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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Roy M
Non classifié
106
Piano & claviers
Piano seul
34
Orgue
23
Piano, Voix et Guitare
14
Piano Facile
7
Piano, Voix
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Trio: piano, violon, violoncelle
1
1 Piano, 4 mains
1
Instruments en Do
1
+ 4 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
138
Guitare notes et tablatures
6
Guitare
4
Paroles et Accords
2
Guitare, Violon, Violoncelle (trio)
1
Orchestre à Plectres
1
Ukulele
1
Banjo
1
2 Guitares (duo)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
10
Chorale
3
Voix basse, Piano
2
Chorale 2 parties
2
Voix Baryton, Piano
1
Chorale Unison
1
Chorale 3 parties
1
Voix duo, Piano
1
+ 3 instrumentations
Retracter
Vents
Saxophone Alto et Piano
4
Quintette de Saxophone: 5 saxophones
4
Ensemble de saxophones
4
Hautbois, Piano (duo)
4
Ensemble de Clarinettes
4
Clarinette et Piano
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Saxophone Baryton, Piano
3
Quatuor de Clarinettes: 4 clarinettes
3
Cor anglais, Piano
3
Clarinette
3
Quatuor de Flûtes : 4 flûtes
3
Saxophone Tenor et Piano
3
Flûte traversière et Piano
2
Clarinette (partie séparée)
2
Quatuor de Flûtes à bec
2
Clarinette Basse, Piano
2
Flûte traversière
1
Quintette de Flûte : 5 flûtes
1
Ensemble de Flûtes
1
Quatuor de Saxophones: 4 saxophones
1
Piccolo, Piano
1
2 Flûtes traversières (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
3 Saxophones (trio)
1
Saxophone et Guitare
1
Saxophone
1
2 Clarinettes (duo)
1
Saxophone Soprano et Piano
1
Flûte, Hautbois, Clarinette, Basson
1
+ 25 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trompette
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor anglais, Piano
3
Euphonium, Piano (duo)
3
Cor et Piano
2
Trombone et Piano
2
Ensemble de Trombones
2
Ensemble de Trompettes
1
Trompette (partie séparée)
1
Trombone
1
Quatuor de cuivres: 4 cors
1
Trompette, Piano
1
2 Cors (duo)
1
+ 10 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
23
Trio à Cordes: violon, alto, violoncelle
13
Violon et Piano
6
Alto, Piano
4
Violoncelle, Piano
3
Violoncelle
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à Cordes: 3 violoncelles
1
2 Violons (duo)
1
Violon
1
Contre Basse
1
Violoncelle , Guitare (duo)
1
Ensemble d'Altos
1
Ensemble de Violons
1
Harpe
1
Violon, Violoncelle (duo)
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
29
Orchestre à Cordes
18
Orchestre
5
Ensemble de cuivres
4
Orchestre de chambre
3
Batterie
3
Ensemble Jazz
2
Fanfare
1
+ 3 instrumentations
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Autres
Instruments
ACCORDEON
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CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
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CONTEMPORAIN - 20-21…
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ENFANTS : EVEIL - IN…
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GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Roy M
Saxophone Tenor et Piano
Partitions à imprimer
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Flower Of Scotland (Unofficial Scottish National Anthem)
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Patriotique
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Roy M
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Dominic Meccia
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Flower Of Scotland
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Dominic Meccia
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano and Keyboard,Tenor Saxophone - Level 3 - Interactive Download SKU: A0.1101804 Composed by Roy M. B. Williamson....
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Instrumental Duet Instrumental Duet,Piano and Keyboard,Tenor Saxophone - Level 3 - Interactive Download SKU: A0.1101804 Composed by Roy M. B. Williamson. Arranged by Dominic Meccia. This edition: Interactive Download. Children,Folk,Holiday. Score and parts. 5 pages. Duration 72. Dominic Meccia #5FEfWO3yQ3101iJrupGm41. Published by Dominic Meccia (A0.1101804). Key: G major.
$5.99
Sullivan: The Lost Chord for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for T
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497143. Published by jmsgu3 (A0.549447). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Handel: Largo from Xerxes for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549385 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Weddi...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549385 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492303. Published by jmsgu3 (A0.549385). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
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