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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
CITHARE
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PIANO & CLAVIERS
Piano seul
118
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31
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Piano Quatuor: piano, violon, alto, violoncelle
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5
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1
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1
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1
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VENTS
Ensemble de saxophones
38
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24
Flûte traversière et Piano
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16
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14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Saxophone Tenor et Piano
13
Hautbois, Piano (duo)
13
Ensemble de Clarinettes
12
Clarinette
8
Quatuor de Clarinettes: 4 clarinettes
8
Flûte, Hautbois, Clarinette, Basson
8
Saxophone Soprano et Piano
8
2 Saxophones (duo)
6
Saxophone Baryton, Piano
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Quatuor de Saxophones: 4 saxophones
6
Clarinette Basse, Piano
5
Cor anglais, Piano
5
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Saxophone, Clarinette (duo)
3
3 Saxophones (trio)
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2
Flûte, Hautbois, Clarinette (trio)
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Cor anglais et Harpe (duo)
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Hautbois, Flûte
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Clarinette et Alto
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5 Flûtes à bec
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Flûte, Trompette (duo)
1
Saxophone Alto
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Hautbois (partie séparée)
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Saxophone et Guitare
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Saxophone (partie séparée)
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3 Clarinettes (trio)
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Quatuor de Flûtes : 4 flûtes
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Trio de Flûtes: 3 flûtes
1
3 Flûtes à bec (trio)
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Hautbois, Clarinette (duo)
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Trombone et Piano
18
Trompette
13
Cor et Piano
11
Ensemble de Trombones
11
Quatuor de Cuivres
10
Tuba et Piano
7
Ensemble de Trompettes
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Euphonium, Piano (duo)
6
Cor anglais, Piano
5
Ensemble de Cors
4
Trompette, Piano
4
Trompette, Saxophone (duo)
2
2 Trombones (duo)
2
2 Trompettes (duo)
1
Cor anglais et Harpe (duo)
1
Trompette, Cor (duo)
1
Cor (partie séparée)
1
Trompette, Trombone (duo)
1
Trombone
1
Tuba et Orgue
1
Trombone basse et Piano
1
Tuba
1
2 Tubas (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
25
Alto, Piano
17
Violon et Piano
14
Harpe
13
Violoncelle, Piano
11
Trio à Cordes: violon, alto, violoncelle
7
Ensemble de Violons
5
Violon
5
Ensemble d'Altos
5
Violon, Violoncelle (duo)
4
2 Harpes (duo)
4
Violoncelle
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Contre Basse
3
2 Violons (duo)
3
Harpe, Flûte (duo)
2
Violon (partie séparée)
2
Alto seul
1
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto (partie séparée)
1
2 Altos (duo)
1
2 Violoncelles (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Alto (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
109
Orchestre à Cordes
21
Orchestre
10
Ensemble de cuivres
10
Ensemble de Percussions
6
Orchestre de chambre
6
Cloches
5
Instrumentation Flexible
3
Fanfare
2
Ensemble Jazz
2
Ensemble d'École
2
Batterie
2
Jazz combo
1
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AUTRES
Théorie de la musique
1
Vous avez sélectionné:
Common Time
Saxophone Tenor et Piano
Partitions à imprimer
13 partitions trouvées
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Dust In The Wind
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.548853 By Kansas. By Ker…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.548853 By Kansas. By Kerry Livgren. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3425669. Published by jmsgu3 (A0.548853). Duration: 3:14, Score: 43 measures in common time, quarter note = 76 Solo part: 1 pg, Piano part: 3 pg.
$29.95
26.83 €
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Saxophone Tenor et Piano
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Kansas
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James M
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Dust In The Wind
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jmsgu3
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SheetMusicPlus
Schumann: Abendlied for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549048 Composed by Rober…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549048 Composed by Robert Schumann. Arranged by James M. Guthrie, ASCAP. Concert,Holiday,Romantic Period,Sacred,Standards. Score and part. 6 pages. Jmsgu3 #3448179. Published by jmsgu3 (A0.549048). Op. 85/12 Tenor Sax: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento – quarter note = 40. Piano part: 2 pg. solo part 1 pg.
$26.95
24.14 €
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Saxophone Tenor et Piano
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Robert Schumann
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James M
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Schumann: Abendlied for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
(Everything I Do) I Do It For You
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548310 By Bryan Adams. B…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548310 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by James M. Guthrie, ASCAP. Contemporary,Pop. Score and part. 13 pages. Jmsgu3 #3233931. Published by jmsgu3 (A0.548310). Duration: 4:28, Score: 8 pages, solo part: 2 pages, piano part: 3 pages. Tempo: quarter = 60, Meter: common time, measures: 51. Suitable for recital, church or combo performance.
$57.95
51.91 €
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Saxophone Tenor et Piano
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Bryan Adams
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James M
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(Everything I Do) I Do It For You
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jmsgu3
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SheetMusicPlus
O Come All Ye Faithful for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548516 Composed by Wade.…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548516 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388133. Published by jmsgu3 (A0.548516). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.35 €
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Saxophone Tenor et Piano
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Wade
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James M
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O Come All Ye Faithful for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
The First Noel for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548504 Composed by Tradi…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548504 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387401. Published by jmsgu3 (A0.548504). The First Noel arranged for Tenor Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Alto Sax Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.35 €
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Saxophone Tenor et Piano
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Traditional
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James M
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The First Noel for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
$32.95
29.52 €
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Saxophone Tenor et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Pachelbel: Canon for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548470 Composed by Johan…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3386301. Published by jmsgu3 (A0.548470). The famous Pachelbel Canon arranged for Tenor Sax & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
29.52 €
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Saxophone Tenor et Piano
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Johann Pachelbel
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James M
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Pachelbel: Canon for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Joyful, Joyful, We Adore Thee (for Tenor Saxophone and Piano)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.627095 Composed by Ludwi…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.627095 Composed by Ludwig van Beethoven. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Score and part. 11 pages. Exultet Music #5896771. Published by Exultet Music (A0.627095). The poem that was set to Beethoven's final movement of Symphony #9 which speaks of simple expressions of common Christian feelings and desires, a hymn of trust and joy and hope has been freshly arranged for a Tenor Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year. An accompaniment track is also available.
$4.99
4.47 €
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Saxophone Tenor et Piano
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Ludwig van Beethoven
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Stephen DeCesare
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Joyful, Joyful, We Adore Thee
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Exultet Music
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SheetMusicPlus
Für Elise Boogie Woogie for Bb Tenor Saxophone & Piano
Saxophone Tenor et Piano
Instrumental Duet,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.746655…
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Instrumental Duet,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.746655 Composed by Ludvig van Beethoven. Arranged by Keith Terrett. 20th Century,Jazz,Romantic Period,World. 21 pages. Keith Terrett #2075673. Published by Keith Terrett (A0.746655). An arrangement of Für Elise Boogie Woogie for Bb Tenor Saxophone & Piano. Bagatelle No. 25 in A minor (WoO 59, Bia 515, and OEIS A123456) for solo piano, commonly known as Für Elise or Fuer Elise (German: English: For Elise, sometimes written without the German umlaut mark as Fur Elise), is one of Ludwig van Beethoven's most popular compositions. It is usually classified as a bagatelle, but it is also sometimes referred to as an Albumblatt. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$6.99
6.26 €
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Saxophone Tenor et Piano
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Ludvig van Beethoven
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Keith Terrett
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Für Elise Boogie Woogie for Bb Tenor Saxophone & Piano
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Keith Terrett
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SheetMusicPlus
For Elise (Beethoven) + FREE Mp3 Playback + PDF Solo and Piano Parts
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1266133 By Fabio Eduardo…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1266133 By Fabio Eduardo de Oliveira. By L.V. Beethoven. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Score and part. 5 pages. Fabio Eduardo #858877. Published by Fabio Eduardo (A0.1266133). Free Download PlaybackBagatelle No. 25  for solo piano, commonly known as Für Elise, is one of Ludwig van Beethoven's most popular compositions. It was not published during his lifetime, only being discovered (by Ludwig Nohl) 40 years after his death, and may be termed either a Bagatelle or an Albumblatt. The identity of Elise is unknown; researchers have suggested Therese Malfatti, Elisabeth Röckel, or Elise Barensfeld.
$1.99
1.78 €
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Saxophone Tenor et Piano
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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For Elise
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Fabio Eduardo
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SheetMusicPlus
Here I Am To Worship (light Of The World)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.518987 By Phillips, Crai…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.518987 By Phillips, Craig & Dean. By Tim Hughes. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Sacred,Standards. Score and part. 11 pages. Exultet Music #129655. Published by Exultet Music (A0.518987). The popular Praise and Worship ballad that is commonly sung at Christian churches, festivals and youth gatherings has now been freshly arranged for a Tenor Saxophone solo with an uplifting Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.
$4.99
4.47 €
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Saxophone Tenor et Piano
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Phillips, Craig & Dean
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Stephen DeCesare
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Here I Am To Worship
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Exultet Music
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SheetMusicPlus
Here I Am To Worship
Saxophone Tenor et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level …
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.619451 By Tim Hughes. By Tim Hughes. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Religious,Sacred. 15 pages. Exultet Music #2959529. Published by Exultet Music (A0.619451). The popular Praise and Worship ballad that is commonly sung at Christian churches, festivals and youth gatherings has now been freshly arranged as a duet for Soprano and Tenor Saxophone with an uplifting Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.
$4.99
4.47 €
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Saxophone Tenor et Piano
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Tim Hughes
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Stephen DeCesare
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Here I Am To Worship
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Exultet Music
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SheetMusicPlus
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