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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I'm new
Non classifié
746
Piano & claviers
Piano seul
223
Piano, Voix
164
Piano, Voix et Guitare
78
Piano Facile
34
Instruments en Do
17
Orgue
13
2 Pianos, 4 mains
6
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
2
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
2
2 Pianos, 8 mains
1
Piano grosses notes
1
+ 9 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
112
Guitare notes et tablatures
18
Guitare
5
Basse electrique
2
Banjo
1
Guitare, Violon, Violoncelle (trio)
1
Piano, Guitare (duo)
1
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
105
Chorale 3 parties
22
Chorale TTBB
19
Chorale 2 parties
16
Chorale Unison
9
Chorale SSAA
3
Voix haute
3
Voix Soprano, Piano
2
Voix Baryton, Piano
2
Voix Alto, Piano
2
Voix duo
1
Voix duo, Piano
1
Voix Moyenne
1
Voix basse, Piano
1
+ 9 instrumentations
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Vents
Quintette de Saxophone: 5 saxophones
104
Ensemble de saxophones
97
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
66
Ensemble de Clarinettes
29
Flûte traversière et Piano
19
Ensemble de Flûtes
14
Quintette de Flûte : 5 flûtes
13
Hautbois, Piano (duo)
11
Saxophone Alto et Piano
11
Saxophone Tenor et Piano
9
Flûte, Hautbois, Clarinette, Basson
9
Clarinette et Piano
7
Quatuor de Saxophones: 4 saxophones
7
Clarinette
6
Saxophone Tenor
5
Saxophone Baryton, Piano
5
Saxophone Soprano et Piano
4
2 Saxophones (duo)
4
Saxophone Alto
4
Flûte traversière
4
Cor anglais, Piano
4
Clarinette Basse, Piano
3
Trio de Flûtes: 3 flûtes
3
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone (partie séparée)
2
Flûte, Violon et Violoncelle
2
Flûte à bec Soprano
2
Quintette de Clarinettes: 5 clarinettes
2
2 Flûte à bec (duo)
1
Hautbois, Harpe
1
3 Saxophones (trio)
1
Piccolo, Piano
1
Flûte, Clarinette (duo)
1
Saxophone et Orgue
1
Saxophone et Guitare
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette, Basson (duo)
1
2 Flûtes traversières (duo)
1
+ 33 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
92
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
43
Quatuor de Cuivres: 2 trompettes, Cor, trombone
36
Ensemble de Trombones
28
Ensemble de Trompettes
20
Quatuor de Cuivres
14
Trombone et Piano
8
Trompette
7
Cor et Piano
6
Ensemble de Cors
5
Trompette, Trombone (duo)
4
Euphonium, Piano (duo)
4
Cor anglais, Piano
4
Trompette, Piano
4
Tuba et Piano
2
Trio de Cuivres
2
Trombone
2
Trompette, Cor (duo)
2
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 4 cors
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
4 Tubas
1
Tuba
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
34
Trio à Cordes: violon, alto, violoncelle
20
Violon et Piano
18
Ensemble de Violons
15
Ensemble d'Altos
15
Harpe
10
Alto, Piano
9
Violon
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Violoncelle, Piano
5
Trio à Cordes: 2 violons, violoncelle
4
Violon, Violoncelle (duo)
4
Violoncelle
4
4 Violoncelles
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Violon (duo)
1
2 Violons (duo)
1
Alto, Guitare (duo)
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 violins
1
Quatuor à cordes: 4 violons
1
2 Harpes (duo)
1
Alto seul
1
Harpe, Flûte (duo)
1
Ensemble de Violoncelles
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
14
Orchestre à Cordes
14
Orchestre
13
Jazz combo
10
Ensemble de cuivres
7
Ensemble Jazz
6
Cloches
4
Fanfare
3
Orchestre de chambre
3
Batterie
2
Marimba
1
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Saxophone Tenor et Piano
Partitions à imprimer
9 partitions trouvées
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1
I'm Every Woman
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
#
Whitney Houston
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Fishel Pustilnik
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I'm Every Woman
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F & N Enterprise
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.635976 By Whitney Houston. By Nickolas Ashford and...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.635976 By Whitney Houston. By Nickolas Ashford and Valerie Simpson. Arranged by Fishel Pustilnik. Contemporary. Score and parts. 10 pages. F & N Enterprise #6104775. Published by F & N Enterprise (A0.635976). An excellent arrangement of the famous Song I'm Every Woman for Tenor Sax and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/V00RxK2n5J8 The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
I'm A Believer
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Contemporain
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Smash Mouth
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Robert Steadman
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I'm A Believer
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Robert Steadman
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.880066 By Smash Mouth. By Neil Diamond. Arranged by Robert Steadman. Contemporary. Score and part. 8 pages. Ro...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.880066 By Smash Mouth. By Neil Diamond. Arranged by Robert Steadman. Contemporary. Score and part. 8 pages. Robert Steadman #6853195. Published by Robert Steadman (A0.880066). The Monkees classic song, written for them by Neil Diamond, covered by Smash Mouth and used in 'Shrek', in a fun new arrangement.
$4.99
Bach-Gounod: Ave Maria for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
#
Bach-Gounod
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James M
#
Piano - S0
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Bach-Gounod: Ave Maria for Ten
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sc...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490159. Published by jmsgu3 (A0.549367). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano - S0.662027. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. ÂÂ
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Ea...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888767. Published by jmsgu3 (A0.550935). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
The First Noel for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Tenor Sax &
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548504 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pa...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548504 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387401. Published by jmsgu3 (A0.548504). The First Noel arranged for Tenor Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Alto Sax Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Weddin...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3468806. Published by jmsgu3 (A0.549236). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. ÂÂ
$32.95
Luther: Out of the Depths for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score a...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411761. Published by jmsgu3 (A0.548723). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
"Flight Of The Fingers"-Jazz Waltz for Tenor Sax and Piano-Video
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Fishel Pustilnik
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Fishel Pustilnik
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"Flight Of The Fingers&qu
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F & N Enterprise
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.633909 Composed by Fishel Pustilnik. Arranged by F...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.633909 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,Standards. Score and parts. 7 pages. F & N Enterprise #3479025. Published by F & N Enterprise (A0.633909). An excellent arrangement of famous Song Flight Of The Fingers-Jazz Waltz for Tenor Sax and Piano (Jazz/Pop Version),Video for Violin and Piano: https://www.youtube.com/watch?v=2Nj2ne4NY-M&feature=youtu.be The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$2.99
10 Easy Romantic Pieces for Bb Saxophone and Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Classique
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Various
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10 Easy Romantic Pieces for Bb
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Glissato Edizioni Musicali
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SheetMusicPlus
By Various. By Ludwig van Beethoven. Arranged by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Modest Petrovich Mussorgsky, Nicolo Paganini, Pete...
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By Various. By Ludwig van Beethoven. Arranged by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tchaikovsky, and Robert Schumann. Classical,Romantic Period. Score and part. 36 pages. Glissato Edizioni Musicali #820362. Published by Glissato Edizioni Musicali
This is a collection of 10 easy pieces from the Romantic period that have been arranged for either Bb Tenor or Soprano Saxophone and Piano, making it an excellent resource for beginner and intermediate level players. The piano accompaniments are specifically designed to complement the saxophone parts, creating a harmonious and beautiful sound.
Whether you are a student or a beginner saxophonist looking to improve your skills, or an intermediate level player who wants to explore the music of the Romantic period, this collection is a great starting point. It is also useful for essays and performances, as it offers an accessible and enjoyable repertoire that can be performed in various settings.
Easy keys and range for Saxophone
Easy Piano accompaniment
Musical themes taken from the original compositions:
Largo from ?New World Symphony? ? A. Dvorák
Theme from "Le Streghe" - N. Paganini
Melody in F ? A. Rubinstein
Soldier March ? R. Schumann
The Great Gate of Kiev - M. Mussorgsky
Theme from "New World Symphony" (IV mov.) - A. Dvorák
Theme from "Symphony n. 1" (IV mov.) - J. Brahms
Theme from "Symphony n. 5" (II mov.) - L. van Beethoven
Theme from "Symphony n. 7" (II mov.) - L. van Beethoven
Theme from "Swane Lake" - P. I. Tchaikovsky.
$14.99
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