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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Erin M
Sheetmusicplus
Non classifié
368
Piano & claviers
Piano, Voix
301
Piano seul
117
Piano Facile
86
Piano, Voix et Guitare
15
Instruments en Do
14
Orgue
8
1 Piano, 4 mains
5
Accordéon
4
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
1
+ 6 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
31
Guitare notes et tablatures
12
Guitare
10
4 Guitares (Quatuor)
6
Ukulele
4
2 Guitares (duo)
4
Paroles et Accords
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
76
Chorale 3 parties
21
Pack Instrumental pour Chorale
17
Chorale TTBB
11
Chorale SSAA
8
Chorale Unison
6
Chorale 2 parties
4
Voix Tenor, Piano
2
Voix Soprano, Piano
2
Voix duo, Piano
2
Voix basse, Piano
2
Voix moyenne, Piano
1
Chorale
1
Voix seule
1
Chorale SSAB, Piano
1
Voix haute
1
+ 11 instrumentations
Retracter
Vents
Clarinette et Piano
21
Saxophone Alto et Piano
18
Flûte traversière et Piano
17
Hautbois, Piano (duo)
16
Saxophone Tenor et Piano
15
Ensemble de saxophones
14
Clarinette
13
Flûte à bec Soprano
9
Quintette de Saxophone: 5 saxophones
9
Cor anglais, Piano
9
Saxophone Baryton, Piano
8
Ensemble de Clarinettes
8
Saxophone Tenor
6
Saxophone Soprano et Piano
6
Flûte traversière
6
Ensemble de Flûtes
6
Saxophone Alto
5
Ocarina
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Quatuor de Flûtes : 4 flûtes
4
Clarinette Basse, Piano
4
Saxophone Soprano
3
Flute (partie séparée)
3
Trio de Flûtes: 3 flûtes
3
Clarinette, Harpe (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
2 Flûte à bec (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Flûte, Clarinette (duo)
2
Hautbois
2
Saxophone (partie séparée)
2
Flûte et Guitare
2
2 Flûtes traversières (duo)
2
Quintette de Flûte : 5 flûtes
2
Hautbois (partie séparée)
2
Quatuor de Flûtes à bec
2
Piccolo, Piano
1
Saxophone
1
Flûte à Bec
1
2 Saxophones (duo)
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto
1
Harmonica, Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Clarinette, Violon (duo)
1
Flûte, Violon
1
Saxophone et Orgue
1
3 Clarinettes (trio)
1
3 Saxophones (trio)
1
Hautbois, Harpe
1
+ 45 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Cor et Piano
12
Trompette
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Cor anglais, Piano
9
Trombone et Piano
8
Euphonium, Piano (duo)
7
Ensemble de Trombones
6
Trompette, Piano
6
Quatuor de cuivres: 4 cors
4
Cor
4
Trombone
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Ensemble de Trompettes
2
Tuba
2
Tuba et Piano
2
Trompette (partie séparée)
1
Trompette, Harpe
1
Ensemble de Cors
1
Cor et Harpe
1
Trompette, Cor (duo)
1
3 Trombones (trio)
1
Cor (partie séparée)
1
+ 18 instrumentations
Retracter
Cordes
Violon et Piano
42
Quatuor à cordes: 2 violons, alto, violoncelle
26
Harpe
22
Violon
18
Alto, Piano
17
Violoncelle, Piano
14
Violoncelle
9
Alto seul
8
2 Violoncelles (duo)
7
Violon, Violoncelle (duo)
6
2 Violons (duo)
6
2 Altos (duo)
5
Trio à Cordes: violon, alto, violoncelle
4
Contre Basse
3
Violon, Alto (duo)
3
Alto (partie séparée)
3
Ensemble de Violons
3
Ensemble d'Altos
3
Alto et Harpe
2
Piano Trio: Violon, Alto, Piano
1
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
Violoncelle, Contrebasse (duo)
1
Harpe, Violon (duo)
1
Trio à cordes: 3 violins
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
26
Orchestre
13
Orchestre d'harmonie
7
Ensemble Jazz
4
Orchestre de chambre
4
Ensemble de cuivres
3
Cloches
2
Jazz combo
2
Fanfare
1
Marimba
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Vous avez sélectionné:
Erin M
SheetMusicPlus
Partitions à imprimer
15 partitions trouvées
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1
Qu'on m'apporte ma flûte (Bring Me My Flute)
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Saxophone Tenor et Piano
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DÉBUTANT
#
Traditional French Song
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Kaiserin Rebecca
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Qu'on m'apporte ma flûte
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Kaiserin Rebecca
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1453747 Composed by Traditional French Song. Arranged by Kaiserin Rebecca. Children,Folk,Instructional,Traditi...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1453747 Composed by Traditional French Song. Arranged by Kaiserin Rebecca. Children,Folk,Instructional,Traditional. Score and part. 2 pages. Kaiserin Rebecca #1032964. Published by Kaiserin Rebecca (A0.1453747). For tenor saxophone solo and piano accompaniment with chords.Key: F major. Duration: 0'33.
$4.99
LORD, I'M COMING HOME (for Tenor Sax and Piano with Score/Part)
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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William J
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Gary Lanier
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LORD, I'M COMING HOME
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The Lanier Company
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.617578 Composed by William J. Kirkpatrick. Arranged by Gary Lanier. Sacred. Score and part. 13 pages. The Lani...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.617578 Composed by William J. Kirkpatrick. Arranged by Gary Lanier. Sacred. Score and part. 13 pages. The Lanier Company #5789469. Published by The Lanier Company (A0.617578). LORD, I'M COMING HOME is an arrangement by Gary Lanier for Tenor Sax and Piano of one of our most cherished Hymns. The theme is one of resolve to return to the Lord. This emotionally packed arrangement is perfect for Church or any gathering where hymns of testimony are desired. The score, including cover and instrumental part is 13 pages long.
$6.99
Eine kleine Geige möcht' ich haben (I would like to have a little violin)
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Saxophone Tenor et Piano
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FACILE
#
Traditional
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Kaiserin Rebecca
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Eine kleine Geige möcht'
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Kaiserin Rebecca
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1375748 Composed by Traditional. Arranged by Kaiserin Rebecca. Children,Folk,Instructional,Traditional. Score ...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1375748 Composed by Traditional. Arranged by Kaiserin Rebecca. Children,Folk,Instructional,Traditional. Score and part. 2 pages. Kaiserin Rebecca #960296. Published by Kaiserin Rebecca (A0.1375748). For tenor saxophone solo and piano accompaniment with chords.Key: F major. Duration: 0'27.
$4.99
Fenesta che Lucivi e Mò non Luci
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Saxophone Tenor et Piano
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FACILE
#
Guglielmo Cottrau
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Kaiserin Rebecca
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Fenesta che Lucivi e Mò
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Kaiserin Rebecca
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.639555 Composed by Guglielmo Cottrau. Arranged by Kaiserin Rebecca. Concert,Folk,Instructional,Standards,World...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.639555 Composed by Guglielmo Cottrau. Arranged by Kaiserin Rebecca. Concert,Folk,Instructional,Standards,World. Score and part. 3 pages. Kaiserin Rebecca #3479511. Published by Kaiserin Rebecca (A0.639555). For tenor saxophone solo and piano accompaniment with chords.Key: D minorDuration: 1'06.
$4.99
Mädchens Wunsch
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Kaiserin Rebecca
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Mädchens Wunsch
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Kaiserin Rebecca
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.640094 Composed by Frederic Chopin. Arranged by Kaiserin Rebecca. Holiday,Instructional,Love,Romantic Period,S...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.640094 Composed by Frederic Chopin. Arranged by Kaiserin Rebecca. Holiday,Instructional,Love,Romantic Period,Standards,Wedding. Score and part. 3 pages. Kaiserin Rebecca #3639937. Published by Kaiserin Rebecca (A0.640094). For tenor saxophone solo and piano accompaniment with chords.Key: B flat majorDuration: 0'57.
$4.99
Bach: Wachet auf for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
#
Classique
#
Johann Sebastian Bach
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James M
#
 
#
Bach: Wachet auf for Tenor Sax
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Schubert: Ave Maria for Tenor Sax & Piano
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Saxophone Tenor et Piano
#
DÉBUTANT
#
Classique
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Franz Schubert
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James M
#
Schubert: Ave Maria for Tenor
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548700 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and ...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548700 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411149. Published by jmsgu3 (A0.548700). A Tenor Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Al Di La' (Drake's English Version)
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Saxophone Tenor et Piano
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FACILE
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Carlo Donida Labati, Ervin M D
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Kaiserin Rebecca
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Al Di La'
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Kaiserin Rebecca
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1460343 Composed by Carlo Donida Labati, Ervin M Drake, and Giulio Rapetti Mogol. Arranged by Kaiserin Rebecca...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1460343 Composed by Carlo Donida Labati, Ervin M Drake, and Giulio Rapetti Mogol. Arranged by Kaiserin Rebecca. 20th Century,Contemporary,Instructional,Pop. Score and part. 4 pages. Kaiserin Rebecca #1039276. Published by Kaiserin Rebecca (A0.1460343). For tenor saxophone solo and piano accompaniment with chords.Key: E flat major. Duration: 2'15.
$8.99
Ich sah ein Röschen am Wege stehn
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Saxophone Tenor et Piano
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FACILE
#
C
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Kaiserin Rebecca
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Ich sah ein Röschen am We
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Kaiserin Rebecca
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.640003 Composed by C.M.v.Weber. Arranged by Kaiserin Rebecca. Concert,Holiday,Instructional,Love,Romantic Peri...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.640003 Composed by C.M.v.Weber. Arranged by Kaiserin Rebecca. Concert,Holiday,Instructional,Love,Romantic Period,World. Score and part. 2 pages. Kaiserin Rebecca #3621737. Published by Kaiserin Rebecca (A0.640003). For tenor saxophone solo and piano accompaniment with chords.Key: F majorDuration: 1'00.
$4.99
La Partida (Venezuela Waltz)
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Saxophone Tenor et Piano
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FACILE
#
F
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Kaiserin Rebecca
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La Partida
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Kaiserin Rebecca
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.639194 Composed by F.M.Alvarez. Arranged by Kaiserin Rebecca. Instructional,World. Score and part. 3 pages. Ka...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.639194 Composed by F.M.Alvarez. Arranged by Kaiserin Rebecca. Instructional,World. Score and part. 3 pages. Kaiserin Rebecca #3409833. Published by Kaiserin Rebecca (A0.639194). For tenor saxophone solo and piano accompaniment with chords.Key: A minorDuration: 1'15.
$4.99
Christmas Bells
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Saxophone Tenor et Piano
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FACILE
#
Musique Sacrée
#
Frank M
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Kaiserin Rebecca
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Christmas Bells
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Kaiserin Rebecca
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1325877 Composed by Frank M. Davis. Arranged by Kaiserin Rebecca. Christian,Christmas,Holiday,Praise & Worship...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1325877 Composed by Frank M. Davis. Arranged by Kaiserin Rebecca. Christian,Christmas,Holiday,Praise & Worship,Religious. Score and part. 2 pages. Kaiserin Rebecca #914068. Published by Kaiserin Rebecca (A0.1325877). For tenor saxophone solo and piano accompaniment with chords.Key: B flat major. Duration: 0'40.
$4.99
Bach-Gounod: Ave Maria for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Ten
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sc...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490159. Published by jmsgu3 (A0.549367). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano - S0.662027. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Weddin...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3468806. Published by jmsgu3 (A0.549236). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Luther: Out of the Depths for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score a...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411761. Published by jmsgu3 (A0.548723). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Ea...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888767. Published by jmsgu3 (A0.550935). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
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