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CITHARE
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CLARINETTE
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CLOCHES
CONTREBASSE
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COR ANGLAIS
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CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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difficulté (tous)
débutant
facile
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expert
avec audio
avec vidéo
avec play-along
Non classifié
1090
PIANO & CLAVIERS
Piano seul
500
Piano, Voix et Guitare
425
Piano, Voix
219
Piano Facile
167
Orgue
44
Accompagnement Piano
42
Instruments en Do
23
Piano grosses notes
23
1 Piano, 4 mains
17
2 Pianos, 4 mains
9
Piano Trio: piano, violon, violoncelle
8
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano (partie séparée)
4
Clavier
3
1 Piano, 6 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accordéon
1
Orgue, Piano (duo)
1
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GUITARES
Guitare notes et tablatures
203
Guitare
52
Ukulele
22
Guitare (partie séparée)
12
Basse electrique
8
Ligne De Mélodie, (Paroles) et Accords
7
Piano, Guitare (duo)
6
2 Guitares (duo)
5
Paroles et Accords
5
4 Guitares (Quatuor)
5
3 Guitares (trio)
2
Banjo
2
Mandoline
2
Dulcimer
2
Ensemble de guitares
1
Instrumentations suivantes
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VOIX
Chorale SATB
290
Chorale 2 parties
116
Chorale 3 parties
95
Chorale Unison
65
Voix duo, Piano
55
Chorale TTBB
22
Chorale SSAA
15
Voix duo
13
Chorale
12
Voix seule
8
Voix Soprano, Piano
5
Voix haute
4
Voix Tenor
2
Voix Alto, Piano
1
Voix moyenne, Piano
1
Chorale SSAATTBB
1
Chorale SSATTB
1
Instrumentations suivantes
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VENTS
Quintette de Saxophone: 5 saxophones
60
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
60
Quatuor de Saxophones: 4 saxophones
45
Flûte traversière et Piano
33
Ensemble de saxophones
29
Saxophone (partie séparée)
26
Saxophone Alto et Piano
25
2 Saxophones (duo)
25
Clarinette
25
2 Flûtes traversières (duo)
24
Saxophone Tenor et Piano
23
Clarinette et Piano
21
Quatuor de Clarinettes: 4 clarinettes
20
Flûte, Hautbois, Clarinette, Basson
20
Saxophone Soprano et Piano
18
Ensemble de Flûtes
18
Hautbois (partie séparée)
17
Ensemble de Clarinettes
16
Hautbois, Piano (duo)
15
Quatuor de Flûtes : 4 flûtes
13
Flûte traversière
12
Saxophone Baryton, Piano
12
Flûte, Clarinette (duo)
11
Cor anglais, Piano
11
Saxophone, Clarinette (duo)
8
Saxophone Alto
8
2 Clarinettes (duo)
8
Clarinette, Violon (duo)
7
Clarinette (partie séparée)
7
Quintette de Clarinettes: 5 clarinettes
7
Clarinette Basse, Piano
6
Ocarina
5
Quintette de Flûte : 5 flûtes
5
Flûte et Guitare
5
Hautbois, Basson (duo)
4
3 Clarinettes (trio)
4
2 Hautbois (duo)
4
Clarinette et Alto
3
Flûte à bec Soprano
3
Flûte à bec Soprano, Piano
3
Flûte, Saxophone (duo)
3
3 Saxophones (trio)
3
Flute (partie séparée)
3
Flûte, Trompette (duo)
2
Flûte, Alto (duo)
2
Clarinette, Trombone (duo)
2
Hautbois, Clarinette (duo)
2
Quatuor de Flûtes à bec
2
Trio de Flûtes: 3 flûtes
2
Flûte, Violon
2
2 Cors Anglais Et Pianoforte
2
Hautbois, Flûte
2
Cor Anglais
1
Saxophone Tenor
1
Harmonica
1
Clarinette, Guitare (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Ensemble à vent
1
Flûte à Bec
1
Flûte, Hautbois, Piano (trio)
1
Piccolo, Piano
1
3 Flûtes à bec (trio)
1
Hautbois, Guitare (duo)
1
Saxophone et Orgue
1
Clarinette, Violoncelle (duo)
1
Saxophone
1
Clarinette, Trompette (duo)
1
Clarinette, Basson (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Instrumentations suivantes
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
89
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
43
Trombone et Piano
28
Cor et Piano
19
Trompette
19
Quatuor de Cuivres
17
Trompette, Piano
16
Trombone (partie séparée)
13
Cor anglais, Piano
11
Trompette (partie séparée)
11
Ensemble de Trombones
8
Ensemble de Trompettes
8
Trombone
8
Euphonium, Piano (duo)
8
Trompette, Saxophone (duo)
7
Quatuor de cuivres: 4 trombones
7
Tuba et Piano
7
Cor (partie séparée)
7
Quatuor de cuivres: 4 cors
6
Trompette, Cor (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Tuba
6
Cor
5
Quatuor de cuivres: 4 trompettes
4
Trompette, Trombone (duo)
4
2 Trompettes (duo)
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
3 Trompettes (trio)
3
2 Trombones (duo)
3
Tuba (partie séparée)
3
Ensemble de Cors
3
2 Cors Anglais Et Pianoforte
2
2 Cors (duo)
2
Cor Anglais
1
3 Trombones (trio)
1
Trombone basse et Piano
1
3 Euphoniums
1
4 Tubas
1
Euphonium
1
Tuba et Orgue
1
2 Euphoniums et 2 Tubas
1
3 Cors (trio)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
95
Violon et Piano
67
Violon, Violoncelle (duo)
29
Violoncelle, Piano
23
Alto, Piano
19
2 Violons (duo)
19
Violon
17
Harpe
17
Violoncelle (partie séparée)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Violon, Alto (duo)
12
Trio à Cordes: 2 violons, violoncelle
12
Trio à Cordes: violon, alto, violoncelle
11
2 Violoncelles (duo)
9
4 Violoncelles
8
Piano Trio: Violon, Alto, Piano
6
2 Harpes (duo)
6
Alto seul
5
Ensemble de Violons
5
Contrebasse (partie séparée)
5
Violoncelle
5
Ensemble d'Altos
5
2 Altos (duo)
4
Quatuor à cordes: 4 violons
4
Quatuor à cordes : 4 altos
4
Violon (partie séparée)
2
Contrebasse, Piano (duo)
2
Trio à cordes: 3 violins
2
Alto (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Violoncelle (duo)
2
Harpe, Voix
2
Alto et Basson
1
Harpe et Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
233
Orchestre à Cordes
53
Orchestre
48
Cloches
47
Fanfare
34
Orchestre de chambre
20
Ensemble de cuivres
16
Ensemble Jazz
15
Jazz combo
11
Batterie
9
Ensemble de Percussions
9
Percussion (partie séparée)
6
Marimba
4
Batterie (partie séparée)
3
2 Xylophones
1
Percussion
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
People Are People
Saxophone Tenor et Piano
Partitions à imprimer
23 partitions trouvées
<
1
Volare
Saxophone Tenor et Piano
Large Ensemble Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.780887 By…
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Large Ensemble Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.780887 By Domenico Modugno. By Domenico Modugno. Arranged by Cathy Stamegna. Contemporary,Film/TV,Multicultural,Pop,World. Score and part. 9 pages. Cathy Stamegna #5740107. Published by Cathy Stamegna (A0.780887). Volare (Nel Blu, Dipinto Di Blu) (Tenor Saxophone Solo, Chords, Piano Accompaniment). Concert Key, Bb. This popular Italian song has been recorded in other countries as well as its native Italy. The saxophone arrangement incorporates both the traditional melody and some jazz embellishment (as heard on sound clip). Created during a time of social distancing because of the coronavirus pandemic, giving people an opportunity to play and sing together. Chords included for guitar or mallet instruments to accompany as well. Other vocal and instrumental arrangements available. Set of Parts.
$4.99
4.6 €
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Saxophone Tenor et Piano
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Domenico Modugno
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Cathy Stamegna
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Volare
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Cathy Stamegna
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SheetMusicPlus
People Need The Lord
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.629027 By Steve Green. B…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.629027 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 11 pages. Exultet Music #6255969. Published by Exultet Music (A0.629027). The tender Christian anthem made popular by Christian artist Steve Green, has now been freshly arranged for a Tenor Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$4.99
4.6 €
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Saxophone Tenor et Piano
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Steve Green
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Stephen DeCesare
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People Need The Lord
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Exultet Music
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SheetMusicPlus
Comfort, Comfort Now My People (for Tenor Saxophone and Piano)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.627269 Composed by Louis…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.627269 Composed by Louis Bourgeois. Arranged by Stephen DeCesare. Advent,Christian,Contemporary,Praise & Worship,Sacred. Score and part. 9 pages. Exultet Music #5984973. Published by Exultet Music (A0.627269). The well-known Advent hymn has been freshly arranged as an easy Huapango and scored for a Tenor Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
4.6 €
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Saxophone Tenor et Piano
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Louis Bourgeois
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Stephen DeCesare
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Comfort, Comfort Now My People
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Exultet Music
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SheetMusicPlus
People Need The Lord
Saxophone Tenor et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level …
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.622115 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred. Score and parts. 14 pages. Exultet Music #3588403. Published by Exultet Music (A0.622115). The tender Christian anthem made popular by Christian artist Steve Green, has now been freshly arranged as a duet for Soprano and Tenor Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$4.99
4.6 €
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Saxophone Tenor et Piano
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Steve Green
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Stephen DeCesare
#
People Need The Lord
#
Exultet Music
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549236 Composed by Johan…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3468806. Published by jmsgu3 (A0.549236). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.35 €
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Saxophone Tenor et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johan…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.98 €
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Saxophone Tenor et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Tenor Sax & Piano
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jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550935 Composed by J. S.…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888767. Published by jmsgu3 (A0.550935). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
25.75 €
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Saxophone Tenor et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549367 Composed by Bach-…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490159. Published by jmsgu3 (A0.549367). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano - S0.662027. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.35 €
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Saxophone Tenor et Piano
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
PAPA'S FAMOUS DANCES PART 2
Saxophone Tenor et Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876455 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 82 pages. JoeCopio Music LLC #53355. Published by JoeCopio Music LLC (A0.876455). PAPA’S FAMOUS DANCES - PART 2 Back to School 2015 From A Collection Of Six Dances As Combo Music EMMA’S BLUES JOEY’S READY WILSON’S BOOGIE WOOGIE PAPA’S FAMOUS DANCES PART 2 is a collection of 3 Dances as combo music composed and arranged by Joe Procopio for a small ensemble, band, stage band or combo with flexible instrumentation. These works may be performed with only two Saxes (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of the dances makes them unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, each dance has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. These works have been performed by College and High School students in many major concert events along the East Coast with great success. They are published separately and in sets PAPA’S FAMOUS DANCES Part 1 and PAPA’S FAMOUS DANCES Part 2 with each Part containing 3 Dances. I have adapted the audio here for synthesizer so that they may be previewed. The works are named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$9.99
9.2 €
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Saxophone Tenor et Piano
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Joe Procopio
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the vocalist/bassist I
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PAPA'S FAMOUS DANCES PART 2
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JoeCopio Music LLC
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SheetMusicPlus
Jingle Bells for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548667 Composed by James…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548667 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3409337. Published by jmsgu3 (A0.548667). Jingle Bells arranged for tenor sax & piano. Score: 4 pg. piano part: 3 pg. sax part: 1 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.98 €
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Saxophone Tenor et Piano
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James Pierpont
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James M
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piano
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Jingle Bells for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
O Holy Night for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548677 Composed by Adam.…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410441. Published by jmsgu3 (A0.548677). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.98 €
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Saxophone Tenor et Piano
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Adam
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James M
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O Holy Night for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
LILLY'S DANCE (THE TUMBLER)
Saxophone Tenor et Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876447 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 24 pages. JoeCopio Music LLC #53323. Published by JoeCopio Music LLC (A0.876447). LILLY’S DANCE (THE TUMBLER) Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio LILLY’S DANCE (THE TUMBLER) is a delightful Latin flavored dance that was inspired by Little Miss Lilly who could tumble on command all by her big self when she was only 15 months old. When I first saw her dance and tumble at such a young age, I was so moved that I wrote this piece to celebrate her ability to amaze everyone with her dancing and tumbling. LILLY’S DANCE (THE TUMBLER) was originally written and arranged for a small ensemble, band, stage band or combo with flexible instrumentation so that it may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of LILLY’S DANCE (THE TUMBLER) makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, LILLY’S DANCE (THE TUMBLER) has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece is composed in the same style of the other dances in the set - all of which have been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for LILLY’S DANCE (THE TUMBLER) includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Depart.
$4.99
4.6 €
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Saxophone Tenor et Piano
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Joe Procopio
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the vocalist/bassist I
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LILLY'S DANCE
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JoeCopio Music LLC
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SheetMusicPlus
MY SWEET LYDIA
Saxophone Tenor et Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876449 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 33 pages. JoeCopio Music LLC #53329. Published by JoeCopio Music LLC (A0.876449). MY SWEET LYDIA Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio MY SWEET LYDIA is a dance written and arranged by Joe Procopio for a small ensemble, band, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of MY SWEET LYDIA makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, MY SWEET LYDIA has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events all along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for MY SWEET LYDIA includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99
4.6 €
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Saxophone Tenor et Piano
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Joe Procopio
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the vocalist/bassist I
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MY SWEET LYDIA
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JoeCopio Music LLC
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SheetMusicPlus
MARY ~ ELAINE
Saxophone Tenor et Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876448 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 23 pages. JoeCopio Music LLC #53327. Published by JoeCopio Music LLC (A0.876448). MARY ~ ELAINE Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio MARY ~ ELAINE is a dance written and arranged by Joe Procopio for a small ensemble, band, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of MARY ~ ELAINE makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, MARY ~ ELAINE has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events all along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for MARY ~ ELAINE includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99
4.6 €
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Saxophone Tenor et Piano
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Joe Procopio
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the vocalist/bassist I
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MARY ~ ELAINE
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JoeCopio Music LLC
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SheetMusicPlus
JOEY'S READY
Saxophone Tenor et Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876451 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 28 pages. JoeCopio Music LLC #53333. Published by JoeCopio Music LLC (A0.876451). JOEY’S READY Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio JOEY’S READY is a dance written and arranged by Joe Procopio for a small ensemble, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of JOEY’S READY makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, JOEY’S READY has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 2 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for JOEY’S READY includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99
4.6 €
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Saxophone Tenor et Piano
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Joe Procopio
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the vocalist/bassist I
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JOEY'S READY
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JoeCopio Music LLC
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SheetMusicPlus
My Saxophone and Me (B flat version)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin Kirkpatrick. Contemporary,Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3133717. Published by Colin Kirkpatrick Publications (A0.522193). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679835 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Starting Tune (No 1); Island Song (No 3); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written.
$5.95
5.48 €
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Saxophone Tenor et Piano
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Colin Kirkpatrick
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Island Song
(No 3)
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My Saxophone and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
15 Favourite Hymns for Thanksgiving and Harvest for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.590378 Composed by Vario…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.590378 Composed by Various. Arranged by David McKeown. Christian,Holiday,Praise & Worship,Sacred. Score and part. 27 pages. David McKeown #6204565. Published by David McKeown (A0.590378). 15 Favourite Hymns for Thanksgiving and Harvest for Tenor Saxophone and Piano is a beautiful collection of well-known traditional Thanksgiving and Harvest hymns, carefully chosen to help you celebrate this special time of year with music. Each hymn is arranged for solo Tenor Saxophone and Piano. The file contains both the piano score and a separate part for the solo instrument.15 Favourite Hymns for Thanksgiving and Harvest are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 15 Favourite Hymns for Thanksgiving and Harvest useful for building reading, rhythmic and expressive skills.The hymns are in alphabetical order and are as follows…· All Things Bright and Beautiful, (The 29thMay)· Come Thou Fount of Every Blessing, (Nettleton)· Come, Ye Thankful People Come, (St George’s, Windsor)· Count Your Blessings, (Blessings)· For All the Blessings of the Year, (Oldbridge)· For the Beauty of the Earth, (Dix)· Now Thank We All Our God, (Nun Danket)· O Store Gud, (Trad. Swedish, also used for How Great Thou Art)· Praise God from Whom All Blessings Flow, (Old Hundredth)· Praise My Soul, the King of Heaven, (Laude Anima)· Praise to the Lord, the Almighty, (Lobe den Herren). Rejoice Today with One Accord, (Ein Feste Burg)· We Gather Together, (Kremser)· We Plough the Fields and Scatter, (Wir Pflügen)· When Morning Gilds the Skies, (Laudes Domini)There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
7 €
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Saxophone Tenor et Piano
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Various
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David McKeown
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15 Favourite Hymns for Thanksgiving and Harvest for Tenor Saxophone and Piano
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David McKeown
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SheetMusicPlus
Scott Joplin's, THE ENTERTAINER (Tenor Sax and Piano with Tenor Sax Part)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.617019 Composed by Scott…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.617019 Composed by Scott Joplin. Arranged by Gary Lanier. Folk,Jazz,Ragtime. Score and part. 8 pages. The Lanier Company #4285543. Published by The Lanier Company (A0.617019). Scott Joplin's, THE ENTERTAINER is an arrangement for Tenor Sax and Piano. In this arrangement, Mr. Lanier was careful to keep the basic energy associated with the music in tact while making it more playable by the average pianist. It works great in music festivals, concerts, or anytime when people want to relax as they enjoy performing songs from the golden age of Ragtime music. (8 Pages)
$6.99
6.44 €
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Saxophone Tenor et Piano
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Scott Joplin
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Gary Lanier
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Scott Joplin's, THE ENTERTAINER
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The Lanier Company
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SheetMusicPlus
Roadside Inn - Schumann- Tenor Sax-Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.844504 Composed by Rober…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.844504 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3488989. Published by Phil Beaman (A0.844504). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99
4.6 €
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Saxophone Tenor et Piano
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Tenor Sax-Piano
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Phil Beaman
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SheetMusicPlus
A Mom's Gift- A Tenor Sax and Piano Duet
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.704330 Composed by Domin…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.704330 Composed by Dominic Meccia. Concert,Contemporary,Holiday,World. Score and part. 10 pages. Dominic Meccia #4569831. Published by Dominic Meccia (A0.704330). This a duet piece that is meant to be played by two people, one on tenor sax and the second on piano. This piece is for intermediate players of both instruments. The melody alternates between the two instruments for the first half of the song, and are played by both instruments for the second half before going back to just piano for the last few measures. This piece is in the key of G major.
$4.99
4.6 €
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Saxophone Tenor et Piano
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Dominic Meccia
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A Mom's Gift- A Tenor Sax and Piano Duet
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Dominic Meccia
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SheetMusicPlus
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