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Sam M Romantic
Non classifié
54
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55
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10
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7
1 Piano, 4 mains
3
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2
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2
Piano, Voix et Guitare
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1
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1
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14
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12
Saxophone Alto et Piano
11
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10
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8
Saxophone Tenor et Piano
5
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5
Saxophone Baryton, Piano
4
2 Flûtes traversières (duo)
4
2 Saxophones (duo)
4
Clarinette Basse, Piano
4
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2
Clarinette
2
Flûte traversière
2
2 Clarinettes (duo)
1
Clarinette Basse
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Saxophone Alto
1
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1
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1
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1
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Flûte à bec Soprano
1
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Cor et Piano
9
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5
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5
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4
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4
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4
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2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
2 Cors (duo)
1
2 Trombones (duo)
1
2 Trompettes (duo)
1
2 Euphoniums (duo)
1
Cor anglais, Piano
1
Trombone
1
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33
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32
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23
Violon
22
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11
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10
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9
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5
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5
Violoncelle
2
2 Violons, Piano
1
Alto, Guitare (duo)
1
2 Violons (duo)
1
Violon, Guitare (duo)
1
2 Violoncelles (duo)
1
Trio à Cordes: 2 violons, alto
1
Alto seul
1
2 Altos (duo)
1
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22
Orchestre d'harmonie
5
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Marimba
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--INSTRUMENTS--
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Vous avez sélectionné:
Sam M Romantic
Saxophone Tenor et Piano
Partitions à imprimer
5 partitions trouvées
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Ave Maria by Bach and Gounod (tenor sax and piano)
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach, Charles
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Daniel C
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Ave Maria by Bach and Gounod
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Daniel C. M.
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.810140 Composed by Johann Sebastian Bach, Charles Gounod. Arranged by Daniel C. M. Baroque,Concert,Romantic Pe...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.810140 Composed by Johann Sebastian Bach, Charles Gounod. Arranged by Daniel C. M. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 4 pages. Daniel C. M. #5206379. Published by Daniel C. M. (A0.810140). This beautiful work of art is now arranged for tenor saxophone and piano. The melody and the accompaniment are basically the same as the original for violin and piano by Gounod.
$3.99
Ave Maria for tenor saxophone and piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Franz Schubert
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Daniel C
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Ave Maria for tenor saxophone
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Daniel C. M.
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.810139 Composed by Franz Schubert. Arranged by Daniel C. M. Concert,Romantic Period,Standards,Wedding. Score a...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.810139 Composed by Franz Schubert. Arranged by Daniel C. M. Concert,Romantic Period,Standards,Wedding. Score and part. 3 pages. Daniel C. M. #5205379. Published by Daniel C. M. (A0.810139). This is an easy arrangement for the piano accompaniment. The saxophone part is almost the same as the original for voice but with a few changes to make it easier. The famous broken chords in the accompaniment are simplified from double notes to single notes and the result is a quasi Chopin-like nocturne. Perfect for early intermiediate piano students or saxophone teachers who want to play with their students with an easier but still enjoyable piano part. .
$3.99
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
DvoÅ™ák: Largo from the New World Symphony for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549424 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,S...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549424 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494011. Published by jmsgu3 (A0.549424). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Bohm: Calm as the Night for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Carl Bohm
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James M
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Bohm: Calm as the Night for Te
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549404 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. S...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549404 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493501. Published by jmsgu3 (A0.549404). Duration: ca. 4:00, Score: 7 pages, solo part: 2 page, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
$26.95
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Sam M Romantic 
