed Bach?s keyboard part from C major
into F major and it was scored for violin (or cello), organ and piano. In 1859, the French
music publishing company Jacques-Léopold Heugel brought out a vocal version based on the
familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the
Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.
27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist
Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered
a harmonic weakness in the original. Whether there actually was a ?harmonic weakness? (or
possibly an error in the manuscript) remains a matter of conjecture but the fact remains that
the most familiar-sounding version of this piece, recorded countless times by both singers and
instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This
arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859
edition.
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