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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Orch
Non classifié
18 759
Piano & claviers
Piano seul
15 340
Piano, Voix et Guitare
5 087
Piano Facile
4 431
Instruments en Do
3 523
Piano grosses notes
1 801
Orgue
1 658
Accordéon
1 247
Piano, Voix
1 244
Accompagnement Piano
591
Piano (partie séparée)
372
1 Piano, 4 mains
356
Clavier
97
2 Pianos, 4 mains
60
Ensemble d'Accordéons
30
Piano Trio: piano, violon, violoncelle
29
Piano Quatuor: piano, violon, alto, violoncelle
14
Orgue, Piano (duo)
9
Accordéon et Orchestre
8
Orgue, Trompette (duo)
7
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Orgue et Orchestre
5
Clavecin
4
1 Piano, 6 mains
4
2 Accordéons
3
Ligne De Mélodie, Piano
3
Accordéon - Piano, Voix, Guitare
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, violon, alto, violoncelle, contre basse
2
Fake Book
1
2 Pianos, 8 mains
1
Accordéon, Corde(s)
1
Accordéon, Voix
1
+ 27 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
7 148
Guitare
3 158
Guitare notes et tablatures
2 281
Ukulele
1 148
Basse electrique
906
Paroles et Accords
428
Mandoline
416
Banjo
328
Dulcimer
124
Ukulele Baryton
62
Dobro
49
Guitare Pedal Steel
46
Guitare (partie séparée)
41
Guitare Tab, Voix, Basse, Batterie
40
3 Guitares (trio)
21
2 Guitares (duo)
20
Piano, Guitare (duo)
19
4 Guitares (Quatuor)
19
Ensemble de guitares
17
Orchestre à Plectres
14
Guitare, Orchestre
12
Basse électrique (partie séparée)
9
Ensemble de Ukulélés
7
Mandoline, Guitare (duo)
4
2 Guitares et Orchestre
4
Guitare, Violon, Violoncelle (trio)
3
Guitare, Quatuor à cordes
2
Luth
1
Partitions De Groupes
1
+ 24 instrumentations
Retracter
Voix
Pack Instrumental pour Chorale
14 767
Chorale SATB
4 328
Voix seule
2 514
Chorale 3 parties
1 597
Chorale 2 parties
593
Chorale TTBB
408
Chorale SSAA
295
Chorale Unison
120
Voix haute
94
Chorale SSATB
80
Chorale
78
Voix Soprano, Piano
69
Chorale SSAATTBB
40
Voix duo, Piano
34
Voix duo
33
Voix basse, Piano
33
Soli, choeur mixte et accompagnement
32
Chorale SSAATB
31
Chorale SSATTB
18
Voix Mezzo-Soprano, Piano
14
Voix Baryton, Piano
13
Voix Soprano, Orchestre
9
Chorale SSAB, Piano
7
Chorale, Orchestre
6
Chorale SSAB a cappella
5
Voix moyenne, Piano
5
Voix Tenor, Piano
4
Voix Soprano
3
Chorale SATTBB A Cappella
2
Voix Alto, Piano
2
Chorale SSAATB A Cappella
2
Voix basse
1
Voix Tenor
1
Chorale SATBB
1
Chorale SAATB A Cappella
1
+ 30 instrumentations
Retracter
Vents
Saxophone
17 416
Flûte traversière
7 266
Clarinette
7 144
Clarinette (partie séparée)
3 770
Saxophone (partie séparée)
3 588
Flute (partie séparée)
2 267
Saxophone Alto
1 752
Saxophone Tenor
1 605
Hautbois (partie séparée)
1 298
Flûte à Bec
996
Hautbois
620
Saxophone Soprano
550
Harmonica
277
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
222
Ocarina
203
2 Flûtes traversières (duo)
191
Flûte traversière et Piano
188
2 Saxophones (duo)
188
2 Clarinettes (duo)
166
Clarinette et Piano
162
Quintette de Saxophone: 5 saxophones
110
Quatuor de Saxophones: 4 saxophones
105
Saxophone Alto et Piano
91
Hautbois, Piano (duo)
86
Quatuor de Clarinettes: 4 clarinettes
84
Ensemble de saxophones
75
Flûte, Hautbois, Clarinette, Basson
73
Ensemble de Clarinettes
68
Saxophone Tenor et Piano
44
Saxophone Soprano et Piano
43
Quatuor de Flûtes : 4 flûtes
40
Ensemble de Flûtes
33
Piccolo
32
Flûte traversière, Orchestre
31
Quatuor de Flûtes à bec
30
5 Flûtes à bec
29
Quintette de Clarinettes: 5 clarinettes
27
Ensemble De Flûte à bec
24
Clarinette, Orchestre
24
3 Clarinettes (trio)
17
2 Flûte à bec (duo)
17
Saxophone Baryton, Piano
17
Trio de Flûtes: 3 flûtes
16
Quintette de Flûte : 5 flûtes
16
Saxophone et Orchestre
15
3 Saxophones (trio)
15
Saxophone, Clarinette (duo)
15
Quintette de Clarinette: Clarinette, Quatuor à Cordes
14
Flûte, Clarinette (duo)
14
Clarinette Basse, Piano
14
2 Hautbois (duo)
13
Cor Anglais
13
Ensemble à vent
13
Cor anglais, Piano
13
Clarinette Basse
12
Hautbois, Basson (duo)
12
Flûte et Guitare
12
Flûte, Violon, Piano
11
Flûte, Violon
10
Clarinette, Trompette (duo)
9
Flûte, Hautbois, Clarinette (trio)
9
Clarinette, Violon (duo)
9
Flûte à bec Soprano
8
Hautbois et Orchestre
7
Hautbois, Clarinette (duo)
7
Clarinette, Basson (duo)
7
Hautbois, Flûte
7
Instruments en Mib
6
2 Cors Anglais Et Pianoforte
6
Flûte, Violoncelle, Piano (trio)
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte, Saxophone (duo)
5
Flûte, Clarinette et Basson
5
Clarinette, Guitare (duo)
5
2 Saxophones, Piano
4
Clarinette et Alto
4
Hautbois, Basson et Piano
4
Flûte, Trompette (duo)
4
Flûte et Trio à cordes
3
Flûte, Alto (duo)
3
Flûte, Clarinette, Piano (trio)
3
Flute, harpe et violon
3
Clarinette, Violoncelle (duo)
3
4 Hautbois
2
Flûte à bec Soprano, Piano
2
Harmonica, Piano
2
3 Hautbois
2
Flûte, Hautbois (duo)
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte, Clarinette, Violon (trio)
2
Flûte, Violoncelle
2
Flûte à bec, Guitare (duo)
1
Hautbois, violon (duo)
1
Ensemble de Hautbois
1
Hautbois, Violoncelle
1
2 Clarinettes, Piano
1
Clarinette, Harpe (duo)
1
Saxophone Baryton
1
3 Flûtes à bec (trio)
1
Flûte, Hautbois, Basson
1
Flûte, Hautbois, Violon
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte irlandaise
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Tenor
1
Saxophone et Harpe
1
Flûte, Hautbois, Piano (trio)
1
Hautbois et alto (duo)
1
Cornemuse
1
Flûte, Violoncelle, Guitare
1
Flûte à bec Alto
1
Clarinette, Basson, Piano (trio)
1
Saxophone et Guitare
1
2 Flûtes traversières, Guitare
1
Flûte à bec Alto, Piano
1
2 Flûtes traversières, Piano
1
Saxophone et Orgue
1
2 Flûtes, Basse continue
1
Flûte, Violon, Violoncelle et Piano
1
Piccolo, Piano
1
Cor anglais et Harpe (duo)
1
+ 117 instrumentations
Retracter
Cuivres
Trombone
6 567
Trompette
6 202
Trompette (partie séparée)
5 748
Trombone (partie séparée)
4 392
Cor (partie séparée)
2 103
Cor
1 255
Tuba (partie séparée)
954
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
727
Tuba
434
Euphonium
341
Quatuor de Cuivres : 2 trompettes, trombone, tuba
141
2 Trompettes (duo)
137
2 Trombones (duo)
133
Trompette, Piano
101
Euphonium (partie séparée)
76
Trombone et Piano
72
Cor et Piano
49
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
Ensemble de Trombones
26
Ensemble de Trompettes
23
Trompette, Orchestre
19
Quatuor de Cuivres
18
Quatuor de cuivres: 4 trombones
17
Euphonium, Piano (duo)
17
Tuba et Piano
16
Bass Clef Instruments
14
Cor Anglais
13
Trompette, Trombone (duo)
13
Cor anglais, Piano
13
Cor, Orchestre
10
Trompette, Saxophone (duo)
9
Ensemble de Cors
9
2 Euphoniums et 2 Tubas
8
Quatuor de cuivres: 4 cors
8
Trombone et orchestre
8
Bugle
7
2 Cors Anglais Et Pianoforte
6
Instruments en Sib
6
3 Euphoniums
5
2 Trompettes, Clavier (piano ou orgue)
5
Trombone basse et Piano
4
3 Trombones (trio)
4
Trompette, violon (duo)
3
4 Tubas
3
2 Cors (duo)
3
3 Trompettes (trio)
3
2 Tubas (duo)
3
3 Cors (trio)
2
Instruments en Fa
2
Trombone basse
2
Trompette, Cor (duo)
2
Cornet et orchestre
2
Trio de Cuivres
2
Trompette, Trombone, Piano
1
Trombone, Orgue
1
Clarinette, Cor (duo)
1
Trombone, Tuba (duo)
1
Trompette, Tuba (duo)
1
2 Euphoniums (duo)
1
Ensemble de Tubas
1
3 Tubas (trio)
1
Tuba ou Euphonium ou Saxhorn
1
Quatuor de cuivres: 4 trompettes
1
Cor anglais et Harpe (duo)
1
Cor et Harpe
1
+ 60 instrumentations
Retracter
Cordes
Violon (partie séparée)
8 016
Alto seul
3 282
Violon
2 768
Contrebasse (partie séparée)
2 419
Violoncelle (partie séparée)
2 417
Violoncelle
2 286
Quatuor à cordes: 2 violons, alto, violoncelle
1 758
Alto (partie séparée)
1 234
Violon et Piano
383
Harpe
375
Contre Basse
338
2 Violons (duo)
333
Quintette à cordes: 2 violons, alto, violoncelle, basse
280
Violoncelle, Piano
260
2 Violoncelles (duo)
218
Violon, Violoncelle (duo)
198
Trio à Cordes: violon, alto, violoncelle
125
Alto, Piano
96
Trio à Cordes: 2 violons, violoncelle
89
Harpe (partie séparée)
74
Violoncelle, Orchestre
68
Violon, Alto (duo)
56
2 Altos (duo)
38
Violon, Guitare (duo)
29
Contrebasse, Piano (duo)
26
4 Violoncelles
25
Trio à cordes: 3 violins
24
2 Harpes (duo)
24
Alto et orchestre
19
Alto, Violoncelle (duo)
16
Ensemble de Violons
13
Ensemble d'Altos
13
Violoncelle, Contrebasse (duo)
12
2 Violons, Piano
12
Harpe, Violon (duo)
11
Harpe, Orchestre
9
Violoncelle , Guitare (duo)
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Piano Trio: Violon, Alto, Piano
7
Trio à cordes: 3 altos
6
Trio à Cordes: 3 violoncelles
6
Violoncelle, Orgue
6
Flûte, Contrebasse (duo)
5
Trio à cordes
5
Harpe, Flûte (duo)
5
Quatuor à cordes: 4 violons
4
Trio à Cordes: 2 violons, alto
4
Harpe, Violoncelle (duo)
4
Alto, Guitare (duo)
4
Harpe, Quatuor à cordes
4
Violoncelle, Basse continue
3
Violon, Basse continue
3
2 Violoncelles, Piano
3
2 Contrebasses (duo)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Quatuor à cordes : 4 altos
2
Harpe et Piano
2
Violon, Orgue
1
Violon, Clarinette, Piano (trio)
1
3 Harpes
1
Alto, Orgue
1
Violon, Basson (duo)
1
Ensemble de Violoncelles
1
4 Contrebasses
1
4 Harpes
1
2 Violons et Basse continue
1
+ 61 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
72 280
Orchestre
19 845
Orchestre à Cordes
19 261
Ensemble Jazz
3 736
Orchestre de chambre
3 611
Fanfare
3 176
Percussion (partie séparée)
3 169
Timbales (partie séparée)
704
Batterie (partie séparée)
687
Percussion
368
Cloches
303
Batterie
167
Timbales
139
Ensemble de cuivres
136
Piano et Orchestre
106
Jazz combo
88
Ensemble de Percussions
80
Orchestre, Violon
70
Caisse Claire
51
Xylophone
40
Marimba
30
Orchestre Symphonique
26
Vibraphone
23
Xylophone (partie séparée)
16
Instrumentation Flexible
11
Voix et Orchestre
11
Big band
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
7
Ensemble d'École
7
Vibraphone (partie séparée)
4
Xylophone, Piano
3
Voix Mezzo-Soprano, Orchestre
2
Vibraphone et Marimba
1
2 Xylophones
1
+ 29 instrumentations
Retracter
Autres
Formation musicale - Solfège
15
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Note4Piano
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Vous avez sélectionné:
Orch
Saxophone Tenor et Piano
Partitions à imprimer
44 partitions trouvées
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1
26
Bring A Torch Jeannette Isabella
#
Saxophone Tenor et Piano
#
FACILE
#
Traditional
#
Kaiserin Rebecca
#
Bring A Torch Jeannette Isabel
#
Kaiserin Rebecca
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.639120 Composed by Traditional. Arranged by Kaiserin Rebecca. Christian,Christmas,Gospel. Score and part. 2 pa...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.639120 Composed by Traditional. Arranged by Kaiserin Rebecca. Christian,Christmas,Gospel. Score and part. 2 pages. Kaiserin Rebecca #3406717. Published by Kaiserin Rebecca (A0.639120). For tenor saxophone solo and piano accompaniment with chords.Key: F majorDuration: 0'33.
$4.99
Bring a Torch, Jeanette Isabella (Alto and Tenor Sax Duet with Piano Accompaniment)
#
Saxophone Tenor et Piano
#
FACILE
#
Traditional
#
B
#
Bring a Torch, Jeanette Isabel
#
Ben Dockery
#
SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 2 - SKU: A0.1120066 Composed by Traditional. Arranged by B. C. Do...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 2 - SKU: A0.1120066 Composed by Traditional. Arranged by B. C. Dockery. Christian,Christmas,Folk,Holiday,Traditional. Score and parts. 5 pages. Ben Dockery #721386. Published by Ben Dockery (A0.1120066). A traditional French carol arranged for alto and tenor sax duet with piano accompaniment. Great for lessons, recitals, Christmas programs, parties, and caroling. Easy intermediate level. Includes score and parts.
$4.99
Bring a Torch, Jeannette, Isabella--tenor sax solo
#
Saxophone Tenor et Piano
#
INTERMÉDIAIRE
#
French carol
#
Beka Wilson
#
Bring a Torch, Jeannette, Isab
#
Beka Wilson
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.786457 Composed by French carol. Arranged by Beka Wilson. Christian,Christmas,Folk,Sacred. Score and part. 5 p...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.786457 Composed by French carol. Arranged by Beka Wilson. Christian,Christmas,Folk,Sacred. Score and part. 5 pages. Beka Wilson #6036691. Published by Beka Wilson (A0.786457). This arrangement of an old French carol is an uncommon Christmas piece with a Celtic flair. It would be perfect for gigs, church special music, Christmas recitals, or other holiday events. Approximately 2 minutes in length.5 pages, includes piano score and solo part.Want this arrangement for another instrument? It’s also available for flute, oboe, clarinet, bassoon, alto sax, horn, trumpet, trombone, violin, viola, or cello on Sheet Music Plus. If you would like this arrangement in another key or for an instrument not listed, shoot me an email at bekmars10@gmail.com and I can get a custom arrangement up for sale for you.
$6.99
50 Christmas Duets for Alto and Tenor Sax with Piano Accompaniment
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Saxophone Tenor et Piano
#
FACILE
#
Noël
#
Various
#
B
#
50 Christmas Duets for Alto an
#
Ben Dockery
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 2 - SKU: A0.1129687 Composed by Various. Arranged by B. C. Docker...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 2 - SKU: A0.1129687 Composed by Various. Arranged by B. C. Dockery. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 269 pages. Ben Dockery #730098. Published by Ben Dockery (A0.1129687). 50 Christmas duets for alto and tenor sax with piano accompaniment. Includes scores and individual parts. Intermediate level. Includes: All Through the Night, Angels From the Realm of Glory, Away in a Manger, Away in a Manger (Cradle Song), Bring a Torch, Jeanette Isabella, Carol of the Bells, Christ was Born on Christmas Day, Christians Awake, Coventry Carol, Dance of the Sugar Plum Fairy, Deck the Halls, Ding Dong, Merrily on High and 38 more!
$29.99
10 Christmas Duets for Alto and Tenor Sax with Piano Accompaniment (Vol. 5)
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Saxophone Tenor et Piano
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FACILE
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Noël
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Various
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B
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10 Christmas Duets for Alto an
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Ben Dockery
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 2 - SKU: A0.1122201 Composed by Various. Arranged by B. C. Docker...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 2 - SKU: A0.1122201 Composed by Various. Arranged by B. C. Dockery. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 51 pages. Ben Dockery #723352. Published by Ben Dockery (A0.1122201). Arranged for alto and tenor sax duet with piano accompaniment. Great for lessons, recitals, church services, caroling, and Christmas parties. Includes: All Through the Night, Bring a Torch Jeanette Isabella, Christians Awake, Christ was Born on Christmas Day, Ding Dong Merrily on High, Gaudete, The Birthday of a King, The Friendly Beasts, The Snow Lay on the Ground, Toyland. Easy intermediate level. Includes score and parts. 51 pages.
$11.99
Pavane Pour Une Infante Défunte (Maurice Ravel) for Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Maurice Ravel
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Harry Walker
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Pavane Pour Une Infante D&eacu
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SCORE EDITIONS
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1454423 Composed by Maurice Ravel. Arranged by Harry Walker. 19th Century,20th Century,Classical,Romantic Peri...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1454423 Composed by Maurice Ravel. Arranged by Harry Walker. 19th Century,20th Century,Classical,Romantic Period. Score and part. 9 pages. SCORE EDITIONS #1033526. Published by SCORE EDITIONS (A0.1454423). La Pavane pour une infante défunte est à l'origine une pièce pour piano de Maurice Ravel composée en 1899 et dédiée à la princesse de Polignac. La création de la version pianistique eut lieu à Paris le 5 avril 1902 par le pianiste Ricardo Viñes. Son exécution dure environ six minutes. La Pavane a été orchestrée par Ravel en 1910. L'œuvre porte la référence M.19 dans le catalogue des œuvres du compositeur établi par le musicologue Marcel Marnat. In this version, the composition was arranged for Tenor Saxophone and Piano by Harry Walker.
$5.99
Mendelssohn: Wedding March for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
$32.95
Mr. Blue Sky
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Electric Light Orchestra
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Lawrence H Underwood
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Mr. Blue Sky
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Lawrence H Underwood
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1091664 By Electric Light Orchestra. By Jeff Lynne. Arranged by Lawrence H Underwood. 20th Century,Film/TV,Pop...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1091664 By Electric Light Orchestra. By Jeff Lynne. Arranged by Lawrence H Underwood. 20th Century,Film/TV,Pop,Rock. Score and part. 12 pages. Lawrence H Underwood #695818. Published by Lawrence H Underwood (A0.1091664). This classic track from the Electric Light Orchestra found a whole new audience when director James Gunn used it to great effect in the hit film “Guardians of the Galaxy, Vol. 2.†A favorite with audiences – both young and old – and now playable as an instrumental solo with piano accompaniment. Sure to be an audience – and performer – favorite! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
The Wedding Album, for Solo Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Film Walt Disney
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Various
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David McKeown
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The Wedding Album, for Solo Te
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.587623 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Scor...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.587623 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594681. Published by David McKeown (A0.587623). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Tenor Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Adoration
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Saxophone Tenor et Piano
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FACILE
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Florence Beatrice Price
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Steven Nunes
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Adoration
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Nagamon Publications
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1472353 Composed by Florence Beatrice Price. Arranged by Steven Nunes. 20th Century,Romantic Period. Score and...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1472353 Composed by Florence Beatrice Price. Arranged by Steven Nunes. 20th Century,Romantic Period. Score and part. 6 pages. Nagamon Publications #1050057. Published by Nagamon Publications (A0.1472353). Florence Beatrice Price (April 9, 1887 June 3, 1953) was an American classical composer, pianist, organist and music teacher. Born in Little Rock, Arkansas, Price was educated at the New England Conservatory of Music, and was active in Chicago from 1927 until her death in 1953. Price is noted as the first African-American woman to be recognized as a symphonic composer, and the first to have a composition played by a major orchestra.This short and tuneful piece is perfect in any performance. This transcription is for tenor saxophone (or euphonium TC) and piano, and the PDF contains the full set of parts.
$8.00
Pomp and Circumstance + FREE Mp3 Playback + PDF Solo and Piano Parts
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Saxophone Tenor et Piano
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Pomp and Circumstance + FREE M
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Fabio Eduardo
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1267173 By Fabio Eduardo de Oliveira. By Edward Elgar. Arranged by Fabio Eduardo de Oliveira. 20th Century,Cla...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1267173 By Fabio Eduardo de Oliveira. By Edward Elgar. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film/TV,Wedding. Score and part. 5 pages. Fabio Eduardo #859812. Published by Fabio Eduardo (A0.1267173). FREE Download Mp3 PlaybackThe Pomp and Circumstance Marches (full title Pomp and Circumstance Military Marches), Op. 39, are a series of five (or six) marches for orchestra composed by Sir Edward Elgar.
$1.99
PAPA'S FAMOUS DANCES PART 2
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Joe Procopio
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the vocalist/bassist I
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PAPA'S FAMOUS DANCES PART 2
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876455 Composed by Joe Proco...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876455 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 82 pages. JoeCopio Music LLC #53355. Published by JoeCopio Music LLC (A0.876455). PAPA’S FAMOUS DANCES - PART 2 Back to School 2015 From A Collection Of Six Dances As Combo Music EMMA’S BLUES JOEY’S READY WILSON’S BOOGIE WOOGIE PAPA’S FAMOUS DANCES PART 2 is a collection of 3 Dances as combo music composed and arranged by Joe Procopio for a small ensemble, band, stage band or combo with flexible instrumentation. These works may be performed with only two Saxes (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of the dances makes them unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, each dance has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. These works have been performed by College and High School students in many major concert events along the East Coast with great success. They are published separately and in sets PAPA’S FAMOUS DANCES Part 1 and PAPA’S FAMOUS DANCES Part 2 with each Part containing 3 Dances. I have adapted the audio here for synthesizer so that they may be previewed. The works are named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$9.99
O Holy Night for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Noël
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Adam
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James M
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O Holy Night for Tenor Sax &am
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. J...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410441. Published by jmsgu3 (A0.548677). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic P...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516585. Published by jmsgu3 (A0.549642). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
LILLY'S DANCE (THE TUMBLER)
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Joe Procopio
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LILLY'S DANCE
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876447 Composed by Joe Proco...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876447 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 24 pages. JoeCopio Music LLC #53323. Published by JoeCopio Music LLC (A0.876447). LILLY’S DANCE (THE TUMBLER) Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio LILLY’S DANCE (THE TUMBLER) is a delightful Latin flavored dance that was inspired by Little Miss Lilly who could tumble on command all by her big self when she was only 15 months old. When I first saw her dance and tumble at such a young age, I was so moved that I wrote this piece to celebrate her ability to amaze everyone with her dancing and tumbling. LILLY’S DANCE (THE TUMBLER) was originally written and arranged for a small ensemble, band, stage band or combo with flexible instrumentation so that it may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of LILLY’S DANCE (THE TUMBLER) makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, LILLY’S DANCE (THE TUMBLER) has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece is composed in the same style of the other dances in the set - all of which have been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for LILLY’S DANCE (THE TUMBLER) includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Depart.
$4.99
Thais (Meditation)
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Saxophone Tenor et Piano
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Thais
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Fabio Eduardo
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1239118 By Fabio Eduardo de Oliveira. By J. Massenet. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1239118 By Fabio Eduardo de Oliveira. By J. Massenet. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Score and part. 4 pages. Fabio Eduardo #834513. Published by Fabio Eduardo (A0.1239118). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadMéditation is a symphonic intermezzo from the opera Thaïs by French composer Jules Massenet. The piece is written for solo violin and orchestra. The opera premiered at the Opéra Garnier in Paris on March 16, 1894.
$1.99
MY SWEET LYDIA
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Joe Procopio
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MY SWEET LYDIA
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876449 Composed by Joe Proco...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876449 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 33 pages. JoeCopio Music LLC #53329. Published by JoeCopio Music LLC (A0.876449). MY SWEET LYDIA Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio MY SWEET LYDIA is a dance written and arranged by Joe Procopio for a small ensemble, band, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of MY SWEET LYDIA makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, MY SWEET LYDIA has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events all along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for MY SWEET LYDIA includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99
Thais (Meditation) - Free Mp3 Playback + Solo and Piano Parts
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Saxophone Tenor et Piano
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Thais
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Fabio Eduardo
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1269140 By Fabio Eduardo de Oliveira. By J. Massenet. Arranged by Fabio Eduardo de Oliveira. 20th Century,Barb...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1269140 By Fabio Eduardo de Oliveira. By J. Massenet. Arranged by Fabio Eduardo de Oliveira. 20th Century,Barbershop,Classical,Film/TV,Wedding. Score and part. 5 pages. Fabio Eduardo #861677. Published by Fabio Eduardo (A0.1269140). FREE Download Mp3 PlaybackMéditation is a symphonic intermezzo from the opera Thaïs by French composer Jules Massenet. The piece is written for solo violin and orchestra. The opera premiered at the Opéra Garnier in Paris on March 16, 1894.
$1.99
Bridal March, "Here Comes The Bride", for Solo Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Richard Wagner
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David McKeown
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Bridal March, "Here Comes
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.587573 Composed by Richard Wagner. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.587573 Composed by Richard Wagner. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4365468. Published by David McKeown (A0.587573). The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since. This version is arranged as a solo for Tenor Saxophone and Piano.Musicians at an intermediate level and above will find this ideal for formal and informal performances, especially at weddings. The melody is mainly in the solo part. The performance time is a little more than one minute. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are unexpected accidentals in the middle section which might pose a challenge for finger coordination and reading. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Chiapanecas (the Hand Clapping Song)
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Contemporain
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Percy Faith And Orchestra
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Fishel Pustilnik
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Chiapanecas
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F & N Enterprise
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.636397 By Percy Faith And Orchestra. By Percy Fait...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.636397 By Percy Faith And Orchestra. By Percy Faith. Arranged by Fishel Pustilnik. Contemporary. Score and parts. 8 pages. F & N Enterprise #6424903. Published by F & N Enterprise (A0.636397). An excellent arrangement of the famous Song Chiapanecasfor Tenor Sax and Piano-Jazz/Pop Version.
$4.99
MARY ~ ELAINE
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Joe Procopio
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MARY ~ ELAINE
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876448 Composed by Joe Proco...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876448 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 23 pages. JoeCopio Music LLC #53327. Published by JoeCopio Music LLC (A0.876448). MARY ~ ELAINE Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio MARY ~ ELAINE is a dance written and arranged by Joe Procopio for a small ensemble, band, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of MARY ~ ELAINE makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, MARY ~ ELAINE has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events all along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for MARY ~ ELAINE includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99
Bolero (Ravel) + Mp3 Playback and Demo + Solo and Piano Parts
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Saxophone Tenor et Piano
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Bolero
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Fabio Eduardo
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1265725 By Fabio Eduardo de Oliveira. By Maurice Ravel. Arranged by Fabio Eduardo de Oliveira. 20th Century,Cl...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1265725 By Fabio Eduardo de Oliveira. By Maurice Ravel. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film/TV,Traditional,Wedding. Score and part. 6 pages. Fabio Eduardo #858504. Published by Fabio Eduardo (A0.1265725). Free Download Mp3 Playback and Demo Boléro is a 1928 work for large orchestra by French composer Maurice Ravel. At least one observer has called it Ravel's most famous composition. It was also one of his last completed works before illness forced him into retirement.
$1.99
Concerto No. 1 for French Horn "Return to Valhalla" - Tenor Saxophone (Piano Reduction)
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Saxophone Tenor et Piano
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AVANCÉ
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Contemporain
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James Nathaniel Holland
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Concerto No. 1 for French Horn
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James Nathaniel Holland
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SheetMusicPlus
Piano,Tenor Saxophone - Level 5 - SKU: A0.730479 Composed by James Nathaniel Holland. Contemporary. Score and part. 60 pages. James Nathaniel Holland #4...
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Piano,Tenor Saxophone - Level 5 - SKU: A0.730479 Composed by James Nathaniel Holland. Contemporary. Score and part. 60 pages. James Nathaniel Holland #4111569. Published by James Nathaniel Holland (A0.730479). 21st century, American composer James Nathaniel Holland brings you a mystical concerto led by one of the orchestra's most beautiful instrument, the French Horn. But here arranged for Bb Tenor Saxophone (Arrangement available for solo trombone and of course, the original for french horn.)
$10.95
Anitra's Dance - From Peer Gynt - Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Raymond Fenech
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Anitra's Dance - From Peer Gyn
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Raymond Fenech
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SheetMusicPlus
Chamber Orchestra Piano,Tenor Saxophone - Level 4 - SKU: A0.760073 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicu...
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Chamber Orchestra Piano,Tenor Saxophone - Level 4 - SKU: A0.760073 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicultural,Patriotic,Romantic Period,World. Score and part. 14 pages. Raymond Fenech #3500631. Published by Raymond Fenech (A0.760073). Peer Gynt, Op. 23 is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo). Later, in 1888 and 1891, Grieg extracted eight movements to make two four-movement suites: Suite No. 1, Op. 46, and Suite No. 2, Op. 55. Some of these movements have received coverage in popular culture; see Grieg's music in popular culture. This aria is arranged for Tenor Saxophone and Piano . The Duration is approx. 3.19 minutes and the level is Advanced Intermediate.
$3.99
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