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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Seven Years
Sheetmusicplus
Non classifié
49
Piano & claviers
Piano, Voix
60
Piano seul
36
Piano, Voix et Guitare
11
1 Piano, 4 mains
8
Piano Facile
7
Instruments en Do
3
Orgue
3
Piano Trio: piano, violon, violoncelle
1
+ 3 instrumentations
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Guitares
Ukulele
3
Guitare notes et tablatures
3
Ligne De Mélodie, (Paroles) et Accords
2
Guitare
1
2 Guitares (duo)
1
Voix
Chorale SATB
7
Chorale 3 parties
2
Voix haute
2
Chorale 2 parties
1
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1
Voix basse, Piano
1
Chorale SSATTB
1
Chorale SSAATB
1
+ 3 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
10
2 Flûte à bec (duo)
6
Saxophone Alto
6
Saxophone Tenor
5
2 Saxophones (duo)
5
Saxophone (partie séparée)
3
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3
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3
Clarinette et Piano
3
Clarinette
3
Clarinette, Violon (duo)
2
Flûte traversière et Piano
2
2 Clarinettes (duo)
2
Clarinette, Trompette (duo)
2
Cor anglais, Piano
2
Saxophone Tenor et Piano
2
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2
2 Flûtes traversières (duo)
2
Saxophone Baryton, Piano
2
Hautbois, Piano (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone Alto et Piano
2
Saxophone Soprano et Piano
2
Hautbois, Clarinette (duo)
1
Clarinette, Harpe (duo)
1
Clarinette et Alto
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Basson (duo)
1
Flûte traversière
1
2 Hautbois (duo)
1
Flûte, Violon
1
Flûte, Alto (duo)
1
Flûte à bec Soprano, Piano
1
Hautbois, Flûte
1
Saxophone et Orgue
1
Clarinette Basse, Piano
1
Clarinette, Guitare (duo)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte, Trompette (duo)
1
Flûte, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
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8
2 Trompettes (duo)
2
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2
Trompette
2
Cor anglais, Piano
2
Cor et Harpe
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Ensemble de Trombones
1
2 Trombones (duo)
1
Quatuor de Cuivres
1
Trompette, Piano
1
Euphonium, Piano (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone et Piano
1
Trompette, Trombone (duo)
1
Trompette, Harpe
1
+ 11 instrumentations
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Violon et Piano
9
Violon
5
Quatuor à cordes: 2 violons, alto, violoncelle
4
Violoncelle
4
Violoncelle, Piano
3
Trio à Cordes: violon, alto, violoncelle
2
Alto seul
2
2 Violons (duo)
1
Alto, Piano
1
Alto et Harpe
1
Violon, Alto (duo)
1
2 Altos (duo)
1
2 Violoncelles (duo)
1
Alto, Guitare (duo)
1
Violon, Violoncelle (duo)
1
+ 10 instrumentations
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Orchestre d'harmonie
50
Orchestre à Cordes
6
Orchestre
6
Cloches
4
Ensemble de cuivres
3
Ensemble Jazz
3
Orchestre de chambre
1
Piano et Orchestre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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Seven Years
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It's Been A Long, Long Time
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.592552 Composed by Jule …
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.592552 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366363. Published by David McKeown (A0.592552). It’s Been a Long Long Time is arranged as a solo for one Tenor Saxophone with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.51 €
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Saxophone Tenor et Piano
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Mendelssohn: Wedding March for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix…
(+)
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
$32.95
30.32 €
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Saxophone Tenor et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Tenor Sax & Piano
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jmsgu3
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