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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Piano Sonata in B Minor
Non classifié
31
Piano & claviers
Piano seul
135
Piano, Voix
3
2 Pianos, 4 mains
3
Piano Facile
3
1 Piano, 4 mains
2
Orgue
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
+ 3 instrumentations
Retracter
Guitares
2 Guitares (duo)
1
Voix
Vents
Flûte traversière
22
Flûte traversière et Piano
10
Clarinette et Piano
10
Saxophone Tenor et Piano
3
Ensemble de Clarinettes
3
Saxophone Alto et Piano
2
2 Flûtes traversières (duo)
2
Saxophone Baryton, Piano
2
Clarinette Basse, Piano
2
Clarinette
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Saxophone Soprano et Piano
1
2 Saxophones (duo)
1
Flûte, Clarinette (duo)
1
2 Clarinettes (duo)
1
Clarinette, Violon (duo)
1
Quatuor de Clarinettes: 4 clarinettes
1
+ 12 instrumentations
Retracter
Cuivres
Trompette, Piano
6
Trombone et Piano
4
Tuba et Piano
2
Trompette, Trombone (duo)
2
2 Trompettes (duo)
1
Euphonium, Piano (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trompette, Cor (duo)
1
2 Trombones (duo)
1
+ 4 instrumentations
Retracter
Cordes
Violon et Piano
14
Alto, Piano
12
Violoncelle, Piano
10
Violon
6
Violon, Alto (duo)
2
2 Violons (duo)
1
2 Altos (duo)
1
Contrebasse, Piano (duo)
1
Alto seul
1
Violon, Basse continue
1
Piano Trio: Violon, Alto, Piano
1
Contre Basse
1
Trio à Cordes: 3 violoncelles
1
2 Violoncelles (duo)
1
+ 9 instrumentations
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Orchestre
2
Orchestre à Cordes
2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
Piano Sonata in B Minor
Saxophone Tenor et Piano
Partitions à imprimer
3 partitions trouvées
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Funeral March (Alto and Tenor Sax Duet with Piano Accompaniment)
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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B
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Funeral March
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Ben Dockery
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 3 - SKU: A0.1250235 Composed by Frederic Chopin. Arranged by B. C...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 3 - SKU: A0.1250235 Composed by Frederic Chopin. Arranged by B. C. Dockery. 19th Century,Classical,Romantic Period. 7 pages. Ben Dockery #844570. Published by Ben Dockery (A0.1250235). From the third movement of Chopin's Sonata No. 2 in B-flat Minor, this is the Funeral March arranged for alto and tenor sax duet with optional piano accompaniment. Great for lessons, recitals, somber occasions, or even as a practical joke on someone's birthday. Intermediate level. Includes score and parts.
$4.99
Schubert: Ave Maria for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Tenor
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548700 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and ...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548700 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411149. Published by jmsgu3 (A0.548700). A Tenor Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Sonata "Funtasies" for Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Sonata "Funtasies" f
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Sy Brandon
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.754959 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3225729. Publi...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.754959 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3225729. Published by Sy Brandon (A0.754959). This composition was composed for Jeffrey Kyle Hutchins, saxophone and EunHye Grace Choi, piano. It is in four movements. The first movement Boisterous is not in the classical sonata form, however, it does reflect sonata-like qualities with contrasting themes. It is very rhythmic and uses the interval of the fourth for its melodic and harmonic material. The second movement Whimsical’ is in a moderate tempo with five beats per measure. It is very playful as it alternates diatonic with chromatic passages with outbursts of musical laughter. Movement 3 Witty is in a scherzo style. The melody and harmony are based on thirds but are not in any clear key because the thirds will freely vary between major and minor creating an atonal quality. Contrast between staccato and legato is another way the movement is witty. The last movement is called Teasing and is in a modified Rondo form ABACBA. The teasing occurs in many different ways. The first appearance is the way the movement seems to stop and start as if promising a longer line, but not delivering. In the B section, the left hand of the piano plays a syncopated idea consisting of wide intervals and frequent rests. The right hand inserts a jeering four-note motive. The saxophone plays a melodic idea centered around a descending minor third, the universal teasing chant interval. The C section is in 7/8 and acts as a chase scene, as if a game of tag is being played. The ending continues the teasing by avoiding a strong cadence with deceptive chords and melodic lines of vague tonality/modality.
$14.99
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