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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
More
Non classifié
11 626
Piano & claviers
Piano, Voix
13 857
Piano seul
7 982
Piano Facile
3 530
Piano grosses notes
3 325
Piano, Voix et Guitare
2 034
Orgue
1 924
Instruments en Do
432
1 Piano, 4 mains
249
Accompagnement Piano
114
Piano Trio: piano, violon, violoncelle
109
Accordéon
108
2 Pianos, 4 mains
97
Clavier
66
Piano (partie séparée)
30
Piano Quatuor: piano, violon, alto, violoncelle
29
Orgue, Trompette (duo)
15
Piano Quatuor: piano, 2 violons, violoncelle
10
Clavecin
9
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Orgue, Piano (duo)
6
Ligne De Mélodie, Piano
4
Orgue, Voix
3
2 Pianos, 8 mains
3
1 Piano, 6 mains
2
Accordéon, Voix
1
2 Accordéons
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 473
Guitare
771
Ligne De Mélodie, (Paroles) et Accords
471
Ukulele
274
2 Guitares (duo)
165
Paroles et Accords
161
Basse electrique
145
Mandoline
58
Dulcimer
39
Banjo
35
Guitare (partie séparée)
34
4 Guitares (Quatuor)
28
Ensemble de guitares
26
Piano, Guitare (duo)
25
3 Guitares (trio)
15
2 Ukuleles
9
Ukulele Baryton
7
Mandoline, Guitare (duo)
4
Dobro
4
Guitare Pedal Steel
3
Ensemble de Ukulélés
2
Guitare, Violon, Violoncelle (trio)
2
2 Dulcimers (duo)
1
Basse électrique (partie séparée)
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
2 901
Chorale 3 parties
952
Chorale TTBB
706
Chorale SSAA
570
Chorale 2 parties
507
Chorale Unison
496
Pack Instrumental pour Chorale
366
Voix seule
203
Voix duo, Piano
87
Voix haute
60
Voix duo
50
Voix Soprano, Piano
48
Chorale
45
Voix Alto, Piano
32
Voix Baryton, Piano
27
Voix Tenor, Piano
19
Voix moyenne, Piano
19
Voix basse, Piano
13
Chorale SSAATTBB
10
Voix, Guitare
6
Voix Soprano
6
Voix Soprano, Orchestre
5
Voix Tenor
5
Voix basse
5
Chorale SSATTB
4
Chorale SSAB a cappella
4
Chorale SSATB
3
Chorale SSAB, Piano
3
Voix Mezzo-Soprano, Piano
2
Soli, choeur mixte et accompagnement
2
Chorale SAATB A Cappella
2
Chorale SATTB
1
Voix et basse continue
1
Voix Baryton
1
Chorale SSAATB
1
Chorale SATBB
1
Voix Moyenne
1
+ 32 instrumentations
Retracter
Vents
2 Saxophones (duo)
1 273
Flûte traversière et Piano
960
Quatuor de Saxophones: 4 saxophones
772
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
772
2 Clarinettes (duo)
644
Clarinette et Piano
631
Clarinette
609
2 Flûtes traversières (duo)
585
Saxophone Alto et Piano
566
Hautbois, Piano (duo)
565
Flûte traversière
549
Flûte, Hautbois, Clarinette, Basson
539
Quatuor de Clarinettes: 4 clarinettes
496
Saxophone, Clarinette (duo)
435
Saxophone Alto
433
Saxophone Tenor et Piano
396
Saxophone Soprano et Piano
367
Saxophone (partie séparée)
359
Quintette de Saxophone: 5 saxophones
355
Clarinette, Violon (duo)
347
Saxophone Tenor
333
Flûte, Clarinette (duo)
290
2 Hautbois (duo)
284
Clarinette, Trompette (duo)
265
Saxophone Baryton, Piano
239
Hautbois, Basson (duo)
224
Hautbois (partie séparée)
219
Hautbois, Clarinette (duo)
211
3 Saxophones (trio)
182
Flûte, Violon
181
Ensemble de saxophones
180
Clarinette et Alto
176
Flûte, Alto (duo)
168
Quatuor de Flûtes : 4 flûtes
159
Flûte, Saxophone (duo)
153
Hautbois
134
Hautbois, Flûte
133
Flûte, Trompette (duo)
123
3 Clarinettes (trio)
119
Cor anglais, Piano
116
Ensemble de Clarinettes
114
Quintette de Clarinettes: 5 clarinettes
113
Ensemble de Flûtes
112
Saxophone Soprano
97
Saxophone
95
2 Flûte à bec (duo)
95
Clarinette (partie séparée)
93
Trio de Flûtes: 3 flûtes
87
Quintette de Flûte : 5 flûtes
77
Clarinette Basse, Piano
76
Flûte à Bec
70
Clarinette, Basson (duo)
68
Flûte et Guitare
67
Flûte à bec Soprano
62
Flûte, Violoncelle
58
Hautbois, Clarinette, Basson (trio d'anches)
55
Flute (partie séparée)
51
Flûte à bec Tenor
43
Hautbois, Violoncelle
43
Flûte, Clarinette et Basson
43
Clarinette, Violoncelle (duo)
41
Saxophone Baryton
40
Flûte, Hautbois (duo)
39
2 Flûtes traversières, Piano
38
Ensemble De Flûte à bec
36
Flûte, Hautbois, Clarinette (trio)
34
Flûte à bec Alto
34
Hautbois et alto (duo)
33
Quatuor de Flûtes à bec
32
Hautbois, violon (duo)
30
Harmonica
29
Flûte, Violon, Piano
28
Cor Anglais
28
Flûte à bec Alto, Piano
28
Flûte à bec Soprano, Piano
27
Piccolo, Piano
25
Flûte à Bec, Piano
20
Clarinette, Guitare (duo)
19
3 Flûtes à bec (trio)
19
Flûte, Tuba (duo)
17
Flûte, Clarinette, Piano (trio)
17
Clarinette, Trombone (duo)
14
Hautbois, trombone (duo)
14
Clarinette, Tuba
14
Ocarina
14
Instruments en Mib
14
Flûte, Trombone (duo)
13
Flûte, Violoncelle, Piano (trio)
12
Flûte, Hautbois, Basson
12
Hautbois, Guitare (duo)
12
2 Clarinettes, Piano
11
5 Flûtes à bec
11
Saxophone et Guitare
11
3 Hautbois
10
Flûte, Basson et Piano
9
Flûte, Clarinette, Cor, Basson (Quartet)
9
2 Saxophones, Piano
8
Flûte, Hautbois, Piano (trio)
8
Flûte irlandaise
8
4 Hautbois
8
Flûte, Violon et Violoncelle
7
Hautbois, Violin, Alto et Violoncelle (Quatuor)
6
Saxophone et Orgue
5
Flûte et Trio à cordes
5
Flûte, Alto et Piano
4
Clarinette, Violoncelle, Piano (trio)
4
Hautbois, Basson et Piano
4
Clarinette Basse
4
2 Cors Anglais Et Pianoforte
4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
4
Hautbois, Clarinette et Piano (Trio)
3
Piccolo
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
Clarinette, Alto et Piano (trio)
3
Ensemble à vent
3
Clarinette, Harpe (duo)
2
Hautbois, Violoncelle et Piano
2
Flûte, Violoncelle, Guitare
2
Flûte traversière, Orgue (duo)
2
2 Flûtes traversières, Guitare
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
2 Clarinettes, Basson
2
Clarinette, Basson, Piano (trio)
2
Ensemble de Hautbois
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à bec Alto, Basse continue
1
Cor anglais, Guitare (duo)
1
Flute, Cor (duo)
1
Cornemuse
1
Saxophone, Basson (duo)
1
Hautbois et Orchestre
1
Flûte traversière, Orchestre
1
Flûte de Pan
1
Clarinette, Orgue
1
Hautbois, Violon, Piano
1
Clarinette, Orchestre
1
Flute, harpe et violon
1
Flûte, trombone et piano
1
2 Hautbois, Piano
1
Flûte à bec, Guitare (duo)
1
+ 135 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
962
Trompette
551
Trombone et Piano
508
Trompette, Piano
427
Trombone
387
Cor et Piano
348
Quatuor de Cuivres : 2 trompettes, trombone, tuba
330
2 Trombones (duo)
321
Trompette, Saxophone (duo)
303
2 Trompettes (duo)
274
Cor
273
Quatuor de Cuivres: 2 trompettes, Cor, trombone
244
Tuba et Piano
236
Trompette, Trombone (duo)
228
Quatuor de cuivres: 4 cors
211
Trompette (partie séparée)
209
Trombone (partie séparée)
170
Tuba
160
Quatuor de Cuivres
141
Euphonium, Piano (duo)
122
Cor anglais, Piano
116
2 Cors (duo)
105
Quatuor de cuivres: 4 trombones
103
Ensemble de Cors
93
2 Tubas (duo)
49
Cor (partie séparée)
49
Ensemble de Trombones
48
Ensemble de Trompettes
47
Trompette, Tuba (duo)
37
2 Euphoniums et 2 Tubas
33
Trompette, Cor (duo)
30
Tuba (partie séparée)
28
Cor Anglais
28
Trio de Cuivres
26
3 Trombones (trio)
25
Euphonium, Tuba (duo)
22
Euphonium
22
Trombone, Violon (duo)
20
3 Trompettes (trio)
19
Trombone, Tuba (duo)
17
2 Euphoniums (duo)
16
Trombone basse et Piano
16
Instruments en Sib
14
Bass Clef Instruments
12
4 Tubas
11
Quatuor de cuivres: 4 trompettes
11
Cor, Tuba (duo)
10
Trombone, Cor (duo)
10
Tuba et Orgue
9
Trompette, Violoncelle et Piano
6
Cor, Orchestre
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
2 Trompettes, Clavier (piano ou orgue)
4
4 Euphoniums
4
Trompette, Basson (duo)
4
3 Cors (trio)
4
Trompette, Trombone, Piano
4
2 Cors Anglais Et Pianoforte
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
3 Tubas (trio)
3
Trombone basse
3
Trompette, violon (duo)
3
Trombone, Orgue
2
Cor, Violoncelle (duo)
2
Ensemble de Tubas
2
Trompette, Violoncelle (duo)
2
3 Euphoniums
2
Clarinette, Cor (duo)
1
Trompette, Orchestre
1
Tuba ou Euphonium ou Saxhorn
1
Trompette et Guitare
1
Cor anglais, Guitare (duo)
1
Cor et Orgue
1
Trombone et orchestre
1
+ 69 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 347
Violon et Piano
1 099
Violon
922
Violoncelle, Piano
847
Violon, Violoncelle (duo)
707
Alto, Piano
623
Violoncelle
552
Trio à Cordes: violon, alto, violoncelle
541
2 Violons (duo)
461
2 Violoncelles (duo)
400
Harpe
348
Violon, Alto (duo)
343
Alto seul
333
2 Altos (duo)
332
Quintette à cordes: 2 violons, alto, violoncelle, basse
308
Contrebasse, Piano (duo)
261
Contre Basse
176
Trio à Cordes: 2 violons, violoncelle
95
Violon (partie séparée)
87
Alto (partie séparée)
85
Alto, Violoncelle (duo)
81
Contrebasse (partie séparée)
66
4 Violoncelles
47
2 Harpes (duo)
46
Trio à cordes: 3 violins
42
Violon, Basson (duo)
40
2 Contrebasses (duo)
40
Violon, Guitare (duo)
36
Trio à Cordes: 3 violoncelles
35
Violoncelle (partie séparée)
29
Trio à cordes: 3 altos
27
Piano Trio: Violon, Alto, Piano
25
Trio à Cordes: 2 violons, alto
23
Violon, Tuba (duo)
22
Quatuor à cordes: 4 violons
22
Violoncelle, Contrebasse (duo)
22
Violoncelle , Guitare (duo)
21
Quatuor à cordes : 4 altos
20
Harpe, Flûte (duo)
13
Violoncelle, Orchestre
13
Alto, Guitare (duo)
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Harpe (partie séparée)
10
Violon, Clarinette, Piano (trio)
8
Harpe, Voix
7
Ensemble d'Altos
7
Ensemble de Violons
6
Ensemble de Violoncelles
6
Harpe, Violon (duo)
6
Violoncelle, Orgue
5
Flûte, Contrebasse (duo)
5
2 Violoncelles, Piano
5
Harpe et mandoline
4
Trio à cordes
4
Violon, Orgue
3
Harpe, Quatuor à cordes
3
Alto, Orgue
3
3 Contrebasses
3
Harpe et Piano
2
2 Violons, Piano
2
Autoharp
2
Alto et Basson
2
Harpe, Violon, Violoncelle
2
4 Contrebasses
2
Violon, Basse continue
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Violoncelle, Clarinette
1
Alto et Harpe
1
Harpe, Trombone (duo)
1
2 Altos, Piano
1
4 Harpes
1
Violoncelle, Basse continue
1
+ 67 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 458
Orchestre
1 262
Ensemble Jazz
866
Orchestre à Cordes
812
Cloches
729
Ensemble de cuivres
401
Orchestre de chambre
262
Jazz combo
259
Batterie
232
Fanfare
200
Ensemble de Percussions
137
Marimba
47
Percussion (partie séparée)
46
Vibraphone
41
Piano et Orchestre
38
Xylophone, Piano
30
Percussion
27
Batterie (partie séparée)
27
Xylophone
25
Orchestre, Violon
19
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
10
Big band
8
Timbales (partie séparée)
7
Ensemble d'École
6
Quintette de Cuivres: autres combinaisons
4
Instrumentation Flexible
4
Caisse Claire
3
Marimba, Piano (duo)
2
2 Xylophones
2
3 Marimbas
2
2 Percussions
1
Vibraphone et Marimba
1
Batterie-Fanfare
1
Timbales
1
Marimba ou Xylophone et Piano
1
Marimba et Orgue
1
2 Marimbas
1
Voix et Orchestre
1
+ 33 instrumentations
Retracter
Autres
Formation musicale - Solfège
137
Théorie de la musique
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Saxophone Tenor et Piano
Partitions à imprimer
396 partitions trouvées
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376
4 Humoresken
#
Saxophone Tenor et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Nikolaj Rakow
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4 Humoresken
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Tenor Saxophone & Piano - Grade 4 - SKU: R0.47095 4 Humoresques. 1. Canzona / 2. Intermezzo / 3. Romanze / 4. Humoresque. Composed by Nikolaj Rak...
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Tenor Saxophone & Piano - Grade 4 - SKU: R0.47095 4 Humoresques. 1. Canzona / 2. Intermezzo / 3. Romanze / 4. Humoresque. Composed by Nikolaj Rakow. Tenor Saxophone & Piano. Score and parts. 17 pages. Duration 8'34. Editions Marc Reift - Digital #47095. Published by Editions Marc Reift - Digital (R0.47095).
$22.95
MORE LOVE TO THEE, O CHRIST (Duet – Tenor Sax & Piano with Parts)
#
Saxophone Tenor et Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
William H
#
Gary Lanier
#
MORE LOVE TO THEE, O CHRIST
#
The Lanier Company
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.615286 Composed by William H. Doane. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 8 pages...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.615286 Composed by William H. Doane. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 8 pages. The Lanier Company #2913001. Published by The Lanier Company (A0.615286). MORE LOVE TO THEE, O CHRIST is a hymn arrangement for Tenor Sax & Piano of one of our most cherished Hymns. The score, including cover and Tenor Sax part is 8 pages long. This arrangement is perfect for any Church or gathering where hymns about loving Christ are enjoyed. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: MORE LOVE TO THEE, O CHRIST (Piano Accompaniment for Tenor Sax).
$6.99
5 More Beautiful Tenor Sax Solos for Fun - with FREE BACKING TRACKS & piano accompaniment
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Debussy, Satie, Beethoven, Han
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Austin Ralphson
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5 More Beautiful Tenor Sax Sol
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Austin Ralphson
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.1178903 Composed by Debussy, Satie, Beethoven, Handel. Arranged by Austin Ralphson. 19th Century,20th Century,...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.1178903 Composed by Debussy, Satie, Beethoven, Handel. Arranged by Austin Ralphson. 19th Century,20th Century,Classical,Romantic Period,Wedding. Score and part. 43 pages. Austin Ralphson #778873. Published by Austin Ralphson (A0.1178903). This is a second book of 5 solo arrangements with piano accompaniment (or backing tracks). It contains 5 more of the most beautiful and lyrical slow melodies ever composed. They range from Intermediate to Advanced level in difficulty; a solo part and a piano accompaniment are provided for each piece, as is a backing track on YouTube. This is the full list:1. The Girl With The Flaxen Hair (Debussy)2. Gnossienne No. 1 (Satie)3. Sonata No.8 Pathetique, 2nd movement (Beethoven)4. Clair De Lune (Debussy)5. Largo from 'Xerxes' (Handel)Free backing tracks are provided for each piece; these can be heard by visiting https://www.youtube.com/channel/UCPhyKv6OeJfWvkmNIkzAjhA and this link is also printed in the front of the book for future use.You can also get both books in this series - 10 solos in total - for only $14.99 at this link.
$9.99
One More Sleep
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Saxophone Tenor et Piano
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FACILE
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Leona Lewis
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Phil Thrift
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One More Sleep
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Phil Thrift
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1112081 By Leona Lewis. By Brad Ellis, Iain James, Jez Ashurst, Leona Lewis, and Richard Stannard. Arranged by...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1112081 By Leona Lewis. By Brad Ellis, Iain James, Jez Ashurst, Leona Lewis, and Richard Stannard. Arranged by Phil Thrift. Christmas,Pop. Score and part. 9 pages. Phil Thrift #714262. Published by Phil Thrift (A0.1112081). The Leona Lewis hit One More Sleep has all the ingredients that make up a successful song for the holiday season. This is the Bb tenor saxophone + keyboard edition (in a different key) of the original recording for trombone and rhythm section, which you can hear on SoundCloud.
$4.99
The Sycamore
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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Jirka Kadlec
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The Sycamore
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Editions Marc Reift - Digital
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SheetMusicPlus
Tenor Saxophone & Piano - Grade 3 - SKU: R0.30236 A Concert Rag. Composed by Scott Joplin. Arranged by Jirka Kadlec. Tenor Saxophone & Piano. Sco...
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Tenor Saxophone & Piano - Grade 3 - SKU: R0.30236 A Concert Rag. Composed by Scott Joplin. Arranged by Jirka Kadlec. Tenor Saxophone & Piano. Score and parts. 5 pages. Duration 2'44. Editions Marc Reift - Digital #30236. Published by Editions Marc Reift - Digital (R0.30236).
$5.95
Evermore
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Saxophone Tenor et Piano
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FACILE
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Taylor Swift Feat
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Anna Coughlan
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Evermore
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Anna Coughlan Music
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1420812 By Taylor Swift Feat. Bon Iver. By Justin Vernon, Taylor Swift, and William Bowery. Arranged by Anna C...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1420812 By Taylor Swift Feat. Bon Iver. By Justin Vernon, Taylor Swift, and William Bowery. Arranged by Anna Coughlan. 21st Century,Pop,Singer/Songwriter. Score and part. 8 pages. Anna Coughlan Music #1002251. Published by Anna Coughlan Music (A0.1420812). An arrangement of Taylor Swift's Evermore, featuring Bon Iver, for Bb Saxophone with piano accompaniment.
$4.99
Don't Get Around Much Anymore
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Jazz
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Bob Russell and Duke Ellington
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Nick Lacanski
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Don't Get Around Much Anymore
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theupperstaff
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.648208 Composed by Bob Russell and Duke Ellington. Arranged by Nick Lacanski. Jazz. Score and part. 9 pages. T...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.648208 Composed by Bob Russell and Duke Ellington. Arranged by Nick Lacanski. Jazz. Score and part. 9 pages. Theupperstaff #3078079. Published by theupperstaff (A0.648208). This arrangement incorporates an improvised section for one or both players,.
$8.99
Love Theme (tema D'amore)
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Saxophone Tenor et Piano
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FACILE
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Contemporain
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Andrea Morricone and Ennio Mor
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Francesco Monica
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Love Theme
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Francesco Monica
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 2 - SKU: A0.1001321 Composed by Andrea Morricone and Ennio Morricone. Arranged by Fran...
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Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 2 - SKU: A0.1001321 Composed by Andrea Morricone and Ennio Morricone. Arranged by Francesco Monica. Contemporary. Score and parts. 3 pages. Francesco Monica #6422283. Published by Francesco Monica (A0.1001321). Easy arrangement for Tenor Sax and piano, for early intermediate students and musicians.
$6.99
To Love You More
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Celine Dion
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Jireh J
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To Love You More
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Jireh J.
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1282045 By Celine Dion. By David Babyface Foster and Junior Miles. Arranged by Jireh J. Pop,Wedding. Score and...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1282045 By Celine Dion. By David Babyface Foster and Junior Miles. Arranged by Jireh J. Pop,Wedding. Score and part. 11 pages. Jireh J. #873397. Published by Jireh J. (A0.1282045). This arrangement was made like the original. Contains chords.
$5.99
Yesterday Once More
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Saxophone Tenor et Piano
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FACILE
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Contemporain
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The Carpenters
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Kaiserin Rebecca
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Yesterday Once More
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Kaiserin Rebecca
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.640334 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Kaiserin Rebecca. Contemporary. Sc...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.640334 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Kaiserin Rebecca. Contemporary. Score and part. 4 pages. Kaiserin Rebecca #3881231. Published by Kaiserin Rebecca (A0.640334). For tenor saxophone solo and piano accompaniment with chords.Key: G majorDuration: 3'39.
$6.99
To Love You More
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Celine Dion
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Jireh J
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To Love You More
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Jireh J.
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1282073 By Celine Dion. By David Babyface Foster and Junior Miles. Arranged by Jireh J. Pop,Wedding. Score and...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1282073 By Celine Dion. By David Babyface Foster and Junior Miles. Arranged by Jireh J. Pop,Wedding. Score and part. 11 pages. Jireh J. #873424. Published by Jireh J. (A0.1282073). This arrangement was made like the original. It doesn't contain chords.
$5.99
More (ti Guarderò Nel Cuore)
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Saxophone Tenor et Piano
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FACILE
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Contemporain
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Kai Winding
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Kaiserin Rebecca
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More
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Kaiserin Rebecca
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SheetMusicPlus
By Kai Winding. By Nino Oliviero and Riz Ortolani. Arranged by Kaiserin Rebecca. Contemporary. Score and part. 4 pages. Kaiserin Rebecca #6323599. Pub...
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By Kai Winding. By Nino Oliviero and Riz Ortolani. Arranged by Kaiserin Rebecca. Contemporary. Score and part. 4 pages. Kaiserin Rebecca #6323599. Published by Kaiserin Rebecca
$7.99
Drei Fantasiestucke
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Carl Reinecke
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Robert Rainford
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Drei Fantasiestucke
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Forton Music - Digital
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SheetMusicPlus
Tsax. Pft. - Intermediate-Advanced - SKU: F2.FM298 Composed by Carl Reinecke. Arranged by Robert Rainford. Arranged for Tenor Saxophone and Piano. Score...
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Tsax. Pft. - Intermediate-Advanced - SKU: F2.FM298 Composed by Carl Reinecke. Arranged by Robert Rainford. Arranged for Tenor Saxophone and Piano. Score and Parts. 41 pages. Forton Music - Digital #FM298. Published by Forton Music - Digital (F2.FM298). ISBN 9790570481972.Originally for viola and piano, these three pieces make a fantastic addition to the repertoire of this instrument. The Romanze has a glorious flowing melody over rich, rippling arpeggiated harmonies in the piano part. The second movement has the character of a scherzo, with a light tripping tune in compound time contrasted with a more harmonic section in duple time. The third movement is subtitled 'Eine Humoreske', and starts with light arpeggio figures before the second theme takes over in the style of an alpine folk tune until the arpeggios return to rush to the end. Covering a wide range of notes and keys this needs a confident approach but well rewards the player for their investment.
$12.95
The First Noel for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Tenor Sax &
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548504 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pa...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548504 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387401. Published by jmsgu3 (A0.548504). The First Noel arranged for Tenor Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Alto Sax Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Weddin...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3468806. Published by jmsgu3 (A0.549236). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Luther: Out of the Depths for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score a...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411761. Published by jmsgu3 (A0.548723). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Mendelssohn: Wedding March for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Ea...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888767. Published by jmsgu3 (A0.550935). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
Schubert: Ave Maria for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Tenor
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548700 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and ...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548700 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411149. Published by jmsgu3 (A0.548700). A Tenor Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
In the Hall of the Mountain King - Tenor Sax Duet with Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Halloween
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Edvard Grieg
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Glauco Fernandes
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In the Hall of the Mountain Ki
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Glauco Fernandes
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1405260 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Perio...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1405260 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period. Score and part. 4 pages. Glauco Fernandes #988306. Published by Glauco Fernandes (A0.1405260). Discover the magic of classical music with our exclusive arrangement of the iconic piece In the Hall of the Mountain King by Edvard Grieg. This musical arrangement is a true gem, designed to meet the needs and abilities of a wide range of musicians, from beginners to experienced professionals.For students eager for challenges, this sheet music offers an exciting opportunity to explore advanced musical techniques while delving into the harmonic and melodic richness of this classical composition. With a carefully crafted approach, this arrangement is a valuable tool for teachers looking to enrich their music lessons, offering students a rewarding and stimulating educational experience.Moreover, professional musicians will find in this arrangement a versatile and captivating option to add to their repertoire of live performances. Whether for formal events such as weddings and recitals or for more relaxed performances in cafes and social gatherings, In the Hall of the Mountain King is a sure choice to captivate and engage the audience.Our carefully crafted sheet music captures the essence and energy of this classical piece in an accessible and practical way, ensuring a gratifying musical experience for all who perform and listen to it. Don't miss the opportunity to bring this gem to your music practice or live performances. Download now and immerse yourself in the beauty and emotion of In the Hall of the Mountain King like never before!Tags: sheet music, classical music, musical arrangement, musical challenge, music lesson, Edvard Grieg, live performance, events, wedding.
$7.99
Bach-Gounod: Ave Maria for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Ten
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sc...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490159. Published by jmsgu3 (A0.549367). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano - S0.662027. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach: Wachet auf for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Tenor Sax
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
DvoÅ™ák: Largo from the New World Symphony for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549424 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,S...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549424 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494011. Published by jmsgu3 (A0.549424). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Your Song
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Elton John
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Rafaela Moreira
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Your Song
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Rafaela Moreira
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1159821 By Elton John. By Bernie Taupin and Elton John. Arranged by Rafaela Moreira. Folk,Hindi,Pop,Rock. Scor...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1159821 By Elton John. By Bernie Taupin and Elton John. Arranged by Rafaela Moreira. Folk,Hindi,Pop,Rock. Score and part. 3 pages. Rafaela Moreira #760083. Published by Rafaela Moreira (A0.1159821).
$4.99
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