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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
James-Scott
Non classifié
137
Piano & claviers
Piano seul
99
Piano Facile
17
Piano, Voix et Guitare
15
Piano, Voix
11
Orgue
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
3
2 Pianos, 4 mains
2
Instruments en Do
2
Piano Trio: piano, violon, violoncelle
1
Piano (partie séparée)
1
1 Piano, 4 mains
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
36
Guitare
15
Ligne De Mélodie, (Paroles) et Accords
3
Guitare (partie séparée)
2
Paroles et Accords
1
Mandoline
1
Basse electrique
1
Ukulele
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
28
Chorale TTBB
12
Chorale 3 parties
12
Voix seule
11
Chorale SSAA
6
Chorale 2 parties
4
Chorale SSAB, Piano
1
Voix duo
1
Chorale SSAB a cappella
1
Chorale SSATB
1
Chorale
1
Voix duo, Piano
1
+ 7 instrumentations
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Vents
Flûte traversière et Piano
21
Clarinette
17
Ensemble de Clarinettes
12
Saxophone Baryton, Piano
10
Hautbois, Piano (duo)
10
Quatuor de Saxophones: 4 saxophones
10
Flûte traversière
9
Saxophone Tenor et Piano
9
Saxophone Alto
8
Saxophone Tenor
8
Quatuor de Clarinettes: 4 clarinettes
8
Saxophone Soprano et Piano
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Clarinette Basse, Piano
7
Flûte, Hautbois, Clarinette, Basson
7
Clarinette et Piano
7
Flûte à bec Tenor
6
Saxophone (partie séparée)
6
Piccolo, Piano
6
Saxophone Soprano
6
Saxophone Alto et Piano
6
Quatuor de Flûtes : 4 flûtes
4
Flûte à bec Soprano, Piano
4
Cor anglais, Piano
3
Flûte à bec Alto, Piano
3
Flûte à Bec, Piano
2
Flûte à Bec
2
Quintette de Saxophone: 5 saxophones
2
Quintette de Clarinettes: 5 clarinettes
1
Saxophone et Guitare
1
Quatuor de Flûtes à bec
1
2 Saxophones (duo)
1
2 Flûte à bec (duo)
1
2 Clarinettes (duo)
1
Flute (partie séparée)
1
+ 30 instrumentations
Retracter
Cuivres
Trombone et Piano
15
Trompette
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Euphonium, Piano (duo)
7
Trombone
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trombone (partie séparée)
5
Trombone basse et Piano
5
Trompette, Piano
5
Tuba et Piano
4
Cor et Piano
4
Trompette (partie séparée)
3
Cor anglais, Piano
3
Cor (partie séparée)
1
Tuba et Orgue
1
Tuba (partie séparée)
1
4 Tubas
1
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres
1
+ 14 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
25
Violon et Piano
19
2 Violons (duo)
18
Violoncelle, Piano
11
2 Altos (duo)
9
Violon
8
Contrebasse, Piano (duo)
7
Alto, Piano
6
Harpe
5
Alto seul
4
Violoncelle
4
Trio à Cordes: 2 violons, violoncelle
4
Trio à Cordes: violon, alto, violoncelle
4
Violon, Violoncelle (duo)
3
2 Violoncelles (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
4 Violoncelles
1
Contrebasse (partie séparée)
1
Violon, Alto (duo)
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
17
Fanfare
13
Orchestre à Cordes
11
Ensemble de cuivres
9
Ensemble Jazz
7
Orchestre
3
Batterie
1
Batterie (partie séparée)
1
+ 3 instrumentations
Retracter
Autres
Instruments
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ENFANTS : EVEIL - IN…
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FLAMENCO
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FUNK
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JAZZ MANOUCHE - SWIN…
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LATIN - BOSSA - WORL…
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MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Crtitères actifs :
James-Scott
Saxophone Tenor et Piano
Partitions à imprimer
9 partitions trouvées
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1
A Scottish Cradle Song
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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James Gourlay
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Jirka Kadlec
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A Scottish Cradle Song
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Editions Marc Reift - Digital
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SheetMusicPlus
Tenor Saxophone & Piano - Grade 3 - SKU: R0.35029 Composed by James Gourlay. Arranged by Jirka Kadlec. Tenor Saxophone & Piano. Score and parts. 6 pages...
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Tenor Saxophone & Piano - Grade 3 - SKU: R0.35029 Composed by James Gourlay. Arranged by Jirka Kadlec. Tenor Saxophone & Piano. Score and parts. 6 pages. Duration 3'53. Editions Marc Reift - Digital #35029. Published by Editions Marc Reift - Digital (R0.35029).
$6.95
Broadway Rag
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Saxophone Tenor et Piano
#
INTERMÉDIAIRE/AVANCÉ
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James Scott
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Jirka Kadlec
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Broadway Rag
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Editions Marc Reift - Digital
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SheetMusicPlus
Tenor Saxophone & Piano - Grade 4 - SKU: R0.30281 Composed by James Scott. Arranged by Jirka Kadlec. Tenor Saxophone & Piano. Score and parts. 12 pages....
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Tenor Saxophone & Piano - Grade 4 - SKU: R0.30281 Composed by James Scott. Arranged by Jirka Kadlec. Tenor Saxophone & Piano. Score and parts. 12 pages. Duration 3'02. Editions Marc Reift - Digital #30281. Published by Editions Marc Reift - Digital (R0.30281).
$11.95
Sunburst Rag
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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James Scott
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Jirka Kadlec
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Sunburst Rag
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Editions Marc Reift - Digital
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SheetMusicPlus
Tenor Saxophone & Piano - Grade 3 - SKU: R0.30326 Composed by James Scott. Arranged by Jirka Kadlec. Tenor Saxophone & Piano. Score and parts. 9 pages. ...
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Tenor Saxophone & Piano - Grade 3 - SKU: R0.30326 Composed by James Scott. Arranged by Jirka Kadlec. Tenor Saxophone & Piano. Score and parts. 9 pages. Duration 2'42. Editions Marc Reift - Digital #30326. Published by Editions Marc Reift - Digital (R0.30326).
$6.95
Frog Legs Rag
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
#
James Scott
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Jirka Kadlec
#
Frog Legs Rag
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Editions Marc Reift - Digital
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SheetMusicPlus
Tenor Saxophone & Piano - Grade 4 - SKU: R0.28594 Composed by James Scott. Arranged by Jirka Kadlec. Tenor Saxophone & Piano. Score and parts. 7 pages. ...
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Tenor Saxophone & Piano - Grade 4 - SKU: R0.28594 Composed by James Scott. Arranged by Jirka Kadlec. Tenor Saxophone & Piano. Score and parts. 7 pages. Duration 2'57. Editions Marc Reift - Digital #28594. Published by Editions Marc Reift - Digital (R0.28594).
$5.95
Pegasus Rag
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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James Scott
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Jirka Kadlec
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Pegasus Rag
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Editions Marc Reift - Digital
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SheetMusicPlus
Tenor Saxophone & Piano - Grade 3 - SKU: R0.30371 Swingy. Composed by James Scott. Arranged by Jirka Kadlec. Tenor Saxophone & Piano. Score and p...
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Tenor Saxophone & Piano - Grade 3 - SKU: R0.30371 Swingy. Composed by James Scott. Arranged by Jirka Kadlec. Tenor Saxophone & Piano. Score and parts. 8 pages. Duration 2'32. Editions Marc Reift - Digital #30371. Published by Editions Marc Reift - Digital (R0.30371).
$6.95
Rag Sentimental
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
#
James Scott
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Jirka Kadlec
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Rag Sentimental
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Editions Marc Reift - Digital
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SheetMusicPlus
Tenor Saxophone & Piano - Grade 4 - SKU: R0.28569 Composed by James Scott. Arranged by Jirka Kadlec. Tenor Saxophone & Piano. Score and parts. 7 pages. ...
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Tenor Saxophone & Piano - Grade 4 - SKU: R0.28569 Composed by James Scott. Arranged by Jirka Kadlec. Tenor Saxophone & Piano. Score and parts. 7 pages. Duration 3'03. Editions Marc Reift - Digital #28569. Published by Editions Marc Reift - Digital (R0.28569).
$5.95
Schubert: Ave Maria for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
#
Classique
#
Franz Schubert
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James M
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Schubert: Ave Maria for Tenor
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548700 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and ...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548700 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411149. Published by jmsgu3 (A0.548700). A Tenor Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Morning Has Broken
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Saxophone Tenor et Piano
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DÉBUTANT
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Rock
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548749 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jm...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548749 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415225. Published by jmsgu3 (A0.548749). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
Mendelssohn: Wedding March for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
$32.95
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James-Scott 
