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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sonata 8
Non classifié
259
Piano & claviers
Piano seul
335
Piano Facile
27
Orgue
11
Piano, Voix
7
1 Piano, 4 mains
5
2 Pianos, 4 mains
3
Piano Trio: piano, violon, violoncelle
2
Clavecin
1
+ 3 instrumentations
Retracter
Guitares
Guitare
42
Guitare notes et tablatures
11
2 Guitares (duo)
6
4 Guitares (Quatuor)
2
Ligne De Mélodie, (Paroles) et Accords
1
Piano, Guitare (duo)
1
Ukulele
1
Ensemble de guitares
1
Mandoline
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
4
Chorale 3 parties
3
Chorale TTBB
1
Vents
Flûte traversière et Piano
46
2 Flûtes traversières (duo)
36
2 Saxophones (duo)
31
Saxophone Alto et Piano
29
Clarinette et Piano
28
2 Clarinettes (duo)
24
Hautbois, Piano (duo)
23
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Saxophone Tenor et Piano
16
3 Clarinettes (trio)
13
2 Hautbois (duo)
13
Flûte traversière
10
Saxophone Soprano et Piano
10
Quatuor de Clarinettes: 4 clarinettes
9
Clarinette Basse, Piano
9
Flûte, Clarinette (duo)
9
Saxophone Baryton, Piano
9
Quatuor de Saxophones: 4 saxophones
8
Flûte, Violoncelle
8
3 Flûtes à bec (trio)
7
Quintette de Saxophone: 5 saxophones
7
3 Saxophones (trio)
7
Clarinette
7
Hautbois, Basson (duo)
7
Flûte, Hautbois, Basson
7
Trio de Flûtes: 3 flûtes
6
Clarinette, Violon (duo)
6
Clarinette, Basson (duo)
6
Flûte, Clarinette et Basson
6
Flûte, Hautbois, Clarinette (trio)
6
Hautbois, Clarinette (duo)
6
Flûte, Hautbois, Clarinette, Basson
5
Clarinette, Violoncelle (duo)
5
2 Cors Anglais Et Pianoforte
5
2 Flûte à bec (duo)
5
Quintette de Clarinettes: 5 clarinettes
5
Flûte et Guitare
5
Flûte, Alto (duo)
4
Clarinette et Alto
4
Piccolo, Piano
4
Flûte à bec Alto, Basse continue
3
Flûte à bec Alto, Piano
3
Flûte à bec Tenor
3
Ensemble de saxophones
3
Cor anglais, Piano
3
Ensemble de Flûtes
3
Quatuor de Flûtes : 4 flûtes
3
2 Clarinettes, Basson
3
Ensemble de Clarinettes
3
Flûte, Violon, Piano
2
Flûte traversière, Basse continue
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Ensemble De Flûte à bec
2
Flûte, Violon et Violoncelle
2
Clarinette, Guitare (duo)
2
Saxophone Soprano
1
Flûte à bec Soprano
1
Quintette de Flûte : 5 flûtes
1
Saxophone et Guitare
1
Quatuor de Flûtes à bec
1
Flûte, Saxophone (duo)
1
Saxophone Tenor
1
Cor anglais, Guitare (duo)
1
Flûte, Basson et Piano
1
Saxophone Alto
1
Saxophone, Clarinette (duo)
1
Flûte à Bec
1
Flûte à bec Soprano, Piano
1
Flûte à Bec, Piano
1
+ 64 instrumentations
Retracter
Cuivres
Trombone et Piano
15
Cor et Piano
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette, Piano
13
2 Trompettes (duo)
11
2 Cors (duo)
11
Tuba et Piano
10
2 Trombones (duo)
10
2 Euphoniums (duo)
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Cor
6
2 Tubas (duo)
6
2 Cors Anglais Et Pianoforte
5
Euphonium, Piano (duo)
5
Ensemble de Trombones
4
Trompette
3
Cor anglais, Piano
3
Quatuor de cuivres: 4 cors
3
Trombone
2
Quatuor de Cuivres
2
Trombone basse et Piano
2
3 Trombones (trio)
2
3 Trompettes (trio)
1
Trompette, Trombone (duo)
1
3 Cors (trio)
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trombones
1
Trio de Cuivres
1
Cor anglais, Guitare (duo)
1
3 Tubas (trio)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Ensemble de Trompettes
1
+ 27 instrumentations
Retracter
Cordes
Violon et Piano
57
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violon
41
Alto, Piano
35
Violoncelle, Piano
30
2 Violons (duo)
22
Violon, Violoncelle (duo)
14
Violon (partie séparée)
12
2 Altos (duo)
12
Violoncelle
12
2 Violoncelles (duo)
11
Violon, Alto (duo)
11
Trio à Cordes: violon, alto, violoncelle
10
Violoncelle, Basse continue
7
Alto seul
6
2 Contrebasses (duo)
6
Trio à Cordes: 2 violons, violoncelle
5
Contrebasse, Piano (duo)
4
Violon, Basson (duo)
4
Alto, Violoncelle (duo)
3
Alto (partie séparée)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violoncelle (partie séparée)
3
Violon, Basse continue
3
Trio à cordes: 3 violins
3
Alto, Guitare (duo)
2
2 Violons, Piano
2
4 Violoncelles
1
Ensemble de Violons
1
2 Violons et Basse continue
1
Ensemble d'Altos
1
Harpe
1
Flûte, Contrebasse (duo)
1
Contre Basse
1
Violoncelle , Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes
1
2 Harpes (duo)
1
Contrebasse (partie séparée)
1
Violon, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
26
Orchestre d'harmonie
12
Orchestre
6
Ensemble de cuivres
4
Orchestre de chambre
3
Ensemble Jazz
3
Cloches
1
+ 2 instrumentations
Retracter
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ACCORDEON
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AUTRES INST…
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BASSON
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DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
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PERCU. ORCH…
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SAXOPHONE
SYNTHE
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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Vous avez sélectionné:
Sonata 8
Saxophone Tenor et Piano
Partitions à imprimer
16 partitions trouvées
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1
Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic P...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516585. Published by jmsgu3 (A0.549642). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Telemann: Four Sonatas for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Georg Philipp Telemann
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James Guthrie, ASCAP
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Telemann: Four Sonatas for Ten
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.551683 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Sta...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.551683 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and part. 130 pages. Jmsgu3 #5330597. Published by jmsgu3 (A0.551683). I. Sonata in G Major. Duration: 6:45, Score: 19 pages. In four movements:1. Cantabile 2. Allegro 3. Affettuoso 4. AllegroII. Sonata in C Minor. Duration: 11:47, Score: 22 pages. 209 measures. In five movements: 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. AllegroIII. Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace 2. Largo 3. AllegroIV. Sonata in Bb Major. Score: 17 pages, duration: ca. 9:30. In five movements:1. Largo 2. Allegro 3. Allegretto 4. Vivace 5. Allegro.
$49.95
BACH: Sonata in C Major BWV 1033 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James Guthrie, ASCAP
#
BACH: Sonata in C Major BWV 10
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.551574 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,We...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.551574 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5317607. Published by jmsgu3 (A0.551574). BACH: Sonata in C Major BWV 1033, Duration: 8:30, Score:13 pages.1. Andante - Presto2. Allegro3. Adagio4. Menuet I.5. Menuet II.Johann Sebastian Bach was a German composer, musician, organist, and harpsichordist in the Baroque period of music. He is considered one of the greatest and most influential composers of his time and of all time, and his works form an essential part of the standard concert repertoire. Bach is credited with being largely responsible for the development of the sonata form in the Baroque era. He created several new forms of writing, such as the sinfonia and the prelude, which became popular in the Baroque. Bach also regularly combined two or three voice parts in the form of canons or fugues. His forms were complex and innovative and helped to establish the sonata as a form of composition. He composed some of the most famous and beautiful sonatas in music history. Bach's influence on the sonata form was massive.
$32.95
Piano Sonata No. 8, 2nd Movement "Pathetique"(Asdur)Tenor Sax and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Composer:
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pfkaori
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Piano Sonata No. 8, 2nd Moveme
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pfkaorimusic
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1501261 By Composer:. By Composer:. Arranged by pfkaori. Classical. Score and part. 6 pages. Pfkaorimusic #107...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1501261 By Composer:. By Composer:. Arranged by pfkaori. Classical. Score and part. 6 pages. Pfkaorimusic #1077220. Published by pfkaorimusic (A0.1501261). Composer: Beethoven Song: Piano Sonata No. 8, 2nd Movement Pathétique Arrangement: Tenor Sax and Piano Level: Intermediate Key: Asdur *Levels vary from person to person. *Sax in B♭.
$6.00
Piano Sonata No. 8, 2nd Movement "Pathetique"(Cdur)Tenor Sax and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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pfkaori
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Piano Sonata No. 8, 2nd Moveme
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pfkaorimusic
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1502796 By Ludwig van Beethoven. By Ludwig van Beethoven. Arranged by pfkaori. Classical. Score and part. 6 pa...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1502796 By Ludwig van Beethoven. By Ludwig van Beethoven. Arranged by pfkaori. Classical. Score and part. 6 pages. Pfkaorimusic #1078463. Published by pfkaorimusic (A0.1502796). Composer: Beethoven Song: Piano Sonata No. 8, 2nd Movement Pathétique Arrangement: Tenor Sax and Piano Level: Intermediate Key: Cdur *Levels vary from person to person. *Sax in B♭.
$6.00
Sonata "Funtasies" for Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Sonata "Funtasies" f
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Sy Brandon
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.754959 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3225729. Publi...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.754959 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3225729. Published by Sy Brandon (A0.754959). This composition was composed for Jeffrey Kyle Hutchins, saxophone and EunHye Grace Choi, piano. It is in four movements. The first movement Boisterous is not in the classical sonata form, however, it does reflect sonata-like qualities with contrasting themes. It is very rhythmic and uses the interval of the fourth for its melodic and harmonic material. The second movement Whimsical’ is in a moderate tempo with five beats per measure. It is very playful as it alternates diatonic with chromatic passages with outbursts of musical laughter. Movement 3 Witty is in a scherzo style. The melody and harmony are based on thirds but are not in any clear key because the thirds will freely vary between major and minor creating an atonal quality. Contrast between staccato and legato is another way the movement is witty. The last movement is called Teasing and is in a modified Rondo form ABACBA. The teasing occurs in many different ways. The first appearance is the way the movement seems to stop and start as if promising a longer line, but not delivering. In the B section, the left hand of the piano plays a syncopated idea consisting of wide intervals and frequent rests. The right hand inserts a jeering four-note motive. The saxophone plays a melodic idea centered around a descending minor third, the universal teasing chant interval. The C section is in 7/8 and acts as a chase scene, as if a game of tag is being played. The ending continues the teasing by avoiding a strong cadence with deceptive chords and melodic lines of vague tonality/modality.
$14.99
Adagio Cantabile from Sonata 'Pathetique'
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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L
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Ian Fitze
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Adagio Cantabile from Sonata '
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Ian Fitze
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1395899 Composed by L. v. Beethoven. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romant...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1395899 Composed by L. v. Beethoven. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 8 pages. Ian Fitze #979276. Published by Ian Fitze (A0.1395899). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.A transcription of Beethoven's beautiful Adagio Cantabile from the well-known 'Pathtique' Piano Sonata. Arranged to highlight the versatility of the Tenor Saxophone as a solo instrument. Some aspects of the Piano/keyboard accompaniment have been adjusted to suit the pairing with Tenor Saxophone.
$1.99
Telemann: Sonata in F Major for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Georg Philipp Telemann
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James M
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Telemann: Sonata in F Major fo
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.550847 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Standards,We...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.550847 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Standards,Wedding. Score and part. 15 pages. Jmsgu3 #4839627. Published by jmsgu3 (A0.550847). Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace2. Largo3. Allegro.
$32.95
Sonata
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Anonymus
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Jan Valta
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Sonata
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Editions Marc Reift - Digital
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SheetMusicPlus
Tenor Saxophone & Piano - Grade 3 - SKU: R0.40258 Composed by Anonymus. Arranged by Jan Valta. Tenor Saxophone & Piano. Score and parts. 8 pages. Durati...
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Tenor Saxophone & Piano - Grade 3 - SKU: R0.40258 Composed by Anonymus. Arranged by Jan Valta. Tenor Saxophone & Piano. Score and parts. 8 pages. Duration 6'10. Editions Marc Reift - Digital #40258. Published by Editions Marc Reift - Digital (R0.40258).
$8.95
Sonata in Bb Major
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Jean-Baptiste Loeillet
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Colette Mourey
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Sonata in Bb Major
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Editions Marc Reift - Digital
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SheetMusicPlus
Tenor Saxophone & Piano - Grade 3 - SKU: R0.31334 Composed by Jean-Baptiste Loeillet. Arranged by Colette Mourey. Tenor Saxophone & Piano. Score and par...
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Tenor Saxophone & Piano - Grade 3 - SKU: R0.31334 Composed by Jean-Baptiste Loeillet. Arranged by Colette Mourey. Tenor Saxophone & Piano. Score and parts. 10 pages. Duration 8'37. Editions Marc Reift - Digital #31334. Published by Editions Marc Reift - Digital (R0.31334).
$6.95
Sonata No.8 "Pathetique", 2nd movement (Beethoven) - tenor sax and piano with FREE BACKING TRACK
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Saxophone Tenor et Piano
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Austin Ralphson
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Sonata No.8 "Pathetique&q
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Austin Ralphson
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SheetMusicPlus
Piano,Tenor Saxophone - Level 5 - SKU: A0.1173975 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 10 p...
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Piano,Tenor Saxophone - Level 5 - SKU: A0.1173975 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 10 pages. Austin Ralphson #774132. Published by Austin Ralphson (A0.1173975). This slow movement is one of the most well-known from the classical repertoire, with its lovely, floating melody and rippling accompaniment. It is in rondo form and was originally in A flat major, but has been transposed here to suit the instrument for which it was arranged.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/TnZBbLvL3hA and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/1Z7cB
$3.99
COMPLETE Book of 10 Beautiful Tenor Sax Solos for Fun - various levels with FREE BACKING TRACKS
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Puccini, Saint-Saens, Rachmani
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Austin Ralphson
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COMPLETE Book of 10 Beautiful
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Austin Ralphson
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.1178847 Composed by Puccini, Saint-Saens, Rachmaninoff, Schumann, Debussy, Satie, Beethoven, Handel. Arranged ...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.1178847 Composed by Puccini, Saint-Saens, Rachmaninoff, Schumann, Debussy, Satie, Beethoven, Handel. Arranged by Austin Ralphson. 19th Century,20th Century,Classical,Wedding. Score and part. 74 pages. Austin Ralphson #778815. Published by Austin Ralphson (A0.1178847). This is a book of beuatiful and popular solo pieces arranged with piano accompaniment (or optional free backing track); it comprises both volumes from the '5 Beautiful Solos for Fun' series, making a total of 10 solos in this set. The difficulty levels range from intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that the lyrical qualities of these melodies are emphasised by the solo instrument. Good control of the instrument and careful tuning will be needed throughout. A piano score is provided for each piece, as is a solo part as well. This is the full list:1. Nessun Dorma (Puccini)2. Vocalise (Rachmaninoff)3. The Swan (Saint-Saens)4. Gymnopédie No.1 (Satie)5. Träumerei (R. Schumann)6. The Girl With The Flaxen Hair (Debussy)7. Gnossienne No. 1 (Satie)8. Sonata No.8 Pathetique, 2nd movement (Beethoven)9. Clair De Lune (Debussy)10. Largo from 'Xerxes' (Handel)Free backing tracks are provided for each piece; these can be heard by visiting https://www.youtube.com/channel/UCPhyKv6OeJfWvkmNIkzAjhA and this link is also printed in the front of the book for future use.
$14.99
5 More Beautiful Tenor Sax Solos for Fun - with FREE BACKING TRACKS & piano accompaniment
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Debussy, Satie, Beethoven, Han
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Austin Ralphson
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5 More Beautiful Tenor Sax Sol
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Austin Ralphson
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.1178903 Composed by Debussy, Satie, Beethoven, Handel. Arranged by Austin Ralphson. 19th Century,20th Century,...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.1178903 Composed by Debussy, Satie, Beethoven, Handel. Arranged by Austin Ralphson. 19th Century,20th Century,Classical,Romantic Period,Wedding. Score and part. 43 pages. Austin Ralphson #778873. Published by Austin Ralphson (A0.1178903). This is a second book of 5 solo arrangements with piano accompaniment (or backing tracks). It contains 5 more of the most beautiful and lyrical slow melodies ever composed. They range from Intermediate to Advanced level in difficulty; a solo part and a piano accompaniment are provided for each piece, as is a backing track on YouTube. This is the full list:1. The Girl With The Flaxen Hair (Debussy)2. Gnossienne No. 1 (Satie)3. Sonata No.8 Pathetique, 2nd movement (Beethoven)4. Clair De Lune (Debussy)5. Largo from 'Xerxes' (Handel)Free backing tracks are provided for each piece; these can be heard by visiting https://www.youtube.com/channel/UCPhyKv6OeJfWvkmNIkzAjhA and this link is also printed in the front of the book for future use.You can also get both books in this series - 10 solos in total - for only $14.99 at this link.
$9.99
Largo
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Jirka Kadlec
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Largo
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Editions Marc Reift - Digital
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SheetMusicPlus
From Violin Sonata No. 4 in C minor BWV 1017. Composed by Johann Sebastian Bach (1685- 1750). Arranged by Jirka Kadlec. Tenor Saxophone & Piano. Sc...
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From Violin Sonata No. 4 in C minor BWV 1017. Composed by Johann Sebastian Bach (1685- 1750). Arranged by Jirka Kadlec. Tenor Saxophone & Piano. Score and parts. 8 pages. Duration 4'08. Editions Marc Reift - Digital #41229. Published by Editions Marc Reift - Digital
$6.95
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Schubert: Ave Maria for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Tenor
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548700 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and ...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548700 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411149. Published by jmsgu3 (A0.548700). A Tenor Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
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