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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
SYNTHETISEUR
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CLASSIQUE - BAROQUE …
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Non classifié
315
PIANO & CLAVIERS
Piano seul
159
Piano, Voix
101
Piano, Voix et Guitare
44
Orgue
18
Instruments en Do
11
Piano Facile
8
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Trio: piano, violon, violoncelle
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1 Piano, 4 mains
3
Accompagnement Piano
2
2 Pianos, 4 mains
2
Orgue, Piano (duo)
1
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GUITARES
Guitare
9
Guitare notes et tablatures
5
Ukulele
4
Paroles et Accords
3
Ligne De Mélodie, (Paroles) et Accords
3
Piano, Guitare (duo)
2
Basse electrique
2
Banjo
1
4 Guitares (Quatuor)
1
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VOIX
Chorale SATB
179
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24
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20
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10
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6
Voix Alto, Piano
5
Chorale SSAA
5
Voix duo, Piano
3
Voix Soprano, Piano
2
Voix Mezzo-Soprano, Piano
1
Voix seule
1
Voix haute
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
41
Quatuor de Clarinettes: 4 clarinettes
30
Flûte traversière et Piano
24
Ensemble de Clarinettes
19
Quatuor de Flûtes : 4 flûtes
18
Clarinette et Piano
16
Saxophone Soprano et Piano
16
Hautbois, Piano (duo)
16
Saxophone Tenor et Piano
13
Quatuor de Saxophones: 4 saxophones
12
Ensemble de Flûtes
12
Saxophone Alto et Piano
11
2 Saxophones (duo)
8
2 Clarinettes (duo)
8
Quintette de Clarinettes: 5 clarinettes
8
3 Saxophones (trio)
7
Flûte, Hautbois, Clarinette, Basson
6
Flûte, Violon et Violoncelle
6
2 Flûtes traversières (duo)
6
3 Clarinettes (trio)
6
Cor anglais, Piano
6
Clarinette, Violon (duo)
6
Clarinette (partie séparée)
6
Clarinette, Trompette (duo)
4
Trio de Flûtes: 3 flûtes
4
Ensemble de saxophones
4
Clarinette, Violoncelle, Piano (trio)
4
Flûte, Violoncelle, Piano (trio)
4
2 Flûtes traversières, Piano
4
Flûte, Violon, Violoncelle et Piano
3
Flûte, trombone et piano
3
Saxophone, Clarinette (duo)
3
Flûte, Clarinette (duo)
3
Saxophone Baryton, Piano
3
2 Clarinettes, Piano
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Violon, Piano
3
Flûte, Hautbois, Clarinette (trio)
2
Saxophone et Harpe
2
Clarinette, Guitare (duo)
2
Clarinette et Alto
2
2 Hautbois (duo)
2
Clarinette, trompette et piano
2
Quintette de Saxophone: 5 saxophones
2
Clarinette
2
Quintette de Flûte : 5 flûtes
2
Flûte, Clarinette et Basson
2
Hautbois (partie séparée)
2
Flûte, Alto (duo)
2
Flûte, Hautbois, Piano (trio)
2
Flûte traversière
2
Clarinette Basse, Piano
1
Flûte, Basson et Piano
1
Flûte, Saxophone (duo)
1
Flute (partie séparée)
1
Hautbois, Harpe
1
Hautbois, Flûte
1
Flûte, Alto et Piano
1
Flûte à bec Alto, Piano
1
Flûte à bec Alto
1
Clarinette, Harpe (duo)
1
Flûte à bec Soprano, Piano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Trombone et Piano
14
Trompette, Piano
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Cor anglais, Piano
6
Euphonium, Piano (duo)
4
Trombone (partie séparée)
4
Trompette, Saxophone (duo)
4
Trompette, Trombone (duo)
3
Trompette (partie séparée)
3
Tuba (partie séparée)
3
Cor et Piano
3
Cor (partie séparée)
3
Quatuor de cuivres: 4 trombones
2
Tuba et Piano
1
Ensemble de Tubas
1
Trompette, Harpe
1
Trompette, Violoncelle et Piano
1
Cor et Harpe
1
3 Trompettes (trio)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de Cuivres
1
Trompette
1
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CORDES
Violon et Piano
23
Quatuor à cordes: 2 violons, alto, violoncelle
20
Alto, Piano
19
Violoncelle, Piano
12
Trio à Cordes: violon, alto, violoncelle
8
Violon (partie séparée)
7
Harpe
5
Trio à cordes: 3 violins
4
Violon, Alto (duo)
3
2 Violoncelles (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Violoncelle (duo)
2
Alto (partie séparée)
2
Quatuor à cordes: 4 violons
2
Violoncelle (partie séparée)
2
2 Violons (duo)
2
Contrebasse (partie séparée)
2
Violon, Clarinette, Piano (trio)
2
Piano Trio: Violon, Alto, Piano
1
Harpe, Violoncelle (duo)
1
Violoncelle
1
Harpe, Flûte (duo)
1
Violon
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Trombone (duo)
1
Harpe, Voix
1
Alto et Harpe
1
Violoncelle , Guitare (duo)
1
Harpe, Violon (duo)
1
4 Violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
163
Orchestre
28
Ensemble de cuivres
11
Cloches
11
Orchestre à Cordes
10
Percussion (partie séparée)
5
Orchestre de chambre
3
Marimba
2
Ensemble Jazz
2
Vibraphone
2
Ensemble de Percussions
1
Orchestre Symphonique
1
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AUTRES
Vous avez sélectionné:
Ray Of Light
Saxophone Tenor et Piano
Partitions à imprimer
13 partitions trouvées
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The Flight of the Bumble Bee - Rimsky Korsakov - for Tenor Sax and Piano
Saxophone Tenor et Piano
Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest, Festival, Film/…
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Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest, Festival, Film/TV, Holiday, Opera, Romantic Period. Score and part. 11 pages. Raymond Fenech #645245. Published by Raymond Fenech
$3.99
3.66 €
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Saxophone Tenor et Piano
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N
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Raymond Fenech
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The Flight of the Bumble Bee - Rimsky Korsakov - for Tenor Sax and Piano
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Raymond Fenech
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SheetMusicPlus
O Little Town of Bethlehem (Trio for Alto Sax, Tenor Sax and Piano)
Saxophone Tenor et Piano
Small Ensemble Alto Saxophone,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A…
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Small Ensemble Alto Saxophone,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.523565 Composed by Lewis H. Redner, Edward MacDowell. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 19 pages. John A. Dempsey #3546713. Published by John A. Dempsey (A0.523565). Above thy deep and dreamless sleep the silent stars go by. Â A favorite Christmas carol with its everlasting light, Â O Little Town of Bethlehem is arranged here as a trio for alto sax, tenor sax and piano. Â The incidental music, composed by Edward McDowell, is the beautiful To a Wild Rose from his Woodland Sketches. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. Â 15 pages of music (that includes separate two-page parts for alto sax and tenor sax). Â Key: Eb major.
$11.99
11.01 €
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Saxophone Tenor et Piano
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Lewis H
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John A
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O Little Town of Bethlehem
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John A. Dempsey
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SheetMusicPlus
O Little Town of Bethlehem (Trio for Flute, Tenor Sax and Piano)
Saxophone Tenor et Piano
Small Ensemble Flute,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524975
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Small Ensemble Flute,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524975 Composed by Lewis H. Redner, Edward MacDowell. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 19 pages. John A. Dempsey #6559381. Published by John A. Dempsey (A0.524975). Above thy deep and dreamless sleep the silent stars go by. Â A favorite Christmas carol with its everlasting light, Â O Little Town of Bethlehem is arranged here as a trio for flute, tenor sax and piano. Â The incidental music composed by Edward MacDowell is To a Wild Rose from his Woodland Sketches. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. Â 15 pages of music (that includes separate two-page parts for flute and tenor sax). Â Concert Key (Piano): Bb major. Â Flute Key: Bb major. Â Tenor Sax Key: C major.
$11.99
11.01 €
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Saxophone Tenor et Piano
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Lewis H
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John A
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O Little Town of Bethlehem
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John A. Dempsey
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SheetMusicPlus
Sunlight in the Cathedral (Tenor Sax and Piano)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524460 Composed by John …
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524460 Composed by John A. Dempsey. Christian,Christmas,Classical,Sacred,Wedding. Score and part. 12 pages. John A. Dempsey #5769387. Published by John A. Dempsey (A0.524460). This warm, flowing prelude, a celebration of faith and hope, is arranged here as a duet for tenor sax and piano. Â Recommended for concerts, recitals, weddings, traditional church services and other worship events. Â Suggested worship uses: a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Â Suggested wedding uses: a prelude, unity candle music, a bridesmaid processional and a wedding march. Â 8 pages of music (that includes a separate two-page tenor sax part). Â Recommended for concerts, recitals, weddings, church services and other worship events. Â Concert Key (Piano): C major. Â Tenor Sax Key: D major.
$6.99
6.42 €
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Saxophone Tenor et Piano
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John A
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Sunlight in the Cathedral
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John A. Dempsey
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SheetMusicPlus
Making the Darkness Conscious
Saxophone Tenor et Piano
Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - Digital Download …
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Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.837493 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 38 pages. Sonata Grendel Publishing #5741825. Published by Sonata Grendel Publishing (A0.837493). Making the Darkness Conscious was commissioned by my friend, Jonathan Hulting-Cohen. Jonathan is the Professor of Saxophone at the University of Massachusetts, Amherst. He is an amazing artist and a technical wizard. The piece was premiered in its original version as a solo for tenor saxophone and wind ensemble. The present version for piano is not intended to be a reduction of the wind ensemble accompaniment but is a reworking of the piece as an addition to the saxophone/piano duo repertoire. The anti-heroes in film, TV, and literature who feel themselves pushed to do very bad things for very noble reasons inspired this sonata in one movement. These characters often are themselves corrupted by their efforts. One trope of scripted television anti-hero vehicles like Breaking Bad is the cold opening presented out of sequence. The main character is shown in the moment of highest tension or deepest desperation then the story backs up to explain the events that led to that moment. Making the Darkness Conscious uses the same device by starting with a mysterious, disoriented setting full of strange groans and weird echoes. The scene ends in a terrified scream and cuts directly to a happier, jolly portrayal of the solo tenor saxophone’s character. By the end of the piece, the soloist’s character is transformed into something more ruthless and tortured. One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular. C.G. Jung
$14.95
13.73 €
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Saxophone Tenor et Piano
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the end of the piece, the soloist’s character is transformed into something more ruthless and tortured
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Brett L
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Making the Darkness Conscious
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Sonata Grendel Publishing
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SheetMusicPlus
Be Thou My Vision (Tenor Sax and Piano)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1247203 Composed by Trad…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1247203 Composed by Traditional Irish Melody. Arranged by John A. Dempsey. Celtic,Christian,Irish,Praise & Worship,Sacred,Traditional. Score and part. 13 pages. John A. Dempsey #841748. Published by John A. Dempsey (A0.1247203). Arranged as a prayerful, serene duet for tenor sax and piano, this beautiful Christian hymn of Irish origin is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music.  Also suitable for wedding music as a prelude, recessional, bridesmaid processional and unity candle accompaniment.  Concert Key: C major.  9 pages of music (that includes a separate two-page tenor sax part)                                 Be Thou my vision, O Lord of my heart;           Naught be all else to me, save that Thou art:       Thou my best thought, by day or by night          Waking or sleeping, Thy presence my light.
$6.99
6.42 €
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Saxophone Tenor et Piano
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Traditional Irish Melody
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John A
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Be Thou My Vision
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John A. Dempsey
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SheetMusicPlus
Badinerie - J.S.Bach - for Tenor Sax and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1304474 Composed by Joha…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1304474 Composed by Johann Sebastian Bach. Arranged by Raymond Fenech. Baroque,Christmas,Contest,Easter,Festival,Multicultural,World. Score and part. 9 pages. Raymond Fenech #893965. Published by Raymond Fenech (A0.1304474). The second of Bach’s four orchestral suites is actually the one he composed last, in Leipzig around 1739, and is probably the last orchestral music of any kind that he wrote. It is basically a solo flute concerto in the form of a dance suite, and an extraordinarily difficult flute concerto at that. A badinerie is a sort of character piece in 18th-century suites, with no particular dance rhythm or meter. This one has a full measure of the light and lively bantering the title implies, which has made it also popular with jazz arrangers. The Duration is approx. 1.32 minutes and the level is Advanced Intermediate.
$3.99
3.66 €
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Saxophone Tenor et Piano
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Johann Sebastian Bach
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Raymond Fenech
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Badinerie - J.S.Bach - for Tenor Sax and Piano
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Raymond Fenech
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SheetMusicPlus
O Holy Night for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548677 Composed by Adam.…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410441. Published by jmsgu3 (A0.548677). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.91 €
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Saxophone Tenor et Piano
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Adam
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James M
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O Holy Night for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
We Three Kings (Trio for Flute, Tenor Sax and Piano)
Saxophone Tenor et Piano
Small Ensemble Flute,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524965
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Small Ensemble Flute,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524965 Composed by John Henry Hopkins, Jr., Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 21 pages. John A. Dempsey #6527181. Published by John A. Dempsey (A0.524965). Arranged as a festive trio for flute, tenor sax and piano, the warm, evocative Christmas carol We Three Kings follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful piece Oriental.  A bit of holiday serendipity! Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  Concert Key (Piano): G minor.  Flute Key: G minor.  Tenor Sax Key: A minor.  17 pages of music (that includes separate two-page parts for flute and tenor sax)      We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$11.99
11.01 €
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Saxophone Tenor et Piano
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John Henry Hopkins, Jr
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John A
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
LILLY'S DANCE (THE TUMBLER)
Saxophone Tenor et Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876447 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 24 pages. JoeCopio Music LLC #53323. Published by JoeCopio Music LLC (A0.876447). LILLY’S DANCE (THE TUMBLER) Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio LILLY’S DANCE (THE TUMBLER) is a delightful Latin flavored dance that was inspired by Little Miss Lilly who could tumble on command all by her big self when she was only 15 months old. When I first saw her dance and tumble at such a young age, I was so moved that I wrote this piece to celebrate her ability to amaze everyone with her dancing and tumbling. LILLY’S DANCE (THE TUMBLER) was originally written and arranged for a small ensemble, band, stage band or combo with flexible instrumentation so that it may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of LILLY’S DANCE (THE TUMBLER) makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, LILLY’S DANCE (THE TUMBLER) has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece is composed in the same style of the other dances in the set - all of which have been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for LILLY’S DANCE (THE TUMBLER) includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Depart.
$4.99
4.58 €
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Saxophone Tenor et Piano
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Joe Procopio
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the vocalist/bassist I
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LILLY'S DANCE
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JoeCopio Music LLC
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SheetMusicPlus
How Firm a Foundation (Tenor Sax and Piano)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Digital Download SKU: A0.524835 Composed by Traditional Hym…
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Piano,Tenor Saxophone - Digital Download SKU: A0.524835 Composed by Traditional Hymn Melody, Edward Elgar. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and part. 13 pages. John A. Dempsey #6382867. Published by John A. Dempsey (A0.524835). In this duet for tenor sax and piano, the tempo slows slightly after the initial pages, giving the hymn a peaceful, reflective quality while still retaining the song's mood of faith and affirmation. Â With incidental music by Edward Elgar, this arrangement is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, silent prayer accompaniment or special music. Â Concert Key: Eb major. Â 9 pages of music (that includes a separate two-page pullout tenor sax part). Â Tenor Sax Level: Intermediate. Â Piano Level: Late Intermediate.
$6.99
6.42 €
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Saxophone Tenor et Piano
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Traditional Hymn Melody, Edward Elgar
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John A
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How Firm a Foundation
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John A. Dempsey
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SheetMusicPlus
18 Gospel Hymns Vol.2 for Solo Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano Accompaniment, Tenor Sax - Early Intermediate - Digital Download Composed by Va…
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Piano Accompaniment, Tenor Sax - Early Intermediate - Digital Download Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 49 pages. Published by David McKeown
18 Easy Gospel Hymns Vol.2 for Solo Tenor Saxophone and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.<br> <br> <br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal.<br> <br> <br> <br> The hymns are in alphabetical order and are as follows<br> <br> <br> <br> · O Mary Don’t You Weep, <br> <br> · O When the Saints, <br> <br> · Old Time Religion, <br> <br> · Onward Christian Soldiers, <br> <br> · Rock of Ages, <br> <br> · Shall We Gather at the River, <br> <br> · Stand Up, Stand Up for Jesus, <br> <br> · Standing in the Need of Prayer, <br> <br> · Swing Low Sweet Chariot, <br> <br> · Steal Away, <br> <br> · There is a Fountain Filled with Blood, <br> <br> · There is Power in the Blood, <br> <br> · This Little Light of Mine, <br> <br> · Wade in the Water, <br> <br> · Were You There? <br> <br> · What a Friend We Have in Jesus, <br> <br> · When the Roll Is Called Up Yonder, <br> <br> · When We All Get to Heaven.
$8.49
7.8 €
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Saxophone Tenor et Piano
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Various
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Worship
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18 Gospel Hymns Vol.2 for Solo Tenor Saxophone and Piano
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David McKeown
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SheetMusicPlus
Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, …
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his<br> <br> own melody over a rippling keyboard accompaniment which was a slightly adapted version of the<br> <br> Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,<br> <br> published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de<br> <br> Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major<br> <br> into F major and it was scored for violin (or cello), organ and piano. In 1859, the French<br> <br> music publishing company Jacques-Léopold Heugel brought out a vocal version based on the<br> <br> familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the<br> <br> Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
7.3 €
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Saxophone Tenor et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
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