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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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MARIMBA
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SYNTHETISEUR
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TROMPETTE
TUBA
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VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sonata C major
Non classifié
173
Piano & claviers
Piano seul
408
Piano Facile
31
1 Piano, 4 mains
10
Piano, Voix
5
Orgue
5
Piano Trio: piano, violon, violoncelle
2
Piano, Voix et Guitare
2
Clavecin
2
Instruments en Do
2
2 Pianos, 4 mains
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
+ 8 instrumentations
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Guitares
Guitare
21
Guitare notes et tablatures
8
2 Guitares (duo)
4
Paroles et Accords
3
Banjo
2
Mandoline, Piano (duo)
1
Ukulele
1
3 Guitares (trio)
1
+ 3 instrumentations
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Voix
Chorale 2 parties
4
Chorale 3 parties
2
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1
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1
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1
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41
Flûte traversière et Piano
32
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20
Flûte et Guitare
13
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11
Flûte, Hautbois, Clarinette, Basson
10
Clarinette et Piano
9
Flûte à bec Alto, Basse continue
8
Quatuor de Flûtes : 4 flûtes
7
Clarinette
6
Saxophone Soprano et Piano
6
3 Clarinettes (trio)
6
2 Flûte à bec (duo)
5
Saxophone Tenor et Piano
5
Saxophone Alto et Piano
5
2 Flûtes traversières (duo)
5
Hautbois, Piano (duo)
5
Flute (partie séparée)
4
Quatuor de Clarinettes: 4 clarinettes
4
Flûte à Bec, Piano
3
Quatuor de Saxophones: 4 saxophones
3
Cor anglais, Piano
3
Saxophone Baryton, Piano
3
Ensemble de Clarinettes
2
3 Saxophones (trio)
2
2 Clarinettes (duo)
2
2 Saxophones (duo)
2
Ensemble de Flûtes
2
Saxophone Tenor
2
Trio de Flûtes: 3 flûtes
2
Saxophone Alto
2
Flûte, Violon et Violoncelle
2
Clarinette, Guitare (duo)
2
Clarinette Basse, Piano
2
Flûte, Violon, Piano
2
Piccolo, Piano
1
3 Flûtes à bec (trio)
1
Clarinette, Violon (duo)
1
Cor anglais, Guitare (duo)
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon
1
Flûte traversière, Basse continue
1
Saxophone (partie séparée)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 40 instrumentations
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Cuivres
Trompette
14
Trombone et Piano
6
Trompette, Piano
5
Euphonium, Piano (duo)
4
Cor anglais, Piano
3
Trombone
3
Tuba et Piano
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
3 Trombones (trio)
2
Cor et Piano
2
Cor
2
2 Trompettes (duo)
2
Trompette (partie séparée)
2
Quatuor de cuivres: 4 trombones
1
Trompette, Trombone (duo)
1
Ensemble de Trombones
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 4 cors
1
+ 13 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violon et Piano
32
Violoncelle, Piano
30
Alto, Piano
17
Violoncelle
11
Violon
11
Trio à Cordes: 2 violons, violoncelle
6
2 Violoncelles (duo)
6
Violon (partie séparée)
6
Violoncelle, Basse continue
5
Violon, Violoncelle (duo)
4
2 Violons (duo)
3
Violoncelle, Contrebasse (duo)
3
Alto seul
3
2 Violons, Piano
3
Violon, Guitare (duo)
2
2 Violons et Basse continue
2
Violon, Alto (duo)
2
Alto (partie séparée)
2
Contrebasse (partie séparée)
1
Violoncelle , Guitare (duo)
1
Contre Basse
1
Alto, Guitare (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Harpe
1
Violon, Basse continue
1
2 Harpes (duo)
1
Contrebasse, Piano (duo)
1
2 Altos (duo)
1
Quatuor à cordes: 4 violons
1
Violoncelle (partie séparée)
1
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Orchestre à Cordes
27
Orchestre de chambre
11
Orchestre d'harmonie
1
Orchestre
1
Ensemble Jazz
1
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
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Vous avez sélectionné:
Sonata C major
Saxophone Tenor et Piano
Partitions à imprimer
5 partitions trouvées
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BACH: Sonata in C Major BWV 1033 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James Guthrie, ASCAP
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BACH: Sonata in C Major BWV 10
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.551574 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,We...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.551574 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5317607. Published by jmsgu3 (A0.551574). BACH: Sonata in C Major BWV 1033, Duration: 8:30, Score:13 pages.1. Andante - Presto2. Allegro3. Adagio4. Menuet I.5. Menuet II.Johann Sebastian Bach was a German composer, musician, organist, and harpsichordist in the Baroque period of music. He is considered one of the greatest and most influential composers of his time and of all time, and his works form an essential part of the standard concert repertoire. Bach is credited with being largely responsible for the development of the sonata form in the Baroque era. He created several new forms of writing, such as the sinfonia and the prelude, which became popular in the Baroque. Bach also regularly combined two or three voice parts in the form of canons or fugues. His forms were complex and innovative and helped to establish the sonata as a form of composition. He composed some of the most famous and beautiful sonatas in music history. Bach's influence on the sonata form was massive.
$32.95
Telemann: Four Sonatas for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Georg Philipp Telemann
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James Guthrie, ASCAP
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Telemann: Four Sonatas for Ten
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.551683 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Sta...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.551683 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and part. 130 pages. Jmsgu3 #5330597. Published by jmsgu3 (A0.551683). I. Sonata in G Major. Duration: 6:45, Score: 19 pages. In four movements:1. Cantabile 2. Allegro 3. Affettuoso 4. AllegroII. Sonata in C Minor. Duration: 11:47, Score: 22 pages. 209 measures. In five movements: 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. AllegroIII. Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace 2. Largo 3. AllegroIV. Sonata in Bb Major. Score: 17 pages, duration: ca. 9:30. In five movements:1. Largo 2. Allegro 3. Allegretto 4. Vivace 5. Allegro.
$49.95
Sonata "Funtasies" for Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Sonata "Funtasies" f
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Sy Brandon
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.754959 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3225729. Publi...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.754959 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3225729. Published by Sy Brandon (A0.754959). This composition was composed for Jeffrey Kyle Hutchins, saxophone and EunHye Grace Choi, piano. It is in four movements. The first movement Boisterous is not in the classical sonata form, however, it does reflect sonata-like qualities with contrasting themes. It is very rhythmic and uses the interval of the fourth for its melodic and harmonic material. The second movement Whimsical’ is in a moderate tempo with five beats per measure. It is very playful as it alternates diatonic with chromatic passages with outbursts of musical laughter. Movement 3 Witty is in a scherzo style. The melody and harmony are based on thirds but are not in any clear key because the thirds will freely vary between major and minor creating an atonal quality. Contrast between staccato and legato is another way the movement is witty. The last movement is called Teasing and is in a modified Rondo form ABACBA. The teasing occurs in many different ways. The first appearance is the way the movement seems to stop and start as if promising a longer line, but not delivering. In the B section, the left hand of the piano plays a syncopated idea consisting of wide intervals and frequent rests. The right hand inserts a jeering four-note motive. The saxophone plays a melodic idea centered around a descending minor third, the universal teasing chant interval. The C section is in 7/8 and acts as a chase scene, as if a game of tag is being played. The ending continues the teasing by avoiding a strong cadence with deceptive chords and melodic lines of vague tonality/modality.
$14.99
Simple Gifts (Tenor Saxophone solo and Piano)
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Saxophone Tenor et Piano
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FACILE
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Classique
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Joseph Brackett, Wolfgang Amad
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Stephen DeCesare
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Simple Gifts
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Exultet Music
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.630115 Composed by Joseph Brackett, Wolfgang Amadeus Mozart. Arranged by Stephen DeCesare. Contest,Festival,Fo...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.630115 Composed by Joseph Brackett, Wolfgang Amadeus Mozart. Arranged by Stephen DeCesare. Contest,Festival,Folk,Sacred,Standards,Traditional. Score and part. 9 pages. Exultet Music #6418935. Published by Exultet Music (A0.630115). The well known Shaker song has been freshly arranged for a Tenor Saxophone solo with Piano accompaniment. This version incorporates two well known pieces by Wolfgang Amadeus Mozart (Piano Sonata Number 16 in C Major and Eine Kleine Nachtmusik). Accessible and appropriate for any church, school or concert setting.
$4.99
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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