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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
John M
Non classifié
1 282
Piano & claviers
Piano seul
714
Piano, Voix
656
Piano, Voix et Guitare
233
Piano Facile
205
Instruments en Do
114
Orgue
22
Accordéon
17
Piano grosses notes
13
1 Piano, 4 mains
10
Piano Trio: piano, violon, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano (partie séparée)
3
Accompagnement Piano
3
2 Pianos, 4 mains
3
Orgue, Trompette (duo)
3
Ligne De Mélodie, Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
2 162
Guitare
203
Guitare notes et tablatures
133
Ukulele
30
Paroles et Accords
21
Basse electrique
20
Guitare (partie séparée)
5
Banjo
3
2 Guitares (duo)
2
Dulcimer
2
Basse électrique (partie séparée)
2
3 Guitares (trio)
1
Ukulele Baryton
1
Piano, Guitare (duo)
1
Guitare Pedal Steel
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
348
Pack Instrumental pour Chorale
108
Chorale 3 parties
105
Chorale TTBB
52
Chorale SSAA
31
Chorale 2 parties
26
Chorale Unison
13
Voix seule
8
Voix duo
7
Voix duo, Piano
5
Chorale
3
Voix Baryton, Piano
3
Voix Tenor, Piano
2
Voix haute
2
Voix Tenor
1
Chorale SSAATB
1
Voix Moyenne
1
Voix basse, Piano
1
Voix Alto, Piano
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
71
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
70
Saxophone
54
Quintette de Saxophone: 5 saxophones
52
Clarinette
50
Clarinette et Piano
44
Saxophone (partie séparée)
42
Flûte traversière
41
Hautbois, Piano (duo)
40
Quatuor de Saxophones: 4 saxophones
35
Saxophone Alto et Piano
30
Saxophone Tenor et Piano
28
2 Saxophones (duo)
27
Clarinette (partie séparée)
21
Saxophone Alto
20
Saxophone Soprano et Piano
20
Flûte, Hautbois, Clarinette, Basson
20
Quatuor de Clarinettes: 4 clarinettes
18
Saxophone Tenor
18
2 Flûtes traversières (duo)
18
Saxophone Baryton, Piano
16
Flute (partie séparée)
16
Ensemble de Clarinettes
16
Ensemble de saxophones
16
Cor anglais, Piano
16
2 Clarinettes (duo)
14
Clarinette Basse, Piano
13
Hautbois (partie séparée)
12
2 Flûte à bec (duo)
9
Quatuor de Flûtes : 4 flûtes
9
Saxophone, Clarinette (duo)
9
Flûte, Clarinette (duo)
8
Clarinette, Violon (duo)
7
2 Hautbois (duo)
6
Trio de Flûtes: 3 flûtes
5
Hautbois, Clarinette (duo)
5
Saxophone Soprano
5
Hautbois
5
Flûte et Guitare
5
Ensemble de Flûtes
5
Flûte, Violon
5
Clarinette, Trompette (duo)
4
Quintette de Flûte : 5 flûtes
4
Instruments en Mib
4
Hautbois, Flûte
3
5 Flûtes à bec
3
Saxophone et Guitare
3
Harmonica
3
Hautbois, Basson (duo)
3
Clarinette et Alto
3
Flûte, Saxophone (duo)
3
3 Saxophones (trio)
3
Clarinette, Basson (duo)
2
Flûte, Trompette (duo)
2
Flûte, Violon, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette, Harpe (duo)
2
Flûte, Alto (duo)
2
Piccolo, Piano
2
3 Clarinettes (trio)
2
Flûte, Hautbois, Basson
1
Flûte, Clarinette, Violon (trio)
1
2 Flûtes traversières, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte à bec Soprano, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte traversière, Orchestre
1
Ensemble De Flûte à bec
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Soprano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Violon
1
Flûte, Alto et Violoncelle
1
Quatuor de Flûtes à bec
1
+ 69 instrumentations
Retracter
Cuivres
Trompette
55
Quatuor de Cuivres : 2 trompettes, trombone, tuba
41
Trompette (partie séparée)
41
Trombone
39
Trombone et Piano
36
Trombone (partie séparée)
32
Trompette, Piano
32
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Cor et Piano
22
Tuba et Piano
19
Euphonium, Piano (duo)
16
Cor anglais, Piano
16
Trompette, Saxophone (duo)
11
2 Trombones (duo)
10
Tuba (partie séparée)
9
Cor (partie séparée)
7
2 Trompettes (duo)
7
Ensemble de Trombones
6
Trompette, Trombone (duo)
6
Cor
5
Trio de Cuivres
4
Tuba
4
Quatuor de Cuivres
4
Ensemble de Trompettes
4
Trombone, Cor (duo)
3
Instruments en Sib
3
Bass Clef Instruments
3
Quatuor de cuivres: 4 cors
3
2 Cors (duo)
2
Cornet A Pistons
2
Trompette, Cor (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette, Violoncelle et Piano
1
Ensemble de Cors
1
2 Cors Anglais Et Pianoforte
1
2 Euphoniums (duo)
1
2 Tubas (duo)
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
112
Violon et Piano
55
Violon
44
Violon, Violoncelle (duo)
42
Violoncelle, Piano
41
Alto, Piano
38
Violoncelle
36
Alto seul
28
Trio à Cordes: violon, alto, violoncelle
27
Harpe
22
Violon, Alto (duo)
15
2 Violons (duo)
15
Trio à Cordes: 2 violons, violoncelle
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Contrebasse, Piano (duo)
9
2 Violoncelles (duo)
9
Violon (partie séparée)
8
Contrebasse (partie séparée)
5
Ensemble d'Altos
5
Contre Basse
5
Ensemble de Violons
5
Violoncelle (partie séparée)
4
2 Altos (duo)
4
Alto (partie séparée)
3
Ensemble de Violoncelles
2
Violon, Guitare (duo)
2
Harpe, Flûte (duo)
2
Piano Trio: Violon, Alto, Piano
2
Trio à cordes: 3 violins
1
Violoncelle , Guitare (duo)
1
Harpe, Violon (duo)
1
2 Contrebasses (duo)
1
Harpe, Orchestre
1
4 Violoncelles
1
Violon, Tuba (duo)
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
180
Ensemble Jazz
73
Orchestre
66
Fanfare
50
Orchestre à Cordes
38
Orchestre de chambre
22
Ensemble de cuivres
17
Percussion (partie séparée)
12
Jazz combo
11
Cloches
11
Timbales
9
Vibraphone
7
Batterie
7
Batterie (partie séparée)
6
Ensemble de Percussions
6
Timbales (partie séparée)
2
Quintette de Cuivres: autres combinaisons
1
Percussion
1
+ 13 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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LIVRES
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MANDOLINE
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Vous avez sélectionné:
John M
Saxophone Tenor et Piano
Partitions à imprimer
28 partitions trouvées
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1
26
When I'm Sixty-four
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Saxophone Tenor et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
The Beatles
#
Fishel Pustilnik
#
When I'm Sixty-four
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F & N Enterprise
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.635526 By The Beatles. By John Lennon, John Winsto...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.635526 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by Fishel Pustilnik. Rock. Score and parts. 8 pages. F & N Enterprise #5313221. Published by F & N Enterprise (A0.635526). An excellent arrangement of the famous Song When I'm Sixty-Four (by The Beatles) for Tenor Sax and Piano-Jazz/Pop Version.
$4.99
I'm Still Standing
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Saxophone Tenor et Piano
#
FACILE
#
Rock
#
Elton John
#
Stephen DeCesare
#
I'm Still Standing
#
Exultet Music
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.624169 By Elton John. By Bernie Taupin and Elton J...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.624169 By Elton John. By Bernie Taupin and Elton John. Arranged by Stephen DeCesare. Pop,Rock. Score and parts. 14 pages. Exultet Music #4639395. Published by Exultet Music (A0.624169). One of the greatest hits by Sir Elton John which is also featured in his biographical movie - Rocketman has been freshly arranged as a duet for Soprano and Tenor Saxophone with Piano accompaniment. Also contains the Electric Guitar solo written in standard notation. Accessible and appropriate for any school or concert setting.
$4.99
(i'm Gonna) Love Me Again
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Saxophone Tenor et Piano
#
FACILE
#
Contemporain
#
Elton John And Taron Egerton
#
Stephen DeCesare
#
(i'm Gonna) Love Me Again
#
Exultet Music
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.624106 By Elton John And Taron Egerton. By Bernie ...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.624106 By Elton John And Taron Egerton. By Bernie Taupin and Elton John. Arranged by Stephen DeCesare. Contemporary. Score and parts. 19 pages. Exultet Music #4628359. Published by Exultet Music (A0.624106). The original single by Elton John that he sang with Taron Egerton from his 2019 musical biographical film: ROCKETMAN, has now been freshly arranged as a duet for Soprano and Tenor Saxophone, optional C-Trumpet, and Piano accompaniment. Accessible and appropriate for any school or concert setting.
$4.99
I'm Still Standing
#
Saxophone Tenor et Piano
#
FACILE
#
Film/TV
#
Rock
#
Elton John
#
Stephen DeCesare
#
I'm Still Standing
#
Exultet Music
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1101963 By Elton John. By Bernie Taupin and Elton John. Arranged by Stephen DeCesare. Film/TV,Pop,Rock. Score ...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1101963 By Elton John. By Bernie Taupin and Elton John. Arranged by Stephen DeCesare. Film/TV,Pop,Rock. Score and part. 12 pages. Exultet Music #705355. Published by Exultet Music (A0.1101963). One of the greatest hits by Sir Elton John which is also featured in his biographical movie - Rocketman has been freshly arranged for a Tenor Saxophone solo with Piano accompaniment. Also contains the Electric Guitar solo written in standard notation. Accessible and appropriate for any school or concert setting.
$4.99
I'm Still Standing
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Saxophone Tenor et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
Elton John
#
Andrew Will
#
I'm Still Standing
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Andrew Will
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.983040 By Elton John. By Bernie Taupin and Elton John. Arranged by Andrew Will. Pop,Rock. Score and part. 10 p...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.983040 By Elton John. By Bernie Taupin and Elton John. Arranged by Andrew Will. Pop,Rock. Score and part. 10 pages. Andrew Will #6211823. Published by Andrew Will (A0.983040). Tenor Saxophone Solo with Piano Accompaniment. Score and Part included. Enjoy!
$4.99
I Write The Songs
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Saxophone Tenor et Piano
#
INTERMÉDIAIRE
#
Barry Manilow
#
James M
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I Write The Songs
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549334 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and ...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549334 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486301. Published by jmsgu3 (A0.549334). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
Amazing Grace for tenor saxophone and piano
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Saxophone Tenor et Piano
#
DÉBUTANT
#
Anonymous, John Newton, and Wi
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Daniel C
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Amazing Grace for tenor saxoph
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Daniel C. M.
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.810138 Composed by Anonymous, John Newton, and William Walker. Arranged by Daniel C. M. Christian,Concert,Stan...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.810138 Composed by Anonymous, John Newton, and William Walker. Arranged by Daniel C. M. Christian,Concert,Standards,World. Score and part. 3 pages. Daniel C. M. #5205373. Published by Daniel C. M. (A0.810138). This arrangement is based on the original publication from William Walker's Southern Harmony where the music is basically a 3 voices choral and this arrangement is almost just a transcription to saxophone and piano. The melody has little changes as the way it is interpreted today but keeps almost the same harmony from the original. It is written in a straight easy way for players to enjoy. Although the title of the piece comes from the hymn written by John Newton this is only an instrumental arrangement.
$3.99
O Come All Ye Faithful for Tenor Sax & Piano
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Saxophone Tenor et Piano
#
DÉBUTANT
#
Wade
#
James M
#
O Come All Ye Faithful for Ten
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548516 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jm...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548516 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388133. Published by jmsgu3 (A0.548516). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Goodness Of God
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Saxophone Tenor et Piano
#
FACILE
#
Musique Sacrée
#
Bethel Music and Jenn Johnson
#
Josiel Oliveira
#
Goodness Of God
#
M das Melodias
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1465718 By Bethel Music and Jenn Johnson. By Ben Fielding, Brian Johnson, Ed Cash, Jason Ingram, and Jenn John...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1465718 By Bethel Music and Jenn Johnson. By Ben Fielding, Brian Johnson, Ed Cash, Jason Ingram, and Jenn Johnson. Arranged by Josiel Oliveira. Christian,Praise & Worship. Score and part. 1 pages. M das Melodias #1044328. Published by M das Melodias (A0.1465718). Sheet music for the song Goodness of God.
$4.99
Don't Let The Sun Go Down On Me
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Piano
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Don't Let The Sun Go Down On M
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.547812 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score an...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.547812 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 13 pages. Jmsgu3 #3053423. Published by jmsgu3 (A0.547812). Elton John: Don't Let The Sun Go Down On Me for Tenor Sax & Piano. Duration: 5'27 Â Score: 7 pages. Solo part: 2 pages. Piano part: 4 pages. Co-written by Elton John and Bernie Taupin in January of 1974, this song was originally recorded in 1974 for Elton's studio album Caribou. It was released as a single that peaked at number two on the Billboard Hot 100 chart. In the US, the single was certified Gold on 6 September 1974 by the RIAA. Many consider this to be Elton John's greatest song. The melody fits well in the tessitura of the solo instrument and features some challenging rhythms for sight-reading. The arrangement is well suited for performance in church, nightclub or recital stage. Â
$53.95
Goodbye Yellow Brick Road
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.547890 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score an...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.547890 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 11 pages. Jmsgu3 #3073429. Published by jmsgu3 (A0.547890). TENOR SAX & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages.Score 6 pages, Part 2 pages, Duration 3' 11 at half note = 60. Length: 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall.
$53.95
Blessed
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Blessed
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.545981 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie. Pop,Rock. Score and part....
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Piano,Tenor Saxophone - Level 3 - SKU: A0.545981 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie. Pop,Rock. Score and part. 9 pages. Jmsgu3 #3030375. Published by jmsgu3 (A0.545981). Elton John: Blessed arranged for Tenor Sax and Piano. Includes Sax part.
$49.95
Sullivan: The Lost Chord for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for T
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497143. Published by jmsgu3 (A0.549447). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Have You Ever Seen The Rain?
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Saxophone Tenor et Piano
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DÉBUTANT
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Creedence Clearwater Revival
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Josiel Oliveira
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Have You Ever Seen The Rain?
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M das Melodias
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1096081 By Creedence Clearwater Revival. By John Fogerty. Arranged by Josiel Oliveira. Multicultural,Pop,World...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1096081 By Creedence Clearwater Revival. By John Fogerty. Arranged by Josiel Oliveira. Multicultural,Pop,World. Score and part. 1 pages. M das Melodias #700032. Published by M das Melodias (A0.1096081). Play this beautiful song with your favorite instrument. Sheet music of the song Have You Ever Seen The Rain by Creedence Clearwater Revival for Tenor Saxophone. Easy level. Someone told me long ago There's a calm before the storm I know It's been coming for some time When it's over so they say It'll rain a sunny day I know Shining down like water I want to know Have you ever seen the rain I want to know Have you ever seen the rain Coming down on a sunny day Yesterday and days before Sun is cold and rain is hard I know Been that way for all my time 'Til forever on it goes Through the circle, fast and slow I know It can't stop, I wonder I want to know Have you ever seen the rain I want to know Have you ever seen the rain Coming down on a sunny day (Yeeaahh) I want to know Have you ever seen the rain I want to know Have you ever, ever seen the rain Coming down on a sunny day.
$4.99
Imagine
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Saxophone Tenor et Piano
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FACILE
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Rock
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John Lennon And The Plastic On
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James M
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Imagine
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.548560 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by James M. Guthrie, ASCAP. Rock. Sco...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.548560 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 5 pages. Jmsgu3 #3396975. Published by jmsgu3 (A0.548560). Duration: 2:49 Score: 4 pg, part: 1 pg
$53.95
Rocket Man (I Think It's Gonna Be A Long Long Time)
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Rocket Man
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jmsgu3
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SheetMusicPlus
By Elton John. By Elton John and Bernie Taupin. Arranged by James M. Guthrie, ASCAP. Pop, Rock. Score and part. 47 pages. Jmsgu3 #3214145. Published b...
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By Elton John. By Elton John and Bernie Taupin. Arranged by James M. Guthrie, ASCAP. Pop, Rock. Score and part. 47 pages. Jmsgu3 #3214145. Published by jmsgu3
$53.95
Bach-Gounod: Ave Maria for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Ten
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sc...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490159. Published by jmsgu3 (A0.549367). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano - S0.662027. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
O Holy Night for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Noël
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Adam
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James M
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O Holy Night for Tenor Sax &am
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. J...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410441. Published by jmsgu3 (A0.548677). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
The First Noel for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Tenor Sax &
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548504 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pa...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548504 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387401. Published by jmsgu3 (A0.548504). The First Noel arranged for Tenor Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Alto Sax Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Weddin...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3468806. Published by jmsgu3 (A0.549236). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Yesterday
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Rock
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The Beatles
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James M
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Piano
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Yesterday
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.547791 By The Beatles. By John Lennon and Paul McCartney. Arranged by James M. Guthrie. Rock. Score and part. ...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.547791 By The Beatles. By John Lennon and Paul McCartney. Arranged by James M. Guthrie. Rock. Score and part. 3 pages. Jmsgu3 #3048403. Published by jmsgu3 (A0.547791). The Beatles: Yesterday arranged for Tenor Sax & Piano. Includes performance part. This 1965 melancholy rock ballad by Paul McCartney was inducted into the Grammy Hall of Fame in 1997, voted best song of the 20th century in a 1999 BBC Radio poll, and voted No. 1 pop song of all time by MTV and Rolling Stone magazine in 2000.
$53.95
Bach: Wachet auf for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Tenor Sax
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Silent Night for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Noël
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Gruber
#
James M
#
Silent Night for Tenor Sax &am
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548490 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #33...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548490 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387061. Published by jmsgu3 (A0.548490). Silent Night for Tenor Sax & Piano with new harmony for the final verse. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies. Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
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Saxophone Tenor et Piano
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James M
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Bach-Gounod: Ave Maria, Schwen
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Ea...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888767. Published by jmsgu3 (A0.550935). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
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