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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
John Thomas
Non classifié
325
Piano & claviers
Piano seul
212
Piano, Voix
153
Piano Facile
99
Piano, Voix et Guitare
39
Instruments en Do
37
1 Piano, 4 mains
7
Orgue
5
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
2 Pianos, 8 mains
1
Orgue, Piano (duo)
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
32
Guitare
21
Ukulele
21
Basse electrique
13
Ligne De Mélodie, (Paroles) et Accords
12
Paroles et Accords
6
Mandoline
2
Banjo
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Guitare (partie séparée)
1
2 Guitares (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
126
Chorale 3 parties
56
Voix Baryton, Piano
29
Voix Tenor, Piano
28
Voix Soprano, Piano
28
Voix Alto, Piano
26
Chorale TTBB
16
Chorale SSAA
13
Chorale Unison
9
Chorale 2 parties
8
Soli, choeur mixte et accompagnement
4
Voix duo, Piano
3
Chorale
2
Male Voice
1
Pack Instrumental pour Chorale
1
+ 10 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Quatuor de Saxophones: 4 saxophones
24
Flûte traversière et Piano
23
Clarinette
23
Flûte traversière
22
Saxophone Alto
21
Saxophone (partie séparée)
20
Flûte, Hautbois, Clarinette, Basson
19
2 Saxophones (duo)
16
Hautbois, Piano (duo)
15
Saxophone Alto et Piano
15
Quintette de Clarinettes: 5 clarinettes
14
Saxophone Tenor
14
Clarinette et Piano
13
Quatuor de Clarinettes: 4 clarinettes
12
Saxophone Tenor et Piano
11
3 Saxophones (trio)
10
Quatuor de Flûtes : 4 flûtes
10
2 Flûte à bec (duo)
8
Cor anglais, Piano
7
3 Clarinettes (trio)
6
2 Clarinettes (duo)
6
Saxophone Soprano et Piano
6
Saxophone Baryton, Piano
5
Hautbois (partie séparée)
5
Trio de Flûtes: 3 flûtes
5
2 Flûtes traversières (duo)
5
Clarinette (partie séparée)
4
Flûte et Guitare
4
Ensemble De Flûte à bec
4
Hautbois
4
Clarinette Basse, Piano
4
Ensemble de Clarinettes
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Hautbois, Clarinette (duo)
3
2 Hautbois (duo)
3
Flûte, Clarinette et Basson
3
Flûte, Clarinette (duo)
3
Flûte, Hautbois, Basson
2
Flûte, Hautbois, Clarinette (trio)
2
Ensemble de Flûtes
2
Hautbois, Flûte
2
Piccolo, Piano
2
Flute (partie séparée)
2
Ensemble de saxophones
2
Ocarina
2
Quintette de Flûte : 5 flûtes
2
Quatuor de Flûtes à bec
2
Flûte à bec Soprano
2
Clarinette, Basson, Piano (trio)
1
2 Flûtes à bec, Guitare
1
Saxophone et Guitare
1
5 Flûtes à bec
1
Flûte à bec Alto
1
Clarinette, Guitare (duo)
1
Flûte, Basson et Piano
1
Cor Anglais
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Basson (duo)
1
3 Flûtes à bec (trio)
1
Clarinette, Basson (duo)
1
Saxophone Soprano
1
Clarinette, Harpe (duo)
1
Saxophone Baryton
1
+ 60 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Trompette
21
Trombone et Piano
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Trombone
14
Cor et Piano
12
Euphonium, Piano (duo)
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Cor
9
Trompette, Piano
9
Tuba et Piano
8
Tuba
7
Cor anglais, Piano
7
Trompette (partie séparée)
6
Trombone (partie séparée)
6
2 Trombones (duo)
5
2 Cors (duo)
4
Quatuor de Cuivres
4
2 Trompettes (duo)
4
Trompette, Trombone (duo)
3
Cor (partie séparée)
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 trombones
2
Trombone, Tuba (duo)
1
Cor Anglais
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 trompettes
1
Trio de Cuivres
1
Trompette, Tuba (duo)
1
4 Tubas
1
+ 25 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
128
Violon
39
Trio à Cordes: violon, alto, violoncelle
27
Violon et Piano
22
Violoncelle
21
Alto seul
20
Violoncelle, Piano
16
Alto, Piano
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Violon, Violoncelle (duo)
13
2 Violons (duo)
12
Harpe
11
2 Violoncelles (duo)
11
Violon, Alto (duo)
9
Contrebasse, Piano (duo)
6
Contre Basse
5
Contrebasse (partie séparée)
5
Alto (partie séparée)
4
Violon (partie séparée)
4
2 Altos (duo)
4
2 Harpes (duo)
3
4 Violoncelles
3
Trio à Cordes: 2 violons, alto
3
Alto, Violoncelle (duo)
3
2 Contrebasses (duo)
2
Trio à cordes: 3 violins
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 altos
2
Violoncelle, Contrebasse (duo)
2
Trio à Cordes: 3 violoncelles
1
Harpe, Flûte (duo)
1
Violoncelle (partie séparée)
1
Violoncelle , Guitare (duo)
1
Quatuor à cordes : 4 altos
1
Violon, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
44
Orchestre d'harmonie
30
Batterie
29
Fanfare
18
Ensemble Jazz
9
Orchestre de chambre
6
Orchestre
5
Cloches
3
Ensemble de cuivres
2
Ensemble de Percussions
2
Jazz combo
2
Marimba
1
Xylophone
1
Percussion
1
Batterie (partie séparée)
1
Percussion (partie séparée)
1
+ 11 instrumentations
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FLUTE A DIX…
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GUITARE
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
John Thomas
Saxophone Tenor et Piano
Partitions à imprimer
11 partitions trouvées
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1
Deck The Halls - Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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FACILE
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Noël
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John Thomas
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Kacie J
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Deck The Halls - Tenor Saxopho
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Kacie Rickells
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.821707 Composed by John Thomas. Arranged by Kacie J. Rickells. Christmas. Score and part. 3 pages. Kacie Ricke...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.821707 Composed by John Thomas. Arranged by Kacie J. Rickells. Christmas. Score and part. 3 pages. Kacie Rickells #3380421. Published by Kacie Rickells (A0.821707). A simple arrangement for Tenor Saxophone and Piano accompaniment.
$2.25
Adeste Fideles (O Come, All Ye Faithful) - tenor sax and piano
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Saxophone Tenor et Piano
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DÉBUTANT
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John Francis Wade and John Rea
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Vitor Melo
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Adeste Fideles
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Melo Music
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1096945 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1096945 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,Holiday,Religious. Score and part. 2 pages. Melo Music #700912. Published by Melo Music (A0.1096945). O Come, All Ye Faithful (originally spelled in Latin as Adeste Fideles) is a famous Christmas song that has been attributed to various authors. This beautiful hymn was first published by John Francis Wade in his collection Cantus Diversi (1751), with four Latin verses, and music set in the traditional square notation used for medieval liturgical music. Besides John Reading and John Francis Wade, the tune has been attributed to several musicians, from Handel to the German composer Gluck. The Portuguese composer Marcos Portugal or King John IV of Portugal have also been credited. Thomas Arne, whom Wade knew, is another possible composer. This arrangement features an easy-to-play tenor saxophone version, with piano accompaniment and chords, for optional guitar accompaniment. Easy level. Key: G Major.
$3.50
Adeste Fideles (O Come, All Ye Faithful) - alto sax, tenor sax, piano
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Saxophone Tenor et Piano
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FACILE
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John Francis Wade and John Rea
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Vitor Melo
#
Adeste Fideles
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Melo Music
#
SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 2 - SKU: A0.1100489 Composed by John Francis Wade and John Readin...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 2 - SKU: A0.1100489 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,Holiday,Religious. 3 pages. Melo Music #704266. Published by Melo Music (A0.1100489). O Come, All Ye Faithful (originally spelled in Latin as Adeste Fideles) is a famous Christmas song that has been attributed to various authors. This beautiful hymn was first published by John Francis Wade in his collection Cantus Diversi (1751), with four Latin verses, and music set in the traditional square notation used for medieval liturgical music. Besides John Francis Wade, the tune has been attributed to several musicians, from John Reading and his son, to Handel, and even the German composer Gluck. The Portuguese composer Marcos Portugal or King John IV of Portugal have also been credited. Thomas Arne, whom Wade knew, is another possible composer. This arrangement is a beautiful duet for alto and tenor saxophones, with piano accompaniment and chords, for optional guitar accompaniment. Key: G Major.
$4.45
Sullivan: The Lost Chord for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for T
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497143. Published by jmsgu3 (A0.549447). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Bach-Gounod: Ave Maria for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
#
Bach-Gounod
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James M
#
Piano - S0
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Bach-Gounod: Ave Maria for Ten
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sc...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490159. Published by jmsgu3 (A0.549367). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano - S0.662027. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Weddin...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3468806. Published by jmsgu3 (A0.549236). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Bach: Wachet auf for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Tenor Sax
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Ea...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888767. Published by jmsgu3 (A0.550935). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
Good King Wenceslas - Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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FACILE
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Noël
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John Mason Neale, Thomas Helmo
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Kacie J
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Good King Wenceslas - Tenor Sa
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Kacie Rickells
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.821801 Composed by John Mason Neale, Thomas Helmore. Arranged by Kacie J. Rickells. Christian,Christmas. Score...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.821801 Composed by John Mason Neale, Thomas Helmore. Arranged by Kacie J. Rickells. Christian,Christmas. Score and part. 3 pages. Kacie Rickells #3411271. Published by Kacie Rickells (A0.821801). An early intermediate arrangement of a traditional Christmas carol for Tenor Saxophone and Piano accompaniment.
$2.25
As It Was
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Saxophone Tenor et Piano
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FACILE
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Rock
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Harry Styles
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Gildson Cerqueira
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As It Was
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Gildson Cerqueira
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1388499 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Gildson Cerqueira. Pop,R...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1388499 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Gildson Cerqueira. Pop,Rock. Score and part. 9 pages. Gildson Cerqueira #972037. Published by Gildson Cerqueira (A0.1388499). Explore a New Dimension of As It Was with Our Exclusive Sheet Music Arrangements!Immerse yourself in the beauty of As It Was through our expertly crafted sheet music. Suitable for all skill levels, these arrangements offer a unique and immediate digital experience. Elevate your musical journey by bringing our distinctive interpretations to your fingertips.[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
$7.99
As It Was
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Saxophone Tenor et Piano
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FACILE
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Rock
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Harry Styles
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Gildson Cerqueira
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As It Was
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Gildson Cerqueira
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1388497 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Gildson Cerqueira. Pop,R...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1388497 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Gildson Cerqueira. Pop,Rock. Score and part. 9 pages. Gildson Cerqueira #972035. Published by Gildson Cerqueira (A0.1388497). Explore a New Dimension of As It Was with Our Exclusive Sheet Music Arrangements!Immerse yourself in the beauty of As It Was through our expertly crafted sheet music. Suitable for all skill levels, these arrangements offer a unique and immediate digital experience. Elevate your musical journey by bringing our distinctive interpretations to your fingertips.[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
$7.99
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