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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
SOME SAY
Non classifié
246
Piano & claviers
Piano seul
243
Piano, Voix
157
Piano, Voix et Guitare
79
Piano Facile
56
Instruments en Do
10
Orgue
7
1 Piano, 4 mains
6
Accordéon
5
Piano grosses notes
3
2 Pianos, 4 mains
3
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Piano (partie séparée)
1
Clavecin
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
35
Guitare
26
Ukulele
14
Ligne De Mélodie, (Paroles) et Accords
12
Paroles et Accords
9
Dulcimer
2
Basse electrique
2
Guitare (partie séparée)
2
Mandoline
2
Ensemble de guitares
1
Piano, Guitare (duo)
1
2 Guitares (duo)
1
Banjo
1
3 Guitares (trio)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
93
Chorale 3 parties
31
Chorale SSAA
10
Voix seule
8
Chorale 2 parties
8
Chorale TTBB
6
Chorale
5
Pack Instrumental pour Chorale
4
Voix Soprano, Piano
3
Chorale Unison
3
Voix haute
3
Voix Baryton, Piano
2
Voix duo, Piano
2
Voix duo
1
Voix Tenor
1
Voix moyenne, Piano
1
Voix basse, Piano
1
Chorale SSATTB
1
+ 13 instrumentations
Retracter
Vents
Clarinette
28
Saxophone
24
Flûte traversière
20
2 Flûtes traversières (duo)
18
Clarinette et Piano
18
Saxophone Alto et Piano
17
Saxophone (partie séparée)
17
Flûte traversière et Piano
17
Hautbois (partie séparée)
16
Quatuor de Saxophones: 4 saxophones
11
Saxophone Alto
9
Saxophone Soprano et Piano
9
Hautbois, Piano (duo)
9
Saxophone Tenor
8
2 Saxophones (duo)
8
Saxophone Tenor et Piano
7
2 Clarinettes (duo)
7
Flûte et Guitare
6
Flûte, Hautbois, Clarinette, Basson
6
Quatuor de Clarinettes: 4 clarinettes
5
Quintette de Clarinettes: 5 clarinettes
4
Saxophone, Clarinette (duo)
3
Flûte, Clarinette (duo)
3
Flute (partie séparée)
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Ensemble de Clarinettes
3
Ocarina
2
Flûte à Bec
2
Clarinette, Violon (duo)
2
Flûte, Alto et Piano
2
Cor anglais, Piano
2
Instruments en Mib
2
Cor anglais, Guitare (duo)
2
Saxophone et Guitare
2
Clarinette, Guitare (duo)
2
Flûte, Violon
2
Saxophone Baryton, Piano
2
3 Clarinettes (trio)
2
Flûte, Trompette (duo)
1
Hautbois, Flûte
1
Hautbois, Basson (duo)
1
Clarinette et Alto
1
Saxophone et Orgue
1
Clarinette, Harpe (duo)
1
Clarinette Basse, Piano
1
Hautbois, Clarinette (duo)
1
3 Saxophones (trio)
1
Flûte, Alto (duo)
1
Ensemble de Flûtes
1
Hautbois, Guitare (duo)
1
Trio de Flûtes: 3 flûtes
1
2 Flûte à bec (duo)
1
2 Hautbois (duo)
1
Flûte, Violon, Piano
1
Quintette de Saxophone: 5 saxophones
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Saxophone (duo)
1
Hautbois
1
+ 53 instrumentations
Retracter
Cuivres
Trompette
23
Trombone
19
Cor et Piano
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trompette (partie séparée)
7
Trombone et Piano
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Cor
6
Tuba
6
Tuba et Piano
5
Trompette, Piano
5
Trombone (partie séparée)
4
2 Trombones (duo)
4
2 Trompettes (duo)
4
Euphonium
3
Cor anglais, Piano
2
Trompette, Saxophone (duo)
2
Cor anglais, Guitare (duo)
2
Trompette, Trombone (duo)
2
Instruments en Sib
2
Tuba (partie séparée)
1
Trompette, Tuba (duo)
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 4 cors
1
Bass Clef Instruments
1
Cor (partie séparée)
1
+ 21 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
50
Violon
24
Violon et Piano
17
2 Violons (duo)
14
Violoncelle
14
Harpe
14
Alto seul
13
Alto, Piano
11
Violoncelle, Piano
10
2 Violoncelles (duo)
8
Violon, Violoncelle (duo)
7
Violoncelle , Guitare (duo)
4
2 Harpes (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
4 Violoncelles
2
Contrebasse (partie séparée)
2
Violon, Alto (duo)
2
Alto, Guitare (duo)
2
Alto (partie séparée)
2
2 Altos (duo)
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Violoncelle, Contrebasse (duo)
1
Harpe, Flûte (duo)
1
Contrebasse, Piano (duo)
1
Violon, Guitare (duo)
1
Contre Basse
1
Harpe, Violon (duo)
1
2 Violoncelles, Piano
1
Alto, Violoncelle (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
47
Orchestre
16
Orchestre à Cordes
12
Ensemble de cuivres
10
Ensemble Jazz
10
Orchestre de chambre
7
Jazz combo
5
Ensemble de Percussions
4
Fanfare
3
Batterie (partie séparée)
1
Batterie
1
Marimba
1
Cloches
1
Marimba, Piano (duo)
1
+ 9 instrumentations
Retracter
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CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
TROMBONE
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VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
SOME SAY
Saxophone Tenor et Piano
Partitions à imprimer
7 partitions trouvées
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1
Time To Say Goodbye
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Saxophone Tenor et Piano
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AVANCÉ
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Opera
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Classique
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Andrea Bocelli & Sarah Brightm
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Austin Ralphson
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Time To Say Goodbye
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Austin Ralphson
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SheetMusicPlus
Piano,Tenor Saxophone - Level 5 - SKU: A0.563296 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by Austin Ralphson. Opera. Score an...
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Piano,Tenor Saxophone - Level 5 - SKU: A0.563296 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by Austin Ralphson. Opera. Score and part. 9 pages. Austin Ralphson #3538073. Published by Austin Ralphson (A0.563296). This is probably one of the most beautiful melodies I have ever heard. This song was popular in 1994, and the lyrics are often misinterpreted. The song is about saying goodbye to an old life on the eve of something new, e.g. wedding, birth etc. It is very popular to perform at weddings and also in recital and always goes down very well indeed.
$7.99
Have You Ever Seen The Rain?
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Saxophone Tenor et Piano
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DÉBUTANT
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Creedence Clearwater Revival
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Josiel Oliveira
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Have You Ever Seen The Rain?
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M das Melodias
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1096081 By Creedence Clearwater Revival. By John Fogerty. Arranged by Josiel Oliveira. Multicultural,Pop,World...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1096081 By Creedence Clearwater Revival. By John Fogerty. Arranged by Josiel Oliveira. Multicultural,Pop,World. Score and part. 1 pages. M das Melodias #700032. Published by M das Melodias (A0.1096081). Play this beautiful song with your favorite instrument. Sheet music of the song Have You Ever Seen The Rain by Creedence Clearwater Revival for Tenor Saxophone. Easy level. Someone told me long ago There's a calm before the storm I know It's been coming for some time When it's over so they say It'll rain a sunny day I know Shining down like water I want to know Have you ever seen the rain I want to know Have you ever seen the rain Coming down on a sunny day Yesterday and days before Sun is cold and rain is hard I know Been that way for all my time 'Til forever on it goes Through the circle, fast and slow I know It can't stop, I wonder I want to know Have you ever seen the rain I want to know Have you ever seen the rain Coming down on a sunny day (Yeeaahh) I want to know Have you ever seen the rain I want to know Have you ever, ever seen the rain Coming down on a sunny day.
$4.99
O Come All Ye Faithful for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Ten
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548516 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jm...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548516 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388133. Published by jmsgu3 (A0.548516). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
A Night In Tunisia
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and ...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5898999. Published by Keith Terrett (A0.747020). A great sounding arrangement of A Night in Tunisia arranged for Bb Tenor Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
Luther: Out of the Depths for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score a...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411761. Published by jmsgu3 (A0.548723). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
I Love You Truly-Tenor saxophone/piano
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Saxophone Tenor et Piano
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FACILE
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Phil Beaman
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I Love You Truly-Tenor saxopho
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Phil Beaman
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.844632 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.844632 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413829. Published by Phil Beaman (A0.844632). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
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SOME SAY
