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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Contrastes
Non classifié
666
Piano & claviers
Piano seul
509
Piano Facile
109
Orgue
74
Piano, Voix
26
Accompagnement Piano
21
1 Piano, 4 mains
15
Piano Trio: piano, violon, violoncelle
9
Instruments en Do
6
Piano, Voix et Guitare
6
Piano (partie séparée)
5
2 Pianos, 4 mains
5
Orgue, Piano (duo)
3
Clavecin
1
Ensemble d'Accordéons
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
+ 11 instrumentations
Retracter
Guitares
Guitare
39
Guitare (partie séparée)
6
Guitare notes et tablatures
6
2 Guitares (duo)
3
Piano, Guitare (duo)
3
Basse electrique
2
Banjo
2
4 Guitares (Quatuor)
2
3 Guitares (trio)
1
Mandoline, Piano (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
380
Chorale 3 parties
133
Chorale 2 parties
73
Chorale Unison
49
Chorale TTBB
26
Chorale SSAA
17
Voix Baryton, Piano
8
Voix Alto, Piano
6
Voix haute
6
Chorale SSATB
5
Voix Tenor, Piano
4
Voix basse, Piano
3
Voix Soprano, Piano
3
Voix seule
3
Voix duo
3
Voix duo, Piano
3
Voix Soprano
1
Chorale SSAATTBB
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor
1
Voix moyenne, Piano
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
56
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
47
Clarinette et Piano
40
2 Saxophones (duo)
31
Quatuor de Saxophones: 4 saxophones
29
Saxophone (partie séparée)
28
Saxophone Alto et Piano
24
Hautbois, Piano (duo)
24
Flûte traversière
22
Clarinette
20
Quatuor de Clarinettes: 4 clarinettes
19
2 Clarinettes (duo)
18
Saxophone Tenor et Piano
18
Clarinette (partie séparée)
15
Flûte, Hautbois, Clarinette, Basson
14
2 Flûtes traversières (duo)
13
3 Saxophones (trio)
12
Quatuor de Flûtes : 4 flûtes
12
Ensemble de Flûtes
11
Ensemble de Clarinettes
11
Saxophone Soprano et Piano
10
Flûte, Clarinette (duo)
7
Hautbois (partie séparée)
7
Saxophone Baryton, Piano
6
Clarinette Basse, Piano
6
Flute (partie séparée)
6
Flûte, Hautbois, Clarinette (trio)
6
Hautbois, Basson (duo)
5
Cor anglais, Piano
5
Ensemble de saxophones
5
Hautbois
5
Flûte, Clarinette, Piano (trio)
4
Flûte et Guitare
4
3 Clarinettes (trio)
4
Saxophone Alto
4
Clarinette, Violon (duo)
3
Flûte, Violon
3
Quintette de Saxophone: 5 saxophones
3
Saxophone, Clarinette (duo)
3
Flûte à bec Soprano
3
Hautbois, Flûte
3
Flûte, Hautbois, Basson
3
Trio de Flûtes: 3 flûtes
3
3 Flûtes à bec (trio)
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Harpe
2
Piccolo, Piano
2
Flûte, Saxophone (duo)
2
2 Hautbois (duo)
2
Flûte à bec Tenor
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Basson et Piano
2
Quatuor de Flûtes à bec
2
Clarinette, Trompette (duo)
2
2 Flûte à bec (duo)
2
Flûte, Alto et Piano
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Basson et Piano
1
2 Cors Anglais Et Pianoforte
1
2 Saxophones, Piano
1
Flûte traversière, Orgue (duo)
1
Clarinette, Orgue
1
Flûte, Violon et Violoncelle
1
Clarinette et Alto
1
3 Hautbois
1
Flûte à bec Alto
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Violoncelle
1
5 Flûtes à bec
1
Clarinette, Harpe (duo)
1
Hautbois, Clarinette (duo)
1
Clarinette Basse
1
Flûte, Violon, Piano
1
Flûte, Violoncelle
1
Flûte, Clarinette et Basson
1
Piccolo
1
Clarinette, Alto et Piano (trio)
1
Saxophone Tenor
1
Quintette de Flûte : 5 flûtes
1
Saxophone
1
Clarinette, Basson (duo)
1
Flûte à Bec
1
Flûte, Trombone (duo)
1
Clarinette, Violoncelle (duo)
1
Saxophone Soprano
1
+ 80 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
52
Trombone et Piano
30
Trombone (partie séparée)
25
Trompette, Piano
21
Cor et Piano
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Trompette (partie séparée)
15
Trombone
10
Trompette
10
Euphonium, Piano (duo)
9
Tuba et Piano
9
Quatuor de cuivres: 4 trombones
7
Cor
7
Tuba
7
2 Trompettes (duo)
6
Cor (partie séparée)
6
Tuba (partie séparée)
6
Cor anglais, Piano
5
Quatuor de Cuivres
5
Trompette, Trombone (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Ensemble de Trompettes
4
Quatuor de cuivres: 4 cors
4
Ensemble de Trombones
4
2 Cors (duo)
3
Trombone basse
2
Quatuor de cuivres: 4 trompettes
2
Ensemble de Cors
2
Trompette, Saxophone (duo)
2
2 Trombones (duo)
2
2 Tubas (duo)
2
2 Cors Anglais Et Pianoforte
1
Clarinette, Cor (duo)
1
Cor et Basson (duo)
1
Trombone et orchestre
1
2 Euphoniums et 2 Tubas
1
Euphonium, Tuba (duo)
1
4 Tubas
1
3 Cors (trio)
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
102
Violon et Piano
65
Violoncelle, Piano
45
Alto, Piano
39
Violon (partie séparée)
31
Violon
28
Trio à Cordes: violon, alto, violoncelle
17
2 Violons (duo)
17
Contrebasse (partie séparée)
17
Harpe
14
Alto seul
13
Alto (partie séparée)
12
Violoncelle
12
Violon, Violoncelle (duo)
9
2 Altos (duo)
9
Violon, Alto (duo)
8
Violoncelle (partie séparée)
6
Contrebasse, Piano (duo)
3
2 Violoncelles (duo)
3
Alto, Violoncelle (duo)
3
Trio à cordes: 3 altos
2
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: 2 violons, alto
2
Violon, Guitare (duo)
2
Violoncelle, Orchestre
2
Quatuor à cordes : 4 altos
2
Contre Basse
2
Harpe, Flûte (duo)
2
Violon, Orgue
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Violoncelles
1
Quatuor à cordes: 4 violons
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Basson (duo)
1
4 Contrebasses
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
988
Orchestre à Cordes
169
Cloches
111
Orchestre
74
Ensemble de cuivres
42
Orchestre de chambre
32
Ensemble Jazz
21
Percussion (partie séparée)
10
Jazz combo
9
Ensemble de Percussions
7
Ensemble d'École
5
Batterie (partie séparée)
4
Vibraphone
3
Fanfare
3
Xylophone
2
Xylophone, Piano
2
2 Xylophones
1
Marimba
1
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Batterie
1
Marimba, Piano (duo)
1
Piano et Orchestre
1
+ 18 instrumentations
Retracter
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Note4Piano
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Vous avez sélectionné:
Contrastes
Saxophone Tenor et Piano
Partitions à imprimer
18 partitions trouvées
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1
The Journey (Tenor Saxophone & Piano)
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Paul Barker Music
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The Journey
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Paul Barker Music
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.725354 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. ...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.725354 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. Score and part. 10 pages. Paul Barker Music #6572953. Published by Paul Barker Music (A0.725354). The Journey uses creative use of contrast to showcase the lyrical main theme against the virtuosic middle section. The work brilliantly showcases both soloists using rich harmony, a dramatic melodic range and inspiring thematic contrast.
$5.95
Sonata "Funtasies" for Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Sonata "Funtasies" f
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Sy Brandon
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.754959 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3225729. Publi...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.754959 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3225729. Published by Sy Brandon (A0.754959). This composition was composed for Jeffrey Kyle Hutchins, saxophone and EunHye Grace Choi, piano. It is in four movements. The first movement Boisterous is not in the classical sonata form, however, it does reflect sonata-like qualities with contrasting themes. It is very rhythmic and uses the interval of the fourth for its melodic and harmonic material. The second movement Whimsical’ is in a moderate tempo with five beats per measure. It is very playful as it alternates diatonic with chromatic passages with outbursts of musical laughter. Movement 3 Witty is in a scherzo style. The melody and harmony are based on thirds but are not in any clear key because the thirds will freely vary between major and minor creating an atonal quality. Contrast between staccato and legato is another way the movement is witty. The last movement is called Teasing and is in a modified Rondo form ABACBA. The teasing occurs in many different ways. The first appearance is the way the movement seems to stop and start as if promising a longer line, but not delivering. In the B section, the left hand of the piano plays a syncopated idea consisting of wide intervals and frequent rests. The right hand inserts a jeering four-note motive. The saxophone plays a melodic idea centered around a descending minor third, the universal teasing chant interval. The C section is in 7/8 and acts as a chase scene, as if a game of tag is being played. The ending continues the teasing by avoiding a strong cadence with deceptive chords and melodic lines of vague tonality/modality.
$14.99
Dramatica (Tenor Saxophone and Piano)
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Paul Barker Music
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Dramatica
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Paul Barker Music
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1405278 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival,Instruct...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1405278 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival,Instructional. Score and part. 12 pages. Paul Barker Music #988324. Published by Paul Barker Music (A0.1405278). Dramatica is a symphony of emotions meticulously crafted through impassioned harmony, dynamic contrast and melodic lines that resonate with raw musical feeling. This engaging concert work wonderfully showcases both performers to leave your audience profoundly moved. Performance Recording and Piano Accompaniment MP3s are also available from www.paulbarkermusic.com and here.Duration: 3:00 Level: Intermediate (UK Grade 5+ & US 2+)Occasion: Concert – Competitions - Recital Orchestration: Tenor Saxophone - Piano.
$5.95
Clouded Glass
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Lawrence H
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Clouded Glass
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Lawrence H Underwood
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1373563 Composed by Lawrence H. Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and par...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1373563 Composed by Lawrence H. Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 8 pages. Lawrence H Underwood #957931. Published by Lawrence H Underwood (A0.1373563). This original composition by veteran performer and music educator, Lawrence Underwood, is the first installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Clouded Glass takes the performer and listener on a journey through contrasting styles, moods, and meters, before reaching its satisfying conclusion. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new arrangement is sure to be a favorite of performers and listeners alike!
$6.99
Drei Fantasiestucke
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Carl Reinecke
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Robert Rainford
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Drei Fantasiestucke
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Forton Music - Digital
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SheetMusicPlus
Tsax. Pft. - Intermediate-Advanced - SKU: F2.FM298 Composed by Carl Reinecke. Arranged by Robert Rainford. Arranged for Tenor Saxophone and Piano. Score...
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Tsax. Pft. - Intermediate-Advanced - SKU: F2.FM298 Composed by Carl Reinecke. Arranged by Robert Rainford. Arranged for Tenor Saxophone and Piano. Score and Parts. 41 pages. Forton Music - Digital #FM298. Published by Forton Music - Digital (F2.FM298). ISBN 9790570481972.Originally for viola and piano, these three pieces make a fantastic addition to the repertoire of this instrument. The Romanze has a glorious flowing melody over rich, rippling arpeggiated harmonies in the piano part. The second movement has the character of a scherzo, with a light tripping tune in compound time contrasted with a more harmonic section in duple time. The third movement is subtitled 'Eine Humoreske', and starts with light arpeggio figures before the second theme takes over in the style of an alpine folk tune until the arpeggios return to rush to the end. Covering a wide range of notes and keys this needs a confident approach but well rewards the player for their investment.
$12.95
The Promise (Tenor Saxophone & Piano)
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Saxophone Tenor et Piano
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FACILE
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Paul Barker Music
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Piano
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The Promise
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Paul Barker Music
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.725245 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. ...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.725245 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. Score and part. 16 pages. Paul Barker Music #6414039. Published by Paul Barker Music (A0.725245). The Promise is a powerful emotional journey full of warmth, passion and positivity for Tenor Saxophone & Piano. The work brilliantly showcases both soloists using rich harmony, a dramatic melodic range and colourful thematic contrast. Accompaniment MP3 available from www.paulbarkermusic.com   Level: Intermediate (Grade 4 UK/Grade 2 USA)
$5.95
Czardas No. 1 - Monti - Tenor Sax and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Monti, Vittorio
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Czardas No. 1 - Monti - Tenor
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Music-Scores.com
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.722115 Composed by Monti, Vittorio. Arranged by Anne L Christopherson GRSM ARCM. Concert,Holiday,Wedding,World...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.722115 Composed by Monti, Vittorio. Arranged by Anne L Christopherson GRSM ARCM. Concert,Holiday,Wedding,World. Score and part. 9 pages. Music-Scores.com #5795195. Published by Music-Scores.com (A0.722115). Czardas No.1: Gypsy dance arranged for Tenor Sax and Piano. Contrast between slow and passionate, fast and light, makes this showpiece great fun to play and always a huge success with an audience.Duration: about 5 minutes.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$7.95
Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic P...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516585. Published by jmsgu3 (A0.549642). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Sullivan: The Lost Chord for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for T
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497143. Published by jmsgu3 (A0.549447). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
My Saxophone and Me (B flat version)
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Saxophone Tenor et Piano
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DÉBUTANT
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Colin Kirkpatrick
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Island Song
(No 3)
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My Saxophone and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.522193 Composed by Colin Kirkpatrick. Contemporary,Instructional,Standards. Score and part. 28 pages. Colin Ki...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.522193 Composed by Colin Kirkpatrick. Contemporary,Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3133717. Published by Colin Kirkpatrick Publications (A0.522193). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679835 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Starting Tune (No 1); Island Song (No 3); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written.
$5.95
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Fly Me To The Moon (in Other Words)
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Tony Bennett
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Nick Raspa
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Fly Me To The Moon
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NJR Music
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.754613 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Nick Raspa. Jazz,Standards,Wedding. ...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.754613 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Nick Raspa. Jazz,Standards,Wedding. Score and part. 10 pages. NJR Music #6473715. Published by NJR Music (A0.754613). The saxophone begins shortly after the short piano opening of this classic jazz standard. Â The first part is a slow, romantic version of the song. Â The second, with its uptempo swing beat, is a nice contrast to the first section. Â This arrangement is for the advanced intermediate to advanced level saxophonist. Â Included is the full score doubling for the piano part and the tenor sax part.
$10.95
O Mio Babbino Caro - G.Puccini - Tenor Sax and Piano
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Saxophone Tenor et Piano
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FACILE
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G
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Raymond Fenech
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O Mio Babbino Caro - G.Puccini
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Raymond Fenech
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1073257 Composed by G.Puccini. Arranged by Raymond Fenech. Christmas,Easter,Opera,Romantic Period,Wedding. Sco...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1073257 Composed by G.Puccini. Arranged by Raymond Fenech. Christmas,Easter,Opera,Romantic Period,Wedding. Score and part. 11 pages. Raymond Fenech #677520. Published by Raymond Fenech (A0.1073257). O mio babbino caro (Oh my dear Papaâ€) is an aria from the opera Gianni Schicchi (1918) by Giacomo Puccini to a libretto by Giovacchino Forzano. It is sung by Lauretta after tensions between her father Schicchi and the family of Rinuccio, the boy she loves, have reached a breaking point that threatens to separate her from Rinuccio. It provides an interlude expressing lyrical simplicity and love in contrast with the atmosphere of hypocrisy, jealousy, double-dealing, and feuding in medieval Florence. It provides the only set-piece in the through-composed opera. This Aria is arranged by Raymond Fenech The duration is 3.21 minutes and it is an Intermediate level piece.
$3.99
Nocturne Op. 9, No. 1 for Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Diego Marani
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Nocturne Op. 9, No. 1 for Teno
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Diego Marani
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1281219 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standar...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1281219 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 10 pages. Diego Marani #872563. Published by Diego Marani (A0.1281219). One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Frédéric Chopin's later work. The piece is 85 measures long and in 6/4 meter is written in ternary form; after the primary theme, the secondary theme starts in measure 19, followed by a modified version of the primary theme in measure 70. The opening section moves into a contrasting middle section in the same key signature, which flows back to the opening material in a transitional passage. The reprise of the first section grows out of this, followed by a Picardy third ending.This arrangement for tenor sax with piano accompaniment reflects faithfully the original and is suitable for any purpose and occasion.
$8.99
Gabriel's Anthem [Tenor Saxophone & Piano]
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Paul Barker
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Gabriel's Anthem [Tenor Saxoph
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Paul Barker Music
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1139712 By Paul Barker. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival,Standards. Sco...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1139712 By Paul Barker. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival,Standards. Score and part. 11 pages. Paul Barker Music #739984. Published by Paul Barker Music (A0.1139712). Gabriel's Anthem is wonderfully stoic and ideal for recitals, concerts and formal occasions of all kinds. Performers and Audiences alike will love the rich harmonic pallet and inspiring thematic contrast to the very last poignant ritardando. Piano Accompaniment MP3 available from both this site and the publishers at www.paulbarkermusic.com Level: Intermediate (Grade 5 UK/Grade 2+ USA) Duration: 2:20 Occasion: Concert - Formal/Informal - Recitals - Competitions Instrumentation: Tenor Saxophone - Piano
$5.95
Trumpet Tune and Air, by Purcell; for solo Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Henry Purcell
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David McKeown
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Trumpet Tune and Air, by Purce
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.587648 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. ...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.587648 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4728531. Published by David McKeown (A0.587648). The Trumpet Tune and Air was in fact written for organ, with the melody played on the trumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite. This full version is arranged as a solo for Tenor Saxophone and Piano and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Symphony No. 7 by Beethoven for Tenor Sax
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Saxophone Tenor et Piano
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1158463 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,T...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1158463 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #758749. Published by Woods Only, Arrangements (A0.1158463). This arrangement adapted for tenor saxophone e piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
8 Jazzy Xmas Carols for Bb Tenor Saxophone & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Noël
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patrick paul
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Keith Terrett
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Piano
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8 Jazzy Xmas Carols for Bb Ten
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Keith Terrett
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1314541 By patrick paul. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Praise & Worship,Tradit...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1314541 By patrick paul. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Praise & Worship,Traditional. Score and part. 31 pages. Keith Terrett #903294. Published by Keith Terrett (A0.1314541). An exciting arrangement of eight popular swinging xmas carols arranged for Bb Tenor Saxophone & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs. Contact Publisher.
$15.99
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