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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
ORCHESTRA - BAND
Non classifié
9 243
Piano & claviers
Piano seul
8 507
Accordéon
1 085
Accompagnement Piano
574
Piano, Voix et Guitare
522
Piano, Voix
168
Instruments en Do
126
Piano Facile
125
2 Pianos, 4 mains
56
Orgue
53
1 Piano, 4 mains
44
Ensemble d'Accordéons
30
Piano grosses notes
28
Piano Trio: piano, violon, violoncelle
24
Piano Quatuor: piano, violon, alto, violoncelle
10
Orgue et Orchestre
5
Orgue, Trompette (duo)
4
Orgue, Piano (duo)
4
Clavecin
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accordéon et Orchestre
3
Ligne De Mélodie, Piano
3
Clavier
2
Piano Quintette: piano, violon, alto, violoncelle, contre basse
2
2 Accordéons
2
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 8 mains
1
Accordéon, Corde(s)
1
+ 22 instrumentations
Retracter
Guitares
Guitare
308
Guitare notes et tablatures
159
Ligne De Mélodie, (Paroles) et Accords
141
Ukulele
31
Basse electrique
18
4 Guitares (Quatuor)
16
Paroles et Accords
15
2 Guitares (duo)
15
Piano, Guitare (duo)
15
Orchestre à Plectres
14
Guitare, Orchestre
11
Ensemble de guitares
10
Mandoline
8
Dulcimer
5
2 Guitares et Orchestre
4
Mandoline, Guitare (duo)
3
Ensemble de Ukulélés
3
Guitare, Violon, Violoncelle (trio)
3
3 Guitares (trio)
3
Guitare, Quatuor à cordes
2
Banjo
2
Luth
1
+ 17 instrumentations
Retracter
Voix
Chorale SATB
1 610
Pack Instrumental pour Chorale
693
Chorale 3 parties
250
Chorale TTBB
136
Voix seule
113
Chorale SSAA
68
Chorale 2 parties
67
Chorale Unison
57
Soli, choeur mixte et accompagnement
31
Chorale
24
Voix duo, Piano
20
Chorale SSATB
14
Voix haute
13
Voix duo
12
Voix Soprano, Piano
8
Voix Soprano, Orchestre
8
Chorale SSAATTBB
6
Voix Baryton, Piano
6
Voix moyenne, Piano
4
Chorale SSATTB
4
Voix Tenor, Piano
3
Voix basse, Piano
3
Voix Mezzo-Soprano, Piano
2
Voix Soprano
2
Chorale SSAATB
2
Chorale SATTBB A Cappella
1
Voix Tenor
1
Chorale SSAB, Piano
1
Voix Alto, Piano
1
+ 24 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
195
Hautbois
188
Flûte traversière
187
Flûte traversière et Piano
121
Clarinette
108
Quintette de Saxophone: 5 saxophones
104
Quatuor de Saxophones: 4 saxophones
80
Clarinette et Piano
79
Hautbois, Piano (duo)
71
Ensemble de saxophones
63
Saxophone Alto et Piano
62
Saxophone Tenor
61
Flûte, Hautbois, Clarinette, Basson
57
Quatuor de Clarinettes: 4 clarinettes
57
Saxophone
48
Ensemble de Clarinettes
46
Saxophone Alto
43
2 Saxophones (duo)
39
2 Flûtes traversières (duo)
38
Quatuor de Flûtes : 4 flûtes
33
Piccolo
31
Flûte traversière, Orchestre
31
Quatuor de Flûtes à bec
30
Saxophone Soprano et Piano
28
5 Flûtes à bec
28
Saxophone (partie séparée)
27
Saxophone Tenor et Piano
27
2 Clarinettes (duo)
27
Ensemble De Flûte à bec
24
Clarinette, Orchestre
22
Ensemble de Flûtes
21
Quintette de Clarinettes: 5 clarinettes
19
Quintette de Flûte : 5 flûtes
16
Saxophone Baryton, Piano
15
Quintette de Clarinette: Clarinette, Quatuor à Cordes
14
2 Flûte à bec (duo)
14
3 Saxophones (trio)
14
3 Clarinettes (trio)
14
Cor Anglais
12
Trio de Flûtes: 3 flûtes
11
2 Hautbois (duo)
11
Clarinette Basse, Piano
11
Clarinette Basse
10
Cor anglais, Piano
10
Flûte et Guitare
10
Flûte à Bec
10
Flûte, Hautbois, Clarinette (trio)
9
Flûte, Clarinette (duo)
9
Saxophone Soprano
8
Hautbois, Basson (duo)
8
Saxophone, Clarinette (duo)
8
Flûte, Violon
8
Ensemble à vent
7
Hautbois et Orchestre
7
2 Cors Anglais Et Pianoforte
6
Clarinette, Basson (duo)
5
Clarinette, Guitare (duo)
5
Clarinette, Trompette (duo)
5
Instruments en Mib
5
Clarinette, Violon (duo)
5
Flûte, Violon, Piano
4
Hautbois, Flûte
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Saxophone (duo)
3
Flûte à bec Soprano
3
Flûte, Clarinette et Basson
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois, Clarinette (duo)
3
Flûte, Alto (duo)
2
Flûte et Trio à cordes
2
Clarinette, Violoncelle (duo)
2
2 Saxophones, Piano
2
3 Hautbois
2
Clarinette et Alto
2
Flûte, Violoncelle
2
Flute, harpe et violon
2
Flûte, Trompette (duo)
2
Harmonica, Piano
2
4 Hautbois
2
Flûte à bec, Guitare (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Orgue
1
3 Flûtes à bec (trio)
1
Hautbois, Basson et Piano
1
Flûte, Hautbois, Basson
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone et Harpe
1
Flûte, Violon, Violoncelle et Piano
1
2 Flûtes, Basse continue
1
Flûte à bec Alto, Piano
1
Flûte à bec Alto
1
Piccolo, Piano
1
Hautbois, violon (duo)
1
Hautbois et alto (duo)
1
Ensemble de Hautbois
1
Cornemuse
1
Saxophone Baryton
1
Cor anglais et Harpe (duo)
1
Flûte traversière, Orgue (duo)
1
Hautbois, Violoncelle
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Basson, Piano (trio)
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Soprano, Piano
1
+ 99 instrumentations
Retracter
Cuivres
Cor
148
Quatuor de Cuivres : 2 trompettes, trombone, tuba
122
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
105
Trompette
96
Trombone
70
Trombone et Piano
61
Trompette, Piano
48
Tuba
41
Cor et Piano
37
Ensemble de Trombones
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Quatuor de Cuivres
17
Euphonium, Piano (duo)
16
Ensemble de Trompettes
15
Cor Anglais
12
Trompette, Orchestre
12
Tuba et Piano
12
Cor anglais, Piano
10
2 Trompettes (duo)
10
2 Trombones (duo)
8
Cor, Orchestre
8
Quatuor de cuivres: 4 trombones
8
Ensemble de Cors
7
2 Euphoniums et 2 Tubas
7
Bass Clef Instruments
7
2 Cors Anglais Et Pianoforte
6
3 Euphoniums
5
Trompette, Trombone (duo)
5
Instruments en Sib
5
Trombone et orchestre
5
Euphonium
5
Trompette, Saxophone (duo)
5
Quatuor de cuivres: 4 cors
5
Trombone basse et Piano
4
Trompette, violon (duo)
3
3 Cors (trio)
2
2 Trompettes, Clavier (piano ou orgue)
2
2 Cors (duo)
2
Trombone basse
2
4 Tubas
2
Instruments en Fa
2
3 Trombones (trio)
2
Quatuor de cuivres: 4 trompettes
1
2 Euphoniums (duo)
1
2 Tubas (duo)
1
Trombone, Orgue
1
Clarinette, Cor (duo)
1
Trompette (partie séparée)
1
Cor anglais et Harpe (duo)
1
Cornet et orchestre
1
Trio de Cuivres
1
3 Trompettes (trio)
1
Trompette, Cor (duo)
1
Cor et Harpe
1
3 Tubas (trio)
1
+ 50 instrumentations
Retracter
Cordes
Alto seul
1 374
Quatuor à cordes: 2 violons, alto, violoncelle
1 107
Violon et Piano
279
Violon
277
Quintette à cordes: 2 violons, alto, violoncelle, basse
275
Violoncelle
252
Harpe
202
Contre Basse
202
Violoncelle, Piano
128
Trio à Cordes: violon, alto, violoncelle
95
Alto, Piano
83
Violoncelle, Orchestre
67
Violon, Violoncelle (duo)
43
2 Violons (duo)
34
Violon, Alto (duo)
28
4 Violoncelles
23
Contrebasse, Piano (duo)
23
2 Violoncelles (duo)
23
Trio à cordes: 3 violins
21
2 Altos (duo)
20
Alto et orchestre
19
2 Harpes (duo)
18
Violon, Guitare (duo)
16
Ensemble de Violons
13
Ensemble d'Altos
13
Trio à Cordes: 2 violons, violoncelle
13
Alto, Violoncelle (duo)
10
Harpe, Orchestre
9
Harpe, Violon (duo)
9
Violoncelle , Guitare (duo)
6
Violoncelle, Contrebasse (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Trio à cordes: 3 altos
6
Trio à cordes
5
Flûte, Contrebasse (duo)
5
Trio à Cordes: 3 violoncelles
5
Alto, Guitare (duo)
4
Piano Trio: Violon, Alto, Piano
4
Violoncelle, Orgue
4
Harpe, Flûte (duo)
4
Harpe, Quatuor à cordes
4
Quatuor à cordes: 4 violons
3
Violoncelle, Basse continue
3
Violon, Basse continue
3
Trio à Cordes: 2 violons, alto
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe, Violoncelle (duo)
2
Quatuor à cordes : 4 altos
2
Violon, Orgue
1
3 Harpes
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
2 Violons et Basse continue
1
2 Violons, Piano
1
4 Contrebasses
1
4 Harpes
1
Violon, Basson (duo)
1
Alto, Orgue
1
Harpe et Piano
1
+ 54 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
18 949
Orchestre
15 485
Orchestre de chambre
3 522
Percussion
256
Ensemble Jazz
191
Piano et Orchestre
103
Timbales
94
Ensemble de cuivres
82
Orchestre, Violon
68
Ensemble de Percussions
64
Cloches
35
Batterie
27
Jazz combo
20
Voix et Orchestre
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
7
Ensemble d'École
7
Vibraphone
5
Marimba
3
Xylophone, Piano
2
Voix Mezzo-Soprano, Orchestre
2
2 Xylophones
1
Vibraphone et Marimba
1
Orchestre Symphonique
1
Instrumentation Flexible
1
Xylophone
1
+ 20 instrumentations
Retracter
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AUTRES INST…
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BANJO
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BASSON
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FORMATION M…
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--INSTRUMENTS--
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AUTOHARPE
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CHORALE - CHAN…
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ORCHESTRA - BAND
Saxophone Tenor et Piano
Partitions à imprimer
27 partitions trouvées
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1
26
Mendelssohn: Wedding March for Tenor Sax & Piano
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Saxophone Tenor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
$32.95
Mr. Blue Sky
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
#
Electric Light Orchestra
#
Lawrence H Underwood
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Mr. Blue Sky
#
Lawrence H Underwood
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1091664 By Electric Light Orchestra. By Jeff Lynne. Arranged by Lawrence H Underwood. 20th Century,Film/TV,Pop...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1091664 By Electric Light Orchestra. By Jeff Lynne. Arranged by Lawrence H Underwood. 20th Century,Film/TV,Pop,Rock. Score and part. 12 pages. Lawrence H Underwood #695818. Published by Lawrence H Underwood (A0.1091664). This classic track from the Electric Light Orchestra found a whole new audience when director James Gunn used it to great effect in the hit film “Guardians of the Galaxy, Vol. 2.†A favorite with audiences – both young and old – and now playable as an instrumental solo with piano accompaniment. Sure to be an audience – and performer – favorite! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
The Wedding Album, for Solo Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
#
Film Walt Disney
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Various
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David McKeown
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The Wedding Album, for Solo Te
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.587623 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Scor...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.587623 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594681. Published by David McKeown (A0.587623). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Tenor Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Adoration
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Saxophone Tenor et Piano
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FACILE
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Florence Beatrice Price
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Steven Nunes
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Adoration
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Nagamon Publications
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1472353 Composed by Florence Beatrice Price. Arranged by Steven Nunes. 20th Century,Romantic Period. Score and...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1472353 Composed by Florence Beatrice Price. Arranged by Steven Nunes. 20th Century,Romantic Period. Score and part. 6 pages. Nagamon Publications #1050057. Published by Nagamon Publications (A0.1472353). Florence Beatrice Price (April 9, 1887 June 3, 1953) was an American classical composer, pianist, organist and music teacher. Born in Little Rock, Arkansas, Price was educated at the New England Conservatory of Music, and was active in Chicago from 1927 until her death in 1953. Price is noted as the first African-American woman to be recognized as a symphonic composer, and the first to have a composition played by a major orchestra.This short and tuneful piece is perfect in any performance. This transcription is for tenor saxophone (or euphonium TC) and piano, and the PDF contains the full set of parts.
$8.00
Pomp and Circumstance + FREE Mp3 Playback + PDF Solo and Piano Parts
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Saxophone Tenor et Piano
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Pomp and Circumstance + FREE M
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Fabio Eduardo
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1267173 By Fabio Eduardo de Oliveira. By Edward Elgar. Arranged by Fabio Eduardo de Oliveira. 20th Century,Cla...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1267173 By Fabio Eduardo de Oliveira. By Edward Elgar. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film/TV,Wedding. Score and part. 5 pages. Fabio Eduardo #859812. Published by Fabio Eduardo (A0.1267173). FREE Download Mp3 PlaybackThe Pomp and Circumstance Marches (full title Pomp and Circumstance Military Marches), Op. 39, are a series of five (or six) marches for orchestra composed by Sir Edward Elgar.
$1.99
O Holy Night for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Noël
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Adam
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James M
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O Holy Night for Tenor Sax &am
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. J...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410441. Published by jmsgu3 (A0.548677). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic P...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516585. Published by jmsgu3 (A0.549642). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Thais (Meditation)
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Saxophone Tenor et Piano
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Thais
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Fabio Eduardo
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1239118 By Fabio Eduardo de Oliveira. By J. Massenet. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1239118 By Fabio Eduardo de Oliveira. By J. Massenet. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Score and part. 4 pages. Fabio Eduardo #834513. Published by Fabio Eduardo (A0.1239118). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadMéditation is a symphonic intermezzo from the opera Thaïs by French composer Jules Massenet. The piece is written for solo violin and orchestra. The opera premiered at the Opéra Garnier in Paris on March 16, 1894.
$1.99
Bridal March, "Here Comes The Bride", for Solo Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Richard Wagner
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David McKeown
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Bridal March, "Here Comes
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.587573 Composed by Richard Wagner. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.587573 Composed by Richard Wagner. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4365468. Published by David McKeown (A0.587573). The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since. This version is arranged as a solo for Tenor Saxophone and Piano.Musicians at an intermediate level and above will find this ideal for formal and informal performances, especially at weddings. The melody is mainly in the solo part. The performance time is a little more than one minute. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are unexpected accidentals in the middle section which might pose a challenge for finger coordination and reading. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Chiapanecas (the Hand Clapping Song)
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Contemporain
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Percy Faith And Orchestra
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Fishel Pustilnik
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Chiapanecas
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F & N Enterprise
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.636397 By Percy Faith And Orchestra. By Percy Fait...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.636397 By Percy Faith And Orchestra. By Percy Faith. Arranged by Fishel Pustilnik. Contemporary. Score and parts. 8 pages. F & N Enterprise #6424903. Published by F & N Enterprise (A0.636397). An excellent arrangement of the famous Song Chiapanecasfor Tenor Sax and Piano-Jazz/Pop Version.
$4.99
Bolero (Ravel) + Mp3 Playback and Demo + Solo and Piano Parts
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Saxophone Tenor et Piano
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Bolero
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Fabio Eduardo
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1265725 By Fabio Eduardo de Oliveira. By Maurice Ravel. Arranged by Fabio Eduardo de Oliveira. 20th Century,Cl...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1265725 By Fabio Eduardo de Oliveira. By Maurice Ravel. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film/TV,Traditional,Wedding. Score and part. 6 pages. Fabio Eduardo #858504. Published by Fabio Eduardo (A0.1265725). Free Download Mp3 Playback and Demo Boléro is a 1928 work for large orchestra by French composer Maurice Ravel. At least one observer has called it Ravel's most famous composition. It was also one of his last completed works before illness forced him into retirement.
$1.99
Concerto No. 1 for French Horn "Return to Valhalla" - Tenor Saxophone (Piano Reduction)
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Saxophone Tenor et Piano
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AVANCÉ
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Contemporain
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James Nathaniel Holland
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Concerto No. 1 for French Horn
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James Nathaniel Holland
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SheetMusicPlus
Piano,Tenor Saxophone - Level 5 - SKU: A0.730479 Composed by James Nathaniel Holland. Contemporary. Score and part. 60 pages. James Nathaniel Holland #4...
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Piano,Tenor Saxophone - Level 5 - SKU: A0.730479 Composed by James Nathaniel Holland. Contemporary. Score and part. 60 pages. James Nathaniel Holland #4111569. Published by James Nathaniel Holland (A0.730479). 21st century, American composer James Nathaniel Holland brings you a mystical concerto led by one of the orchestra's most beautiful instrument, the French Horn. But here arranged for Bb Tenor Saxophone (Arrangement available for solo trombone and of course, the original for french horn.)
$10.95
Anitra's Dance - From Peer Gynt - Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Raymond Fenech
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Anitra's Dance - From Peer Gyn
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Raymond Fenech
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SheetMusicPlus
Chamber Orchestra Piano,Tenor Saxophone - Level 4 - SKU: A0.760073 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicu...
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Chamber Orchestra Piano,Tenor Saxophone - Level 4 - SKU: A0.760073 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicultural,Patriotic,Romantic Period,World. Score and part. 14 pages. Raymond Fenech #3500631. Published by Raymond Fenech (A0.760073). Peer Gynt, Op. 23 is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo). Later, in 1888 and 1891, Grieg extracted eight movements to make two four-movement suites: Suite No. 1, Op. 46, and Suite No. 2, Op. 55. Some of these movements have received coverage in popular culture; see Grieg's music in popular culture. This aria is arranged for Tenor Saxophone and Piano . The Duration is approx. 3.19 minutes and the level is Advanced Intermediate.
$3.99
Telephone Line
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Pop musique
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Electric Light Orchestra
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Fishel Pustilnik
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Telephone Line
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F & N Enterprise
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.635910 By Electric Light Orchestra. By Jeff Lynne....
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.635910 By Electric Light Orchestra. By Jeff Lynne. Arranged by Fishel Pustilnik. Pop. Score and parts. 8 pages. F & N Enterprise #6027933. Published by F & N Enterprise (A0.635910). An excellent arrangement of the famous Song Telephone Line for Tenor Sax and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/qyzkj_vACqo The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
All The Things You Are
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Jack Leonard with Tommy Dorsey
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Nick Lacanski
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All The Things You Are
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theupperstaff
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.647786 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Nick Lacanski. Musical/Show. S...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.647786 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Nick Lacanski. Musical/Show. Score and part. 14 pages. Theupperstaff #2931537. Published by theupperstaff (A0.647786). This arrangement from the musical, Very Warm for May, has two distinct sections. The first is in the style of a ballad. The second section is a classic swing which includes a walking bass line. These two sections are separated by an ad lib solo section. This section may be played in the tempo and style of the ballad or faster in the style of the upcoming swing section. Chord progressions are provided for this section. Thanks for taking a look at this arrangement.
$8.99
Queen of the Night - From the Magic Flute - Tenor Sax and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Raymond Fenech
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Queen of the Night - From the
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Raymond Fenech
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SheetMusicPlus
Chamber Orchestra Piano,Tenor Saxophone - Level 3 - SKU: A0.760213 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Classical,Contest,Fe...
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Chamber Orchestra Piano,Tenor Saxophone - Level 3 - SKU: A0.760213 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Classical,Contest,Festival,Instructional,Multicultural,Opera,World. Score and part. 19 pages. Raymond Fenech #3520097. Published by Raymond Fenech (A0.760213). The Magic Flute (German: Die Zauberflöte), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue.[a] The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Queen of the Night is a popular aria from The Magic Flute. The Duration is approx. 2.51 minutes and the level is Intermediate.
$3.99
Balm in Gilead (Arrangements Lvl 1-3 for TENOR SAX + Written Accomp) HYMN
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Saxophone Tenor et Piano
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DÉBUTANT
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Black American Spiritual
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Dr Jerry Nelson
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Balm in Gilead
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Jerry Nelson
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.875041 Composed by Black American Spiritual. Arranged by Dr Jerry Nelson. Christian,Sacred,Spiritual. Score an...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.875041 Composed by Black American Spiritual. Arranged by Dr Jerry Nelson. Christian,Sacred,Spiritual. Score and part. 6 pages. Jerry Nelson #3691393. Published by Jerry Nelson (A0.875041). This lush arrangement recorded with the London Concert Orchestra,moves you gracefully from Challenge Level 1 thru 3 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this spirited Orchestral Accompaniment Track (#SO.432357). Time 3:51 Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Track. Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name). You may include a Title... or Genre (Ex: Style, specific Holiday, Musical Period).
$4.99
DvoÅ™ák: Largo from the New World Symphony for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549424 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,S...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549424 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494011. Published by jmsgu3 (A0.549424). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
O Come, All Ye Faithful for Solo Tenor Saxophone
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Attr
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Lawrence H
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O Come, All Ye Faithful for So
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Lawrence H Underwood
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.967677 Composed by Attr. to John Francis Wade. Arranged by Lawrence H. Underwood. Christian,Christmas,Contempo...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.967677 Composed by Attr. to John Francis Wade. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 10 pages. Lawrence H Underwood #6189291. Published by Lawrence H Underwood (A0.967677). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the sixth installment in his A Christmas Portfolio series, this brand new setting of O Come, All Ye Faithful is a showstopper! The arrangement opens lyrically, in a lilting 12/8, before traveling through a driving section in 5, a majestic 3/4, then baroque-flavored turns in 4/4 and again in 3/4. The interplay between the solo and accompaniment evokes the feeling of a small orchestra! Suitable for use in church or as a showpiece in any holiday setting, this piece is one your audience is sure to remember!
$5.99
Mundi Mundi
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Cezary Skubiszewski
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Daryl McKenzie
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Mundi Mundi
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Daryl McKenzie
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.718475 Composed by Cezary Skubiszewski. Arranged by Daryl McKenzie. Contemporary,Film/TV. Score and part. 12 p...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.718475 Composed by Cezary Skubiszewski. Arranged by Daryl McKenzie. Contemporary,Film/TV. Score and part. 12 pages. Daryl McKenzie #6252405. Published by Daryl McKenzie (A0.718475). The classic theme (Closing Credits music) from the Australian film Lillian's Story arranged for Solo Tenor Saxophone and Piano accompaniment by the film's Orchestrator Daryl McKenzieCan also be used as a Soprano Saxophone SoloFull audio demo here: https://tinyurl.com/yx9s72acAlso available for Solo Piano or numerous other solo instruments with Piano Accompaniment. Also Solo Piano with String Orchestra. Search here: http://bit.ly/39MilvtMore arrangements by Daryl McKenzie: https://tinyurl.com/y4tjxfenwww.mckenziemusicproductions.comYoutube Playlist: https://www.youtube.com/playlist?list=PLgP3xAGju1BJ-n99W8ow5xCGRfwTzfwT0
$19.99
Pomp and Circumstance
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Saxophone Tenor et Piano
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Pomp and Circumstance
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Fabio Eduardo
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1238170 By Fabio Eduardo de Oliveira. By Edward Elgar. Arranged by Fabio Eduardo de Oliveira. 19th Century,20t...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1238170 By Fabio Eduardo de Oliveira. By Edward Elgar. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Score and part. 5 pages. Fabio Eduardo #833641. Published by Fabio Eduardo (A0.1238170). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadThe Pomp and Circumstance Marches (full title Pomp and Circumstance Military Marches), Op. 39, are a series of five (or six) marches for orchestra composed by Sir Edward Elgar. The first four were published between 1901 and 1907, when Elgar was in his forties; the fifth was published in 1930, a few years before his death; and a sixth, compiled posthumously from sketches, was published in 1956 and in 2005–2006. They include some of Elgar's best-known compositions.
$1.99
Air on the G String by Bach for Tenor Sax and Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Air on the G String by Bach fo
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1045602 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Traditional,Wedding. Score and pa...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1045602 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #650181. Published by Woods Only, Arrangements (A0.1045602). This easy arrangement for tenor sax and piano was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.
$1.99
It's Been A Long, Long Time
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.592552 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.592552 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366363. Published by David McKeown (A0.592552). It’s Been a Long Long Time is arranged as a solo for one Tenor Saxophone with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Pachelbel: Canon for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Tenor Sax
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedd...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3386301. Published by jmsgu3 (A0.548470). The famous Pachelbel Canon arranged for Tenor Sax & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
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