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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Contrapunto
Non classifié
469
Piano & claviers
Piano seul
230
Piano Facile
46
Orgue
39
Piano, Voix
21
Piano Trio: piano, violon, violoncelle
8
1 Piano, 4 mains
8
Piano (partie séparée)
6
Piano, Voix et Guitare
4
Accompagnement Piano
3
Instruments en Do
3
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Piano (duo)
1
2 Pianos, 4 mains
1
Clavecin
1
+ 9 instrumentations
Retracter
Guitares
Guitare
64
Guitare notes et tablatures
41
2 Guitares (duo)
13
Guitare (partie séparée)
11
Ukulele
4
Basse electrique
2
Mandoline, Guitare (duo)
2
Mandoline
1
Ensemble de guitares
1
Banjo
1
4 Guitares (Quatuor)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
147
Chorale 3 parties
55
Chorale 2 parties
45
Chorale TTBB
16
Chorale SSAA
16
Chorale Unison
14
Voix duo, Piano
7
Voix duo
3
Chorale
3
Voix moyenne, Piano
2
Chorale SSATB
1
+ 6 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
79
Quatuor de Saxophones: 4 saxophones
41
Quatuor de Clarinettes: 4 clarinettes
28
Flûte traversière et Piano
28
Flûte, Hautbois, Clarinette, Basson
26
Saxophone (partie séparée)
25
2 Saxophones (duo)
25
Quintette de Saxophone: 5 saxophones
17
Clarinette et Piano
17
Hautbois, Piano (duo)
17
2 Flûtes traversières (duo)
16
Saxophone Alto et Piano
16
Quatuor de Flûtes : 4 flûtes
15
Ensemble De Flûte à bec
13
Saxophone Tenor et Piano
12
Clarinette
12
Ensemble de Clarinettes
12
Saxophone Soprano et Piano
10
Ensemble de Flûtes
10
Cor anglais, Piano
10
2 Clarinettes (duo)
10
Saxophone Baryton, Piano
9
Hautbois, Basson (duo)
9
2 Hautbois (duo)
8
Flûte traversière
7
Clarinette, Violoncelle (duo)
7
Flûte, Violon
7
Ensemble de saxophones
7
Clarinette, Trompette (duo)
7
Clarinette Basse, Piano
7
Trio de Flûtes: 3 flûtes
7
3 Clarinettes (trio)
6
Saxophone, Clarinette (duo)
6
Clarinette (partie séparée)
6
Flûte, Violoncelle
5
Clarinette, Violon (duo)
5
Quatuor de Flûtes à bec
5
Flute (partie séparée)
5
Quintette de Flûte : 5 flûtes
4
Clarinette, Basson (duo)
4
Hautbois, Clarinette (duo)
4
Flûte, Clarinette (duo)
4
3 Saxophones (trio)
3
Flûte, Alto (duo)
3
3 Flûtes à bec (trio)
3
Flûte, Clarinette et Basson
3
Flûte et Trio à cordes
3
Clarinette et Alto
3
Hautbois, Violoncelle
3
Saxophone Alto
3
Flûte, Saxophone (duo)
2
Flûte, Trompette (duo)
2
Piccolo, Piano
2
Hautbois
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Hautbois (duo)
2
Hautbois, violon (duo)
2
2 Flûte à bec (duo)
2
Hautbois, Flûte
2
Hautbois et alto (duo)
1
Flûte, Trombone (duo)
1
Saxophone, Tuba (duo)
1
Flûte, Violon et Violoncelle
1
Flûte à bec Soprano, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, trombone (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Basson et Piano
1
Saxophone Tenor
1
Flûte à bec Alto, Basse continue
1
Flûte, Hautbois, Basson
1
4 Hautbois
1
Flûte, Clarinette, Piano (trio)
1
Flûte et Guitare
1
Hautbois (partie séparée)
1
Flûte, Tuba (duo)
1
Flûte traversière, Basse continue
1
Flute, harpe et violon
1
Clarinette, Harpe (duo)
1
Flûte, Violon, Piano
1
Clarinette, Tuba
1
+ 76 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Quatuor de Cuivres : 2 trompettes, trombone, tuba
41
Trombone (partie séparée)
23
Trompette (partie séparée)
20
Trombone et Piano
16
2 Trombones (duo)
13
2 Trompettes (duo)
11
Cor et Piano
11
Euphonium, Piano (duo)
10
Cor anglais, Piano
10
Quatuor de Cuivres
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trompette
8
Trompette, Piano
8
Tuba et Piano
7
Trompette, Trombone (duo)
5
Cor (partie séparée)
5
Tuba (partie séparée)
4
Ensemble de Trompettes
4
Ensemble de Trombones
4
2 Cors (duo)
4
Trompette, Saxophone (duo)
4
Quatuor de cuivres: 4 trombones
4
Cor
3
Trombone
3
Tuba
2
Quatuor de cuivres: 4 cors
2
Trompette, Tuba (duo)
1
Trompette, Cor (duo)
1
Clarinette, Cor (duo)
1
Trombone, Violon (duo)
1
Euphonium, Tuba (duo)
1
Trombone basse
1
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
104
Trio à Cordes: violon, alto, violoncelle
26
Violon, Violoncelle (duo)
26
Violon et Piano
23
Alto, Piano
18
Violoncelle, Piano
17
Violon (partie séparée)
10
Violon
10
2 Violons (duo)
10
Violon, Alto (duo)
9
Contrebasse (partie séparée)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Trio à Cordes: 2 violons, violoncelle
7
2 Violoncelles (duo)
7
2 Altos (duo)
6
Violoncelle
5
Alto (partie séparée)
4
Contrebasse, Piano (duo)
4
Contre Basse
3
Harpe
3
Alto seul
3
Ensemble de Violons
3
Alto, Violoncelle (duo)
3
Piano Trio: Violon, Alto, Piano
2
Violon, Basson (duo)
2
Ensemble d'Altos
2
4 Violoncelles
1
Violoncelle (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon (duo)
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
Violon, Tuba (duo)
1
Harpe, Flûte (duo)
1
Violon, Guitare (duo)
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
85
Orchestre à Cordes
61
Ensemble Jazz
52
Orchestre
28
Ensemble de cuivres
27
Orchestre de chambre
14
Cloches
10
Percussion
7
Batterie (partie séparée)
6
Jazz combo
4
Ensemble de Percussions
3
Vibraphone
3
Percussion (partie séparée)
2
Batterie
2
Xylophone, Piano
1
Vibraphone et Marimba
1
Xylophone
1
Timbales (partie séparée)
1
2 Xylophones
1
Marimba
1
+ 15 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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Vous avez sélectionné:
Contrapunto
Saxophone Tenor et Piano
Partitions à imprimer
12 partitions trouvées
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1
Feelin' It
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Saxophone Tenor et Piano
#
INTERMÉDIAIRE
#
Lawrence H Underwood
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Feelin' It
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Lawrence H Underwood
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1373982 Composed by Lawrence H Underwood. Classical,Contemporary,Contest,Festival,Funk,Jazz. Score and part. 1...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1373982 Composed by Lawrence H Underwood. Classical,Contemporary,Contest,Festival,Funk,Jazz. Score and part. 10 pages. Lawrence H Underwood #958549. Published by Lawrence H Underwood (A0.1373982). This original composition by veteran performer and music educator, Lawrence Underwood, is the eighth installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Feelin' It brings the funk from its very first notes! From sassy strut of its opening section, to the jazzy bridge, and classical-tinged counterpoint that leads us home to the opening melody, this piece is a joy to play and to hear. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is sure to be an audience and performer favorite!
$6.99
Bach-Gounod: Ave Maria for Tenor Sax & Piano
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Saxophone Tenor et Piano
#
FACILE
#
Bach-Gounod
#
James M
#
Piano - S0
#
Bach-Gounod: Ave Maria for Ten
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sc...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490159. Published by jmsgu3 (A0.549367). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano - S0.662027. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Sullivan: The Lost Chord for Tenor Sax & Piano
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Saxophone Tenor et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for T
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497143. Published by jmsgu3 (A0.549447). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
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Saxophone Tenor et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Weddin...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3468806. Published by jmsgu3 (A0.549236). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Bach: Wachet auf for Tenor Sax & Piano
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Saxophone Tenor et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Tenor Sax
#
jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Peace On Earth
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Saxophone Tenor et Piano
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FACILE
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Noël
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Bing Crosby And David Bowie
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Stephen DeCesare
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Peace On Earth
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.624490 By Bing Crosby And David Bowie. By Buz Koha...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.624490 By Bing Crosby And David Bowie. By Buz Kohan, Ian Fraser, and Lawrence Grossman. Arranged by Stephen DeCesare. Christmas. Score and parts. 11 pages. Exultet Music #4777695. Published by Exultet Music (A0.624490). The Little Drummer Boy with Peace on Earth: The Christmas song with an added counterpoint that was performed by David Bowie and Bing Crosby has been freshly arranged as a duet for Soprano and Tenor Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99
Peace On Earth
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Saxophone Tenor et Piano
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FACILE
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Noël
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Bing Crosby And David Bowie
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Stephen DeCesare
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Peace On Earth
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Exultet Music
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.626999 By Bing Crosby And David Bowie. By Buz Kohan, Ian Fraser, and Lawrence Grossman. Arranged by Stephen De...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.626999 By Bing Crosby And David Bowie. By Buz Kohan, Ian Fraser, and Lawrence Grossman. Arranged by Stephen DeCesare. Christmas. Score and part. 9 pages. Exultet Music #5869815. Published by Exultet Music (A0.626999). The Little Drummer Boy with Peace on Earth: The Christmas song with an added counterpoint that was performed by David Bowie and Bing Crosby has been freshly arranged for a Tenor Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99
Luther: Out of the Depths for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score a...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411761. Published by jmsgu3 (A0.548723). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Nearer My God To Thee (with "Amazing Grace") (Tenor Saxophone and Piano)
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Saxophone Tenor et Piano
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Stephen DeCesare
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Nearer My God To Thee
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Exultet Music
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1076499 By Stephen DeCesare. By Lowell Mason, Traditional. Arranged by Stephen DeCesare. Contemporary,Praise &...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1076499 By Stephen DeCesare. By Lowell Mason, Traditional. Arranged by Stephen DeCesare. Contemporary,Praise & Worship,Sacred,Standards,Traditional. Score and part. 12 pages. Exultet Music #680660. Published by Exultet Music (A0.1076499). Counterpoint of the two hymns Nearer My God To Thee and Amazing Grace. Accessible and appropriate for any church or concert setting. Scored for a Tenor Saxophone solo, additional Violin solo and Piano accompaniment. An accompaniment track is also available.
$4.99
Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Ea...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888767. Published by jmsgu3 (A0.550935). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
Go Down Moses, Gospel Song for Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Go Down Moses, Gospel Song for
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.592752 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual....
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Piano,Tenor Saxophone - Level 2 - SKU: A0.592752 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6411933. Published by David McKeown (A0.592752). Go Down Moses is a beautiful gospel song arranged here for Solo Tenor Saxophone and Piano.Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.
$2.49
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