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Piano, Voix
198
Piano Facile
156
Piano, Voix et Guitare
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71
Instruments en Do
39
Orgue
34
1 Piano, 4 mains
28
Piano Quatuor: piano, violon, alto, violoncelle
10
2 Pianos, 4 mains
10
Piano Trio: piano, violon, violoncelle
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Piano Quatuor: piano, 2 violons, violoncelle
5
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2 Pianos, 8 mains
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Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
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Orgue, Trompette (duo)
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GUITARES
Guitare
68
Guitare notes et tablatures
50
Ligne De Mélodie, (Paroles) et Accords
31
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16
Piano, Guitare (duo)
9
Basse electrique
9
2 Guitares (duo)
8
Paroles et Accords
7
Guitare (partie séparée)
4
Banjo
3
Mandoline, Guitare (duo)
1
3 Guitares (trio)
1
Dobro
1
Mandoline
1
Ensemble de guitares
1
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VOIX
Chorale SATB
219
Chorale 3 parties
61
Chorale 2 parties
42
Chorale TTBB
42
Chorale SSAA
33
Voix Tenor, Piano
18
Chorale Unison
18
Voix Alto, Piano
11
Voix Soprano, Piano
9
Voix Tenor
6
Voix duo, Piano
6
Voix moyenne, Piano
4
Voix seule
4
Chorale
3
Voix haute
3
Chorale SSATTB
1
Voix duo
1
Voix Soprano
1
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VENTS
Flûte traversière et Piano
104
Quatuor de Saxophones: 4 saxophones
90
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
84
Saxophone (partie séparée)
80
Clarinette et Piano
62
Hautbois, Piano (duo)
61
2 Saxophones (duo)
58
Saxophone Tenor et Piano
58
Quatuor de Clarinettes: 4 clarinettes
56
Saxophone Alto et Piano
55
Quintette de Saxophone: 5 saxophones
45
Saxophone Soprano et Piano
39
Flûte, Hautbois, Clarinette, Basson
38
Saxophone Baryton, Piano
36
Clarinette
32
Flûte traversière
31
2 Clarinettes (duo)
30
Cor anglais, Piano
30
Ensemble de Clarinettes
26
Hautbois (partie séparée)
24
2 Flûtes traversières (duo)
24
Saxophone Alto
24
Ensemble de Flûtes
21
Quatuor de Flûtes : 4 flûtes
19
Clarinette Basse, Piano
18
Flûte, Clarinette (duo)
17
3 Saxophones (trio)
16
Ensemble de saxophones
16
Quintette de Flûte : 5 flûtes
14
3 Clarinettes (trio)
14
Quintette de Clarinettes: 5 clarinettes
13
Saxophone, Clarinette (duo)
12
Flûte à bec Soprano
10
Clarinette, Violon (duo)
9
2 Hautbois (duo)
9
Clarinette (partie séparée)
9
Clarinette, Trompette (duo)
7
Hautbois, Basson (duo)
7
Hautbois, Clarinette (duo)
7
Saxophone Tenor
6
Clarinette, Basson (duo)
6
Trio de Flûtes: 3 flûtes
6
Clarinette et Alto
6
2 Flûte à bec (duo)
6
Flûte, Violon
5
Flûte, Alto (duo)
5
Quatuor de Flûtes à bec
5
Flûte et Guitare
5
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5
Flûte à Bec
4
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4
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4
Clarinette, Guitare (duo)
3
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3
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3
Flûte à bec Soprano, Piano
3
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3
Flûte à bec Alto, Piano
3
3 Flûtes à bec (trio)
3
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3
Clarinette, Violoncelle (duo)
3
Flûte à bec Tenor
3
Flûte, Violoncelle
2
Flûte, Violon, Violoncelle et Piano
2
Flûte à bec Alto
2
Saxophone Soprano
2
Flûte, Clarinette, Piano (trio)
2
5 Flûtes à bec
2
2 Flûtes traversières, Piano
2
Flûte, Hautbois, Piano (trio)
2
Saxophone et Orgue
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Harmonica
1
Flûte, Basson et Piano
1
4 Hautbois
1
Flute, harpe et violon
1
Flûte, Hautbois (duo)
1
2 Flûtes à bec, Guitare
1
Cor anglais, Guitare (duo)
1
2 Clarinettes, Piano
1
Flûte et Trio à cordes
1
Hautbois et alto (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Ensemble de Hautbois
1
2 Saxophones, Piano
1
Flûte, Violon, Piano
1
Flûte, Clarinette et Basson
1
Cor anglais et Harpe (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
106
Trombone et Piano
59
Quatuor de Cuivres : 2 trompettes, trombone, tuba
56
Trompette
42
Cor et Piano
37
Euphonium, Piano (duo)
36
Trompette, Piano
34
Cor anglais, Piano
30
Trombone (partie séparée)
28
Trompette (partie séparée)
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Trompette, Trombone (duo)
17
Tuba et Piano
14
2 Trompettes (duo)
14
Trombone
13
2 Trombones (duo)
13
Cor
12
Ensemble de Trombones
11
2 Cors (duo)
10
Cor (partie séparée)
10
Trompette, Saxophone (duo)
10
Quatuor de Cuivres
9
Quatuor de cuivres: 4 trombones
9
Tuba
9
Ensemble de Trompettes
8
Trompette, Cor (duo)
6
Quatuor de cuivres: 4 trompettes
4
Tuba (partie séparée)
4
3 Trombones (trio)
3
Trombone, Cor (duo)
3
Ensemble de Cors
3
Tuba et Orgue
3
Quatuor de cuivres: 4 cors
3
3 Tubas (trio)
3
4 Tubas
2
Trio de Cuivres
2
2 Tubas (duo)
2
3 Cors (trio)
2
3 Trompettes (trio)
1
Euphonium
1
Trombone, Tuba (duo)
1
Cor, Tuba (duo)
1
Euphonium, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
Trompette, Euphonium (duo)
1
2 Euphoniums (duo)
1
2 Euphoniums et 2 Tubas
1
Cor anglais et Harpe (duo)
1
Trompette, Tuba (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
166
Violon et Piano
91
Alto, Piano
57
Violoncelle, Piano
51
Violon
42
Harpe
33
Violon, Violoncelle (duo)
32
Violoncelle (partie séparée)
28
2 Violons (duo)
24
Violon, Alto (duo)
20
Trio à Cordes: violon, alto, violoncelle
15
2 Violoncelles (duo)
14
Violoncelle
13
2 Altos (duo)
13
Alto seul
13
2 Harpes (duo)
10
Trio à Cordes: 2 violons, violoncelle
9
Violon, Guitare (duo)
9
Alto (partie séparée)
8
4 Violoncelles
8
Piano Trio: Violon, Alto, Piano
6
Violon (partie séparée)
5
Ensemble de Violons
5
Alto, Violoncelle (duo)
5
Contre Basse
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contrebasse, Piano (duo)
4
Quatuor à cordes: 4 violons
4
Contrebasse (partie séparée)
4
Trio à cordes: 3 violins
4
Ensemble d'Altos
4
Trio à Cordes: 3 violoncelles
4
Harpe, Voix
3
Quatuor à cordes : 4 altos
3
Harpe, Flûte (duo)
2
Trio à cordes: 3 altos
2
Violoncelle, Contrebasse (duo)
2
Violoncelle , Guitare (duo)
1
Harpe et Piano
1
Violon, Clarinette, Piano (trio)
1
2 Contrebasses (duo)
1
Violon, Basson (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
238
Orchestre
91
Orchestre à Cordes
71
Ensemble de cuivres
38
Ensemble Jazz
31
Orchestre de chambre
27
Cloches
24
Ensemble de Percussions
11
Jazz combo
9
Fanfare
7
Percussion (partie séparée)
5
Piano et Orchestre
4
Batterie (partie séparée)
4
Batterie
3
Marimba
3
Vibraphone
2
Orchestre, Violon
1
Vibraphone (partie séparée)
1
Instrumentations suivantes
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AUTRES
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It's Late
Saxophone Tenor et Piano
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It's Been A Long, Long Time
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.592552 Composed by Jule …
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.592552 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366363. Published by David McKeown (A0.592552). It’s Been a Long Long Time is arranged as a solo for one Tenor Saxophone with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.49 €
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Saxophone Tenor et Piano
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Jesu, joy of man's desiring by Bach for Tenor Sax and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1049436 Composed by Joha…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1049436 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. Score and part. 6 pages. Woods Only, Arrangements #653786. Published by Woods Only, Arrangements (A0.1049436). This easy arrangement for tenor sax and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.
$1.99
1.82 €
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Saxophone Tenor et Piano
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by Bach for Tenor Sax and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549557 Composed by Edvar…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549557 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507671. Published by jmsgu3 (A0.549557). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.88 €
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Saxophone Tenor et Piano
#
Edvard Grieg
#
James M
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Grieg: Anitra's Dance from Peer Gynt Suite for Tenor Sax & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549536 Composed by Edvar…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549536 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505873. Published by jmsgu3 (A0.549536). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.88 €
#
Saxophone Tenor et Piano
#
Edvard Grieg
#
James M
#
Grieg: Ase's Death from Peer Gynt Suite for Tenor Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.587902 Composed by G F H…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.587902 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042565. Published by David McKeown (A0.587902). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Tenor Saxophone and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.22 €
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Saxophone Tenor et Piano
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G F Handel
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David McKeown
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Handel's Largo from Xerxes, Ombra Mai Fù, for solo Tenor Saxophone and Piano
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David McKeown
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SheetMusicPlus
Anitra's Dance - From Peer Gynt - Alto & Tenor Saxaphones and Piano
Saxophone Tenor et Piano
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 4 -…
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.760064 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicultural,Patriotic,Romantic Period,World. Score and parts. 18 pages. Raymond Fenech #3500583. Published by Raymond Fenech (A0.760064). Peer Gynt, Op. 23 is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo). Later, in 1888 and 1891, Grieg extracted eight movements to make two four-movement suites: Suite No. 1, Op. 46, and Suite No. 2, Op. 55. Some of these movements have received coverage in popular culture; see Grieg's music in popular culture. This aria is arranged for Alto & Tenor Saxophones and Piano . The Duration is approx. 3.19 minutes and the level is Advanced Intermediate.
$4.99
4.58 €
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Saxophone Tenor et Piano
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Edvard Grieg
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Raymond Fenech
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Anitra's Dance - From Peer Gynt - Alto & Tenor Saxaphones and Piano
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Raymond Fenech
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SheetMusicPlus
Anitra's Dance - From Peer Gynt (Alto & Tenor Saxophones and Piano)
Saxophone Tenor et Piano
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 4 -…
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.760028 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicultural,Patriotic,Romantic Period,World. Score and parts. 18 pages. Raymond Fenech #3483443. Published by Raymond Fenech (A0.760028). Peer Gynt, Op. 23 is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo). Later, in 1888 and 1891, Grieg extracted eight movements to make two four-movement suites: Suite No. 1, Op. 46, and Suite No. 2, Op. 55. Some of these movements have received coverage in popular culture; see Grieg's music in popular culture. This aria is arranged for Alto & Tenor Saxophones and Piano . The Duration is approx. 3.19 minutes and the level is Advanced Intermediate.
$4.99
4.58 €
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Saxophone Tenor et Piano
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Edvard Grieg
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Raymond Fenech
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Anitra's Dance - From Peer Gynt
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Raymond Fenech
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SheetMusicPlus
Anitra's Dance - From Peer Gynt - Tenor Saxophone and Piano
Saxophone Tenor et Piano
Chamber Orchestra Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.760073…
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Chamber Orchestra Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.760073 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicultural,Patriotic,Romantic Period,World. Score and part. 14 pages. Raymond Fenech #3500631. Published by Raymond Fenech (A0.760073). Peer Gynt, Op. 23 is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo). Later, in 1888 and 1891, Grieg extracted eight movements to make two four-movement suites: Suite No. 1, Op. 46, and Suite No. 2, Op. 55. Some of these movements have received coverage in popular culture; see Grieg's music in popular culture. This aria is arranged for Tenor Saxophone and Piano . The Duration is approx. 3.19 minutes and the level is Advanced Intermediate.
$3.99
3.66 €
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Saxophone Tenor et Piano
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Edvard Grieg
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Raymond Fenech
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Anitra's Dance - From Peer Gynt - Tenor Saxophone and Piano
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Raymond Fenech
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SheetMusicPlus
He Ain't Heavy, He's My Brother
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.791246 By Neil Diamond. …
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.791246 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by Kevin P Holdgate. Pop. Score and part. 8 pages. Kevin P Holdgate #5772085. Published by Kevin P Holdgate (A0.791246). KPHMS 'Solo' CollectionHe Ain't Heavy, He's My Brother is a ballad written by Bobby Scott and Bob Russell. Originally recorded by Kelly Gordon in 1969, the song became a worldwide hit for The Hollies later that year and a minor hit for Neil Diamond in 1970. It has been recorded by many artists in subsequent years.Scott and Russell were introduced to each other by Johnny Mercer, at a California nightclub. Although Russell was dying of lymphoma and the pair met only three times, they managed to collaborate on the song.This is an arrangement as a solo with piano accompaniment that I would judge to be around Grade 5/6 standard for most instruments.
$4.99
4.58 €
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Saxophone Tenor et Piano
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Neil Diamond
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Kevin P Holdgate
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He Ain't Heavy, He's My Brother
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Kevin P Holdgate
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SheetMusicPlus
Mendelssohn: Wedding March for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
$32.95
30.21 €
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Saxophone Tenor et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Last Song of the Night
Saxophone Tenor et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Tenor Saxophone - Level 4 - Digital Downlo…
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Instrumental Duet,Piano Instrumental Duet,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1083718 By Bryon Tosoff and Paul Wainwright. By Bryon Tosoff. Arranged by Bryon Tosoff. 20th Century,Contemporary,Jazz,Standards. Score and parts. 8 pages. Bryon tosoff #687927. Published by bryon tosoff (A0.1083718). Last Song of the Night is a piano and tenor sax collaboration set in the late hours as the name suggests. This post modern jazz inspired piece evokes echoes of Monk and Mingus in it’s evolving fluidity. The theme bends time and key signatures with artistic effect conjuring a nightscape reminiscent of film noir. It is a blend of some tasty piano comping that is intertwined with some nice light lyrical touches on the 88's coupled with amazing and elegant rich textures of sax playing by Paul Wainwright.
$5.99
5.49 €
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Saxophone Tenor et Piano
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Bryon Tosoff and Paul Wainwright
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Bryon Tosoff
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Last Song of the Night
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bryon tosoff
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SheetMusicPlus
Abide with Me (Tenor Sax and Piano)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.523686 Composed by Willi…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.523686 Composed by William Henry Monk, Giacomo Puccini. Arranged by John A. Dempsey. Praise & Worship,Sacred,Spiritual,Traditional,Wedding. Score and part. 14 pages. John A. Dempsey #3675101. Published by John A. Dempsey (A0.523686). This duet for tenor sax and piano has both dramatic bursts of praise and quiet, prayerful moments of reflection. Â It's recommended as a prelude, an offertory or special music for worship events and church services. Â Abide with Me also makes a popular selection as a wedding prelude as well as a performance piece for recitals and concerts. Â The incidental music is Puccini's lavish Nessun Dorma from Turandot. Â Concert Key (Piano): C major. Â Tenor Sax Key: D major. Â 10 pages of music (that includes a separate two-page tenor sax part). Â Tenor Sax Level: Intermediate. Â Piano Level: Late Intermediate.
$6.99
6.41 €
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Saxophone Tenor et Piano
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William Henry Monk, Giacomo Puccini
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John A
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Abide with Me
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John A. Dempsey
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SheetMusicPlus
Amazing Grace / The Entertainer (Trio for Alto Sax, Tenor Sax and Piano)
Saxophone Tenor et Piano
Small Ensemble Alto Saxophone,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A…
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Small Ensemble Alto Saxophone,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.522919 Composed by John Newton, Scott Joplin,. Arranged by John A. Dempsey. Christian,Praise & Worship,Ragtime,Sacred,Traditional. Score and parts. 17 pages. John A. Dempsey #3011885. Published by John A. Dempsey (A0.522919). The classic hymn Amazing Grace has been merged stylistically with Scott Joplin's rousing ragtime favorite The Entertainer to give this arrangement a joyful, exuberant touch. Â It's a heady mix of praise and worship designed as a prelude, postlude or special music for traditional church services; also makes an inspiring, crowd-pleasing selection for concerts and recitals. Â Music includes separate two-page parts for alto sax and tenor sax. Â Concert Key (Piano): C major. Â Alto Sax Key: A major. Â Tenor Sax Key: D major. Â Alto Sax/Tenor Sax Level: Intermediate. Â Piano Level: Late Intermediate.
$11.99
10.99 €
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Saxophone Tenor et Piano
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John Newton, Scott Joplin,
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John A
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Amazing Grace / The Entertainer
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John A. Dempsey
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SheetMusicPlus
Christmas Medley (What Child is This / Away in a Manger): Trio for Alto Sax, Tenor Sax and Piano
Saxophone Tenor et Piano
Small Ensemble Alto Saxophone,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A…
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Small Ensemble Alto Saxophone,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.522782 Composed by James R. Murray. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 22 pages. John A. Dempsey #2913113. Published by John A. Dempsey (A0.522782). This triumphant, stirring trio for alto sax, tenor sax and piano - a medley of two Christmas carols - is shaded with quiet, prayerful moments of reflection and brightened by joyful bursts of praise. Â Embellishments occur, together with mood and tempo changes that add to the dramatic impact of the arrangement. Â It's a sweeping musical journey that celebrates the miracle of Jesus' birth. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts, traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture and special music. Â 18 pages of music (that includes separate two-page parts for alto sax and tenor sax). Â Concert Key (Piano): D minor. Â Tenor Sax Key: E minor. Â Alto Sax Key: B minor. Â Sax Level: Intermediate. Â Piano Level: Late Intermediate.
$11.99
10.99 €
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Saxophone Tenor et Piano
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James R
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John A
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Christmas Medley
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John A. Dempsey
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SheetMusicPlus
You've Got A Friend
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.547823 By James Taylor. …
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.547823 By James Taylor. By Carole King. Arranged by James M. Guthrie, ASCAP. Contemporary,Pop. Score and part. 9 pages. Jmsgu3 #3056331. Published by jmsgu3 (A0.547823). Carole King: You've Got A Friend arranged for Tenor Sax & Piano.Includes solo instrument part.Duration: 5″08″ Score: 7 pages. Part: 2 pages.This is the famous song that made Carole King the first woman to win the GrammyGrand Slam: Record of the Year (It’s Too Late), Album of the Year andBest Female Pop Vocal (Tapestry), and Song of the Year (You’ve Got A Friend).This arrangement is suitable for church, nightclub or recital hall performance.
$67.95
62.3 €
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Saxophone Tenor et Piano
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James Taylor
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James M
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Piano.
Includes solo
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You've Got A Friend
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jmsgu3
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SheetMusicPlus
Christmas Medley (What Child is This / Away in a Manger): Trio for Two Tenor Saxes and Piano
Saxophone Tenor et Piano
Small Ensemble Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.522805 Co…
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Small Ensemble Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.522805 Composed by James R. Murray. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 22 pages. John A. Dempsey #2919777. Published by John A. Dempsey (A0.522805). This triumphant, stirring trio for two tenor saxes and piano - a medley of two Christmas carols - is shaded with quiet, prayerful moments and brightened by joyful bursts of praise. Â It's a sweeping musical journey that celebrates the beauty and wonder of Jesus' birth. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture and special music. Â 18 pages of music (that includes separate two-page parts for tenor sax 1 and tenor sax 2). Â Concert Key (Piano): F major. Â Tenor Sax Key: G major. Â Tenor Sax Level: Intermediate. Â Piano Level: Late Intermediate.
$11.99
10.99 €
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Saxophone Tenor et Piano
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James R
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John A
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Christmas Medley
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John A. Dempsey
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SheetMusicPlus
Morning Has Broken
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548749 By Cat Stevens. B…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548749 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415225. Published by jmsgu3 (A0.548749). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
43.96 €
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Saxophone Tenor et Piano
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
My Saxophone and Me (B flat version)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin Kirkpatrick. Contemporary,Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3133717. Published by Colin Kirkpatrick Publications (A0.522193). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679835 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Starting Tune (No 1); Island Song (No 3); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written.
$5.95
5.46 €
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Saxophone Tenor et Piano
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Colin Kirkpatrick
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Island Song
(No 3)
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My Saxophone and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
Ode to Joy by Beethoven for Tenor Sax
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1160399 Composed by Ludw…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1160399 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760682. Published by Woods Only, Arrangements (A0.1160399). This arrangement adapted for tenor saxophone and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
1.82 €
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Saxophone Tenor et Piano
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Tenor Sax
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Woods Only, Arrangements
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SheetMusicPlus
Largo from 'Xerxes' (Handel) - tenor sax and piano with FREE BACKING TRACK
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1169100 Composed by Geor…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1169100 Composed by George Frideric Handel. Arranged by Austin Ralphson. Baroque,Classical,Wedding. Score and part. 5 pages. Austin Ralphson #769448. Published by Austin Ralphson (A0.1169100). Handel wrote this aria as the opening to the 1738 opera 'Serse'. Initially, the opera was a commercial failure, before it was later rediscovered and going on to become one of Handel's best-loved works. It is presented here as an intermediate-level solo with piano.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/8eEuo2GnK7s and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/1Z7cB
$3.99
3.66 €
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Saxophone Tenor et Piano
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George Frideric Handel
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Austin Ralphson
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Largo from 'Xerxes'
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Austin Ralphson
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SheetMusicPlus
Après un rêve (Fauré) for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1303419 Composed by Gabr…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1303419 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #892993. Published by SCORE EDITIONS (A0.1303419). This mélodie is the first in a set of three songs, opus 7, which also comprises Hymne and Barcarolle respectively. All three were composed between 1870 and 1877, then collected and published in 1878 under the title Trois Mélodies. Not originally conceived as a song cycle, these three songs acquired this opus number much later, in the 1890s. The poem for Après un rêve was loosely adapted from an anonymous Italian text by Romain Bussine. It describes, in the form of a dream, the imaginary flight of two lovers who are head over heels in love, although the last verse brings the dreamer inexorably back to harsh reality as dawn is breaking. In this version, the composition was arranged for Tenor Saxophone and Piano by Harry Walker.
$5.99
5.49 €
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Saxophone Tenor et Piano
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Gabriel Faure
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Harry Walker
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Après un rêve
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SCORE EDITIONS
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexa…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.29 €
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Saxophone Tenor et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Ave Maria for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548700 Composed by Franz…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548700 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411149. Published by jmsgu3 (A0.548700). A Tenor Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
27.46 €
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Saxophone Tenor et Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549424 Composed by Anton…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549424 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494011. Published by jmsgu3 (A0.549424). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.21 €
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Saxophone Tenor et Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
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