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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Der General
Non classifié
916
Piano & claviers
Piano seul
374
Orgue
147
Piano Facile
98
Piano, Voix
89
Piano grosses notes
73
Piano, Voix et Guitare
39
Accompagnement Piano
32
1 Piano, 4 mains
13
2 Pianos, 4 mains
7
Piano Trio: piano, violon, violoncelle
6
Orgue, Piano (duo)
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Clavecin
3
Instruments en Do
3
Accordéon
2
Orgue, Voix
2
+ 11 instrumentations
Retracter
Guitares
Guitare
31
Guitare notes et tablatures
15
2 Guitares (duo)
2
Ensemble de Ukulélés
1
Ligne De Mélodie, (Paroles) et Accords
1
Basse electrique
1
Ukulele
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
506
Chorale Unison
161
Chorale 3 parties
116
Chorale 2 parties
70
Chorale TTBB
25
Chorale
14
Chorale SSAA
8
Voix seule
6
Voix Soprano, Piano
4
Voix duo
3
Chorale SSATB
2
Voix Alto, Piano
1
Voix basse, Piano
1
Chorale SSATTB
1
Voix duo, Piano
1
Voix Tenor, Piano
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière et Piano
58
Clarinette et Piano
35
Flûte, Hautbois, Clarinette, Basson
27
Saxophone Alto et Piano
25
Quatuor de Clarinettes: 4 clarinettes
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Quintette de Saxophone: 5 saxophones
18
Ensemble de saxophones
17
Hautbois, Piano (duo)
17
Quatuor de Saxophones: 4 saxophones
15
2 Flûtes traversières (duo)
14
Flûte traversière
12
Saxophone Tenor et Piano
11
Quatuor de Flûtes à bec
10
Saxophone Soprano et Piano
8
Saxophone Baryton, Piano
8
Quatuor de Flûtes : 4 flûtes
7
Ensemble de Clarinettes
6
Clarinette
6
Flûte et Guitare
5
Saxophone Alto
5
Hautbois (partie séparée)
4
Clarinette Basse, Piano
4
2 Hautbois (duo)
4
Ensemble de Flûtes
4
Saxophone Tenor
3
Cor anglais, Piano
3
2 Flûte à bec (duo)
3
3 Clarinettes (trio)
3
Flûte à bec Soprano
3
Trio de Flûtes: 3 flûtes
3
Clarinette, Violon (duo)
2
Flûte à bec, Guitare (duo)
2
5 Flûtes à bec
2
Saxophone (partie séparée)
2
3 Saxophones (trio)
2
Flûte, Clarinette (duo)
2
2 Clarinettes (duo)
2
Clarinette, Basson (duo)
2
Flûte, Violon
2
Quintette de Flûte : 5 flûtes
2
Flûte à Bec
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Basson et Piano
1
Flûte, Violoncelle
1
Flûte à bec Tenor
1
Hautbois
1
Saxophone, Clarinette (duo)
1
Hautbois, Clarinette (duo)
1
Flûte à bec Alto
1
Clarinette, trompette et piano
1
Saxophone et Orgue
1
Hautbois, Basson et Piano
1
Ocarina
1
Flûte et Quatuor à Cordes
1
Flûte à bec Soprano, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone
1
Clarinette, Violoncelle (duo)
1
2 Saxophones (duo)
1
Clarinette, Trompette (duo)
1
Flûte, Violon, Violoncelle et Piano
1
2 Flûtes traversières, Piano
1
+ 58 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
59
Ensemble de Trompettes
34
Trompette, Piano
22
Cor et Piano
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Trompette
14
Trombone et Piano
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Ensemble de Trombones
5
Tuba et Piano
5
Quatuor de cuivres: 4 cors
4
Euphonium, Piano (duo)
4
2 Trombones (duo)
4
Cor anglais, Piano
3
Quatuor de cuivres: 4 trompettes
3
Trombone
2
2 Trompettes (duo)
2
3 Trompettes (trio)
2
Cor
2
Trompette (partie séparée)
2
Trombone (partie séparée)
2
Trio de Cuivres
1
Ensemble de Cors
1
2 Trompettes, Clavier (piano ou orgue)
1
Bass Clef Instruments
1
Quatuor de Cuivres
1
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 23 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
72
Violon et Piano
45
Violoncelle, Piano
28
Harpe
23
Alto, Piano
23
Violon
18
Violon, Violoncelle (duo)
13
Trio à Cordes: violon, alto, violoncelle
10
Harpe, Voix
6
Violoncelle
5
2 Violons (duo)
4
Alto seul
4
2 Harpes (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violon, Alto (duo)
3
4 Violoncelles
2
Trio à Cordes: 2 violons, alto
2
Alto (partie séparée)
2
2 Violoncelles (duo)
2
Trio à Cordes: 3 violoncelles
2
Ensemble d'Altos
2
Ensemble de Violons
2
Contre Basse
1
2 Altos (duo)
1
Harpe, Flûte (duo)
1
Harpe, Violon (duo)
1
Trio à cordes
1
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Contrebasse, Piano (duo)
1
Ensemble de Violoncelles
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Cloches
169
Orchestre d'harmonie
52
Orchestre
31
Orchestre à Cordes
17
Orchestre de chambre
11
Ensemble Jazz
10
Ensemble de Percussions
7
Ensemble de cuivres
7
Ensemble d'École
5
Batterie
4
Vibraphone
2
Instrumentation Flexible
2
Xylophone
2
Piano et Orchestre
1
Xylophone, Piano
1
Percussion (partie séparée)
1
+ 11 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Der General
Saxophone Tenor et Piano
Partitions à imprimer
11 partitions trouvées
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1
8 Jazzy Xmas Carols for Bb Tenor Saxophone & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Noël
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patrick paul
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Keith Terrett
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Piano
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8 Jazzy Xmas Carols for Bb Ten
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Keith Terrett
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1314541 By patrick paul. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Praise & Worship,Tradit...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1314541 By patrick paul. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Praise & Worship,Traditional. Score and part. 31 pages. Keith Terrett #903294. Published by Keith Terrett (A0.1314541). An exciting arrangement of eight popular swinging xmas carols arranged for Bb Tenor Saxophone & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs. Contact Publisher.
$15.99
Schubert: Ave Maria for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Tenor
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548700 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and ...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548700 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411149. Published by jmsgu3 (A0.548700). A Tenor Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Handel: Largo from Xerxes for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549385 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Weddi...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549385 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492303. Published by jmsgu3 (A0.549385). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Fauré: Élégie Op. 24 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.549730 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Per...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.549730 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531411. Published by jmsgu3 (A0.549730). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
A Mighty Fortress for Tenor Saxophone
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Martin Luther
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Lawrence H
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A Mighty Fortress for Tenor Sa
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Lawrence H. Underwood
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SheetMusicPlus
Composed by Martin Luther (1483-1546). Arranged by Lawrence H. Underwood. Contemporary Classical, Christian, Sacred, Praise & Worship, General Wor...
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Composed by Martin Luther (1483-1546). Arranged by Lawrence H. Underwood. Contemporary Classical, Christian, Sacred, Praise & Worship, General Worship. Score, Solo Part. 11 pages. Published by Lawrence H. Underwood
$5.99
Self Isolation Blues for Tenor Saxophone by Simon Peberdy
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Simon Peberdy
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Self Isolation Blues for Tenor
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Simon Peberdy
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.757091 Composed by Simon Peberdy. Contemporary,Jazz,Standards. Score and part. 10 pages. Simon Peberdy #572449...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.757091 Composed by Simon Peberdy. Contemporary,Jazz,Standards. Score and part. 10 pages. Simon Peberdy #5724497. Published by Simon Peberdy (A0.757091). One of the Corona Suite, a collection of pieces originally for trombone & piano written for Caspar Peberdy during the lockdown due to the Corona Virus.The youtube video is of the trombone version and Caspar is playing an older version of the piece, but it gives the general feeling of it - the up to date sheet music has a section giving the opportunity for improvisation.Sheet music for this and more available from www.simonpeberdymusic.com
$2.99
Gary Lanier: BENEATH THE CROSS OF JESUS (Duet – Tenor Sax & Piano with Parts)
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Saxophone Tenor et Piano
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Gospel Spirituel
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Musique Sacrée
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FEDERICK C
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Gary Lanier
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Gary Lanier: BENEATH THE CROSS
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The Lanier Company
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SheetMusicPlus
Composed by FEDERICK C. MAKER. Arranged by Gary Lanier. Christian, Gospel, Praise & Worship, General Worship, Easter. Score, Solo Part. 8 pages. Published by Th...
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Composed by FEDERICK C. MAKER. Arranged by Gary Lanier. Christian, Gospel, Praise & Worship, General Worship, Easter. Score, Solo Part. 8 pages. Published by The Lanier Company (S0.110179). - Score,Solo Part - Christian,Gospel,Praise & Worship,General Worship,Easter - The Lanier Company
$6.99
O Holy Night for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Noël
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Adam
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James M
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O Holy Night for Tenor Sax &am
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. J...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410441. Published by jmsgu3 (A0.548677). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
La Candeur for Tenor Saxophone
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Saxophone Tenor et Piano
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DÉBUTANT
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Classique
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Johann Friedrich Burgmuller
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Doniell Cushman
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La Candeur for Tenor Saxophone
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Doniell C Cushman
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.947902 Composed by Johann Friedrich Burgmuller. Arranged by Doniell Cushman. Classical,Instructional,Romantic ...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.947902 Composed by Johann Friedrich Burgmuller. Arranged by Doniell Cushman. Classical,Instructional,Romantic Period,Standards. Score and part. 6 pages. Doniell C Cushman #3210517. Published by Doniell C Cushman (A0.947902). Based off of Burgmüller's original piano piece La Candeur (French for honesty), this arrangement is true to the original including articulations, dynamic shading, and general tempo. This piece is perfect for players at an beginning through intermediate level. Showcases scale motion and long legato phrases. Sounds wonderful with the timbre different than the piano original. Quick tempo, eighth note passages, and dynamic shading are all important mechanisms in this piece.Original arranged material, all rights reserved.
$3.99
Mendelssohn: Wedding March for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
$32.95
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