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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Centuries
Non classifié
248
Piano & claviers
Piano seul
173
Piano Facile
30
1 Piano, 4 mains
28
Instruments en Do
25
Orgue
15
Piano, Voix et Guitare
10
Piano, Voix
10
Piano Trio: piano, violon, violoncelle
4
Clavecin
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
+ 8 instrumentations
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Guitares
Guitare
243
2 Guitares (duo)
50
Guitare notes et tablatures
24
Mandoline
7
Ukulele
6
Ligne De Mélodie, (Paroles) et Accords
6
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Ukulele Baryton
1
Ensemble de guitares
1
Dulcimer
1
+ 6 instrumentations
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Voix
Chorale SATB
77
Voix Soprano, Piano
22
Voix Tenor, Piano
21
Chorale 3 parties
13
Chorale TTBB
6
Voix basse, Piano
2
Voix haute
2
Chorale SSAATTBB
1
Voix Mezzo-Soprano, Piano
1
Voix Baryton, Piano
1
Chorale SSAA
1
Chorale Unison
1
Chorale 2 parties
1
Chorale
1
+ 9 instrumentations
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Vents
Clarinette et Piano
21
2 Flûtes traversières (duo)
14
Flûte traversière et Piano
14
Clarinette
12
2 Saxophones (duo)
12
Hautbois, Piano (duo)
10
3 Saxophones (trio)
10
2 Clarinettes (duo)
9
Flûte traversière
9
Quatuor de Saxophones: 4 saxophones
8
Saxophone Alto et Piano
8
Saxophone Alto
6
Quatuor de Flûtes : 4 flûtes
5
Hautbois
5
3 Clarinettes (trio)
5
Trio de Flûtes: 3 flûtes
5
Quatuor de Clarinettes: 4 clarinettes
5
Flûte et Guitare
4
Flûte, Hautbois, Clarinette, Basson
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Ensemble de saxophones
3
Saxophone, Clarinette (duo)
3
Saxophone Tenor et Piano
3
Clarinette, Basson (duo)
3
Saxophone Soprano et Piano
3
Flûte, Hautbois (duo)
3
Saxophone Baryton, Piano
3
2 Hautbois (duo)
2
Saxophone et Harpe
2
Flûte, Clarinette et Basson
2
Saxophone (partie séparée)
2
Cor anglais, Piano
2
Flûte, Violoncelle
2
Quintette de Saxophone: 5 saxophones
2
Hautbois, Violoncelle
2
Flûte à bec Soprano, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Violon, Piano
2
Clarinette, Violon (duo)
2
Flûte, Hautbois, Basson
2
Clarinette, Trompette (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
3 Flûtes à bec (trio)
1
Flûte à bec Alto
1
Cor anglais et Harpe (duo)
1
Clarinette, Harpe (duo)
1
Quatuor de Flûtes à bec
1
Flûte à bec Soprano
1
Hautbois, Harpe
1
Clarinette Basse, Piano
1
Hautbois, Basson (duo)
1
Hautbois, Flûte
1
Ensemble de Clarinettes
1
2 Flûte à bec (duo)
1
Flûte, Alto (duo)
1
Flûte à Bec
1
Flûte, Clarinette (duo)
1
Saxophone Tenor
1
Flute (partie séparée)
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette (partie séparée)
1
Flûte, Saxophone (duo)
1
Clarinette et Alto
1
Clarinette, Guitare (duo)
1
Hautbois, Clarinette (duo)
1
2 Clarinettes, Piano
1
Flûte, Violon
1
Ensemble De Flûte à bec
1
Saxophone Soprano
1
+ 64 instrumentations
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Cuivres
Quatuor de Cuivres
40
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Trompette, Piano
10
Trombone et Piano
10
Trompette
9
Cor et Piano
8
Cor
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
2 Trombones (duo)
6
Tuba et Piano
5
Trombone
5
Tuba
5
Euphonium, Piano (duo)
4
Trompette et Guitare
4
2 Trompettes (duo)
3
Trompette (partie séparée)
3
Trompette, Saxophone (duo)
2
Ensemble de Trompettes
2
Trio de Cuivres
2
Cor anglais, Piano
2
Ensemble de Trombones
2
Cor (partie séparée)
2
Tuba et Orgue
2
Trombone (partie séparée)
2
2 Cors (duo)
1
Cor anglais et Harpe (duo)
1
Euphonium, Tuba (duo)
1
Ensemble de Cors
1
Euphonium
1
Trompette, Basson (duo)
1
Trompette, Trombone (duo)
1
Trompette, Harpe
1
Cor et Harpe
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
+ 31 instrumentations
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Cordes
2 Violoncelles (duo)
46
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violon et Piano
28
Trio à Cordes: violon, alto, violoncelle
18
2 Violons (duo)
17
Violoncelle, Piano
15
Violon
14
Alto, Piano
12
Violon, Violoncelle (duo)
9
Harpe
8
Violon (partie séparée)
8
Violoncelle
7
Alto seul
5
Contrebasse, Piano (duo)
4
Violon, Alto (duo)
4
2 Altos (duo)
4
Contre Basse
3
2 Harpes (duo)
3
Trio à Cordes: 3 violoncelles
3
Violoncelle , Guitare (duo)
3
Harpe, Flûte (duo)
3
Alto (partie séparée)
3
Alto, Violoncelle (duo)
2
Trio à cordes: 3 violins
2
Alto, Guitare (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 altos
2
Contrebasse (partie séparée)
2
Trio à Cordes: 2 violons, alto
2
Violon, Clarinette, Piano (trio)
1
Violoncelle (partie séparée)
1
Harpe, Violoncelle (duo)
1
Violon, Basson (duo)
1
Alto et Basson
1
Harpe et Piano
1
Violon, Guitare (duo)
1
Violoncelle, Orgue
1
Alto et Harpe
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Violoncelles
1
Harpe, Violon (duo)
1
+ 36 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
233
Orchestre à Cordes
43
Fanfare
32
Batterie
16
Ensemble de cuivres
9
Orchestre
8
Orchestre de chambre
4
Batterie (partie séparée)
3
Cloches
3
Ensemble Jazz
1
Percussion (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE TRAVERSI…
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GUITARE LAP ST…
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Vous avez sélectionné:
Centuries
Saxophone Tenor et Piano
Partitions à imprimer
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Mozart: Eine Kleine Nachtmusik (K.525) - Terno Sax Solo w/ Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Wolfgang Amadeus Mozart
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Ygor Nunes
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Mozart: Eine Kleine Nachtmusik
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Ygor Nunes
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1494187 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Ygor Nunes. Children,Classical,Fil...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1494187 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Ygor Nunes. Children,Classical,Film/TV,Multicultural,Wedding,World. Score and part. 6 pages. Ygor Nunes #1070799. Published by Ygor Nunes (A0.1494187). **Experience the Elegance of Eine Kleine Nachtmusik by Mozart**Have you heard Mozart's Eine Kleine Nachtmusik? This masterpiece of classical music, brimming with elegance and charm, has delighted listeners for centuries.Each note, each phrase, takes on a fresh brilliance and energy. Rediscover the beauty of Eine Kleine Nachtmusik through the unique sound of the tenor sax.Don't miss out on this timeless musical experience. Let the elegance of Eine Kleine Nachtmusik enchant you all over again.
$5.99
Mendelssohn: Wedding March for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
$32.95
Pachelbel: Canon for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Tenor Sax
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedd...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3386301. Published by jmsgu3 (A0.548470). The famous Pachelbel Canon arranged for Tenor Sax & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
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