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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Only Time
Non classifié
1 273
Piano & claviers
Piano seul
780
Piano, Voix et Guitare
631
Piano Facile
329
Piano, Voix
190
Instruments en Do
52
Accompagnement Piano
51
Orgue
42
2 Pianos, 4 mains
16
1 Piano, 4 mains
12
Piano Trio: piano, violon, violoncelle
11
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Orgue, Trompette (duo)
3
Orgue, Piano (duo)
2
Piano (partie séparée)
2
Accordéon
2
Piano grosses notes
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
+ 14 instrumentations
Retracter
Guitares
Guitare
80
Guitare notes et tablatures
70
Paroles et Accords
31
Ligne De Mélodie, (Paroles) et Accords
17
2 Guitares (duo)
13
Basse electrique
12
Mandoline
8
Ukulele
5
Dulcimer
4
4 Guitares (Quatuor)
4
Banjo
3
Mandoline, Guitare (duo)
2
3 Guitares (trio)
1
Piano, Guitare (duo)
1
Ensemble de Ukulélés
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
221
Chorale 2 parties
146
Chorale 3 parties
79
Voix duo, Piano
39
Chorale Unison
32
Chorale TTBB
30
Chorale SSAA
28
Voix seule
18
Voix Soprano, Piano
11
Voix duo
7
Voix haute
3
Voix Tenor, Piano
3
Voix Baryton, Piano
3
Voix Alto, Piano
3
Voix Tenor
2
Chorale SSAATTBB
1
Voix basse
1
Voix Mezzo-Soprano, Piano
1
Voix basse, Piano
1
Voix Soprano
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
139
Saxophone
124
2 Saxophones (duo)
115
Clarinette et Piano
109
Clarinette
97
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
78
Flûte traversière
77
Hautbois, Piano (duo)
73
Saxophone Alto et Piano
73
Quintette de Saxophone: 5 saxophones
70
Quatuor de Saxophones: 4 saxophones
67
Saxophone Tenor et Piano
56
2 Flûtes traversières (duo)
52
Saxophone Alto
50
Flûte, Hautbois, Clarinette, Basson
49
Ensemble de saxophones
47
Saxophone Soprano et Piano
43
2 Clarinettes (duo)
41
Quatuor de Clarinettes: 4 clarinettes
39
Saxophone Baryton, Piano
33
3 Saxophones (trio)
32
Hautbois (partie séparée)
28
Ensemble de Clarinettes
25
Saxophone Tenor
23
Cor anglais, Piano
23
Saxophone (partie séparée)
22
Saxophone, Clarinette (duo)
22
Quatuor de Flûtes : 4 flûtes
20
Ensemble De Flûte à bec
19
Flûte, Clarinette (duo)
18
Quintette de Flûte : 5 flûtes
17
Clarinette, Violon (duo)
15
Quintette de Clarinettes: 5 clarinettes
15
Clarinette Basse, Piano
15
2 Hautbois (duo)
14
Flûte à Bec
13
Clarinette, Trompette (duo)
13
Flûte et Guitare
13
Trio de Flûtes: 3 flûtes
12
Hautbois
11
Ensemble de Flûtes
11
3 Clarinettes (trio)
11
Flûte, Saxophone (duo)
9
2 Flûte à bec (duo)
9
Flûte, Violon
9
Saxophone Soprano
7
Clarinette et Alto
7
Flûte à bec Alto
7
3 Flûtes à bec (trio)
7
Clarinette, Basson (duo)
7
Flûte, Alto (duo)
6
Hautbois, Clarinette (duo)
6
Hautbois, Flûte
6
Flûte à bec Soprano
6
Flûte, Trompette (duo)
5
5 Flûtes à bec
5
Quatuor de Flûtes à bec
5
Hautbois, Basson (duo)
5
Flûte à bec Alto, Piano
4
Clarinette, Guitare (duo)
4
Flûte, Hautbois, Clarinette (trio)
4
Instruments en Mib
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Hautbois, Basson
3
Saxophone et Guitare
2
Flûte à bec Tenor
2
Saxophone Baryton
2
Flûte, Clarinette, Piano (trio)
2
Flûte traversière, Basse continue
2
Ensemble de Hautbois
2
Flûte à bec Soprano, Piano
2
Flûte, Clarinette et Basson
2
Piccolo, Piano
1
3 Hautbois
1
4 Hautbois
1
Hautbois, Guitare (duo)
1
Clarinette Basse
1
Saxophone et Orgue
1
Cor anglais, Guitare (duo)
1
Flûte irlandaise
1
Cor anglais et Harpe (duo)
1
Flûte, Violoncelle
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à Bec, Piano
1
2 Flûtes traversières, Piano
1
Cor Anglais
1
+ 82 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
85
Trompette
81
Trombone
62
Trombone et Piano
54
Trompette, Piano
53
Quatuor de Cuivres : 2 trompettes, trombone, tuba
51
Cor et Piano
42
Cor
25
Tuba et Piano
25
Tuba
24
Cor anglais, Piano
23
2 Trombones (duo)
22
2 Trompettes (duo)
20
Ensemble de Trompettes
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Euphonium, Piano (duo)
18
Ensemble de Trombones
14
Trompette, Trombone (duo)
14
Ensemble de Cors
13
2 Cors (duo)
13
Trompette, Saxophone (duo)
13
Quatuor de Cuivres
12
2 Tubas (duo)
8
Quatuor de cuivres: 4 trompettes
7
Quatuor de cuivres: 4 trombones
6
Quatuor de cuivres: 4 cors
6
4 Tubas
6
Euphonium
4
3 Tubas (trio)
3
Trompette, Cor (duo)
3
3 Trombones (trio)
3
Trompette (partie séparée)
3
Trombone, Cor (duo)
3
Cor (partie séparée)
2
Cor, Violoncelle (duo)
2
Trombone basse et Piano
2
Trombone basse
2
Cor et Basson (duo)
2
3 Cors (trio)
2
2 Euphoniums et 2 Tubas
1
Trombone (partie séparée)
1
Cor anglais, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
Euphonium, Tuba (duo)
1
2 Cors, Piano
1
Tuba et Orgue
1
Instruments en Sib
1
3 Euphoniums
1
Cor Anglais
1
Bass Clef Instruments
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
259
Violon et Piano
147
Alto, Piano
125
Violoncelle, Piano
120
Violon, Violoncelle (duo)
111
Violon
94
Trio à Cordes: violon, alto, violoncelle
78
Violoncelle
76
Harpe
55
2 Violons (duo)
51
Alto seul
48
Quintette à cordes: 2 violons, alto, violoncelle, basse
30
2 Violoncelles (duo)
24
Violon, Alto (duo)
24
2 Altos (duo)
23
Trio à Cordes: 2 violons, violoncelle
15
Contrebasse, Piano (duo)
15
4 Violoncelles
14
Alto, Violoncelle (duo)
13
Contre Basse
13
Alto (partie séparée)
9
Trio à Cordes: 3 violoncelles
9
Quatuor à cordes : 4 altos
9
Trio à cordes: 3 violins
8
Ensemble de Violons
8
Quatuor à cordes: 4 violons
7
Harpe, Flûte (duo)
7
Trio à cordes: 3 altos
6
2 Contrebasses (duo)
5
Ensemble d'Altos
5
Harpe, Violon, Violoncelle
4
2 Harpes (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violoncelle , Guitare (duo)
3
Harpe, Violon (duo)
3
2 Violons, Piano
2
Trio à Cordes: 2 violons, alto
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Alto et Basson
2
Trio à cordes
2
Violon (partie séparée)
2
Ensemble de Violoncelles
2
Piano Trio: Violon, Alto, Piano
1
4 Harpes
1
Contrebasse (partie séparée)
1
Violoncelle, Basse continue
1
Autoharp
1
Violoncelle, Orchestre
1
Harpe, Voix
1
Violon, Guitare (duo)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
329
Orchestre
146
Orchestre à Cordes
108
Cloches
85
Ensemble Jazz
52
Ensemble de cuivres
42
Orchestre de chambre
37
Batterie
21
Ensemble de Percussions
15
Fanfare
12
Jazz combo
10
Marimba
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Ensemble d'École
3
2 Xylophones
2
Vibraphone
2
Xylophone, Piano
1
Percussion
1
Piano et Orchestre
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
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Vous avez sélectionné:
Only Time
Saxophone Tenor et Piano
Partitions à imprimer
56 partitions trouvées
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1
26
51
Only Time
#
Saxophone Tenor et Piano
#
INTERMÉDIAIRE
#
Celtique/Irlandais
#
Enya
#
Kenneth D
#
Only Time
#
KFS Publishing
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.700516 By Enya. By Enya, Nicky Ryan, and Roma Ryan. Arranged by Kenneth D. Friedrich. Celtic,New Age. Score an...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.700516 By Enya. By Enya, Nicky Ryan, and Roma Ryan. Arranged by Kenneth D. Friedrich. Celtic,New Age. Score and part. 6 pages. KFS Publishing #6266913. Published by KFS Publishing (A0.700516). To quote the artist herself, ‘Only Time’ talks about the fact that time will heal. It won’t get rid of the wound, but time will bring back a sense of normality that is important to your life.' My hope is this arrangement will have the same effect instrumentally.
$14.95
Only Time
#
Saxophone Tenor et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Celtique/Irlandais
#
Enya
#
Fernando Britto
#
Only Time
#
Minhas Partituras
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.687401 By Enya. By Enya, Nicky Ryan, and Roma Ryan. Arranged by Fernando Britto. Celtic,Irish,New Age,Pop,Wedd...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.687401 By Enya. By Enya, Nicky Ryan, and Roma Ryan. Arranged by Fernando Britto. Celtic,Irish,New Age,Pop,Wedding. Score and part. 8 pages. Minhas Partituras #6574845. Published by Minhas Partituras (A0.687401). Arrangement of the song Only Time (Enya) for Tenor Saxophone Solo and Piano Accompaniment.
$8.99
My One And Only Love
#
Saxophone Tenor et Piano
#
INTERMÉDIAIRE
#
Jazz
#
Oscar Peterson Trio
#
Debra E
#
My One And Only Love
#
Standard Time
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1318417 By Oscar Peterson Trio. By Guy Wood and Robert Mellin. Arranged by Debra E. Stempien, Gregory H. Turne...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1318417 By Oscar Peterson Trio. By Guy Wood and Robert Mellin. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Pop,Standards. Score and part. 6 pages. Standard Time #907078. Published by Standard Time (A0.1318417). This well-known standard is arranged as a tenor sax solo with piano accompaniment, including a brief piano solo. Please note that the audio uses the soprano sax version of this arrangement.
$7.99
In A Sentimental Mood
#
Saxophone Tenor et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Duke Ellington
#
Duke Ellington
Performed b
#
Popnroll 1976
#
John Coltrane (Tenor Sax &
#
In A Sentimental Mood
#
Popnroll 1976
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.1382562 By Duke Ellington. By Duke Ellington, Irving Mills, and Manny Kurtz. Arranged by Popnroll 1976. 20th C...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.1382562 By Duke Ellington. By Duke Ellington, Irving Mills, and Manny Kurtz. Arranged by Popnroll 1976. 20th Century,Jazz,Standards. Score and part. 6 pages. Popnroll 1976 #966986. Published by Popnroll 1976 (A0.1382562). In A Sentimental Mood - Duke Ellington & John Coltrane (Tenor Sax & Piano/Bass/Sax solo transcribed)A complete tenor saxophone transcription (Theme section only) of the opening ballad standard In A Sentimental Mood from Duke Ellington & John Coltrane's 1962 album Duke Ellington & John Coltrane, which begins with an impressive piano intro and the piano accompaniment part (with bass score).The bass part is also scored with piano improvisation section.PDF format, 6 pages.Contents: 4 pages of score, 2 pages of parts for Bb saxophone.Composed by Duke EllingtonPerformed by：Duke Ellington - pianoJohn Coltrane - tenor saxAaron Bell - bassElvin Jones - drumsRecording Producer: Bob Thiele.
$19.99
Rocket Man (i Think It's Gonna Be A Long Long Time)
#
Saxophone Tenor et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Piano Tribute Players
#
Gary D
#
Rocket Man
#
DR GARY D BELSHAW
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.796748 By Piano Tribute Players. By Bernie Taupin and Elton John. Arranged by Gary D. Belshaw (ASCAP). Contemp...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.796748 By Piano Tribute Players. By Bernie Taupin and Elton John. Arranged by Gary D. Belshaw (ASCAP). Contemporary. Score and part. 13 pages. DR GARY D BELSHAW #4631205. Published by DR GARY D BELSHAW (A0.796748). For the advanced intermediate saxophonist. Three-and-a-half minutes. 13 pages. This enormously popular tune translates so naturally for the solo saxophone with a more classical (serious concert music) feel. Not only is this a solid recital closer, it is an excellent choice for social obligations and for recruiting. Free improvisations are welcome. Reward your advanced pupils with a gift of this arrangement. Thank you for considering my music. Your reviews are really important to me and are deeply appreciated. Follow me on Facebook (Gary D. Belshaw Music) or Twitter @GaryDBelshawMus. Please like this title on your Sheet Music Plus page.
$6.99
It's Only A Paper Moon
#
Saxophone Tenor et Piano
#
INTERMÉDIAIRE
#
Contemporain
#
Harold Arlen
#
M
#
It's Only A Paper Moon
#
M. Sloan Hill
#
SheetMusicPlus
Small Ensemble Bass Voice,Drums,Low Voice,Piano,Tenor Saxophone - Level 3 - SKU: A0.948509 Composed by Harold Arlen. Arranged by M. Sloan Hill. Contempo...
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Small Ensemble Bass Voice,Drums,Low Voice,Piano,Tenor Saxophone - Level 3 - SKU: A0.948509 Composed by Harold Arlen. Arranged by M. Sloan Hill. Contemporary. Score and parts. 42 pages. M. Sloan Hill #5222877. Published by M. Sloan Hill (A0.948509). The go to version of this famous Harold Arlen Tune, as sung by the incomparable Ella Fitzgerald, here faithfully reproduced. Perfect for community theater productions, old time radio show reenactments, follies and the like!
$24.95
ONLY TRUST HIM (Duet – Tenor Sax & Piano with Parts)
#
Saxophone Tenor et Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
John H
#
Gary Lanier
#
ONLY TRUST HIM
#
The Lanier Company
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.614777 Composed by John H. Stockton. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 9 pages...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.614777 Composed by John H. Stockton. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 9 pages. The Lanier Company #2075959. Published by The Lanier Company (A0.614777). ONLY TRUST HIM is a duet arrangement for Tenor Sax & Piano of one of our most cherished Christian Hymns. The score, including cover and Tenor Sax part is 9 pages long. This arrangement is perfect for any Church or gathering where Christian inspirational music is desired. It works great for times of commitment to Christ. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: ONLY TRUST HIM (Piano Accompaniment for Tenor Sax).
$6.99
I Can Only Imagine
#
Saxophone Tenor et Piano
#
FACILE
#
MercyMe
#
Stephen DeCesare
#
I Can Only Imagine
#
Exultet Music
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.626444 By MercyMe. By Bart Millard. Arranged by Stephen DeCesare. Christian. Score and part. 18 pages. Exultet...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.626444 By MercyMe. By Bart Millard. Arranged by Stephen DeCesare. Christian. Score and part. 18 pages. Exultet Music #5721801. Published by Exultet Music (A0.626444). The beautiful Contemporary Christian / Praise and Worship song by MercyME about what it will be like in Heaven and to be standing before God has now been freshly arranged for a Tenor Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used for many times throughout the liturgical year.
$4.99
Only Time
#
Saxophone Tenor et Piano
#
INTERMÉDIAIRE
#
Celtique/Irlandais
#
Enya
#
Kaiserin Rebecca
#
Only Time
#
Kaiserin Rebecca
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.638552 By Enya. By Enya, Nicky Ryan, and Roma Ryan. Arranged by Kaiserin Rebecca. Celtic,New Age. Score and pa...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.638552 By Enya. By Enya, Nicky Ryan, and Roma Ryan. Arranged by Kaiserin Rebecca. Celtic,New Age. Score and part. 6 pages. Kaiserin Rebecca #3070405. Published by Kaiserin Rebecca (A0.638552). For tenor saxophone solo and piano accompaniment.Key: B flat major- D flat majorDuration: 2'50
$5.99
Mendelssohn: Wedding March for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
$32.95
O Come All Ye Faithful for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Ten
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548516 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jm...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548516 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388133. Published by jmsgu3 (A0.548516). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Maple Leaf Rag, by Scott Joplin, for Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.587783 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 ...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.587783 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. David McKeown #4967657. Published by David McKeown (A0.587783). The most popular of Scott Joplin’s piano rags during his lifetime,The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films.This version for Cello and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only.Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes.Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203Â
$4.60
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Weddin...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3468806. Published by jmsgu3 (A0.549236). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Silent Night for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Noël
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Gruber
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James M
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Silent Night for Tenor Sax &am
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548490 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #33...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548490 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387061. Published by jmsgu3 (A0.548490). Silent Night for Tenor Sax & Piano with new harmony for the final verse. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies. Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
For Elise (Beethoven) + FREE Mp3 Playback + PDF Solo and Piano Parts
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Saxophone Tenor et Piano
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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For Elise
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Fabio Eduardo
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1266133 By Fabio Eduardo de Oliveira. By L.V. Beethoven. Arranged by Fabio Eduardo de Oliveira. 19th Century,2...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1266133 By Fabio Eduardo de Oliveira. By L.V. Beethoven. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Score and part. 5 pages. Fabio Eduardo #858877. Published by Fabio Eduardo (A0.1266133). Free Download PlaybackBagatelle No. 25  for solo piano, commonly known as Für Elise, is one of Ludwig van Beethoven's most popular compositions. It was not published during his lifetime, only being discovered (by Ludwig Nohl) 40 years after his death, and may be termed either a Bagatelle or an Albumblatt. The identity of Elise is unknown; researchers have suggested Therese Malfatti, Elisabeth Röckel, or Elise Barensfeld.
$1.99
Grieg: Anitra's Dance from Peer Gynt Suite for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549557 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,St...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549557 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507671. Published by jmsgu3 (A0.549557). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549536 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sac...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549536 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505873. Published by jmsgu3 (A0.549536). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
The Easy Winners, for Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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The Easy Winners, for Tenor Sa
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.1106208 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 page...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.1106208 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709322. Published by David McKeown (A0.1106208). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Tenor Saxophone with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Symphony No. 7 by Beethoven for Tenor Sax
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Saxophone Tenor et Piano
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1158463 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,T...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1158463 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #758749. Published by Woods Only, Arrangements (A0.1158463). This arrangement adapted for tenor saxophone e piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
O Jesulein süss by Bach for Tenor Sax and Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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O Jesulein süss by Bach f
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1049988 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred. Score and part....
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1049988 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred. Score and part. 3 pages. Woods Only, Arrangements #654386. Published by Woods Only, Arrangements (A0.1049988). This easy arrangement for tenor sax and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song. The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering.
$1.99
Schubert: Ave Maria for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Tenor
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548700 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and ...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548700 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411149. Published by jmsgu3 (A0.548700). A Tenor Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
The Wedding Album, for Solo Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Film Walt Disney
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Various
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David McKeown
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The Wedding Album, for Solo Te
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.587623 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Scor...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.587623 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594681. Published by David McKeown (A0.587623). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Tenor Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Christmas Jazz Volume 3 Bb saxophone. Chris Lawry & Keri Degg
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Noël
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Chris Lawry and Keri Degg
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Christmas Jazz Volume 3 Bb sax
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Masquerade Music
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1278957 Composed by Chris Lawry and Keri Degg. Christian,Christmas,Holiday,Jazz. Score and part. 42 pages. Mas...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1278957 Composed by Chris Lawry and Keri Degg. Christian,Christmas,Holiday,Jazz. Score and part. 42 pages. Masquerade Music #870506. Published by Masquerade Music (A0.1278957). Christmas Jazz Volume 3 Bb saxophone edition is another collection of five fabulous arrangements for Bb saxophone (tenor or soprano) and piano by Chris Lawry and Keri Degg. The pack includes inventive and original ideas from the two composers/arrangers and include an accessible written out 'sax solo' type section in each. Christmas Jazz Volume 3 includes O Little Town of Bethlehem (a cheeky swing), O Christmas Tree (a lush smooshy ballad), Here we Come a Wassailing (an energetic swing), It Came upon a Midnight Clear (ballad), and Ding Dong Merrily on High (Jazz/Jazz Waltz). With various styles covered (including Funk, smooth jazz, ballad, swing and more). The pieces are accessible with the ballad-style pieces being around grade 3-4 and even the most challenging are only around grade 6 standard, so they are easy enough to practice up with limited time available.You are invited to download for free the full demonstration and accompaniment only audio tracks by following the instructions on the final page of your purchased print out. Note that the audio tracks are of the exciting enhanced audio (as on the Youtube videos - not just sax and piano). In your purchased print out you receive Bb sax part, piano part for live accompaniment options, and MP3 full demonstration and accompaniment only audio tracks (to be downloaded via the instructions on the final page of your sheet music).Bring some joy this Christmastime...bring on the Christmas Jazz! Visit www.masquerade-music.com for more exciting sheet music for woodwinds and free practice resources.The Youtube video shows a medley of excerpts from all five pieces included in the book. This purchase includes Bb saxophone part PDF and piano accompaniment score to accompany Bb saxophone plus audio tracks (demo and accompaniment only) free to download via the given code on your print out. The pack is also available in Eb Saxophone, Bb Clarinet, and flute editions, and Christmas Jazz Volumes 1 and 2 are also available.
$14.99
Minuet by Boccherini for Tenor Sax
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Saxophone Tenor et Piano
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DÉBUTANT
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Luigi Boccherini
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Ander
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Minuet by Boccherini for Tenor
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1160615 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. ...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1160615 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #760910. Published by Woods Only, Arrangements (A0.1160615). This simple arrangement adapted for tenor saxophone and piano was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference.Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.
$1.99
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